Why is Premiere Pro CS3 locked?

It has red frame when opened, doesn't save anything (doesn't matter how many times do I click "Save project")
http://i708.photobucket.com/albums/ww89/Joco__/1-9.png
http://i708.photobucket.com/albums/ww89/Joco__/3-7.png

just noticed you posted earlier ...and were using the program cs3 OK...thought this was your first time trying to open program...
hmmm...maybe trash your prefs..  explain more what happened if you want...what "changed" etc

Similar Messages

  • Jumpy preview, render and export why? (Premiere Pro CS3)

    Hi guys, When I try to import a small video that I took in my Sony CyberShot Camera DSC-S600 (in avicodec) it says my video is:
    MPG1 = MPEG1 (VCD).
    Resolution = 640 x 480 25fps.
    If I just import that video, drag it to the timeline (below), and press ENTER, It will start rendering it without any effect that I've made, and in the playback it will like jump some frames in and out (some in reverse and then forward).
    Also If i just import the video and make a playback, it will do the same, if I playback the video outside the premiere pro cs3 it will run just fine as it should be.
    My computer is a A64 3800+ 4GB RAM DDR2 800mhz, GF7600 gt 256mb is my video card.
    (the video I'm importing is only 16mb).
    Part of the video can be located in youtube, (see link).
    http://www.youtube.com/watch?v=-_73D3Rdbqk
    It was saved in avi, then uploaded to youtube.
    please help me.

    > "...much anything that "also does" video really isn't the right tool for the job..."
    If the camera video can be converted to Pro video, then it can be considered "the right tool." Jim, there are a plethora of situations where a compact still camera that shoots video is the right tool. It's your subjective definition of "the right tool" that begs up on an old paradigm. A fictional character, McGyver, never seemed to have the right tool for the job. In fact, the entire idea of invention is to create
    i or adapt
    the right tool for the job.
    That the misinformed come here with questions does not relate. Many more are informed, take the appropriate steps and proceed to tell the story. And move people. Or get paid.
    For example: I use a still camera that also shoots video as a tennis instruction tool: A one hour tennis lesson involves recording the various tennis strokes, performing a few quick edits, and placing the results on DVD for the student(s). According to you, I should bring a tripod, a bulky mini-dv video camera, etc. I should take the time to set up the equipment, before my students arrive. I should also take time to move the tripod to capture the various different angles. After the lesson, I should take time (excuse me, real-time) to capture the mini-dv into Ppro and edit.
    To me, the video camera is the wrong tool for this job. Instead, I whip out the still camera that also shoots video, walk around to get the angles, shoot the specific strokes requested. Oh-and as a perk, I can take several high resolution still photographs, with a single knob turn. Back in the studio, I dump the clip files on the timeline, w/o real time capture. And I edit.
    Students love the video (they don't care/can't tell about the reduced quality--they're interested in their strokes), and they
    i also
    appreciate the stills.
    If I were doing documentary or broadcast, a still camera that also shoots video would be a poor choice indeed. But, here, I'd be stupid to bring both kinds of cameras. However, before the CEs intervened and created just the right tool, I had to bring both. And I hated it.
    It's a paradigm shift, Jim. You might not be able to understand it if you suffer from perceptualsclerosis.
    And now the CEs have my mouth watering, with EX-F1. Blur the line.
    Keep Smiling

  • Why does Premiere Pro CS3 no longer import .psd files?

    Over in the German forum, BjoernG has already asked this question as of this past June.  He's gotten no answer, so let's try it here.  Like Bjoern I use PPro CS3.  Mine is on WinXP with all updates.  I import PSD files as keying masks.  I've never had a problem until this evening (27 Aug 2014).  I tried to import a mask I've used many times before.  And it has always worked before.  Tonight PPro refused to recognize .psd as a supported file type, so it didn't show in the import folder file list.  When I told PPro to show "all files *.*", it showed the file.  When I selected it, PPro even showed the "import file" window, then displayed the "File Import Failure" window with Error Message:  File format not supported.  See the picture.
    This is a file I've imported into many previous projects with no problem whatever.  In fact, I started with a project file from last year which showed the mask file in the project assets but offline!  Even though the file had not been moved.
    If PPro CS3 is as obsolete as Adobe claims it is, then who's been messing with it?  And how can we get it "unmessed"?

