Which exchange profile to use

Hi experts,
I have two exchange profiles. One on the XI server and one on the SLD. Do I need to maintain both or just one?
Thanks!

Hi Schotanus,
Your Xi Server profile will work on SLD too.
you dont have to put both.
regards,
Sumit Gupta

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Thanks Carlo for your reply.
I have read again the link and you are correct that in using the preferred command together with localhost under POTS dial-peer, I can now select which correct path to choose for my outbound calls. I'm just not very strong with dial-peer and translation rules at the moment.
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Which sRGB Profile to use (HP sRGB Profile, ICC BPC, ICCnoBPC, or no profile)?

Hi everyone,
May I ask something of you guys? I have a question that no one can seem to answer.
I don't know which is the best profile to use--the HP sRGB Profile, the ICC sRGB BPC, the ICC sRGB with no BPC, or no profile (just colorspace tagged as sRGB).
They are all sRGB_IEC61966-2, but the HP sRGB one that is native to older versions of CS (and possibly newer ones?) does not state whether it is BPC or nonBPC.
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I'm dropping in kind of late, here, and I haven't read the thread thoroughly, but I thought I would add a few cents worth about why you might want to choose certain profiles.
It's important to start with this:
Your choices of color profiles to use for the various functions in your system and for publishing images MUST be made individually, based on how you want to work, and what you anticipate the recipients of your images need.
Understand that there is no "one size fits all" answer, which is why you're given configuration choices. It's important to actually understand color-management to make the proper choices, and many people fail to take the time to do so.
Document Color Profiles
For general web publishing, many folks think it's a good idea to publish images in the sRGB color space and with an embedded sRGB profile. This is because many browsers didn't used to do color management, and Windows in general assumes sRGB. Even today, not all browsers do proper color management, and sRGB is just assumed in some cases. If you are serious about web publishing, you probably want to learn just what Internet Explorer, FireFox, Safari, Chrome, and a number of others (and in all their various versions) actually DO regarding color-management, and knowing your intended audience make your own intelligent choices.
I'll add that as the browser landscape changes (and it is always changing), any "rule of thumb" about which profile to use for web publishing probably needs to be re-evaluated again at intervals in the future.
For sending images to family or friends electronically, pretty much the same thing applies as with web publishing. Assuming a user is looking at the image you just sent him/her in Outlook or another mail client, the app may or may not be doing color management, and sRGB image data is probably most likely to be interpreted without problems. However, you may know something about your recipient's color capabilities and make a different choice.
For sending images to print houses, quite often they want "standard" sRGB images as well. However, if they DO offer wide gamut printing, limiting your images to sRGB will mean you won't get all the advantages of their full color depth and your prints may look a bit dull compared to what they could look like. Don't assume; find out from them what their recommendations are for document color profile. Again, details matter, and the more you know the better choices you can make.
Working Color Profiles
What color spaces you choose to work in in Photoshop have something to do with the results you want to make, and also something to do with the workflow you're willing to adopt. It may be that you prefer to work on color images in sRGB so that he RGB values you manipulate all through your processing will be the very same ones you provide in your published output images. Or you may prefer to work with images of the widest possible gamut because you have need to print or otherwise publish your images with a wider gamut than sRGB. You could even start work with a wide gamut profile (e.g., ProPhoto RGB) for the advantages in maintaining all your images' fidelity, then ultimately publish sRGB - you just have to be sure and make the proper conversion at some point in the workflow.
It's important to note that Photoshop's Color Settings define your preferences - i.e., how you want Photoshop to handle things (or set defaults or just let you know) when there are choices. Personally, I like to check all the boxes so that I will be asked if an image isn't in my preferred color space.
Also note that the Camera Raw plug-in offers a choice of output color space that's separate from the main Photoshop settings.
Device Color Profiles
Your display system can be calibrated and profiled. Calibration generally describes the process of manipulating the output signals so that they are generally the right brightnesses - the response of your display is its Gamma, which should be close to 2.2 on a PC. Once calibration is achieved, profiling a monitor is generally a matter of sending a bunch of different RGB values to it, seeing what it displays, measuring the difference between that and the ideal color, and setting up to make the proper corrections for future image displays.
You associate a monitor profile with your monitor using the operating system, even though the operating system only helps with color-management when applications request it. You may wish to create a monitor profile that matches your monitor's display characteristics - there are devices that come with software and procedures to help you do this, and there are even ways you can do a rough job visually without a device. This allows Photoshop and other color-managed applications to perform conversions to accurately represent colors from a document with its own profile on your monitor.
However, you have to understand that not every application on your system is color-managed, and you might actually be looking at RGB values expressed in a document color space and displayed on your monitor without transformation. Also some transformations are done with shallow data and can introduce noise. Perhaps you want to minimize the difference because there are tools you like that don't do color-management, or because you know that Internet Explorer 9 assumes your monitor displays sRGB. It's normal that color-managed and non-color-managed applications can show the very same images differently on a calibrated and profiled system. This confuses many folks
Note that the Windows default monitor profile is sRGB IEC61966-2.1. Depending on your monitor, there can be advantages to making your display respond similarly to sRGB and just using sRGB for your monitor profile.
Many local printers can be profiled as well. There are devices to allow you to do this. However, some printers are "factory calibrated" and expect you to deliver the data in a particular profile - e.g., sRGB.
Moreover, there are configuration options to allow you to choose where to do color management during printing. Photoshop, for example, provides a Color Management section in their Print dialog, and if you drill down to the printer driver's dialogs you may find that there are settings there as well. You'll need to discover the best combination of these settings for your particular print needs. Some combinations may work equally well, while you may find some have subtle advantages. Not long ago I did a whole series of prints in which I manipulated the settings to go through all the different combinations with my HP printer, then critically compared the results. I found that instructing Photoshop to do a conversion to the print driver's standard sRGB input profile, and disabling color management in the print drivers entirely gave me the best results.
Summary
At the end of the day we're doing all this because: You'd like to be able to work on a document, print it and have the colors look as you expect, publish it online and have most people see it as you intended, and send it to others and have them see it as you did.
No conclusions or direct advice here; I'm just giving you some things to think about when making your color-management choices.
-Noel

