Why won't my premiere pro cs3 launch?

I had a project timeline open and was rendering when my hard drive told me that I was low on disc space. I wasn't able to render all of it but I did save the project file before it shut down on me. Since then I have made more space on the drive but the program won't launch. It starts to load everything and then just quits. I tried re-installing and it still won't open. Anyone have any ideas? Thanks.

Welcome to the forum.
How much defragmented free space do you now have?
Also, a single HDD is not enough to edit with CS3. One needs a minimum of 2 physical (not partitions) HDD's.
Also, in the launch sequence, how far does PrPro get? Does it get past the Splash Screen?
Try launching WHILE holding down the Shift key - keep it depressed completely through the entire launch sequence.
If none of that is helpful, then please see this ARTICLE on gathering up as much info, as is possible. This will be very useful to us to help you.
Good luck,
Hunt

Similar Messages

Why won't my Premiere Pro allow me to use HDV?

I just bought the new Adobe Premiere Pro CC. I am having some issues.
1) I think I was given the trial version, even though I bought the actual annual pre-paid version.
2) I don't have an option for 'HDV'. I can only edit videos in 'DV'
I'm not sure what the problem is. Anybody?

Can you explain what you mean by:
benh89930539 wrote:
2) I don't have an option for 'HDV'. I can only edit videos in 'DV'
You can't set your Project Settings Capture Format to HDV?
Or is it something else?
MtD

Need to Download Premiere Pro CS3 (CD won't install)

Hi there,
My laptop's HDD recently crashed, and when I went to reinstall the Premiere Pro CS3 cd, I get to the screen where install progess is shown (after I've entered my S/N). The installer seems to hang on 'instaling 3rd party content' and takes FOREVER for the green bar to 'move'. Then, after hours of letting it sit, I get a window that says install has failed... pretty sure that it said 3rd party content DID install, but PP itself and something else did not. I tried twice, with the same result.
The CD is clean, no real scratches... just been sitting in its case for years.
FWIW, I'm running Vista 32bit.
I'm hoping there's some CS3 files still hidden on Adobe.com that I can DL in place of the CD.
Don't really edit from home much anymore. Just need my copy of PP to work so I can recut my resume reel, which is a fairly important task.
Thanks,
Joe

Thanks for that link. Got it downloaded.
It appears that something is wrong with my laptop... because the downloaded file stalls at the same point as the disc. While it still says "Installing Shared components". This is when the green progress bars stop(about 10% of the way) and the HDD activiity light on the laptop stops as well.
Back when I reinstalled windows, I had some issues updating. Once I got to a certain point, one of the updates would render my laptop screen completely blank.... so after reinstalling a few times, I stopped installing updates at a certain point... though I did make it to Service Pack 2.
That's the only reason I can think of, as to why the program won't install. It's really odd.
BTW: I did shut down the antivirus while attemptinng Premiere install.

Premiere Pro CS3 won't start

Hi everyone,
I just installed my Premiere Pro CS3 on my win vista but it won't start.
I'm so frustrated about this...
I post you here the details of the error (sorry the italian I translate what I can):
Product
Adobe Premiere Pro.exe
Problem
Ha smesso di funzionare (Stopped working)
Date
31/01/2009 17.04
Firma del problema (Sign of the problem)
Nome evento problema (event name): APPCRASH
Nome applicazione (appl name): Adobe Premiere Pro.exe
Versione applicazione (appl version): 3.0.0.0
Timestamp applicazione (appl timestamp): 465d3f5e
Nome modulo con errori (name of module with errors) : StackHash_ebd0
Versione modulo con errori (version of module with errors): 0.0.0.0
Timestamp modulo con errori (timestamp of module with errors): 00000000
Codice eccezione (exception code): c0000096
Offset eccezione (exception offset): 10b72a3b
Version OS: 6.0.6001.2.1.0.768.3
ID impostazioni locali (local settings ID): 1040
Informazioni aggiuntive 1 (Added infos 1): ebd0
more infos 2: c410d0963b381384ec90a36bd6764e67
more infos 3: 303b
more infos 4: fbd1a9d680bf88e6aa4f516b56c2c783
I hope someone will be of help =|
Thanx in advance

>Versione applicazione (appl version): 3.0.0.0
I don't use Vista, but I **think** I have read that an update is required to get CS3 to work with Vista
Check here, and read the update descriptions
http://www.adobe.com/support/downloads/product.jsp?product=98&platform=Windows
I use English... so don't know about an Italian version update

Premiere Pro CS3 won't see my HD Camera

I have Premiere pro cs3 on my windows
XP pro computer. i have a Sony HVR-A1U HD CAMERA.
when i plug in my camera through firefire it does not see my camera.
any ideas??

it appears that my computer itself is se
eing the camera. it shows up in the control
panel as hardware connected. I checked my
camera settings. they seem right. would pp not see
it for any reason?
One odd thing. it used to see the camera when i plug it in. it no longer does that.

MPEG4 in, MPEG4 out: why getting bad quality using Premiere Pro CS3?