    I couldn't imagine what any of those steps would do for my problem – but I didn't have a better idea so I tried them:
    > If Premiere is acting weird, restart computer.
    It's a laptop, so it was off all night.  I turned it on this morning.
    > Hold down shift+alt while opening Premiere.
    If I hold down shift-alt before clicking the desktop icon, all it does is select all icons from top left to the Premiere icon.  It does not start Premiere.
    If I press and hold shift-alt immediately after clicking the icon, Premiere displays every tiny module it loads rather than summarizing.  I held shift-alt until Premiere was fully up and idle.
    > Then empty all media cache.
    I did that.  As I write, Premiere is busy reconstituting all of that.
    Then finally, the acid test:  Try to import a .psd file.  Bzz-z-zt!  Still claims it's an unknown file type.
    > jpegs do not have transparency. You can save as png instead.
    I'm using it as a track matte key, so white is equivalent to transparent.  I do have to select "matte luma" instead of "matte alpha" in the effect.  I'll save your advice in case I ever do need transparency.
    Follow-up:  I checked my other licensed copy.  It accepts .psds just fine.  I checked Help About for both; they're identical:  3.2.0 (374).  So the problem must be in an internal setting, an external influence, or a defective module.  And remember, it's not just me, Björn in Germany reported the identical problem in June.

  • MPEG4 in, MPEG4 out: why getting bad quality using Premiere Pro CS3?

    I have to edit a great number of MPEG4 footage (H.264, 720p, 29.97 fps), created with a Samsung NV24HD camera. They have a good quality regarding sharpness, contrast, color. I want the final movies as MPEG4 files, in the same format as the sources.
    When I export an edited movie using the Adobe Media Encoder of Premiere Pro CS3, the quality is disappointing. A lot of details are lost and the contrast is less than the original footages. Further, I see that the size of the movies are reduced with about 30%.
    I use the H.264 preset ‘HDTV 720p 23.976 High Quality’, but with the frame rate changed to 29.97 fps. Other settings are default.
    My questions are:
    1) What's wrong here?
    2) Is the method using the Adobe Media Encoder of Premiere Pro CS3 the right one to do this job?
    3) Do I use the correct settings?
    Any help is appreciated.
    Arman

    created with a Samsung NV24HD camera.

  • Audio balance greatly different in Encore CS3 after encoding 5.1 master track in Premiere Pro CS3