Which j2Me profile to use for PocketPC?

i would like to know which j2me profile for pocket pc run on iPaq 3870.

Another JVM worth a try is Jeode from Insignia which is a standard software shipped with HP/Compaq. THough they support Personal Java 1.2 only at this time, but I believe they will ship with CDC/PP profile soon. Another more important fact is, Jeode is official JVM on Linux (Sharp Zaurus), PPC (HP iPAQ,Dell Axim) and Palm( Palm select Insiania as partner for new JVM to implemtn J2ME on PalmOS).
check this thread,
Another vendor said to have CDC/PP support is Kadasystems.com, but I dont have hand on experience on that.
I had never use Crime JVM, how's your work on it?
If you have new idea, just share,

Which color profile to use, if any, for web?

Hi,
For years, I've been accustomed to saving JPGs for web use by including the sRGB color profile.
However, I now realize that IE either discards color profiles, or forces a new one on them (took me this long to notice because while I always proof-check my code through IE, I never paid close attention to image colors 'til now). Meanwhile, Firefox actually uses the ones the JPGs were saved with, so I see the exact same thing in Photoshop as I do in Firefox.
Anyway, as I was saying, I just noticed the colors are very different in IE. In fact, trying to match a hexadecimal color value with a JPG is pretty much impossible as long as both IE and FF interpret JPG colors differently.
As a test, I tried saving a JPG with no color profile included. Interestingly, it showed up near identically in both FF and IE.
Which begs the following question :
Why the hell have I been using color profiles all this time? :-(
Another observation I made is that the Adobe RGB color profile more closely resembles the No Color Profile state than sRGB does (sRGB is a lot less saturated color-wise).
So what is it I need to do now?
1. Go over the entire website and re-save all images with no color profiles.
2. Go over the entire website and re-save all images with Adobe RGB color profile.
The goal here is that I want my hexadecimal color values to match what's on the JPG (for example, when a gradient ends and goes to a flat color state, I'd like to be able to fill that region with a hexadecimal color value instead of using more images needlessly... but for this to be a seemless transition, everyone needs to agree and match).
Thanks.

