Why are colors wrong between illustrator and acrobat
On the right side i have the original ai file, on the left side, the same ai file when opened in acrobat.
Why is it fluo in acrobat??
Both programs share the same CMYK profile FOGRA39 and same RGB profile
(image removed at request of poster)
abjelly,
The one to the left looks like RGB, and the one to the right looks like CMYK (Color Mode).
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RGB Color management between Illustrator and Photoshop
Hi,
I have a color management issue when exporting JPGs from Illustrator and opening them in Photoshop:
In Illustrator (file is in RGB mode), I have a logo which has the color RGB 0/0/153 and I export a JPG. When I open the file in Photoshop, the color is RGB 1/0154.
I have activated Adobe CC Color Manegement via Adobe Bridge (option "Europe, Universal 3"), which should produce consistent results in all Adobe applications.
So which is the color that is actually in the file? And what do I have to do to get the color I want (0/0/153) actually exported from Illustrator? I need this color to comply with corporate design specifications of my client.
Since I have to produce a lot of files it is not possible to readjust all colors in Photoshop ...
Thank you!
MichaelFirst, check to make sure that the RGB working colorspace is the same for both Illustrator and Photoshop.
When exporting the jpeg from Illustrator make sure the 'embed' color profile is selected, and it is the color profile that is required for your client. If this is for web use, then sRGB is your best choice.
When you open the exported image in Photoshop, make sure that the color settings for Photoshop are set to 'Preserve Embedded Profiles'. After you open the image in Photoshop, you can double check by going to Edit > Convert to Profile... The source profile should match the embedded exported profile from Illustrator. If these match, your RGB color values from Illustrator and Photoshop should also match.
If the source profile does not match, cancel out of the 'Convert to Profile" and go to 'Assign Profile". Assign the profile that you embedded when exporting from Illustrator. Now Photoshop should have the same values as Illustrator. -
Logo color changing between Illustrator and Premiere
I'm trying to import an .esp file into Premiere, but the color changes drastically from Illustrator to Premiere. Any suggestions on how to make it look more like the original?
CMYK originally, then I converted it to RGB in Illustrator. Both modes looked like the same too-happy blue in Premiere.
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I have 100's of CDs that I have downloaded to my itunes library and they are in the library playable but they do not show up in the C drive under the iTunes Music folder under users. Why are they in the libary and not in the itunes music folder. Win 7 OS. When I look in the library under the get info screen it says they are in the folder itunes music, under the c: drive but when I actually go to that folder to look for them they are not there....HELP!
Hello RumDog,
I think this article will help you find the media in your library.
Where are my iTunes files located?
http://support.apple.com/kb/ht1391
Discovering and changing the iTunes Media folder location
Note: You would usually only change the iTunes Media folder location to share music between accounts on the same computer. See this article for specific steps on how to accomplish this. Also, see this article if you want to know how to move your music to a new computer.
Mac OS X: Click the iTunes menu and choose Preferences.
Windows: Click the Edit menu and choose Preferences.
Click the Advanced pane. iTunes displays the location of your iTunes Media folder.
You can then:
Note where your media folder is, such as for backing up your media.
Use the Reset button to reset it's location to the default (which is the iTunes folder).
Click the Change button to select a folder for a new location. Once you change this location:
If you make a new or alternate iTunes library, the new location will be used by that library.
Existing files will not be moved unless you choose File > Library > Organize library and choose the option to "Consolidate files."
From: Where are my iTunes files located?
http://support.apple.com/kb/ht1391
Cheers,
Sterling -
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What are the differences between iphone and iphone 5c 5s?
Read here:
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While the 5S gets the improved hardware.
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What are the Relations between Journalizing and IKM?
What is the best method to use in the following scenario:
I have about 20 source tables with large amount of data.
I need to create interfaces that join the source tables into target tables.
The source tables are inserted every few secondes with about hundreds to thousands rows.
There can be a gap of few seconds between the insert of different tables that sould be joined.
The source and target tables are on the same Oracle instance and schema.
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how can i use it in my scenario?
In general What are the relations between 'Journalizing' and 'IKM'?
Should i use both of them? Or maybe it is better to deelte and insert to the target tables?
I want to understand what is the role of 'Journalizing CDC'?
Can 'IKM - Incremental Update' work without 'Journalizing'?
Does 'Journalizing' need to have PK on the tables?
What should i do if i can't put PK (there can be multiple identical rows)?
