White Balance Setting Problem

APPLE COMPUTER:
THREE BASIC QUESTIONS THAT NEED TO BE ANSWERED.
1. HOW DOES THE WHITE BALANCE TOOL WORK IN APERTURE?
2. HOW DO YOUR SOFTWARE ENGINEERS AND "PHOTOGRAPHIC CONSULTANTS" USE IT TO SET WHITE BALANCE?
3. WHAT ARE THE SIMILARITIES AND/OR DIFFERENCES IN ITS USE AS COMPARED TO SIMILAR TOOLS IN CAPTURE ONE PRO AND ADOBE PHOTOSHOP?

Test Results:
Aperture 1.1:
Image Temperature: 3594
Tint: -17
When using the white balance tool on a white section of a photo, the RGB values changed from R 255 G 234 B 192 to R 255 G 230 B 197 and the Temperature changed to 3946 and Tint to 12.
The photo still remained unacceptable.
When usint the white balance tool on a grey section of the same photo, the RGB values cahnge from R 211 G 178 B 126 to R 208 G 180 B 162 and the Temperatue changed to 3154 and Tint to 2.
The photo still remained unacceptable but was notably improved.
Using Capture One Pro, the results were as follows:
Temperatue: 3850
Tint: -10
When using the white balance tool on a white section of the same photo, the RGB values changed from R 255 G 241 B 200 to R 244 G 244 B 244 and the Temperature changed to 2500 and Tint to -16.
Photo was very acceptable with no perceivable colour cast.
When using the white balance tool on a grey section of the same photo, the RGB values changed from R 190 G 153 B 108 to R 153 G 153 B 153 and Temperature to 2550 and Tint to -2.
Photo was very acceptable with no perceivable colour cast.
From this quick test on a photo, I can draw the following conclusions:
1. Aperture interprets temperature and tint data differently from Capture One Pro, although this likely due to the use of a camera profile within Capture One Pro;
2. Using the white balance tool in Aperture on a "white" section does not neutralize the RGB values;
3. Using the white balance tool in Aperture on a "white" section does not correctly remove a colour cast within a photograph;
4. Using the white balance tool in Aperture on a "grey" section does not neutralize the RGB values; and
5. Using the white balance tool in Aperture on a "grey" section does not correctly remove a colour cast within a photograph, although it does work better.

Similar Messages

  • Can you remove the camera white balance setting in Aperture

    I have a Canon 7D and use Aperture for processing and storing my images.
    With the Canon I shoot both video and still and frequently adjust the white balance in the camera.  I make a frequent mistake in leaving the wrong white balance setting on - eg when taking video indoors in the evening  I set the white balance to indoors (the Canon seems poor at white balance decision making on video) and then I forget I'm not using auto white balance and switch to taking a photo with flash.  The result is a horrible blue photo - which if I don't spot the problem at the time seems very hard to correct afterwards.
    I use the Aperture white balance adjustments frequently but unless there is a patch or white or grey I an use the dropper on, I find this particular situation seems to be right off the scale of what I can fix in Aperture.  I end up with sliders at the extremes of the scales and no intuitive sense of what numbers to type in manually to try and get realistic colour - so I often end up discarding these photos even if the shot itself is something I'd like to use.
    So my question is given I'm importing RAW, is there a way to show the phoo without the (wrong) white balance setting I applied in the camera, to let me choose white balance from scratch?
    Or if not, do you have any advice about how to adjust from this very bluey unrealistic colour of image?

    Kirkby - thanks for the quick reply.
    Didn't know you could drag inside a value field - that's helpful.
    But being able to get different numbers on the slider isn't the root of my problem.
    In a specific example I have two photos - one taken with white balance set to flash and the photo was with flash, where after a bit of tweaking to get the colour I want the temp slider is at 5000K (and tint 0).  The second photo has my shooting error with interior lighting white balance but taken with flash.  The two shots were taken from almost the same point of the same view (but different people in frame).  The shot with the white balance error comes off camera horribly blue coloured. I can fiddle with the two sliders - I take temperature to 20000K and tint to 40 to do the best with it I can, and with those settings one of the two faces is approaching flesh colour but the wall behind the subjects (which is a light blue in reality) is now appearing light yellow in places.  I just can't get a good looking colour effect no matter ow extreme the slider settings.
    I may have phrased my question badly - as I totally agree you can't show a raw without a colour setting - so maybe I'm better asking to be able to use a different colour setting on the raw data rather than having to start with adjustments on top of my white balance mistake.
    Given the two shots were in the same place against the same background and the same lighting (both with flash) it seems to me I ought to be able to get a similar colour effect on both and I just can't.  To illustrate here are the two photos (the one on the left was shot with flash wb and in Aperture I'm viewing it with 5000K and 0 tint, the one on the right was shot with indoor wb and in Aperture I'm viewing it with 20000K and 40 tint and it looks terrible!)
    https://www.box.com/shared/qle3t6ovyhrd1egez3vc