I've been doing something completely different.
To the extent that a color needs to match or be like a color that is a background on my website (which is the usual issue I run into with color differences), I make a .PNG or .GIF file and use transparency. That way I don't get the problems associated with color profiles and web safe colors.

Accessing Exchange Profile Parameters programatically (using Java/ ABAP)

Hi All,
Exchange Profile parameters can be accessed using the URL http://<server>:<port>/exchangeProfile
Does anyone know how to access 'Exchange Profile parameters' programatically. (from java).
Code snippet for the same would be of great help.
Regards,
Siva Maranani

Hi,
Is there any way to access exchange profile parameters using Java?
I need to access exchange profile from an UDF.
Thanks in advance.
Pedro Leal

How do I have a roaming bookmarks profile so I will have the same bookmarks, no matter which computer I am using?

I use different laptop computers with Windows 8 and also earlier versions of MS OS. How do I have a roaming bookmarks profile so I will have the same bookmarks, no matter which computer I am using?

You can use [[How do I set up Firefox Sync?|Firefox Sync]] to sync your bookmarks.

Camera Calibration - which Profile to use?

This is a spin out of another thread in the forum - How do I avoid magenta discolouring?.
I am using a Lr 5.7.1 on OS X Mavericks (10.9.5) and photos from 3 cameras - Nikon D600, Nikon D40, and Canon 450D - they all exhibit a very similar behaviour with RAW files described below, but it much more noticeable with the Nikons and very noticeable with the D600. I have been using Lr since version 3 (I think but I might have started with version 2, I cannot remember).
By default I have always imported my RAW files leaving the profile under Camera Calibrations as Adobe Standard. I have been moderately unhappy with the results I was seeing in Lr, not with all the images but with quite a few of them; in a nutshell they don't as I envision them and they don't look the way they look in camera. With "the way the look in camera" I mean inspecting the histograms and clipping warnings.
I am fully ware that Lr does not read the picture control settings of any camera, my Nikons have always being set to Standard.
Below are 2 screenshots from a photo taken with the D600.
1) Histogram with Adobe Standard profile
2) After and before view, left "Adobe Standard" right "Camera Standard"
There are 2 different images, the histogram is changed, the greens are render differently. I also know which one I'll pick for further work, the right image, the one with Camera Standard as the profile.
Back to the question for this post: Camera Calibration, which Profile to use? (and why?)

ssprengel wrote:
Which profile to use is a matter of personal taste, so why does it matter what other people use?
I am not sure I would agree with this statement without making some important qualifications.
Camera profiles can be used for creative purposes, no disagreement there. However, I don't think this is the sole purpose of camera calibration and camera profile, isn't it? Jeff Schewe, who sometimes contributes to this forum, wrote in The Digital Negative "The profiles are designed to calibrate a particular camera model's particular colour rendering intent [...]. It's entirely possible that your particular camera might be a bit different from the one they profiled, so you might be able to make a customer profile for your camera that would produce a more accurate rending than what comes with Lightroom and Camera Raw"; the quote is taken from his section on Lightroom Camera Calibration and leads to conclude that the purpose of camera profiles is also to reproduce the colour rendering intent of camera.
My point on the original post is that it seems that Camera Standard, with both my Nikons set to "Standard" picture controls, seems to better reproduce the colour rendering intent of both cameras, specially if greens are involved. All I am looking for is advice regarding best practice. This is absolutely non trivial from my point of view, best practice is not a matter of personal taste as I am sure you know. Insisting that default settings are best practice, I am not saying you are saying this, is not helpful.
ssprengel wrote:
As to your question about making Camera Standard the default profile, you do it the same as customizing any other LR default: by selecting an unedited photo, setting Camera Standard as its profile, then on the keyboard use Alt - Set Default… (the button was Reset before pressing Alt) then confirm that you want to update the LR defaults to the current settings.
This is correct.
ssprengel wrote:
I am not sure how to find photos with a particular camera profile but perhaps one of the filters in Library can do that, or a smart collection query. I don’t have LR in front of me right now to try things, myself.
I don't think this possible. I cannot find a way to do it with smart collections or the filter library. I'll keep experimenting.

