Why don't colored markers in Prelude keep their color in Premiere?

Just wondering why it is that when I choose a certain color for my comment markers in Prelude, Premiere automatically colors them green.
Is there no setting in Premiere that would simply respect the colors I chose in Prelude for my markers?

Hi Mark, thank you for showing me this. But your different colored markers are actually the default "comment, flash cue, web link, chapter, speech" markers.
I'm talking only about the Comment Markers. Whatever color I set them to in Prelude, those same Comment Markers markers always end up being the default dark green in Premiere. And, yes, I am running the very latest version of all Adobe CC programs...2014.1 (October's update).
Let's say for example that I prefer white as a color for comment markers in Prelude.
Why is it that they change their color to dark green when they show up in Premiere?
I think many of us would like to see a fix for this that allows whatever color marker we choose in Prelude to be respected in Premiere.

Similar Messages

Why don't I have the DCP export option in Adobe Premiere Pro?

Why don't I have the DCP export option in Adobe Premiere Pro?
Premiere Pro CC v7.2.2

I will reply to my own question!
I was on my Windows machine when I began producing my video. During Export, I wasn't able to package it. After a few hours of research I found that Wraptor DCP is not supported (yet) on Windows platforms. I switched over to my Macbook Pro and viola!
DCP'ing all day long now!

Why don't color values change when using proof colors?

Hi,
i am very interested in obtaining exact replicas of the image in screen (in ProPhoto) and the image printed (using a suitable printer profile). However when I select Proof Colors from the view menu, the appearance changes but the RGBV or Lab colors remain the same. This is counter intuitive and goes against the well known recomendation to do color correcting using numbers instead of your eyes.
What's happening? Is there a way to accomplish what I want?
Thanks,
Juan

Juan,
please let me tell you my opinion, based on working with i1Pro, ProfileMaker and a couple
of printers and monitors:
a) one doesn't calibrate a monitor for a better match of monitor view and print result.
The monitor has to be calibrated for preferred settings, here for 100cd/m² and 6500K.
In my case, calibrated in an almost dark room in order to avoid any flare, the minimal
luminance is about 0.3cd/m², which results in a contrast of about 300. With some ambient
light the actual contrast is probably not as large.
b) one doesnt calibrate a printer with respect to a monitor. The printer is calibrated by
printing a target and measuring this, followed by profile generation. As a result, a printer
can print color patches with certain Lab values with a measurable accuracy, without any
reference to a monitor. By the way: calibration takes the paper color into account, there-
for one needs for each paper a new profile (as well for different printing modes or diffferent
black inks and so on).
What is to do?
You have already i1 Profiler. Each version can profile monitors, but you need a version
which can profile printers as well. In this German doc means Drucker=printer:
http://www.pdfmarkt.de/index_de,marktcm,15,528,,49.php
It looks as you have a version which can calibrate printers in RGB mode (perhaps i1 Basic Pro2 ).
Then follow the procedures in these docs, mainly the third:
http://www.northlight-images.co.uk/reviews/profiling/i1_profiler_overview.html
http://www.northlight-images.co.uk/reviews/profiling/i1_profiler_monitor.html
http://www.northlight-images.co.uk/reviews/profiling/i1_profiler_rgb_print.html
What means RGB mode? Epson printers, for instance my model 7890, can be calibrated in
RGB mode or in CMYK mode. Of course. the printer prints finally by CMYK inks, but the
targets are defined either by RGB values or by CMYK values.
RGB mode is preferred by photographers (RGB images), CMYK mode accepts as well CMYK
data as generated in PostScript workflows and is used for proofing offset-print-ready PDFs.
An example: technical graphics may contain one or two inks in order to avoid registration
errors. Sending these data to an 'RGB-printer' would result in printing by all inks.
I'm calibrating in CMYK mode. The profile interpretation by Profile Inspector shows CMYK
as device space. Available profiles by others (for common papers) show RGB as device space.
Profile connection space is in either case CIELab.
How are the viewing conditions?
Probably not by viewing monitor and print side by side. The monitor has 6500K, prints are
to be inspected under 5000K. Thus, a simultaneous adaptation is impossible.
Also, it would be wrong, because the rendering is mostly not Absolute Colorimetric.
For the critical inspection of prints the illuminance should be very bright, 2000lx (lux),
according to ISO. 100cd/m² is roughly equivalent to 300lx (3-hundred).
As a result, one cannot expect a match, but an impression: looks right on the monitor, looks
right on the print. And an offset printing press can be adjusted by matching a proof print.
Best regards --Gernot Hoffmann

Why don't place markers appear (so I can trim/crop)?