  • Iphoto not recognizing my preset manual white balance setting on my Nikon D3100

    hi there.
    i've been using iPhoto to edit my photos uploaded as RAW, from my Nikon D3100.  While i've been very satisfied with the results, i've run across a small problem.  i've used various white balance settings on my camera:  incandescent, flourescent, auto white balance, and recently started using the manual white balance.  when uploading pictures to iphoto, the photo has indicated what white balance setting i have used, except when i use my manual white balance feature, the information shows up as AWB (automatic white balance).
    can somebody please explain to me why this is?  any other setting i use shows up with the appropriate icon, according to what i choos on my camera.  is this a glitch?  what is the manual white balance setting icon supposed to look like in iPhoto?
    Again, I shoot in RAW, and upload directly to iPhoto successfully, as RAW.

    I think this article will help explain this 
    and this one from Adobe
    — Raw files have not had while balance set. They are tagged with whatever the camera's setting was, (either that which was manually set or via auto-white-balance), but the actual data has not been changed. This allows one to set any colour temperature and white balance one wishes after the fact with no image degradation. It should be understood that once the file has been converted from the linear space and has had a gamma curve applied (such as in a JPG) white balance can no longer be properly done.
    So the displaed WB is simply a tag and has no effect on the image - it is simply information about the camera settings
    LN

  • Image contains camera White Balance setting; LR 5.5 only shows "As Shot", "Auto", and "Custom"

    I have a new, Panasonic DMC-GX7. I shot a bunch of photos as JPGs. When viewing their Exif data using Exiftool, I can clearly see the camera's White Balance setting, as well as the Color Temp Kelvin, WB Red Level, WB Green Level, and WB Blue Level. However, Lightroom 5.5 only shows "As Shot", "Auto", and "Custom" when I click White Balance under Quick Develop on the Library tab or WB under Basic on the Develop tab. Exiftool shows the Exif Version as 0230 and the Panasonic Exif Version as 0405. Is LR looking for the white balance information in some other field? Do I need to configure it somehow for my camera? I am new to LR (but not to image processing), so could use some help figuring this out.

    The whole question is not so simple as converting to DNG. Yes DNG is openly documented, yes the file can be read, but that does not mean it can be correctly interpreted by other software in the future and the best you can then do is starting the PP of your images from scratch. Imagine a DNG with LR adjustments that in some years you open the file in another software, possibly non-Adobe. Even if the file can be read it will not look the same, as the Adobe specific developing instructions could not be strictly followed. Even if all software manufactures agreed on a common set of adjustments, let's say everybody had a Highlights slider and a Clarity slider and so on, which is unlikely, the results would still be different as the underlying algorithms would be different.
    Disclaimer: I only shoot raw and firmly believe it is the best option, but one must be conscious it has some shortcomings related to the future of our images.

  • Removing blue cast/tint from JPG (wrong white balance setting while taking picture)

    Hi,
    Photosohop newb here, still using CS3 (10.0), so please be patient.
    I was at a convention not long ago, where I took lots of pictures with my phone. I only noticed at home, that a few of the pictures came out with an intense blue cast because of a bad white balance setting (I must have accidentally changed it).
    I was trying to fix the image for the last 2 hours, with no real luck. I tried everything under Image -> Adjustments -> "Auto Color", "Color Levels" and "Match Color", moving the sliders up and down to get the best match. The best I could come up with was still far away from the other pictures I took the same day.
    Here is one of the bad pictures: http://imgur.com/vw12aTQ
    And here is one I took just a minute later with the "normal" setting: http://imgur.com/RMFm7fo
    I actually got a pretty good match by cutting out some of the cobblestones from both pictures and using "Match Color" -> "Source", but I couldn't apply this technique to the whole picture.
    Could somebody please help me to make the colors of the first picture similar to the second one?
    Thank you,
    Roland

    Here's an easy fix...
    Choose Image - Adjust - Curves, then click the Gray Point dropper and sample something in the image that should be a neutral gray - say one of the stones on the ground.  Click in various places until you like what you see.
    -Noel

  • Canon 5D MK II white balance set as K does not import correctly

    With a 5D II and the Kelvin white balance set in the camera the WB does not import correctly for RAW files and LR 2.4. For example when set to a specified white balance as a Kelvin setting, for example 5200, and then import the raw files with "As Shot" specified or subsequently WB to "As Shot" in Develop module the white balance is set to 4850 +1 (in the example of 5200). The pre set WB options provided inthe camera do work correctly.
    Does anyone know if there is a way to set this up to work correctly? Has anyone else experienced this issue?
    Thank you.