    Hello! I'm wondering if anyone can offer some advice for my DVD audio problem.
    I have a Premiere Pro CS3 project with a 5.1 master track that appears to behave correctly judging by the meters when I play it in PP. It also sounds reasonable (in a mixed-down fashion, I guess) on my PC system's speakers (L,R,LFE), and all rebalancing and panning seems to work well. However, once I export the master track to Encore using PP's SurCode Dolby Digital codec, the resulting audio mix is totally off. Here's what I get: both front channels play mainly out of the right front and center speakers, and the rear channels play mainly out of the left front speaker. I've tried all different settings, but I can't seem to change this. Well I've read that Encore just sends the audio mix straight through (the DVD trancode status is "Don't transcode"), but when I build the DVD and play it on both of my 5.1 surround systems, the results are just as bad as what my desktop PC speakers were hinting at. [Actually all DVDs that Encore builds are UNSUPPORTED on one of my set-top DVD players and they're both Panasonic! So first, I first have to copy the DVD using Nero and then the copy is accepted by all. That seems to have no bearing on my audio dilemma but I thought I'd mention it. I would love to know what Nero is doing right that Encore is doing wrong!)
    Anyway, here's some background: I began to notice this problem with the audio balancing whenever a .wav music source is imported into PP as a stereo source. [A side issue here - I don't seem to be able to explain - or control - how one .wav file gets imported as stereo while another is imported as 5.1!] Anyway, as one would expect, since my master track is 5.1, the stereo track is automatically set up with a rebalancing tray with the puck set in the middle. The meters show that the source is stereo and the sound has been rebalanced across the master track. If I drag the puck around, the master meters behave accordingly. Then I import my video (.avi video clip) and that sound is imported as a stereo track. For that track, I drag the puck to the rear. Again, the master meters respond correctly. So far so good. But when I export to Encore, the resulting audio mix so completely wrong it can't even be explained as a 5.1-to-stereo downmix situation. The sounds that were supposed to come out of the rear channels are in front left and center (and deafening), overpowering the music that is only coming out of front right. And the rear speakers are silent unless I turn on Pro-Logic on my amplifier, which just confuses the issue. I didn't bother to check LFE as things were bad enough.
    Where I DO NOT have the problem is when the audio file is imported as a 5.1 source (although it is just a stereo CD track ripped using Sony CD Architect). In that case, there is no rebalancing tray and the track meter shows only the L and R channels active, as expected. Ditto for the master track. Now if I go ahead and send the music to a stereo submix track and let that rebalance to the master, I see all channels active. But that results in the problem above after exporting to Adobe Media Encoder using SurCode and then importing the audio into Encore. If I don't remix to 5.1, the audio on the DVD is OK. But I would like to have the music come out of all speakers when there isn't a video soundtrack as there are many still pictures in the presentation.
    So the question is, if I can rebalance and pan channels in PP CS3, why are the results coming out all wrong in Encore using SurCode? And how can I hear my project on DVD the same way I mixed in PP?
    Any help would be greatly appreciated!
    Doug Herbst
    Holmdel NJ

    Problem solved everyone!!!
    Rebecca of Adobe support helped me identify the root cause: project was originally set up as standard (2-channel) and although it had evolved to a 5.1 project over time, it could never grow up to be anything other than a standard audio project. After you set up the new project, the setting that controls your audio is buried in the project somewhere. Changing your project settings to set up new 5.1 audio tracks for new timelines does NOT make the project 5.1! The real audio identity attribute set at birth is not alterable OR EVEN VISIBLE (even as a grayed-out project setting) although PP will allow you to set up and mix 5.1 audio tracks at will. So you may think you're working on a 5.1 project now, but you're only fooling yourself and PP goes right along with it. Even the .ac3 files you create via export are 5.1! But dare to build your DVD in Encore and all of your timelines are transcoded back to 2.0 instantly. Resistance is futile.
    A new feature in PP CS4 will allow you to view, and even CHANGE, your project's audio identify from standard to 5.1. How sweet!
    Well, I've devised a way to dig out myself out of this deep hole in CS3 and it worked, but I can't promise that it will work for everyone. (This assumes you own the Dolby Digital 5.1 codec from Minnetonka.)
    1. Create a new Premiere Pro project as 5.1 audio from the get-go.
    2. Import your suspected 2.0 project into this new 5.1 project and click each sequence to flesh out the timeline.
    3. Re-export all audio as elemental streams using Adobe Media Encoder. Make sure you export the audio component of each timeline as Dolby Digital 5.1 and exactly - and I mean EXACTLY - the same way. To deviate the audio settings for each timeline is to ask for trouble, so I recommend setting up an audio pre-set that you can just click when you need it.
    4. Create a new Encore project and import all original video assets and your new replaced and, hopefully, 5.1 audio assets into it.
    5. In Encore, create a separate timeline for each pair of assets (.m2v and .ac3 for example). DO NOT ATTEMPT TO PLACE MULTIPLE PAIRS OF ASSETS ON THE SAME TIMELINE! For some unexplained reason, the build process will transcode the audio back to 2.0, and if you continue pack new 5.1 audio assets on the same timeline, you will get an error message "an input contract violation has occurred" because you now have 2.0 and 5.1 assets on the same timeline, even though you really don't know that and didn't ask for that to happen anyway. (Thanks to Bill Hunt who mentioned his habit of keeping the asset pairs on separate timelines in another thread - that suggestion was absolutely essential to the solution here.)
    6. In Encore, check to make sure that all of your original video sychs up correctly with the new, true 5.1 audio. Link the end actions of each timeline with the next timeline to play in the correct sequence. Check your project for orphan timelines and other errors. Then, before you start building menus and start getting fancy, build a DVD and make sure it plays as 5.1 on your system.
    Tip #1: while you're re-exporting and replacing the audio files, don't have Encore running. I've seen it gracefully and automatically re-import the replaced file once the export is done, but I have also seen it choke with the terribly descriptive "Encore has encountered a problem" message upon discovered the asset is not available while it is being replaced. Encore then continues to mark the asset as offline.
    Tip #2: when re-exporting and replacing files, always select audio and video separately. For some reason, Encore will allow you to replace an .ac3 file when you perform an elemental audio export, but when you try to combine video and audio and both files exist, Encore will prompt you to replace the video, but immediately abort with an error that it cannot replace the .ac3 file, thus forcing you to delete the .ac3 component manually before trying again.
    Doug