I've got a .mpg file which I've converted to a .mov file; neither one, when I open them with QuickTime 7.5 (I have the registered PRO version), is showing me those little triangles under the position marker that would enable me to indicate a region to crop or trim. Why? How do I get them to appear?
Mike

QuickTime Pro can play but can't edit MPEG-1 files so you will not see any edit points.
Use MPEG Streamclip (free).

Why don't the markers appear when I hit "M"?

Sometimes when I hit "m" the marker doesn't appear. How do I fix this?

Make sure the height of the video track is increased:
This is apparently fixed in the nest release.
MtD

Why use "Don't Color Manage This Document"?

Hello,
I work on photos, mostly black and white, that will be either digitally or offset printed. I have been told that I should not assign any color profile to these photos in PhotoShop. I should instead choose the option in Assign Profile to "Don't Color Manage This Document."
I think the reason is that we do not want the RIP to interpret any color profile that may be in the RIP and apply it to the photos. But I really don't know why I should use this opiton.
Can anyone educate me on this question?
Thanks,
Tom

Tom,
You've left a few potentially important details out of your scenario, but I will give you my thoughts. Are your B&W images 4/C CMYK, grayscale, or RGB? It can make a difference.
When editing images for my own fine art printing, I always tag it with a profile. In fact, I do this whether my image is grayscale, CMYK or RGB. Of course, I am doing the printing myself, so I have full control over the project. I use a Canon 6100 and custom RGB profiles (which I build myself), so most of my B&W or toned monochrome prints are RGB. Without a source profile, Photoshop will have to assume or assign a profile in order to make the final conversion.
I have used B&W RIPs before, such as QTR, and they don't speak ICC. They simply take the raw umbers in the file and output them to the printer, passing them through specific inking recipes (which they tend to call profiles, but this is very confusing to users, because they can be confused with ICC profiles, which they definitely are NOT). In this case, the RIP simply ignores any embedded ICC profile and just outputs the numbers.
More traditional RIPs (Poster print, Studio Print, ColorBurst, etc) can properly interpret incoming CMYK data with an ICC profile and make whatever conversions are necessary to give you an accurate print. Of course, accuracy depends on having accurate profiles for monitor, printer, paper, ink, etc.
So, if we are talking photos destined for fine art printing on an inkjet, I normally would tag my files with an ICC profile.
I recently designed a job for a client using InDesign. It included a lot of photographs, illustrations, and native components created using Photoshop, Illustrator, and InDesign. The problem was that the customer had not selected a commercial printer, so I had no idea where the job would be printed, on what type of press, ink limits, paper stock, etc. What to do? I chose a middle of the road profile (IDEAlliance SWOP2006_Coated3v2) which has an ink limit of 300 and assumes a #3 coated sheet. I left this profile active in InDesign. I edited my files in Photoshop and Illustrator and tagged all images with the same profile, and placed them into InDesign. So, all components had the same "generic" CMYK profile based on a middle of the road industry standard (I use the term standard loosely). Having all components tagged enabled me to generate an accurate, high quality color proof on my inkjet (assuming the final press will adhere the the above SWOP standard).
Before submitting the file, I converted it to PDF/X1-a using Acrobat Pro. This strips all profiles from the file, but names the intended color profile in the PDF file. So, I was supplying an untagged file, but if they wanted to, they could see what the intended profile was. I stripped the profile because I did NOT want the unknown commercial printer to convert my carefully generated files. One concern was that all items on the black plate (black text, lines, vector art, etc) might somehow be converted through Lab to a new CMYK profile, thus giving me CMYK separation of my blacks, potential registration problems, etc. To cover my butt, I supplied my color proofs with the file and told the client the final job should look very close to my proofs if the printer did his job right. It also gave the printer a guide print to help them get it right. So, to me, that is the major reason to supply an untagged file.
Sorry for the long diatribe.
Lou

Why don't we keep Oracle Database ARCH logs in RAW devices

Hi All,
Why don't we keep Oracle Database ARCH logs in RAW devices?
How ARCH process is related to Block Device and Character Device ?
Thanks,
Tusar
Edited by: user11987718 on 26-Jun-2012 09:59

Why don't we keep Oracle Database ARCH logs in RAW devices? 1.This is because raw devices do not enable sequential writing of consecutive archive log files.
http://docs.oracle.com/cd/E11882_01/rac.112/e16795/rman.htm#RACAD320
2.with raw you have to specify the exact size of the file at creation time, in contrast with file system, where you can create file without specifying its size, start writing to it, apending new blocks to it until you are done, and thus creating a file of whatever size it needs to be to hold all information.
http://www.dbasupport.com/forums/archive/index.php/t-16429.html
3.raw file systems are difficult to manage because you cannot run normal os commands on them.(as there is no file systems)
How ARCH process is related to Block Device and Character Device ?A block device would read/write bytes in fixed size blocks, as in disk sectors. Character devices read/write 0 or more bytes, in a stream, such as a TTY or a keyboard.
For more details about what is block and character device type :
http://en.wikipedia.org/wiki/Device_file
And now think, how arch process is related to block and character devices.
Regards
Girish Sharma

Why when i try signing in it keeps telling me to set up an account on my pc when i have already done that?

why when i try signing in it keeps telling me to set up an account on my pc when i have already done that?

