Why does iCal always show 12:00am when I print calendar?

When I print a calendar month or email an event, the info shows a time of 12:00AM, as well as the actual correct time of appointment. Can I change something in Preferences to rectify this problem? Or what are other suggestions to fix this?

Damon's post is correct, but you don't have to disable the Time Zone to get this to work. Just set the time zone there in addition to the clock app. (I had choosen a time zone in the clock app, but the Date & Time - Time Zone value was empty and I was 'losing' 3 hours.)
Settings -> General -> Date & Time -> Time Zone -> (Enter/pick a city)
It just works (now)!

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This one has been driving me bonkers.
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Why does it do this? And is there a way to tell it to stop?

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This time-slot box is even smaller than the one above, yet it currently shows 4 lines of type under the (unnecessary) time stamp. When I first typed it in, originally it just showed 2 lines, but then I grabbed the bottom arrow, pulled down till it was a much longer time slot, then slid back up till it was just 1 hour slot, and all 4 lines appeared. Tried the same thing with the top example, but the next line never appeared. Very wanky. Forces me to double click the event to see the full description in the editing pane, but there's no reason why 3 or 4 lines shouldn't show up in the main iCal display...there's plenty of room. What the?

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so this is what I've figured it out so far... I was exporting to PDF in indesign then opening it in adobe arobat pro and printing from there... for some reason when I went into my advanced print settings in acrobat, it was set to "print as image: 100 dpi." I changed it and it printed out better but not perfect. To double check it was adobe that was causing the issue, I opened and printed the pdf through mac preview. This looked perfect - - exactly like it did when I printed through INDD.
So my questions are, 1> WHY does it automatically printing as an image 100 dpi in adobe? and 2> how can I change this setting so when my client opens it up, they dont have to mess with any of the print settings to get it to look how it's supposed to? Is this a setting I can change when I save the file? I want to make sure it prints out correctly because one of the fonts used is ultralight and can look very very light if printed incorrecty. It looks perfect when I print through preview, but even printing as an image in 600 dpi through acrobat pro, the ultralight font looks lighter and more faded than it should (and than it does in the preview and INDD printed files). If i unselect the "print as image" checkbox, the ultralight text looks better but still not perfect. So that would make my second question >> WHY is the print quality worse when I print through adobe, and how can I remedy this? Any ideas??? Any help much appreciated!
**using acrobat pro 9.4.6 on mac osx 10.6.8

The PDF file itself does not control the "print as image" preference, which should always be turned OFF unless there's a specific need to rasterize the entire page, and is turned off by default in all Acrobat and Adobe Reader installations.
What's the filetype for the ultralight font and what export setting* are you using in ID? If you're exporting to earlier than PDF1.7, OpenType fonts will be converted and may experience some small changes in shape if their hint definitions aren't done right.
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Hi ..
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What is a Profile Mismatch and why does it always show up?

b Question
Every time I open a file I get a prompt which reads: Embedded Profile Mismatch.
Embedded: Camera RGB Profile
Working: Adobe RGB (1998)
I always choose the default, which is the "embedded profile (instead of working space).
I have no idea what any of this means. I know that it started doing this after I chose something recommended in a Photoshop book.
Can someone please show me how to get rid of this prompt and point me in the direction of information that will help me choose the best profile?
b Answer supplied by Richard Rose
First the good news - your work flow is Color Managed.
Now the bad news - You have no idea what that means, nor how you are achieving that desirable situation.
You really need to start at the beginning and learn what color management is all about. For some reason lots of people get very confused and mislead trying to wrap their brains around the subject. It's really quite simple.
There are many named "color spaces" in which to work in Photoshop. you have chosen Adobe RGB (1998). You chose that color space in Photoshop CS under "Color Settings."
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The "short answer" as to why Photoshop needs to work in some particular "color space" is that the program must "translate" colors from their source (a digital camera, a scanner, a a graphics program) into a destination (display on a computer monitor screen, a particular printer, output for printing press reproduction, etc).
There are many compromises that take place in that translation process, and the requirements for all the possible conditions that must be satisfied (hue, saturation, how light or dark the image appears) cannot always be met. Something has to give somewhere.
Named color spaces (Adobe RGB, sRGB, Color Match RGB, Ekta Space, etc) make a number of assumptions and decisions about how color translations (conversions) should be carried out before Photoshop ever gets its hands on the image, and makes it much easier for Photoshop to carry out the conversions and maintain accuracy in converting (for instance) from a digital camera's idea of an image to the needs of your computer monitor (so you can see an accurate resemblance of the image) to the needs of a printing press, so that the image looks correct in a magazine.
The conversion process is carried out with the aid of "profiles." A profile is a set of data that is embedded in an image file that describes to any program that wants to read it, what the image data means in terms of color.
Without the profile, your digital camera's RGB file simply contains arbitrary RGB values. Yes, a particular pixel with high R values will be reddish, and another pixel with high B values will be blue, but the actual red or blue of those pixels as they relate to the original scene is unknown. The camera profile embedded in your file lets Photoshop know, to a high level of accuracy, just what hue of red, and just how much saturation is present, and how light or dark the red was in the scene. The profile's coding of this information is based on a color measurement system called CIE which uses several different mathematical models to carry out some VERY complicated computations. There are CIE Lab models, CIE XYZ, and others. These models are as close to an "absolute" color reference system as we have.
Thank God you are using camera files that actually have profiles! When you open such a file, Photoshop is "warning" you that the image information is in a color space other than the default Adobe RGB space. You told Photoshop to warn you about such "mismatch" when you set Color Management Policies in the Color Settings section.
Photoshop is telling you that "something" needs to be done. It can honor the camera's color space, from it's own frame of reference (Adobe RGB 1998) and work on the image, accurately handling the color information for screen display and eventual output. That's what you tell it to do when you "accept" the embedded profile. That's not bad, everything will work correctly, because Photoshop will have made internal conversions that remain active as long as the file is open, but there is something you have to keep in mind - when you save the file, Photoshop will save the original camera profile with it. Then if you open the file again, the same "warning" will occur.
That camera profile is as valid and useful as any other profile, but because it is not a commonly recognized color space may cause a problem in some other workflow. (Notice I said MAY. ICC color profiles SHOULD be ok in any program)
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Why does iCal always show 12:00am when I print calendar?

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