Why such poor quality saturation and contrast with NEFs?

Having used Lightroom since the beginning, I'm at my wits end.
Ever since Lightroom 1, I've noticed that ACR does a really -really, bad job handeling NEFs when you push contrast and saturation, especially in regards to certain colors (reds, yellows, and blues).
I thought for a long time it was my side, originally using a consumer DSLR (D50), but it affects every NEF I've ever imported, from any Nikon body up to D4.
The saturation gets chunky with little effort (even after attempting to correct via the Calibration panel), the same when pushing contrast. Not pushing it beyond the files' limits, just a simple s-curve.
When importing other RAW formats, this is less often the case.
It's really frustrating to be able to rely on Lightroom doing and adequate job 75% of the time, and it makes me look bad in front of clients.
Has/ does anyone else run into this? Does anyone have any ideas, or tips as to avoiding this?
I really hate the UI of C1, but since it has started implementing cataloging I am getting more and more enticed to switch over completely, as even when I push things waaay too contrasty or overly saturated the results are still miles better.
I'm an unabashed Adobe fanboy with fond memories of the introduction of Levels (Oooooo) back in the day, but I'm feeling I've been pushed to a point where I have to default to whatever program does a better job handeling RAW info, and ACR is not cutting it at a professional level.

Well, I don't know how to explain it any better, I feel I put it pretty straight forward, however here's an example from a small lookbook. The red is not accurate, everything else is.
The only thing I've ever come up with is possibly some 'Out of Gamut Warning' option that I haven't found to disable, twenty_one. However, no, I do know Lightroom VERY well, just not 100%, maybe 95%. When Soft proofing for monitor, all colors in the example are within gamut in sRGB, AdobeRGB, and my calibrated monitor color space.
I've almost exclusively run into this with NEFs, I've used Lightroom with Canon, PhaseOne backs, Leaf backs, Fujis, and more. Oh, and I am a pro, and have worked a wide range of clients from Harper's, Elle, and BEBE, to RED, Playboy and more -not to toot my horn, but to establish I'm not a green.
I'm on Lightroom 5, current build.
Typically I stay with the Adobe Standard Profile or Portrait, but none seem to help this particular issue.
Not sure what sort of NEFs Nikon produced in '76, but I to have been with Adobe since Photoshop 2. I'm viewing on a calibrated monitor in good viewing conditions. I don't print, this is most commonly an issue with lookbooks and catalogs when they need perfect color, the issue remains when viewed on other monitors. I've also tested images on my studio's Eizo CG276 and run into nealry exactly the same results (nearly in that there are pixels of difference, however it's a different size than my normal editing monitor).

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    To: [email protected]
    Subject: AE CS4 - why such poor RAM preview on my FAST machine?
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    Well, I don't know how to explain it any better, I feel I put it pretty straight forward, however here's an example from a small lookbook. The red is not accurate, everything else is.
    The only thing I've ever come up with is possibly some 'Out of Gamut Warning' option that I haven't found to disable, twenty_one. However, no, I do know Lightroom VERY well, just not 100%, maybe 95%. When Soft proofing for monitor, all colors in the example are within gamut in sRGB, AdobeRGB, and my calibrated monitor color space.
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