Which Studio Reference Monitors for a video edit suite?

Sorry that this questions does not have to much to do with Final Cut/Logic Pro though i don't know where i can ask people how know an video edit suite.
I'm looking at buying some Studio reference monitor and have found a pair i think are going to have what i need, untill the question of what happens if i wanted to go from a 2 monitor system and then the need came around for editing 5.1 dolby sound.
The monitors i'm looking at are Roland DS-5 2-way active digital Reference monitors. these have built in amps.
thanks for the help

my suggestion would be to get something that's an industry standard. that way you can somewhat insure that you're hearing what everyone else is hearing. this is important. i use genelec monitors and i love them. if you have a small room get some 1030 or 8040 monitors.. if you have a larger room, go for a pair of 1031's or 8050's.. then add from there.. also make sure to get a totally passive attenuator: ie.. a-designs atty, or maybe even go into the dangerous line to if you want surrond.. also you have the nautilus stuff and more.. but make sure to take the standard high road and you won't regret it in the end. i have gone from totally crappy monitors to genelecs and everything in between. which means that i have lost money on upgrades when i should have just started with the standard from the beginning..

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  • Which Studio Reference monitors

    Sorry that this questions does not have to much to do with final cut though i don't know where i can ask people how know an video edit suite.
    I'm looking at buying some Studio reference monitor and have found a pair i think are going to have what i need, untill the question of what happens if i wanted to go from a 2 monitor system and then the need came around for editing 5.1 dolby sound.
    The monitors i'm looking at are Roland DS-5 2-way active digital Reference monitors. these have built in amps.
    thanks for the help

    Asking 'which studio monitors' is liek asking which flavor of ice cream, in some ways. So many choices that range in price, and it's really up to preference and function. What's good is that there are so many models out these days and some excellent inexpensive models, whereas just 6-7 years ago, powered monitors were generally rather pricey and less prolific. Good thing about self-amplified models is that you don't have to take up the extra space with an external amplifier.
    I would go into a Guitar Center or Sam Ash and try some out. Depending on how much sound editing/edsign you do, there's a whole plethora of choices that are very affordable. For most video editing purposes, a good pair of 5.25" woofer monitors and 50-75W or so are plenty, unless you have a really large rig/console with a lot of distance between you and the speakers, or yo plan on playing things really loud. You may or may not want to add a subwoofer depending on the sound work you do. The Rolands you mentioned, the M-Audio BX5a, Yamaha HS50M, Samson Resolve 50a, Alesis M1 Active 520, KRK RP5, TapCo S5, and others in the same size/price range will give plenty of volume and accuracy for video work, and even sound design. Choices get more specific and pricier for those who do a lot of recording/mixing and sound work specifically. But a lot of those choices would be overkill for a video editing setup.
    It's important that you get the sound to the monitors well, though, and preferably not via a mini-plug to RCA adapter from your computer's rear sound out jack. Look into good USB or Firewire audio interfaces or sound cards. Just about any of the compact powered monitors out these days are much better choices than the subwoofer and computer sattelite speaker packages that you can get at any store selling computer stuff these days.
    As for 5.1...I never do any 5.1 surround work. I usually do all my editing and designing in stereo, and when it comes time to the final mix at a facility, we take care of the surround there, because they know how to do it. For most users who try to do 5.1 on whatever software that's available, it usually doesn't come out quite right...either because the mix itself is not good, or they just put things in 5.1 without checking for phasing anomalies, or the process by which the sound is put into 5.1 is just a poor reverse-pro-logic kind of thing. It's just not the same as having the sound professionally mixed and mastered.
    I don't know the extent of sound work you do, but in general, I would suggest that you not worry abot 5.1 while editing and finalizing your sound edit/design. It's less to worry about and fight with, and a good stereo edit/mix will sound fine on a system with good pro-logic through a 5.1 speaker system anyway. Plus, speaker and room placement of just a stereo pair is essential enough, with 5.1 it's even more of a pain, if you really want to edit and design accurately. Can you set up all 5 speakers equidistant from your listening position at your editing station without rearranging the entire room? It's much easier with just two speakers, and since they are studio monitors, they are (a little) less dependent on the overall room placement, hence 'nearfield'. 5.1 Surround usually isn't done in editing, it's done in mixing and mastering, where they assign which sounds belong where, and process the whole thing out correctly.
    Good luck!

  • Which Thinkpad to buy for gaming/video editing?

    I'm not sure if this is the right place, I am new to this forum, so forgive me if its not.
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    Regards,
    Jin Li
    May this year, be the year of 'DO'!
    I am a volunteer, and not a paid staff of Lenovo or Microsoft

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    I've only seen Windows 8, never used it, and it looked like a pain. But if I'm not mistaken, isn't there an option for it to function like a normal Windows machine with Desktop and Start menu/ bar?
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    I like iMacs and everything, but when it comes to upgrading stuff, don't count on it. Depending on what your workin' on, I'd rather invest in a MacPro and pick my own monitor. 
    As far as Windows or Mac goes, you can obviously use either one, but I personally like the workflow on a mac. Windows seems to be more worried about being 'flashy' and not concerned with the user experience. Unfortunetly Macs are gettin there too. For some stupid reason people are thinking the workflow on a tablet and phone are the same on a desktop. 
    Former BBY Home Theater Associate 2010 - 2012. Now I work as a graphic designer in the print and prepress industry.

  • How is this for a PC spec for home video editing?

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    Greg (correct me if that's not correct!),
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    - Regarding the D drive for swap (and I assume you mean Premiere Pro media cache and media cache database too) will definitely speed up aspects of Premiere Pro, but likely be unnoticeable for other home PC day to day use. Why not build out the system and decide then if you need the extra speed for Premiere Pro - it is so easy to add something like that later.
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    Questions:
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    - what will be your workflow (i.e. DV, Sony consumer AVCHD, Canon DSLR, etc.)?
    Cheers,
    Jim

  • What is the best Computer for HD video editing where can I get it under $3000-5000? Thank you!

    What is the best Computer for HD video editing where can I get it under $3000- $5000.00?

    The wording of your question suggests you may be new to video editing, in which case the types of projects you will be doing may not be the most complex.
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    Too many people get hung up about the equipment they use  and blame it for any inadequacies  .  .  .  when the most important component is the operator.

  • What is the best system for HD Video Editing?

    We are planning to upgrade our system for HD video editing and I am looking for a system that will perform better with Adobe Premiere CS6 and CC. These are the options that we have:
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    First read Tweakers Page and all the articles there.
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  • Using SSD for FCP Video Editing on Macbook Pro

    Hi,
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  • What is the best value iMac config for hd video editing.   I was going to go for i5 3.1 ghz with 4mb ram, but should I go further?  Thanks!

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