  • Adobe Premiere Pro CS3 3.2.0 update

    Thought I'd share a bit of information on the 3.2.0 update that will be coming out via AUM this morning. The update will come out first via AUM, then will be available on the updates page shortly after at http://www.adobe.com/downloads/updates/?ogn=EN_US-gntray_dl_updates.
    The readme will also be hosted at http://www.adobe.com/support/documentation/en/premierepro/releasenotes.html.
    Dave Helmly has posted about the update on his blog, as well: http://blogs.adobe.com/davtechtable/2008/04/xdcam_and_premiere_32.html#more
    New in this release:
    - This update adds compatibility with the Sony XDCAM range of cameras. This includes disc-based XDCAM and XDCAM HD cameras., and the newer SxS-based XDCAM EX cameras. Content from XDCAM cameras can be imported and edited natively without transcoding or conversion. This makes possible similar workflows to Panasonic P2, including the ability to edit content directly from XDCAM EX cameras.
    - Note: Adobe Premiere Pro CS3 3.2.0 does not support IMX editing or XDCAM HD50 editing at this time. Export to XDCAM is also not possible.
    - Adobe Premiere Pro now has presets for HDV 24p. Note: Adobe Premiere Pro does NOT support print to tape in 24p mode.
    - Improved handling of MPEG streams (e.g.: HDV video), along with error detection. MPEG stream errors can occur during recording due to tape dropouts, record start/stop glitches, timecode breaks, etc. Bad frames caused by these MPEG stream errors are identified during import/indexing or playback. These frames will play back as full red frames to alert the user that there is a problem in the encoded video at that location. Adobe Premiere Pro will also log error messages to the Events panel, indicating where the error(s) were encountered in the stream. Users can open the Events panel, determine the location of the MPEG stream error, navigate to that location in the clip and take corrective action, such as trimming out the video glitch or covering up the red frames with duplicated good frames copied from before or after the glitch. Note: MPEG files will need to be re-indexed to take advantage of the improvements in Adobe
    Premiere Pro CS3 3.2.0. For more information, please see Working with MPEG Files.
    Notable fixes:
    - Titles/Footage no longer show up as offline when reloading saved projects.
    - Rendered preview files no longer missing when reloading saved projects.
    - Certain filters and/or transitions are now applied correctly when reloading saved projects, until the timeline is forcibly refreshed.
    - When exporting via the Adobe Media Encoder, there is no longer a long delay before the progress dialog shows and rendering resums (Mac OS 10.5.x only).
    - 24p HDV clips shot on a Canon XH A1 no longer come in incorrectly as 30 fps clips.
    - Creating an offline clip in the project window then attempting to link it to media on disk no longer results in the application crashing.
    - QT PAL movies rendered out of Adobe After Effects® software are no longer incorrectly identified as requiring rendering in a Adobe Premiere Pro PAL project.
    - DV Clips of certain specific durations are no longer incorrectly identified on the timeline as requiring rendering.
    - For P2 DVCPro clips, the right-most pixel column no longer contains video garbage.
    - Fixed a memory fragmentation problem that would occur with projects with many custom bin columns.
    - Fixed a bug where exporting to a QuickTime movie (with QT 7.4) would crash the application.
    - Selecting "display only exact name matches" when relinking clip no longer crashes on Leopard.
    - Fixed an issue where 30p and 30f HDV clips would incorrectly be identified as requiring rendering in a 29.97 progressive project.

