Why is Lightroom 5.7.1 so slow in develop module?

Lightroom CC slows right down and becomes unbearably slow when in develop module and working with brushes, or zooming/panning.
My computer is not the problem...running 32GB RAM and dual Nvidia GeForce GTX 780M graphics cards...

Lots of adjustment brushes and lots of spot removal can bog things down. Your best bet is to move those takes to the end of your develop cycle.

Similar Messages

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    After i updated from LR4 to LR4.3 ,,, i have been using LR 4.3 for a couple hrs now only to find out i am having same issues as before:
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  • Why does Lightroom (and Photoshop) use AdobeRGB and/or ProPhoto RGB as default color spaces, when most monitors are standard gamut (sRGB) and cannot display the benefits of those wider gamuts?

    I've asked this in a couple other places online as I try to wrap my head around color management, but the answer continues to elude me. That, or I've had it explained and I just didn't comprehend. So I continue. My confusion is this: everywhere it seems, experts and gurus and teachers and generally good, kind people of knowledge claim the benefits (in most instances, though not all) of working in AdobeRGB and ProPhoto RGB. And yet nobody seems to mention that the majority of people - including presumably many of those championing the wider gamut color spaces - are working on standard gamut displays. And to my mind, this is a huge oversight. What it means is, at best, those working this way are seeing nothing different than photos edited/output in sRGB, because [fortunately] the photos they took didn't include colors that exceeded sRGB's real estate. But at worst, they're editing blind, and probably messing up their work. That landscape they shot with all those lush greens that sRGB can't handle? Well, if they're working in AdobeRGB on a standard gamut display, they can't see those greens either. So, as I understand it, the color managed software is going to algorithmically reign in that wild green and bring it down to sRGB's turf (and this I believe is where relative and perceptual rendering intents come into play), and give them the best approximation, within the display's gamut capabilities. But now this person is editing thinking they're in AdobeRGB, thinking that green is AdobeRGB's green, but it's not. So any changes they make to this image, they're making to an image that's displaying to their eyes as sRGB, even if the color space is, technically, AdobeRGB. So they save, output this image as an AdobeRGB file, unaware that [they] altered it seeing inaccurate color. The person who opens this file on a wide gamut monitor, in the appropriate (wide gamut) color space, is now going to see this image "accurately" for the first time. Only it was edited by someone who hadn't seen it accurately. So who know what it looks like. And if the person who edited it is there, they'd be like, "wait, that's not what I sent you!"
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    So what should I do? As it is, I have my Photoshop color space set to sRGB. I just read that Lightroom as its default uses ProPhoto in the Develop module, and AdobeRGB in the Library (for previews and such).
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    Okay. Going bigger is better, do so when you can (in 16-bit). Darn, those TIFs are big though. So, ideally, one really doesn't want to take the picture to Photoshop until one has to, right? Because as long as it's in LR, it's going to be a comparatively small file (a dozen or two MBs vs say 150 as a TIF). And doesn't LR's develop module use the same 'engine' or something, as ACR plug-in? So if your adjustments are basic, able to be done in either LR Develop, or PS ACR, all things being equal, choose to stay in LR?
