Why doesn't Bridge recognize the color labels I've applied to images in Lightroom?
I used to mark images yellow in LR if I needed to do further work on them in Photoshop. Once exported as jpegs, I'd open them in Bridge and sort for color labels. In the last year or so, Bridge stopped seeing those labels. It doesn't work in CS4 or CS6.
Thank you for your prompt response, Victoria! I did what you said and made the labels match. I then restarted both Bridge and LR and exported a file as a test. It didn't work. The image marked with a label in LR shows no label in Bridge. I even restarted the computer and it still doesn't work. Is there something else I can try?
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Why doesn't Bridge Recognize Canon G1X Raw Images even with ACR 6.6?
I got a new Canon G1X and upgraded my Adobe Camera Raw to version 6.6 which is supposed to recognize this camera.
No matter what I do, the bridge thumbnail never appears and I cannot open the files on Photoshop. I always get an error message that this camera may not be supported.
It is supported and I have upgraded the SW several times.
What gives??I am wondering if my GX1 is too early or too late in serial number.
That should not matter, and if so it would be solved with a firmware update by Canon
But after some research it seems you need the beta version of ACR 6.7 that does has the support for the GX1 added. The release candidate ACR 6.7 can be found on Adobe Labs:
http://labs.adobe.com/technologies/cameraraw6-7/
Read the about and terms and download the plug in. It is beta but pretty safe to use -
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I have a folder of photos I have renamed.
Filename is not the same as Title.
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Why doesn't the "Command Number" keyboard shortcut apply the colored label to the selected image?
Why doesn't the "Command Number" keyboard shortcut apply the colored label to the selected image? The similar keyboard shortcut to assign stars works, but the shortcut to assign a label color doesn't?
Just to be sure they haven;t been reassigned in your Aperture go to Aperture->Commands->Customize then in the search box in the upper right hand corner enter color.
You should see the keyboard shortcuts and the corresponding add label commands.
If they are set then quit Aperture move you preference file to the desktop and restart Aperture. The instructions for moving the preference file can be found at Aperture 3: Troubleshooting Basics
Post back the results
Message was edited by: Frank Caggiano - Added preference file move -
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Is there any way to get Mini Bridge to show the color labels that are set in Bridge and/or Lightroom?
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Disappear the color labels which I mark some of my messages. When I reopen the program they do not exist.
labels are synchronised to the server for imap mail accounts. Unfortunately older server software does not support the feature and the labels are removed instead of synchronised.
If you mail account is checked on say a 15 minute schedule then the labels will also disappear every 15 minutes if my assumption is correct. -
How do you find images in LR 2.4 that have been imported from CS4 Bridge and have been assigned a color label in Bridge? I have set both LR 2.4 and my CS4 Bridge to match the text for each color to be the same (eg. Green for green, etc), and the filter search in LR 2.4 shows that a label has been assigned, but I am unable to identify and locate the specific images in LR 2.4 that have had a color label assigned from CS4 Bridge. I have tried to search via attribute, metadata, text, etc...Is it necessary to re-assign color labels all over again, image by image, in LR 2.4, or is there a way to automatically have the color labels assigned in CS4 Bridge be assigned and searchable to the images after they have been imported into the LR 2.4 catalogue from the Bridge program?
JohnM.
I closed both programs and re-imported photos and re-tried the action of having LR read the XMP metadata from the CS4 files, and it seems to work now just fine...don't know why now and not before, but thanks much. Is there a way to have LR do this automatically upon import of images from CS4? I tried to do this with an import metadata preset, but no luck. It seems as if I can only do this once the images have already been imported into LR, and then to have to have LR read the metadata from the CS4 Bridge files. thanks gain. -
Why can't I find the color profile info in the library ?
Why can’t I find the color profile info in the library ?
It’s sometimes necessary to convert to sRGB for some applications ( internet, some beamers in clubs,…).
I convert them but afterwards it is nice to have the possibility to check this out and should be possible in lightroom, the info is present why not showing it ( it is not so easy to go in finder and look at it in info for every image)?
Since I’m always working in Adobe profile for printing and so this is important to know !
But no trace of it anywhere….
Thx for any reply.The disconnect here is many (including me) don't reimport rendered JPEGs
into our Lightroom Catalogs. Why you are doing that is beyond me. You
have the original and can recreate any rendered file at any time.
Storing the derivative JPEGs is redundant, creates additional confusion
and serves little real purpose. Exported versions are considered
discarable by many.
Yes, understand what you're meaning. but the fact is that I started rather recently with lightroom. So my images where classified in directory's and subdirectory's...already.
I think that this is the major problem. This is always a problem when you step in a new system.
Let's say I am going to submit to a photographic society, I have an Export
preset created that exports to proper size and color space for
projection. It creates a file. I send it to the club. Then I delete it.
Why save it? I can recreate it. Then I don't have to manage it, search
for it, or worse yet, risk confusion with my original file or othe
resultant derivatives.
The fact that I like to keep them is
indeed an inborn result of the "pré-lightroom period". A bad habitude
indeed. I'm thinking now of deleting them, will maybe better. On the other side
I still have them just for me in order to know which ones I used and when.
Another bad habitude.
But
since I'm not a professional photographer I'm mostly confronted with the time
issue and it is for me easier to take existing files ready for use...
( doesn't mean you’re not confronted
with this problem
Today place for jpeg's is rather easy since the Gb's are almost free...
Same is true of a client photo. They want an 8x10. I go to the retouched
original, create a JPEG from an 8x10 preset in the proper dimensions and color space. Send it to the lab. Then, I can delete it.
One of the strengths of Lightroom is that it creates many fewer
intermediate file versions along the way toward final creation. Another
strength is that you can save (via snapshots in Develop) your
derivatives, export, and discard them without having to create, import
and manage additional files on disk. In the old days of just Photoshop
you might end up with a dozen or more files on your disk for every
worked file. With Lightroom, you only need one or two.
Will look deeper in your proposed workflow...and yes I'm comming from the old days.
That said, if you want to keep the derivatives for purposes down the road,
that is up to you but I don't understand why they need to be inserted
into your catalog.
Since my catalog is made in the time
from before lightroom I’m still having all these directory's and
subdirectory's...
Easier
for me since even with back-ups of the catalogue still afraid for crashes. And
I keep liking these directory structure because for the moment it's lighrtroom
and tomorrow it can be another program, you never know. It's like a website, "on line versoin only", big problem when a firm at some moment stop to provide this possibility.
I think I will try to go deeper in "how to use lightroom better..."
thanks
Edward De Bruyn -
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Message was edited by: Mac ShunsukeI have similar issue before and it's really frustrated to use small capacity cartridges in my R200 and R280 printers. I ended up to get a very very decent ink system from InkRepublic.com
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