    Harm,
    I don't use HDV, so I'm not sure if this is the case or not, but in the top post, there is mention of having to re-index the MPEG files "to take advantage of the improvements in Adobe Premiere Pro CS3 3.2.0." While it seems this should be an automatic process, maybe wiping out the previously-created index files (I seem to remember them being in the Media Cache folder when importing MPG files from DVD rips and such) would let the project open. Or, maybe the old trick of importing an existing project into a new one? Just a couple thoughts...
    To the other poster: surely, I don't jest. At least, not when it comes to anything in the video production industry and my operation in it. Long ago, I gave up expecting perfection from any particular piece of hardware or software, and just focused on being creative. That's why I got into this. I refuse to let any piece of equipment dictate what I can or can't do--I just find another way around. Funny how we managed to make it as a species and a civilization as long as we have, and now that computers are here to make our lives easier (*snort*), we're quick to raise our ire about everything that's wrong with them. That's why I will always marvel at things built long ago prior to the advent of all the technology we take for granted today.
    Anyway, we're all entitled to our opinions, and I've taken this thread completely off-topic. My apologies, so...

  • "Media Offline" in Premiere Pro CS3 .. but it's not offline!

    If anyone is able to advise on a technical problem in Adobe Premiere Pro (CS3), I'd be most appreciative I'm hoping someone will be around anywhere to help solve this...
    Please look at:
    http://www.thepfjstudios.com.au/images/PremiereProblem.jpg
    to understand my issue better. (Img 1440x900, approx 210kb)
    In the upper left box are the videos in the project. This issue is with all videos in the project, but for the example, I'm looking at the highlighted video, MOV03C_03.mpg. The thumbnail at the top of the list shows the video is working, I can play it fine by pressing the play button next to the thumbnail.
    The same video, MOV03C_03.mpg, is in the timeline at the current point of the cursor. The current timecode is 00:00:55:22 (hh:mm:ss:ff). I don't understand why the monitor on the upper right corner is showing the video (and all videos in the project) as "media offline", when they're all in the project and able to be played, therefore *not* offline.
    Is there some way I can fix this? It's for a university project that I'm needing to deliver to our customer this week...

    The guy that said "if an Asset appears as Off-line, it is because the Asset IS Off-line" obviously hasn't seen this problem before.
    You are absolutely correct here. Most users have not seen this problem before. In my search of these fora, I found only this, and one other thread where this behavior was reported. In all others, the problem came about because of things like Paths changing (external drive letter changes were the most common). There were cases where the Path was changed by Renaming, Moving and Deletion, but only this, and one other instance, where something else intruded.
    Now, it appears that you also encountered the issue, so that runs the count up to three. There are possibly others, who have never posted here, but we cannot count them, unless one searches every possible forum on the Internet.
    It is good that you have found a way to get around the issue, and thank you for posting that.
    I do, however, have a little problem with your attitude. A forum respondent can only comment of problems that they have had, observed from others, or have read about. If few users have encountered this issue, it might seem that it is related to but a few Projects, systems, or users' actions. If it were a universal Bug, it would seem most logical, that many others would have encountered it, and reported it.
    You are correct. I have not encountered this problem, and it appears that most other users are in the same exact position. Maybe we do something differently, or our systems and Projects are different enough, that we have just been spared. I am not sure that is a bad thing.
    Again, thanks for posting your keystrokes to handle the problem, when it arises. I hope that will help others, when they show up.
    Good luck,
    Hunt

  • Proxy editing in Adobe Premiere Pro CS3?