    Does anyone know if there is a way to set this up to work correctly? Has anyone else experienced this issue?
    Lightroom does work correctly. The numbers are different, but the appearance ot the colour temperature matches. The way I understand it, cameras don't actually store Kelvin numbers, but store colour space co-ordinates instead. LR and your Canon are interpreting the RAW values into different colour spaces, so the kelvin values and tint numbers will differ.
    Hal

  • D200 white balance presets problem or ACR problem?

    Last night I was playing around with my D200 and an SB800. The scene was just a sofa with a Gretag-Macbeth 24 Patch Color Checker. The object was to see what results I got with the SB800 with the D200 set to the various preset White balance values. (I should point out that the lighting was mixed, but that is not relevant to the results I see.)
    I set the D200 to each of the preset white balance values and then opened the NEF file in ACR. The preset temperature (from the D200 Manual) and the temperature/tint values reported as "As shot' by ACR are shown in the table below.
    D200 ACR 'as shot'
    preset temperature/tint
    tungsten 3000 2950 / 0
    fluorescent 4200 3950 / +31
    daylight 5200 4950 / -3
    flash 5400 6150 / -9
    cloudy 6000 5550 / -7
    shade 8000 7100 / +3
    First of all I don't care if the temperature reported by ACR agrees with the preset temperature quoted by Nikon. What puzzles me is the discontinuity in the values reported by ACR when going from 'flash' to 'cloudy'. Is this a problem with ACR or with the Nikon preset values for these two settings?

    >First of all I don't care if the temperature reported by ACR agrees with the preset temperature quoted by Nikon. What puzzles me is the discontinuity in the values reported by ACR when going from 'flash' to 'cloudy'. Is this a problem with ACR or with the Nikon preset values for these two settings?
    Bob,
    A full answer to your question would require a response by Thomas Knoll or some other ACR expert with knowledge of how Nikon records the white balance and the algorithm used to apply the white balance. However, I can bring up a few points which may shed some light on the matter.
    One should first consider what white balance information Nikon cameras write to the NEF file. The following table refers to the D70 and similar Nikon cameras before encryption of the WB.
    http://www.ozhiker.com/electronics/pjmt/jpeg_info/nikon_mn.html
    The settings of daylight, flash, tungsten, etc are written as descriptive strings, not actual degrees Kelvin. Nikon considers daylight to be 5200K, but Thom Hogan writes that this value often produces a blue result and 5400K might be better.
    The bias value refers to fine tuning between the above descriptive settings, approximately 100 Mired per increment. Finally, the red and blue coefficients are recorded (green would be redundant). Some raw converters such as DCRaw use these coefficients for the "as set" white balance. There is nothing corresponding to the ACR tint, which adjusts in the magenta green axis, whereas the color temperature slider adjusts in the yellow-blue axis. The degrees Kelvin figure specifies the white balance only for a black body radiator.
    Thus there several ways to interpret the WB data. Mr. Knoll has written previously that ACR attempts to produce a neutral white balance appearance rather than the WB numbers. An interesting experiment would be to determine which converter (ACR or Nikon Capture) gives a more neutral white balance on your color checker with the above settings.
    Bill
    http://www.adobeforums.com/cgi-bin/webx/.3bbc87b2/0

  • White Balance Setting Errors - HELP!

    I am having a problem with Aperture and wanted to find if anyone else has noticed this since the update to 3.1.
    I imported a batch of photos (about 75 RAW 25 JPEG) and noticed that the white balance was the same for every picture. Odd since my Nikon camera is set to Auto White Balance and RAW and the JPEG photos from my Sony should show 5000/0. Everything was showing the same value, which was something like 4689/-5.
    I discovered that Aperture is only showing me the setting for the first photo I select after opening the program. Unless I deselect the photo by clicking somewhere on the background, that photo's setting will show for all photos that have not been locked into a setting by editing. After deselecting, I can then click on a different photo and get the correct white balance numbers.
    This causes a very annoying problem - I can't start editing a photo after directly clicking on it or moving to it with the arrow keys because the white balance starting point will be from a previous photo's setting, so I am moving the sliders from the wrong starting point. Having to deselect and reselect between every photo is very irritating.
    I've restarted my computer, repaired Aperture's permissions, and repaired the database, but nothing fixes the problem. It's likely a bug that needs an update to be fixed (I submitted a bug report) but I'm open to suggestions.
    Anyone else having a similar problem since updating?

    Others have reported simialr problems.
    See:
    [White Balance Glitch|http://discussions.apple.com/thread.jspa?messageID=12521251&#12521251]

  • 6500 classic: how to save "White balance" setting ...

    Hello, when I activate the camera, the image looks like filled with blue, so I need to go to camera settings, click "White balance", and select "Daylight" instead of "Automatic" - now the picture will be perfect. But next time when I activate the camera, I should repeat this step again.
    How to save "White balance" settings to "Daylight" forever?

