Why no match color control?

I'm a Color newbie. I use match color/hue a lot in FCP and just 'expected' it to be in Color-I'm sure there's a good reason for its omission.
I guess it could be argued that its a cheat, but then so is auto everything on a dSLR
Point is, it gets you in the ball park. You can choose to use it or ignore it. Why isn't it included?

Pataques wrote:
There are some odd ideas appearing in this thread.
Remember, the poster was asking about the AutoMatch feature in Color. I'm guessing you don't find it too useful either?
Firstly, a color match feature is definitely missing in Color. An easy, fluid, efficient function in both AVID and FCP's 3 way corrector, it just makes for extra, needless work in Color. Obviously it's not going to do all the work, but it's a very useful basis.
It's interesting. The pros I know who find the color match function useful are the same ones who find Avid's "Apply to entire reel" function useful. I've never found either useful. I think it depends on the type of projects you tend to work on.
On my projects, I'm lucky if I have a half dozen shots that can share a single setting. Apply a setting to a reel? Total waste of time. For me.
I know some colleagues that save much time because they're working on shows with controlled lighting on sets.
So - I think there's room for pros to disagree on the color match function. I think we can all agree it's a great demo and maybe marketing will get the Color team to implement something similar.
The upshot of all this is that the fastest, cleanest and most creative way of grading I know is to do most things in the 3-way filter and only go to Color for fine adjustments and special effects.
Well, I guess it depends on your setup.
With a control surface - no way. Color is far faster. And since I tend to always make fine adjustments, I might as well do the entire thing in Color.
But the original poster in this thread is working with a mouse so...
With a mouse, it's six of one half dozen of the other. Except at best all we can get done in FCP is a primary correction. Color sees only the last 3WCC filter.
- pi

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