Which color profile should I use?

I'm getting into doing some freelance graphic design, and I've been playing around with my awesome new C2D Macbook Pro. I am wondering, which color profile should I use? It's set on Color LCD, but I'm wondering about Adobe RGB or Apple RGB would those be better?
Thanks!

I personally am a fan of the sRGB on the Mac. I think the blue comes out very nice when comparing it to the others.

Which exchange 2013 setup file should I use ?

I am seeing exchange 2013 RTM setup file for download from microsoft, as well as exchange 2013 CU3 setup file. This is my first exchange 2013 box. which file should I use to install exchange ?
Anand_N

Hi,
For new installs you should usethe most current build, CU3: http://www.microsoft.com/en-us/download/details.aspx?id=41175
Cumulative Update builds are full Exchange server installers so there is no need to install RTM version and then apply CU.
Robert Mandziarz | IT Administrator:
CodeTwo
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faster.

Which North America Profile to Use?

I am using Abobe Creative Suite CS5.5.
Which setting should I use in the Adobe Bridge's "Suite Color Settings," North America General Purpose 2 or North America Prepress 2?
I do mostly print, e-book PDFs and some web graphics. I understand Prepress 2 is better than Purpose 2. Especially since Prepress 2 uses Adobe RGB (1998) while Purpose 2 uses sRGB IEC61966-2.1. I read a thread that sRGB is also referred as "stupid RGB."
Also, which options do I need to deselect in the "Profile Mismatches Policies" and/or "Missing Profiles." I want the profiles to embeded automatically without the warning window popping up in InDesign, Photoshop and Illustrator. It was convenient when I did not getting these warnings when I was using Purpose 2.
I am not sure if this is related to my question above. When I open a logo created in Adobe Illustrator, I keep getting the "Missing Profile" window. No matter which option I choose, this window keeps appearing when I reopen the EPS file. How do I fix it so that the profile is embedded and the window stop appearing?

Which setting should I use in the Adobe Bridge's "Suite Color Settings," North America General Purpose 2 or North America Prepress 2?
Basically your question is not about Bridge but about Color Management and there are a lot of books written about.
The option to set Suite color settings is what it says, you should synchronize your settings Suite wide so whatever application you are working on has the same appearance. If you combine that with a correct monitor calibration your system should have the WSIWYG workflow (What You See Is What You Get :-0 )
The general CMYK Settings are based on your needs but the most important question should be "what Color profile does my client need?" and you should set that profile to the document and save this with the color profile embedded. Probably you have set Adobe RGB in PS as standard profile. You can use soft proof in PS to see what the real effect of the new profile will show.
Contact your eBook or Web graphic supplier to match their color profile.
You have to see color profiles in a graphic (do a google search) to understand them better. Adobe RGB is capable of showing the widest Gamut (more and deeper colors), sRGB a bit less and CMYK even lesser (Print press uses Cyan, Magenta and Yellow for colors and adds blacKs for contrast and is a complete different technic to ink jet that uses RGB (Red Green and Blue).
You can set the options for converting to whatever you like as long as you are aware of what you are using. You can't mix different profiles without consequences for the end result. If a file shows 'missing profile' it has no color profile saved in it. And that is the dangerous part in saving without color profile, you can't be sure that what you see on your screen is what the creator meant.
The message will stop if you provide a profile yourself.
But as said, their have been many books written and it is a wide subject... :-0

Should ECC use an local exchange profile?

We know that for PI the exchange profile should always be local.
How about ECC's exchange profile? Should ECC point to its own local exchange profile, OR
should it point to a remote exchange profile?
Thanks!