    Unfortunately it's not possible.
    The setting will only be effective for one session. Once you close the camera application they will revert to default. 
    ...who's more foolish?, the fool or the one who follows him?... ovi-wan

  • TS2518 Where has the White Balance Setting Temp K gone? I only have a slider "warmth" left...

    I just upgraded to Aperture 3.3.1 and the setting to set the white balance to a certain temperature in K has gone...
    This is how it used to look:
    http://documentation.apple.com/en/aperture/usermanual/index.html#chapter=18%26se ction=8%26tasks=true
    but now only a setting called "warmth" with a slider and a default setting of "0,50" is left...
    best
    Gregor

    Set the drop-down selector in the ""White Balance" brick  to "Temperature & Tint". Then you can set again a color temperature.
    Regards
    Léonie

  • Correcting wrong white balance setting in RAW .CR2 photo

    I set my camera custom white balance incorrectly and took a days worth of photos in RAW mode. When imported into iPhoto they have terrible coloring (as expected). iPhoto does not seem to have a WB adjustment (Daylight, Tungsten, Fluorescent, etc.), so i opened the .CR2 files with Canon Photo Professional and changed the WB setting for the photos to 'AUTO' correct colors and saved. When i import them back into iPhoto, the while balance is unchanged (but when i re-open them in Canon P P they have correct color). Does anyone know how to get iPhoto to import with this modified WB setting?
    Source: Canon 20D RAW format
    Thanks for any help!

    You would need to export the files from DPP as tiffs or something similar. There is no way iPhoto will see the adjustment by DPP otherwise.
    For White Balance in iPhoto check out the Temperature and Tint pane in the Adjustments - check out the eye dropper.
    Regards
    TD

  • White balance setting not importing from Canon 5D

    I shoot in RAW with 2 Canon 5Ds. On both bodies, the white balance is set to K (Kelvin temp) and is dialed to 5500. But when I import into Aperture, the white balance on the files is not at 5500 for either camera. One camera's files display a whte balance of 5102 with a tint of -16. The other, 5428 and -9. Sure, I know how to batch correct this manually after import, but is there a way I can get it right in the first place?

    That's normal. If you shoot RAW, Aperture will not care what white balance you set on the camera. Once it's imported, then Aperture will try to get the best WB (not sure the logarithm). If you want all your pictures to be 5500K, set one to be 5500K and then lift and stamp the rest.

  • Camera white balance got problems

    Since i updated to lolipop my camera become shi***t .everytimes have do the white balance myself .and automode really unused too bad .please please help me how to fix it or advise me how to clear SONY in my life time .buy phone 8 months did service twice due to display and water proof not working well then now camera like a sh**t .

    The fact that LR displays the WB as 4950 does not mean anything, because color temperature in this context is not an absolute value but rather a range of numbers. Actually, LR knows nothing about color temperature when applying a WB, it knows only amounts of mutiplication applied to the red and blue channels, amounts that it reads from the metadata written by the camera when the "As Shot" option is set. However, the program designers believe that showing the multipliers in the interface is information that will only confuse the user - although there are a few Raw converters that do display the multipliers - so instead they translate the multipliers into a temperature for which that particular pair of multipliers could be used. However, because color temperature is a range of values, the algorithm for doing this reverse calculation cannot always produce the same result that a colorimeter would indicate if measuring the light at the scene, instead it comes up with a different value within the range.

  • Have taken photos outdoors with white balance set to tungsten by mistake.

    is there a simple solution in pse4 to correct my blue pics

    If above suggestions do not work, try the following
    Open picture file
    Go to Enhance>Adjust color>Levels - not a levels adjustment layer
    Access the white eye dropper and click on something that should be white.
    One can also set the black and gray points

  • S110: what purpose does the Flash white balance setting serve?

    I assume if you're using the flash for a shot then the camera knows it, so why would you have to set it in the WB menu.  If you don't need to set it, what's it for?  When I shoot with flash and WB set to Auto, everything comes out fine (except when zooming; see a separate post ont hat nearby).  Thanks.
    Solved!
    Go to Solution.

    If you are shooting underexposed in order to kill all the ambient light, leaving only the flash light to show in the picture, then you need this. On AUTO WB the camera would have still been thinking the background/ambient light color is relevant so it would give you a bad color.
    That is something "strobists" in particular do a lot.
    Scott
    Canon 6D, Canon T3i, EF 70-200mm L f/2.8 IS mk2; EF 24-105 f/4 L; EF-S 17-55mm f/2.8 IS; EF 85mm f/1.8; Sigma 35mm f/1.4 "Art"; EF 1.4x extender mk. 3; 3x Phottix Mitros+ speedlites
    Why do so many people say "fer-tographer"? Do they take "fertographs"?

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