Thanks in advance YaelHi Yael,
I will try and answer as many of your points as I can in one post :-)
Journalizing is way of tracking only changed data in your source system, if your source tables had a date_modified you could always use this as a filter when scanning for changes rather than CDC, Log based CDC (Asynchronous in ODI, Logminer/Streams or Goldengate for example) removes the overhead of of placing a trigger on the source table to track changes but be aware that it doesnt fully remove the need to scan the source tables, in answer to you question about Primary keys, Oracle CDC with ODI will create an unconditional log group on the columns that you have defined in ODI as your PK, the PK columns are tracked by the database and presented in a Journal table (J$<source_table_name>) this Journal table is joined back to source table via a journalizing view (JV$<source_table_name>) to get the rest of the row (ie none PK columns) - So be aware that when ODI comes around to get all data in the Journalizing view (ie Inserts, Updates and Deletes) the source database performs a join back to the source table. You can negate this by specifying ALL source table columns in your PK in ODI - This forces all columns into the unconditional log group, the journal table etc. - You will need to tweak the JKM to then change the syntax sent to the database when starting the journal - I have done this in the past, using a flexfield in the datastore to toggle 'Full Column' / 'Primary Key Cols' to go into the JKM set up (there are a few Ebusiness suite tables with no primary key so we had to do this) - The only problem with this approach is that with no PK , you need to make sure you only get the 'last' update and in the right order to apply to your target tables, without so , you might process the update before the insert for example, and be out of sync.
So JKM's provide a mechanism for 'Change data only' to be provided to ODI, if you want to handle deletes in your source table CDC is usefull (otherwise you dont capture the delete with a normal LKM / IKM set up)
IKM Incremental update can be used with or without JKM's, its for integrating data into your target table, typically it will do a NOT EXISTS or a Minus when loading the integration table (I$<target_table_name>) to ensure you only get 'Changed' rows on the load into the target.
user604062 wrote:
I want to understand the role of: 'Journalizing CDC' and 'IKM - Incremental Update' and
how can i use it in my scenario?Hopefully I have explained it above, its the type of thing you really need to play around with, and throroughly review the operator logs to see what is actually going on (I think this is a very good guide to setting it up : http://soainfrastructure.blogspot.ie/2009/02/setting-up-oracle-data-integrator-odi.html)
In general What are the relations between 'Journalizing' and 'IKM'?JKM simply presents (only) changed data to ODI, it removes the need for you to decide 'how' to get the updates and removes the need for costly scans on the source table (full source to target table comparisons, scanning for updates based on last update date etc)
Should i use both of them? Or maybe it is better to deelte and insert to the target tables?Delete and insert into target is fine , but ask yourself how do you identify which rows to process, inserts and updates are generally OK , to spot a delete you need to compare the table in full, target table minus source table = deleted rows , do you want to copy the whole source table every time to perform this ? Are they in the same database ?
I want to understand what is the role of 'Journalizing CDC'?Its the ODI mechanism for configuring, starting, stopping the change data capture process in the source systems , there are different KM's for seperate technologies and a few to choose for Oracle (Triggers (Synchronous), Streams / Logminer (Asynchronous), Goldengate etc)
Can 'IKM - Incremental Update' work without 'Journalizing'?Yes of course, Without CDC your process would look something like :
Source target ----< LKM >---- Collection table (C$) ----<IKM>---- Integration table (I$) -----< IKM >---- Target table
With CDC your process looks like :
Source Journal (J$ table with JV$ view) ----< LKM >---- Collection table (C$) ----<IKM>---- Integration table (I$) -----< IKM >---- Target table
as you can see its the same process after the source table (there is an option in the interface to enable the J$ source , the IKM step changes with CDC as you can use 'Synchronise Journal Deletes'
Does 'Journalizing' need to have PK on the tables?Yes - at least a logical PK in the datastore, see my reply at the top for reasons why (Log Groups, joining back the J$ table to the source table etc)
What should i do if i can't put PK (there can be multiple identical rows)? Either talk to the source system people about adding one, or be prepared to change the JKM (and maybe LKM, IKM's) , you can try putting all columns in the PK in ODI. Ask yourself this , if you have 10 identical rows in your source and target tables, and one row gets updated - how can you identify which row in the target table to update ?
>
Thanks in advance YaelA lot to take in, as I advised I would reccomend you get a little test area set up and also read the Oracle database documentation on CDC as it covers a lot of the theory that ODI is simply implementing.
Hope this helps!
Alastair -
[MAC OS X - Illustrator CS5.1] DragDrop between Illustrator and Extension
Hi,
What I would like to achieve is to handle Drag and Drop between Illustrator and Creative suite extension (specially from Illustrator to extension, designed for Illustrator).
I would like to get a reference or a pointer on the selection / objects dropped on my extension, and then do something with the selection / objects dropped in my ex extension. Pretty much like they did in the Symbol swatch.