    Hey all.
    I understand proxy editing is a method by which the user does all of his/her editing with lower quality footage, and then all of the edits/effects/transitions/etc are applied to higher quality footage when the project is rendered.  Does Premiere Pro CS3 support this feature?  If so, how do I use it?

    Perhaps, but not in my case.  I'm doing my editing on the following rig:
    Alienware Area-51 m5790:
    Intel Core 2 Duo T7400 (2.16 GHz, 667 MHz FSB, 4 MB L2)
    ATI Mobility Radeon X1900 (400 MHz Core / 470 MHz Memory, 256 MB, PCIe)
    4 GB (2 x 2 GB) DDR2-667
    Western Digital Scorpio Blue (320 GB 5400 RPM SATA)
    Western Digital Scorpio Blue (400 GB 5400 RPM SATA)
    Windows Vista Ultimate 64-bit
    It's a laptop, and I'm taking HDV footage from a Canon HV20.  It's not terrible at performance... but it's not as snappy as I'd like to see.  Hence why I'd prefer to do editing with standard definition clips instead of the HD clips.

  • Seeking Help/Advise for Premiere Pro CS3 editing project

    Hello everyone,
    I am an Absolute newbe here, and to both forums and Adobe in general, so I may be going about this all wrong. If so forgive me, but I have a problem that I would Desperately like some help with.
    For about twenty-five years I have been looking for a movie, the problem was hampered somewhat by the fact that it was never released on either VHS or DVD, making it rather hard to find as you might imagine. Now, thanks to the wonder of a (new?) site called youtube, I found DL it piece by piece. I dont mind that it is not DVD quality, in fact, since it was originally a made for tv film, I kind of like it.
    The PROBLEM is that for some reason the audio doesnt match up with the video. It is a few seconds before/after (Dont ask me why, I dont Know computers much) and though I have dl/tried every program I can get my hands on, I cant seem to join the pieces together and get the stuff to sync up. Its like watching an old, old Japanese monster movie and watching Those gave me a headache when I was young lol.
    Then someone told me that Adobe Premiere Pro CS3 could fix the problem, so I DL it on a trial basis. Thing is, I know nothing about computers and cant even get the movie to load. Let me say I am not especially computer literate, and while I am currently trying to figure out Adobe Premiere Pro CS3 I most likely Wont be keeping it past the 30-day trial. Not that I dont like it (I suppose, so far I have been able to get absolutely no place with it) but rather because I DL it for one reason and, at almost a thousand dollars, it seems an extravagance for a program I will likely never have the need to use again.
    (No disrespect intended)
    With utmost respect to all, could someone either guide me through the process or convert the thing for me? I have tried going the video editing rout, but they wont help me due to a copyright thing (though I grabbed the thing from public youtube). I dont want to publically display, resell, show off or make a dime from the thing, I just want to make it sync up and burn it to dvd to watch on my tv.
    Any advise/help would be warmly appreciated. I am posting this in a couple of forums, so like I said, if I am out of line I apologize.
    Respectfully to all.
    B G

    To John Smith,
    Thanks, I have now dl elements and I am going to fool with it today, wish me luck.
    To Malick,
    Exactly why I am here. Because I am computer functionally illiterate, I am hoping someone here can either:
    A: Talk me through the process.
    or
    B: Be convinced to do it for me. I am willing to deal. :) (I suspect it is the kind of thing that, a person who Knew what they were doing, could do it in about five min.)
    For me, who has only used computers for the most Basic things.....
    I have tried putting everything onto a CD and taking it to places, but each time I get told that, even though I found the thing on youtube, it is (Was) a real movie released on TV and as such cannot be touched due to copyright. (goofy, if ya ask me. I don't want to sell the thing, just watch it)
    But I thank you.