You can't create an iCloud account on a PC. What is the exact error message you are seeing?

Why don't my apps automaticaly update? i keep trying to turn it on under settings but it will not stay on

why don't my apps automaticaly update? i keep trying to turn it on under settings but it will not stay on

Sounds like we have a similar problem. Four days ago I was playing music through a wireless Bose speaker via bluetooth and everything was fine. Then I was texting while listening and got 2 texts about the same time as I was typing one and my phone went black. I pushed the home button and it worked, went into my texts and all were there. However ever since then the time isn't right, so it can't keep time no matter what I do. The bluetooth works only at times, the wifi keeps jumping on and off, sometimes my data won't work and the other day I couldn't even turn it off, so had to wait until it died. The battery life display at that moment wasn't correct either. Took to Verizon, they couldn't help. Suggested a factory reset, which I did last night and still the same issues! One day I couldn't even text my husband on his iPhone. Just wouldn't work at all. Did everything suggest and still not good. Seems like after stalking these pages today a lot of people are having this problem in Dec/Jan and of course also I'm 3 weeks out of my 1 year warranty and so were many others, by days. Very strange, and all on the 5C. What did you do? Is it working now?

Hi there, i want to upgrade to snow leopard in order to purchase lion os from the snowleopard store. The problem is that i can't find a shop selling original snowleopard os dvd in my country. Why don't you keep an online s.leopard so we can purchase it ?!

hi there, i want to upgrade to snow leopard in order to purchase lion os from the snowleopard store. The problem is that i can't find a shop selling original snowleopard os dvd in my country. Why don't you keep an online s.leopard version so we can purchase it ?!

Hi,
Have you tried your country's online Apple Store? Snow Leopard is still available on mine, here in the UK. Otherwise, your best chance is eBay. You might also try CeX.
Good luck,
S.

Why my 2009 desktop with OS Maverick keep shutting down by itself

Why my 2009 desktop using OS Maverick keep shutting down by itself?

When it shuts down, the screen blanks (more like turns grey, like the color of the background when on the log in screen). It reboots immediately, so at first the problem was presumed to be restarting, not shutting down and powering back on. The computer is usually very warm, and definitely gets hot easily. A test was run determine when the fan would turn on to start cooling the computer by running digits of Pi, and the tester concluded it was too close within the safe temperatures before it would permanently affect the computer. (I believe this was within 5ºF, but I am not 100% sure.) The times when it will turn off and reboot do not seem coorelated with much if anything. It has done this at multiple times, among running varying amounts of programs and for different lengths of time: right after logging into the user, within a minute of after it has turned off and rebooted, within 5 minutes, 10, 30, even 60 minutes of turning off and rebooting, when only running one program such as Firefox, when running various programs such as Firefox, iTunes, Microsoft Word, Sticky Notes....
Basically, it makes no sense.

TS4337 Why are the colors for my calendar reseting to a color I never chose?

Why are the colors for my calendar in iCal reseting to a color I never chose? It won't stay blue when I choose that color and keeps changing to a custom lavendar color on its own.... Incredibly annoying...

There doesn't seem to be a one-size-fits-all answer, because what works for one printer doesn't necessarily work for another, and I don't have your printer so I can't advise on specifics...
However, perhaps we can discover a set of settings that will work...
If you File - Print, choose Photoshop Manages Colors, in the Printer Profile section do you see profiles specific to your printer (e.g., with the name Kodak in them)?
If so, choose one of them that seems appropriate given the paper you're using.
If not, try choosing sRGB IEC61966-2.1.
Now, before you continue, press the [Print Settings...] button. This brings up the printer driver dialog. You may have to go through [Advanced] buttons or whatever, but what you're looking to do here is to disable the printer driver's color management logic. In other words, if you can find a color-management / ICC profile handling section, set it to "no color management" or equivalent. OK back out to Photoshop's print dialog, then press [Print].
The key here is that if Photoshop manages the color transforms, the printer driver should not be set to do so - or vice versa.
If you're presented with the printer driver's dialog again, double check that the settings you chose above are still set, for good measure, and try a test print.
-Noel

Exporting Why is the color so dark

When I am working in AE CS3 the color looks great but when I export it Animation + with RGB Preserved, why does my colors look really dark? Is there a setting I am missing?
I am using an IMac with Intel prossessor. It also looks dark on my boss's HP PC. Oh and yes I am using the render Q

Also take into account that many office PCs are misconfigured, i.e. either forcibly toned down in brightness and contrast or simply because they are of low-price ranges (as obviously you don't need extreme stuff just for typing word documents and doing e-mail) ;-)
Mylenium

HT4623 Why don't Updates finish ?

