Why are my lighting levels changing?

Yikes! I'm on mac with Premier CS6 6.05. Files are AVCHD. It started with just one file loaded onto the timeline in which the lighting level changed. Now, I just got done adjusting audio levels in the timeline on other clips and there lighting levels have now changed, all getting darker. I am a new user, a teacher, and just started using premier pro with my TV students. Sure hope I didn't make a mistake. Thank you!

Thanks for the added clarifications Noel. Can you perhaps explain to me how the behaviour of the color sampler in the info palette is actually desirable?
Let's look at my example again. When I am trying to make an adjustment and I'm looking at my color sampler targets, I _must_ have my adjustment layer selected. Target #1 is pointed over a white pixel. Regardless of which layer I have selected, that pixel is white. I can't imagine a scenario in which the readout should be anything other than 255,255,255. That's not a feature, that's a design mistake.
If I want to see, in the readout, the value of the background image's pixel, then I should hide the layer that contains that white shape. Then, that pixel is no longer white, and the color sampler readout should reflect that. Makes sense.
If you truly and honestly believe that users are interested in the color that is a result of compositing all the layers below (and including) the currently selected adjustment layer when they are plaing with the adjustment layer controls, then the UI must temporarily hide any layers above that color sampler as soon as I select the adjustment layer. This is the only correct UX design in that scenario - so that the color sampler once again reflects exactly what is "true" - namely the pixel color on the screen that it is sampling.
And if you re-read that last paragraph you will intuitively know that that would be crazy. I mean, there's no way that a user would want to have the UI hide any layers just because he's clicked on the Adjustment Layer - he probably wants to see the adjustment in the context of the entire composition. If he wanted to hide those other layers, he'd do it himself.
I urge you to reconsider this from the perspective of a real-world user and consider logging this as a bug. I just can't see any way that it isn't a mistake.

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Why are my eyedropper targets changing when I select my adjustment layer?

Consider this simple document with 2 layers and an adjustment layer:
Note the eyedropper targets. They read as expected:
Now, observe what happens when I click my adjustment layer (this is a new Levels adjustment that has NOT YET BEEN TOUCHED - so there should be NO CHANGE)
It doesn't matter whether the adjustment layer or its layer mask are selected, the results are the same.
Here are my eyedropper settings:
Proof Colors is off. I can't think of any other setting to play with.
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Thanks for the added clarifications Noel. Can you perhaps explain to me how the behaviour of the color sampler in the info palette is actually desirable?
Let's look at my example again. When I am trying to make an adjustment and I'm looking at my color sampler targets, I _must_ have my adjustment layer selected. Target #1 is pointed over a white pixel. Regardless of which layer I have selected, that pixel is white. I can't imagine a scenario in which the readout should be anything other than 255,255,255. That's not a feature, that's a design mistake.
If I want to see, in the readout, the value of the background image's pixel, then I should hide the layer that contains that white shape. Then, that pixel is no longer white, and the color sampler readout should reflect that. Makes sense.
If you truly and honestly believe that users are interested in the color that is a result of compositing all the layers below (and including) the currently selected adjustment layer when they are plaing with the adjustment layer controls, then the UI must temporarily hide any layers above that color sampler as soon as I select the adjustment layer. This is the only correct UX design in that scenario - so that the color sampler once again reflects exactly what is "true" - namely the pixel color on the screen that it is sampling.
And if you re-read that last paragraph you will intuitively know that that would be crazy. I mean, there's no way that a user would want to have the UI hide any layers just because he's clicked on the Adjustment Layer - he probably wants to see the adjustment in the context of the entire composition. If he wanted to hide those other layers, he'd do it himself.
I urge you to reconsider this from the perspective of a real-world user and consider logging this as a bug. I just can't see any way that it isn't a mistake.

Why are the lights blinking on my HP C6380 printer?

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Hi,
This fix is for many HP printers, it may also applicable for your pinter too.
Regards,
BH
**Click the KUDOS thumb up on the left to say 'Thanks'**
Make it easier for other people to find solutions by marking a Reply 'Accept as Solution' if it solves your problem.

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Thanks for the added clarifications Noel. Can you perhaps explain to me how the behaviour of the color sampler in the info palette is actually desirable?
Let's look at my example again. When I am trying to make an adjustment and I'm looking at my color sampler targets, I _must_ have my adjustment layer selected. Target #1 is pointed over a white pixel. Regardless of which layer I have selected, that pixel is white. I can't imagine a scenario in which the readout should be anything other than 255,255,255. That's not a feature, that's a design mistake.
If I want to see, in the readout, the value of the background image's pixel, then I should hide the layer that contains that white shape. Then, that pixel is no longer white, and the color sampler readout should reflect that. Makes sense.
If you truly and honestly believe that users are interested in the color that is a result of compositing all the layers below (and including) the currently selected adjustment layer when they are plaing with the adjustment layer controls, then the UI must temporarily hide any layers above that color sampler as soon as I select the adjustment layer. This is the only correct UX design in that scenario - so that the color sampler once again reflects exactly what is "true" - namely the pixel color on the screen that it is sampling.
And if you re-read that last paragraph you will intuitively know that that would be crazy. I mean, there's no way that a user would want to have the UI hide any layers just because he's clicked on the Adjustment Layer - he probably wants to see the adjustment in the context of the entire composition. If he wanted to hide those other layers, he'd do it himself.
I urge you to reconsider this from the perspective of a real-world user and consider logging this as a bug. I just can't see any way that it isn't a mistake.

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**Click the KUDOS thumb up on the left to say 'Thanks'**
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9:23 PM Saturday; August 27, 2011
Please, if posting Logs, do not post any Log info after the line "Binary Images for iChat"
 G4/1GhzDual MDD (Leopard 10.5.8)
 MacBookPro 2Gb( 10.6.8)
 Mac OS X (10.6.8),
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Why are my lighting levels changing?

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