  • Adobe Premiere Pro CS3 is exporting in the wrong size

    I want to export my clip I've made in Adobe Premiere Pro CS3 while choosing the option "HDV 720p24" (I've also tried 25, 30 and a few others).
    It says in Video Settings before I even start to work on my clip:
    "Frame Size: 1280h 720v"
    Which is EXACTLY what I want.
    However, whenever I choose to export my clip, it ends up being 720 x 480. That's not even 16:9/Widescreen.
    I've tried entering the settings when choosing the export options, but the preset 720 x 480 can't be change.
    Why is this? Is it impossible to expert a clip to be in 1280 x 720 or any other custom pixelsize I want?
    Best regards, Izzy.

    Hi everyone,
    I apologize for digging up an old thread, but I figured that I'm experiencing this exact problem and have no idea how to work around it I might as well post in an already started topic.
    I'm trying to export 1280 x 720 video to that same resolution, but Premiere Pro will not let me choose anything other than 720 x 480 for the size when I try to export through File > Export > Media. I have attempted to use multiple media formats but have had no results for what I need. If it really help, I've posted a couple of screenshots showing my current project settings, but this is just one of a few different formatting attempts which have all turned out the same:
    http://www.derektoigo.com/assets/screenshots/premiereexport1.png
    http://www.derektoigo.com/assets/screenshots/premiereexport2.png
    Hopefully those will be enough to give you a detailed view of exactly what the problem is.
    Any help with how to work around this would be greatly appreciated. Thanks to all.

  • How to use MP3 music with Premiere Pro CS3 ?

    When I try to add a MP3 Audio music file into Premiere Pro CS3 to use with my video I get a file format not able. Can someone please tell me how to use MP3 music files with my video im trying to make, is it possible?

    Perhaps:
    FAQ:Why can't I use MP3 audio files?
    Cheers
    Eddie
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  • Adobe premiere pro cs3 installation error

    hi all
    im downlaod adobe premiere pro cs3 trial version and setup it on my pc but at the first step i take this error message
    i have sata hard disk 250 GB and i have more 200 GB free space and i give privillage for the setup folder but i have the same error plz help me why
    note:
    i have windows vista ultimate version 6.0 ( build 6000)

    Create a new administrator account and login using it. Try the installation again. If it fails with the same error the download may be corrupt as Phil mentions.
    Cheers
    Eddie
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  • Premiere Pro CS3 Crashing

    We are having an issue with Premiere Pro CS2 crashing, there seems to be no reason or set time. I havve attached what appears to be a "crash file" anyone see why?
    Thanks for any help
    Version=1
    EventType=AppHangB1
    EventTime=129536743021919857
    ReportType=3
    Consent=1
    UploadTime=129536743084099857
    ReportIdentifier=7ec0f321-a0ee-11e0-a15c-002186fb9adc
    IntegratorReportIdentifier=7ec0f322-a0ee-11e0-a15c-002186fb9adc
    WOW64=1
    Response.BucketId=548687886
    Response.BucketTable=5
    Response.type=4
    Sig[0].Name=Application Name
    Sig[0].Value=Adobe Premiere Pro.exe
    Sig[1].Name=Application Version
    Sig[1].Value=3.0.0.0
    Sig[2].Name=Application Timestamp
    Sig[2].Value=465d3f5e
    Sig[3].Name=Hang Signature
    Sig[3].Value=62c6
    Sig[4].Name=Hang Type
    Sig[4].Value=0
    DynamicSig[1].Name=OS Version
    DynamicSig[1].Value=6.1.7601.2.1.0.256.4
    DynamicSig[2].Name=Locale ID
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    State[1].Value=Bucket=548687886/nBucketTable=5/nResponse=1/n
    FriendlyEventName=Stopped responding and was closed
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