    ssprengel Apr 28, 2015 9:40 PM
    PS RGB Workspace:  ProPhotoRGB and I convert any 8-bit documents to 16-bit before doing any adjustments.
    Why does one convert 8-bit pics to 16-bit? Not sure if this is an apt comparison, but it seems to me that that's kind of like upscaling, in video. Which I've always taken to mean adding redundant information to a file so that it 'fits' the larger canvas, but to no material improvement. In the case of video, I think I'd rather watch a 1080p movie on an HD (1080) screen (here I go again with my pixel-to-pixel prejudice), than watch a 1080p movie on a 4K TV, upscaled. But I'm ready to be wrong here, too. Maybe there would be no discernible difference? Maybe even though the source material were 1080p, I could still sit closer to the 4K TV, because of the smaller and more densely packed array of pixels. Or maybe I only get that benefit when it's a 4K picture on a 4K screen? Anyway, this is probably a different can of worms. I'm assuming that in the case of photo editing, converting from 8 to 16-bit allows one more room to work before bad things start to happen?
    I'm recent to Lightroom and still in the process of organizing from Aperture. Being forced to "this is your life" through all the years (I don't recommend!), I realize probably all of my pictures older than 7 years ago are jpeg, and probably low-fi at that. I'm wondering how I should handle them, if and when I do. I'm noting your settings, ssprengel.
    ssprengel Apr 28, 2015 9:40 PM
    I save my PS intermediate or final master copy of my work as a 16-bit TIF still in the ProPhotoRGB, and only when I'm ready to share the image do I convert to sRGB then 8-bits, in that order, then do File / Save As: Format=JPG.
    Part of the same question, I guess - why convert back to 8-bits? Is it for the recipient?  Do some machines not read 16-bit? Something else?
    For those of you working in these larger color spaces and not working with a wide gamut display, I'd love to know if there are any reasons you choose not to. Because I guess my biggest concern in all of this has been tied to what we're potentially losing by not seeing the breadth of the color space we work in represented while making value adjustments to our images. Based on what several have said here, it seems that the instances when our displays are unable to represent something as intended are infrequent, and when they do arise, they're usually not extreme.
    Simon G E Garrett Apr 29, 2015 4:57 AM
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    Over the course of my 'studies' I came across a side-by-side comparison of either two color spaces and how they handled value gradations, or 8-bit vs 16-bit in the same color space. One was a very smooth gradient, and the other was more like a series of columns, or as you say, a staircase. Maybe it was comparing sRGB with AdobeRGB, both as 8-bit. And how they handled the same "section" of value change. They're both working with 256 choices, right? So there might be some instances where, in 8-bit, the (numerically) same segment of values is smoother in sRGB than in AdobeRGB, no? Because of the example Simon illustrated above?
    Oh, also -- in my Lumix LX100 the options for color space are sRGB or AdobeRGB. Am I correct to say that when I'm shooting RAW, these are irrelevant or ignored? I know there are instances (certain camera effects) where the camera forces the shot as a jpeg, and usually in that instance I believe it will be forced sRGB.
    Thanks again. I think it's time to change some settings..