So, here it is the code implemented (in my POC extension):
Scripts:
// Called when the user moves the drag proxy onto the drop target. private function dragEnterHandler(event:DragEvent):void { Alert.show("DragEnter"); // Accept the drag only if the user is dragging data // identified by the 'color' format value. if (event.dragSource.hasFormat('air:bitmap')) { // Get the drop target component from the event object. var dropTarget:Canvas=Canvas(event.currentTarget);
// Accept the drop. DragManager.acceptDragDrop(dropTarget); } }
// Called if the target accepts the dragged object and the user // releases the mouse button while over the Canvas container. private function dragDropHandler(event:DragEvent):void { //Only Image available? var data:Object = event.dragSource.dataForFormat('air:bitmap');
//Test: Quick and Dirty!! var data2:BitmapData = data as BitmapData; var myBitmap:Bitmap = new Bitmap(data2);
myImage.addChild(myBitmap); Alert.show(data.toString()); }
Interface:
<mx:HBox> <mx:Canvas id="myCanvas" dragDrop="dragDropHandler(event)" dragEnter="dragEnterHandler(event)" width="100" height="100" backgroundColor="#FFFFFF" borderStyle="solid" />
<mx:Image id="myImage" width="100" height="100"/> </mx:HBox>
It works. But right now, the only available in the Dragsource object is a bitmap.
I've used the debugger to check if I could find something else, but I did not.
I have also tried to use the NativeDragManager. But it is pretty much the same.
I'm stuck.
Anyone could help me?
Does anyone know if it is possible to retrieve something else than a bitmap form the dragsource object?
So any help would be appreciated.
Thanks,
Toto.Hi RIS HK,
This crash seems to be related to permission issue,
Can you please try to run Illustrator with sudo permissions on the terminal
e.g.
$ sudo /Applications/Adobe\ Illustrator\ CS6/Adobe\ Illustrator.app/Contents/MacOS/Adobe\ Illustrator
Sanjay. -
Looking for new laptop what are the differences between pro and air? Besides size. Does the air preform like the pro?
The NEW macbook Pro and Air are EXTREMELY close in form factor
The newest macbook Pro is essentially a larger macbook Air with Retina display and options for speed in increasing prices up to an independent graphics and quad core processor.
both Air and new Pro now have PCIe SSD and permanent RAM.
The Air is the lightweight portable form factor, fast to boot and shut down, but with longer battery life than any of the macbook pro in 13"
Now the new macbook Pro and macbook Air are extremely close in form factor and nature.
both have 802ac wifi
both have permanent RAM, no superdrive
both are slim profiles and SSD
The only real differences now are (in the most expensive Pros) faster processors and quadcore processors and top end model autonomous graphics.
....and of course the retina display
both are now "very good for travel"
Other than features the form factor of the Air and Pro are VERY close now,....so now its merely a matter of features and price more than anything.
You need an external HD regardless of what you get for backups etc. Drop into an Apple store and handle both and make your choice based on features, such as Retina or non-retina, .... both at a distance now look like the same computer.
The Pro weighs more, ....but nowhere near what it used to just a month ago on the older macbook Pros
The NEW macbook Pro is a different creature entirely than the older macbook Pro, .....the new Pro is thicker than the Air, but id frankly call the NEWEST Pro a "macbook Air with Retina display" , or
Maybe a “macbook Air PRO with Retina display”
Instead of Air VS Pro now,.....its really a smooth transition from Air to pro without comparing say, 2 different creatures, now its like contrasting a horse from a race horse.
Either one in 8gig of RAM (preferably)... the 4gig upgrade costs very little, the I7 you will notice only 15% faster on heavy applications over the I5, and NOTHING on most APPS.....I5 has longer battery life.
As you see below, the non-Retina 13" AIR is 82% of the Macbook with Retina display in resolution
there is no magical number of pixels per inch that automatically equates to Retina quality.
http://www.cultofmac.com/168509/why-you-might-be-disappointed-by-the-resolution- of-those-new-retina-display-macs-feature/
A huge internal SSD isnt a game changer for anything, you need an external HD anyway
what you WONT READ on Apple.com etc. is that the larger SSD are MUCH FASTER due to SSD density
"The 512GB Samsung SSD found in our 13-inch model offers roughly a 400MB/s increase in write speeds over the 128GB SanDisk/Marvell SSD"
http://blog.macsales.com/19008-performance-testing-not-all-2013-macbook-air-ssds -are-the-same
Here is an excellent video comparison between the 11” I5 vs. I7 2013 Macbook Air.
http://www.youtube.com/watch?v=oDqJ-on03z4
http://www.anandtech.com/show/7113/2013-macbook-air-core-i5-4250u-vs-core-i7-465 0u/2
I5 vs. I7 performance 13” Macbook Air 2013
Boot performance
11.7 I5 ……11.4 I7
Cinebench
1.1 I5….1.41 I7
IMovie Import and Opt.