Hi,
ECC is pointed to the PI's Exchange Profile to access for example the SLD (proxy generation).
Regards,
Udo

Importing Exchange Profile For PI7.0

Hi Experts,
We Installed PI 7.0 with 000,001,066 Clients.
I want to have Another Client For this I followed this SAP Note 940309
But While Doing the Following thing i Got the Error like Password logon no longer possible - too many failed attempts 
Start the Exchange Profile (http://<host>:<port>/exchangeProfile) and logon with PISUPER. Go to 'Connection' on top of page (don't mix up with connections tree on the left) and set the new client.
Here I changed The Client And I Given the Password Which we r Using Master PWD. Then This Error Came.
After this Iam Unable to get Any thing in Exchange Profile. Then What Should I Do Now
Should I Re import the Exchange Profile Or NOt.
Please Give me Some Help.
Regards
Khanna

Hi
Did you fully complete the steps mentioned in the OSS note??

To update the SLD with the new client data, logon to the new client, start transaction RZ70 and press 'Start data collector without Job scheduling'.
Note: Use the "without Job scheduling" button (F9), so that the SLD is updated immediately. Check the 'last updated' timestamp in the SLD.
Logon to the SLD. Choose 'Technical Systems' and select your 'WebAS ABAP' system. Tab strip 'Business Systems' shows your system. Select it and change to tab strip 'Integration'. Press 'Change' and select the new client. Don't forget to save !
Attention: Reboot the XI J2EE Engine after that to insure that XI gets the changes from the SLD and the Exchange Profile.
Regards
krishna

EXCHANGE PROFILE in sap xi

Hi folks
What is the role of EXCHANGE PROFILE in sap xi, i mean where it resides and use of it. Kindly give me links if possible.
Thanks,
Srinivas Reddy.

Hi Srini,
You can navigate to see the exchange profile in PI from integration builder page-> administration->exchange Profile.
If you expand the exchange profile you can see different parameters maintained against each components of PI.
so exchange Profile is a set of parameters which are used for the complete functioning of PI components.
Please make sure you don't play with the setting without having a proper knowledge of impact of the changes.
Generally we add a parameter If we want to implement any ABAP mapping , other than that i think a developer need not
change anything in exchange Profile.
Most of the parameters are initialized at the time of installation of PI but the system administrator need to maintain them.
http://help.sap.com/saphelp_nw04/helpdata/en/ea/f02840d89d185de10000000a1550b0/content.htm
Please refer the config guide if you are interested to know more about Exchange Profile
http://www.sdn.sap.com/irj/sdn/go/portal/prtroot/docs/library/uuid/ac6de690-0201-0010-54ac-8923089dcc97
Regards,
Srinivas
Edited by: Srinivas on Apr 11, 2010 3:59 PM

SLD Error : No host name defined in Exchange profile sld.SID.host

Hi,
I am trying to do the configuration for the pre built examples (Airlines, Agency ) using XI after installation.
But when I installed XI and did the post install configuration, I had mentioned 000 as Integration server and configured the same using the SLD (URL) in business system configuration.
But when I was doing the configuration for the example, I wanted to configure the client 100 as integration server on SLD (under business systems) , so I deleted the old business system pointing to client 000 (as it is defined as integration server) and now I am trying to add a new business system (client 100) on SLD and it is giving me an error saying that the integration server already defined.
On the SLD error log it also shows tat No Host name defined in Exchange profile for sld.SID.host...
Are the above two errors related and how do I add the client 100 as a business system on SLD and have it as my Integration server.....
Please help..
Thanks,
Madhu

Moorthy,
Thanks for the reply...but all the checks were successful when I did the configuration in 000 and before I deleted the business system for client 000 in SLD...(See my post and problem above..)....I messed with my SLD and removed the business system for client 000 (which is configured as the integration server) and now when I try to add a new business system for client 100 (as integration server>..) I am not able to do as it gives me a error saying integration server already exists even though I deleted it from SLD Business system..
Thanks,
Madhu

Which exchange profile to use

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