Why don't updates finish?

If there are multiple apps trying to download at once, only one can download at a time and the rest say "Waiting" until it is then their turn. Try this. Double tap the icon of the Waiting app, and it should resume the download.
How to Solve the Problem of An iPad App Download Stuck on “Waiting”
http://ipadacademy.com/2012/06/how-to-solve-the-problem-of-an-ipad-app-download- stuck-on-waiting
How To Get Rid Of Your iPad App Download Frozen Problem
http://www.sidelineapple.com/how-to-get-rid-of-your-ipad-app-download-frozen-pro blem-and-not-lose-years-of-your-life-video/
iTunes: How to resume interrupted iTunes Store downloads
http://support.apple.com/kb/ht1725
Another thing to try - Turn the iPad Off & then back ON.
If that doesn't work:
• Log out of your iTunes store account. Go to Settings > Store > Sign Out Then press the Home button.
• Then press and hold the Home and Sleep buttons simultaneously and don't release them when it brings up the Turn Off screen; keep holding them until the Apple logo appears.
• After restart, the Waiting should be gone.
 Cheers, Tom

WHY DON'T YOU AT LEAST IMPROVE THOSE BRUSH STROKES?!

I'm a professional digital artist-illustrator for about 7 years now. using photoshop since early years of my career. CS2, CS4, CS5.. on more than several mashines, top line HP workstations and EliteBook.
and one thing that bothers me and most of my colleagues is the quality of the brush strokes that PS provides.
why don't you improve em for christsake?!?
I must admit, this is a software issue, not mashine. neither the resolution, some options or tablet series has anything to do with this.. and it's especially visible on thicker strokes.
we work on intuos3, intuos4, intuos5, apple, win and whatnot. ant it's most obvious that the brush lines are as ugly as hell in this program entirely through all series.
when it comes to non-vector lineart, thats' basically why most of the artists/designers go for other progams, such as paint tool sai, sketchbook pro, manga studio and etc, and do the effects/coloring only in PS.
here's an ex. how the brush lines end. + if you work slower/move your pen more precise they go even worse!
I won't go further, like talking about the LAG with mixer brtushes and etc. most of the CG forums and communities are allready full of those discussions. you cannot even compete on this issue with other products.
that might be also a solution to rise your sales around the globe. cos now - why to buy a <1200$ worth PS program in europe when you'll probably end up mainly using paint tool sai or sketchbook pro for around 90$ and go for GIMP (free software) for effects.

I can understand a certain level of frustration, PAUZAK, but really? Are you a part of the same universe I'm in?
Your answer seems defensive; I'm just trying to help.
Points answered:
>then why other products managed to make it work?
I was only commenting on the points made in the thread YOU linked to. Apparently at least some people see the shoelace thing in the Wacom control panel. Given that evidence, which I doubt was manufactured, your pretense seems to need questioning. I suppose it's possible (actually, a certainty) that some products send different commands to the drivers than others, and that the drivers are doing things wrong only under some conditions. That's why I asked whether the Smoothing setting affected your setup.
>just like this forum.. can't make a reply like in other normal forums, or edit anything
I'm having no problems replying, or editing using any of the major browsers, including Firefox. I can't edit posts on an iPhone or iPad (not allowed to even try), but if you're using an actual computer and you can't even make the forum work, you have problems on your system.
>adobe is. cannot make the most simple things to work right and not LAG
Some operations in Photoshop are complex and when done with big brushes and all kinds of stuff (fuzzy edges, mixing, etc.) turned on they slow down, but with reasonable sized brushes I've been able to paint stuff, and I certainly don't have the world's fastest computer by today's standards. And even so, I'm not sure that's a situation where it's not working right per se... Maybe just one where a better computer is needed to paint with really big brushes and all the fancy stuff turned on. That *could* be a better computer than any invented yet, but that's okay - see next year's lineup...
>looks like the staff is obviously looking somewhere else
Wow, and you posted that *right* after one of the senior Photoshop scientist/engineers at Adobe responded specifically to you. When's the last time an engineer from any other big software company responded to you?
>Photoshop is still a huge and expencive disappointment so far. ask any pro
Yeah, all the pros just avoid Photoshop. That's why Adobe is doing so poorly as a business. They can hardly sell any copies at all!
PAUZAK, I'll go out on a limb and say making things up and trolling for shock value and blaming the world for your own problems probably aren't going to help you reach a solution.
-Noel

Why don't colored markers in Prelude keep their color in Premiere?

Similar Messages

Maybe you are looking for