  • Why is my mid 2007 iMac so slow now that I've loaded 10.9.4

    Why is my mid 2007 iMac so slow now that I've loaded 10.9.4? Everything seems to be slow. It was quick enough on 10.4. I now have wireless connection issues, and wired keyboard connection issues?
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      iMac - model: iMac7,1
      1 2.4 GHz Intel Core 2 Duo CPU: 2 cores
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      iMac 1920 x 1200
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      OS X 10.9.4 (13E28) - Uptime: 14 days 9:40:19
    Disk Information: ?
      SAMSUNG HD103UJ disk0 : (1 TB)
      S.M.A.R.T. Status: Verified
      EFI (disk0s1) <not mounted>: 209.7 MB
      Macintosh HD (disk0s2) / [Startup]: 999.35 GB (321.09 GB free)
      Recovery HD (disk0s3) <not mounted>: 650 MB
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      Apple, Inc. Keyboard Hub
      Apple Inc. Apple Keyboard
      Seagate FA GoFlex Desk 1.5 TB
      S.M.A.R.T. Status: Verified
      disk1s1 (disk1s1) <not mounted>: 32 KB
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      Apple Inc. Built-in iSight
      Apple Inc. Bluetooth USB Host Controller
      Apple Computer, Inc. IR Receiver
    Gatekeeper: ?
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    Kernel Extensions: ?
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      [not loaded] com.seagate.driver.PowSecLeafDriver_10_4 (5.1.1) Support
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      [failed] com.apple.printtool.daemon.plist
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      [loaded] com.adobe.fpsaud.plist Support
      [loaded] com.adobe.SwitchBoard.plist Support
      [loaded] com.google.keystone.daemon.plist Support
      [loaded] com.microsoft.office.licensing.helper.plist Support
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      [running] com.adobe.AdobeCreativeCloud.plist Support
      [running] com.brother.LOGINserver.plist Support
      [loaded] com.google.keystone.agent.plist Support
      [running] com.seagate.SeagateStorageGauge.plist Support
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      [loaded] com.adobe.AAM.Updater-1.0.plist Support
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    User Login Items: ?
      Microsoft AU Daemon
      SpeechSynthesisServer
      iTunesHelper
      AdobeResourceSynchronizer
      Google Drive
      Dropbox
      Microsoft Database Daemon
      Microsoft Outlook
      ExpanderDaemon
      VersionCueCS2Status
    Internet Plug-ins: ?
      o1dbrowserplugin: Version: 5.4.2.18903 Support
      Google Earth Web Plug-in: Version: 7.1 Support
      Default Browser: Version: 537 - SDK 10.9
      Flip4Mac WMV Plugin: Version: 2.3.8.1 Support
      OVSHelper: Version: 1.0 Support
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      FlashPlayer-10.6: Version: 15.0.0.152 - SDK 10.6 Support
      AdobePDFViewerNPAPI: Version: 10.1.6 Support
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      Flash Player: Version: 15.0.0.152 - SDK 10.6 Support
      iPhotoPhotocast: Version: 7.0
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      QuickTime Plugin: Version: 7.7.3
      AdobePDFViewer: Version: 10.1.6 Support
      SharePointBrowserPlugin: Version: 14.1.0 Support
      Silverlight: Version: 5.1.20125.0 - SDK 10.6 Support
      JavaAppletPlugin: Version: 14.9.0 - SDK 10.7 Check version
    Safari Extensions: ?
      wpa
      html5video
    Audio Plug-ins: ?
      BluetoothAudioPlugIn: Version: 1.0 - SDK 10.9
      AirPlay: Version: 2.0 - SDK 10.9
      AppleAVBAudio: Version: 203.2 - SDK 10.9
      iSightAudio: Version: 7.7.3 - SDK 10.9
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      Quartz Composer Visualizer: Version: 1.4 - SDK 10.9
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      TuneUp Visualizer: Version: (null) Support
    User Internet Plug-ins ?
      Move-Media-Player: Version: npmnqmp 071303000006 Support
      fbplugin_1_0_3: Version: (null) Support
      WebEx: Version: 1.0 Support
      WebEx64: Version: 1.0 Support
    3rd Party Preference Panes: ?
      Adobe Version Cue CS2  Support
      DivX  Support
      Flash Player  Support
      Flip4Mac WMV  Support
    Time Machine: ?
      Skip System Files: NO
      Auto backup: YES
      Volumes being backed up:
      Macintosh HD: Disk size: 930.71 GB Disk used: 631.68 GB
      Destinations:
      FreeAgent GoFlex Drive [Local] (Last used)
      Total size: 1 TB
      Total number of backups: 100
      Oldest backup: 2013-08-22 07:36:47 +0000
      Last backup: 2014-09-10 03:01:26 +0000
      Size of backup disk: Too small
      Backup size 1 TB < (Disk used 631.68 GB X 3)
      Time Machine details may not be accurate.
      All volumes being backed up may not be listed.
    Top Processes by CPU: ?
          76% Microsoft Outlook
          7% ARM
          4% Google Drive
          1% launchservicesd
          1% Microsoft Database Daemon
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      172 MB Finder
      135 MB Microsoft Outlook
      94 MB Google Chrome
      94 MB com.apple.IconServicesAgent
      94 MB WindowServer
    Virtual Memory Information: ?
      158 MB Free RAM
      866 MB Active RAM
      706 MB Inactive RAM
      655 MB Wired RAM
      93.45 GB Page-ins
      3.83 GB Page-outs

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