6.69 I5….5.35 I7
IMovie Export
10.33 I5…8.20 I7
Final Cut Pro X
21.47 I5…17.71 I7
Adobe Lightroom 3 Export
25.8 I5….31.8 I7
Adobe Photoshop CS5 Performance
27.3 I5…22.6 I7
Reviews of the newest Retina 2013 Macbook Pro
13”
Digital Trends (13") - http://www.digitaltrends.com/laptop-...h-2013-review/
LaptopMag (13") - http://www.laptopmag.com/reviews/lap...play-2013.aspx
Engadget (13") - http://www.engadget.com/2013/10/29/m...-13-inch-2013/
The Verge (13") - http://www.theverge.com/2013/10/30/5...ay-review-2013
CNet (13") - http://www.cnet.com/laptops/apple-ma...-35831098.html
15”
The Verge (15") - http://www.theverge.com/2013/10/24/5...w-15-inch-2013
LaptopMag (15") - http://www.laptopmag.com/reviews/lap...inch-2013.aspx
TechCrunch (15") - http://techcrunch.com/2013/10/25/lat...ok-pro-review/
CNet (15") - http://www.cnet.com/apple-macbook-pro-with-retina-2013/
PC Mag (15") - http://www.pcmag.com/article2/0,2817,2426359,00.asp
Arstechnica (15") - http://arstechnica.com/apple/2013/10...-pro-reviewed/
Slashgear (15") - http://www.slashgear.com/macbook-pro...2013-26303163/ -
Color mismatch between CS4 and Canon PIXMA PRO6500
Hi there! I am trying to research if anyone else is having a problem with color mismatch between CS4 and their printer. Last night I printed a .tiff image out of CS4 to my Canon PRO6500 printer and the sky came out purple / pink! It was supposed to be a stormy grey color. I have the color management turned off on the printer settings. I have CS4 manages color turned on and the correct ICC profile selected for the paper I am using. When I do a soft proof in CS4 the image looks fine, but when I print I get something completely different, mostly with the sky (purple / pink) color! Just for the heck of it I did a Print Preview under my Page Setup and guess what, the sky actually shows purple / pink! So I have no idea what's going on. I checked all my setting, ink cartridges, tried different paper with the appropriate ICC profile and no dice. Still have a goofy looking sky! I thought PROOFING the image is supposed to show you how the printed image is going to look? apparently it doesn't because it's not. The Print Preview has an accurate representation of the print but I have no idea where the pink / purple sky is coming from. They are supposed to be stormy clouds as I said. I appreciate any help anyone can provide .
SabciuI have the color management turned off on the printer settings.
But do you have a measured color profile based on a sample print? Most likely not, so this is not doing anything in your favor. The current profile may present the defaults for a given printer, but not the actual density based on your other printer settings. So by all means, unless you can be sure to obey a full calibration throughout, turn on the printer CM. Also, since it is a Pro model, you may actualyl have to use the dedicated RIP software that was bundled with it to get correct results, not the default windows print engine.
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Hello,
On CC 7.0 and 7.1, I noticed there is an important color shift between pausing and playing my timeline when using "CineForm Visually Perfect" encoded source material.
This is especially noticeable on reds.
Using other codecs, there is no such shift.
My video card is a Geforce 650M. At first, I thaught it might be related to the video overlay settings of the card, but there are no such settings in the control panel.
Besides, using Quicktime to play the source produces no shift as well.
As I am often doing color correction using Premiere, and as I have dropped Avid exactly because I always had this same problem (when using a profiled calibrated screen), I would like to know precisely what is going on. As I'm regularly producing shows for broadcast, it is a real problem not to be sure whether what you see matches the final exported output in all circumstances.
NB : For the need of searching the cause of this problem I disabled any custom profiling of my screen.
Thanks ! for any answers.
FredSure and thanks. But nevertheless, if you color correct using a calibrated screen, and produce for the web ; or if you do a first pass of color correction before the ultimate pass happens with a "properly calibrated TV", wouldn't you like that your paused frame would look like your playing frame ?
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The underlying foundation for NI networking is called Logos.
I believe that the basic idea is Logos is what is going on behind the scenes at the base level and Logos XT lets you build your own networking protocols on top of Logos. Logos XT would be used if you want to make your own networking protocol instead of using TCP/IP or UDP.
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