Who is using FCP? And for what? Pleae post.

I need help convincing a potential client that Apple + FCP can compete with a Symphony.
The projects are all SD, but this client is massive and currently all work is dony on the Symphony.
I know that the editor is the main factor but this client has Avid burned in his brain.
So, can you please let me know if you have worked on both and what the key differences are?
My system specs are listed below.
Thank You in advance.
Bryan

A LOT less expensive, not a little, A freaking TON. The question here should be what does the client intend to edit... I've done everything from Feature Film to TV spots in HD, SD, you name it. There's NEVER been a time I really needed an Avid to finish ANY of these projects.
The only thing I can think of where Avid really beats up on FCP is in many mulitple bay setups sharing media (like over 4 or so)... also there are features for News organizations that are pretty neat too, but for a boutique situation? FCP simply rules the roost. There are many ex Avid folks out there and I never hear of them going back. I owned many avids in my day, and wouldn't go back.
Cripes, you could build 4 HD FCP bays with Kona 2 cards, and fast arrays for the price of a single Symphony setup...
Jerry

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