Why is my exported file 2 seconds longer than the project in my timeline

I am using a Mac, latest OSX. I need my project to run at exactly 30minutes. In the timeline my project is marked at exactly 30 minutes from the in/out points. When I export the media with Premier Pro I end up with a final product which is 30 minutes and 2 seconds long. Where are these two extra seconds coming from? I had my source range set for Sequence in/out points and this read as 30 miutes exactly, and the predicted output time for the final export read as 30 minutes exactly as well. This still added two extra seconds so I then set the source range to custom and typed in 30minutes exactly and it is STILL giving me 2 extra seconds. What is going on here?
Export settings summary reads as follows
1920x1080 (1.0)
23.976 fps
Progressive
00:30:00:00
VBR
1 pass
Target 0.19 Mbps
Max 0.19 Mbps
AAC
320 kbps
48 kHz
Stereo

Because within Premiere Pro, your are reading the total running time based on Non-drop frame timecode.
Depending on which version of Quicktime you are using you can click on the counter and change the value of the numbers displayed:
where Standard is real time. If you switch it Non Drop, you'll see it will display the length (incorrectly) as 30 minutes.
If you are using Quicktime 10 I believe you can only display real time.
This is all because your video is running at 23.976 frames per second. That means it is running slightly slower than real time, which would be true 24fps. Over the period of 30 minutes, this slow frame playback is making the show run longer by two seconds.
This why in NTSC 29.97 and 59.94 video there is drop and non-drop timecode. Drop frame timecode drops timecode numbers over time to compensate for the difference that the video rate is slightly slower than real time.
In drop frame, when you have a duration of 30 minutes, it coresponds to real time 30 minutes.
In non-drop timecode, when you have a duration indicating 30 minutes it will actually take slightly longer to playout.
There is not a standard for 24fps drop frame timecode, it is always non-drop. You can't switch to drop frame timecode if your sequence frame rate is 23.976 or 24fps.
The math:
If you had 30 minutes of footage running at 24 fps - 24fps X 60 = 1440 frames in a minute, 1440 x 30 = 43200 frames in the show. (So non-drop TC, which counts the frames without regard to the true playback rate, displays a duration of 30 minutes)
But since the video, is, in fact, running slightly slower, at 23.976, those 43200 frames take longer to play out by .024 frame per second of real time. So 43200 (your total show amount of frames) divided by 23.976 (the playout per second frame rate) = 1801.801802 seconds, which is 30 minutes, 1.8 seconds.
Avid used to ( and maybe still does) come with a calculator to make this conversion and to help make the frame count = the desired running time.
It should be noted that within commercial production, with durations of 30 or 60 seconds, this whole mess is less apparent. It only shows up when you work with program length material. This is why they invented drop frame timecode.
A solution is to tighten up the edit by 1.8 seconds over 30 minutes
MtD

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