I have to edit a great number of MPEG4 footage (H.264, 720p, 29.97 fps), created with a Samsung NV24HD camera. They have a good quality regarding sharpness, contrast, color. I want the final movies as MPEG4 files, in the same format as the sources.
When I export an edited movie using the Adobe Media Encoder of Premiere Pro CS3, the quality is disappointing. A lot of details are lost and the contrast is less than the original footages. Further, I see that the size of the movies are reduced with about 30%.
I use the H.264 preset ‘HDTV 720p 23.976 High Quality’, but with the frame rate changed to 29.97 fps. Other settings are default.
My questions are:
1) What's wrong here?
2) Is the method using the Adobe Media Encoder of Premiere Pro CS3 the right one to do this job?
3) Do I use the correct settings?
Any help is appreciated.
Arman

created with a Samsung NV24HD camera.

Jumpy preview, render and export why? (Premiere Pro CS3)

Hi guys, When I try to import a small video that I took in my Sony CyberShot Camera DSC-S600 (in avicodec) it says my video is:
MPG1 = MPEG1 (VCD).
Resolution = 640 x 480 25fps.
If I just import that video, drag it to the timeline (below), and press ENTER, It will start rendering it without any effect that I've made, and in the playback it will like jump some frames in and out (some in reverse and then forward).
Also If i just import the video and make a playback, it will do the same, if I playback the video outside the premiere pro cs3 it will run just fine as it should be.
My computer is a A64 3800+ 4GB RAM DDR2 800mhz, GF7600 gt 256mb is my video card.
(the video I'm importing is only 16mb).
Part of the video can be located in youtube, (see link).
http://www.youtube.com/watch?v=-_73D3Rdbqk
It was saved in avi, then uploaded to youtube.
please help me.

> "...much anything that "also does" video really isn't the right tool for the job..."
If the camera video can be converted to Pro video, then it can be considered "the right tool." Jim, there are a plethora of situations where a compact still camera that shoots video is the right tool. It's your subjective definition of "the right tool" that begs up on an old paradigm. A fictional character, McGyver, never seemed to have the right tool for the job. In fact, the entire idea of invention is to create
i or adapt
the right tool for the job.
That the misinformed come here with questions does not relate. Many more are informed, take the appropriate steps and proceed to tell the story. And move people. Or get paid.
For example: I use a still camera that also shoots video as a tennis instruction tool: A one hour tennis lesson involves recording the various tennis strokes, performing a few quick edits, and placing the results on DVD for the student(s). According to you, I should bring a tripod, a bulky mini-dv video camera, etc. I should take the time to set up the equipment, before my students arrive. I should also take time to move the tripod to capture the various different angles. After the lesson, I should take time (excuse me, real-time) to capture the mini-dv into Ppro and edit.
To me, the video camera is the wrong tool for this job. Instead, I whip out the still camera that also shoots video, walk around to get the angles, shoot the specific strokes requested. Oh-and as a perk, I can take several high resolution still photographs, with a single knob turn. Back in the studio, I dump the clip files on the timeline, w/o real time capture. And I edit.
Students love the video (they don't care/can't tell about the reduced quality--they're interested in their strokes), and they
i also
appreciate the stills.
If I were doing documentary or broadcast, a still camera that also shoots video would be a poor choice indeed. But, here, I'd be stupid to bring both kinds of cameras. However, before the CEs intervened and created just the right tool, I had to bring both. And I hated it.
It's a paradigm shift, Jim. You might not be able to understand it if you suffer from perceptualsclerosis.
And now the CEs have my mouth watering, with EX-F1. Blur the line.
Keep Smiling

Adobe Premiere Pro CC launches for some users, but crashes for others.

I am troubleshooting an issue in a college computer lab. Adobe Premiere Pro CC launches perfectly for some users, but crashes for others. All computers are joined to a domain. The program launches successfully under faculty and admin accounts. It launches under my student account and will launch for some students in the class. There are, however, some students who cannot get the program to launch. Each time it fails when attempting to load ImporterQuickTime.prm.
For these students, the following error appears:
Adobe Premiere Pro CC has stopped working
Check Online for a solution and close the program (Tried this nothing seems to come of it)
Close the program
I clicked View problem details
Problem Event Name: APPCRASH
Application Name: Adobe Premiere Pro.exe
Application Version: 7.2.2.33
Application Timestamp: 532c3999
Fault Module Name: dvaui.dll
Fault Module Version: 7.2.2.33
Fault Module Timestamp: 532bed86
Exception Code: c0000005
Exception Offset: 00000000002d31c1
OS Version: 6.1.7601.2.1.0.256.48
Locale ID: 1033
Additional Information 1: 3272
Additional Information 2: 32722596c6b4441ac0840ed9743cbfbb
Additional Information 3: 3e22
Additional Information 4: 3e2260f0a53760c20f23c7e2675c1736
I did check Quicktime and it is not updated to the most recent version. However, if it was a result of Quicktime not being up to date, why can some accounts launch the program while others cannot. I have also updated the graphics driver on one computer. No change. I compared my student Active Directory account to that of one student who could not launch the program. They are in exactly the same place in AD and therefore have the same permissions on the domain. This is a puzzling issue and the instructor is getting frustrated. Any help or suggestions with this matter would be greatly appreciated.
-Barb

I have no idea, other than what I said about the program's design requirement for an Admin account and "sometimes" problems on any other account
About the only thing I can suggest is a "remote control" chat session... when a student with a non-working account is having problems
Creative Cloud chat support (all Creative Cloud customer service issues)
http://helpx.adobe.com/x-productkb/global/service-ccm.html

Audio balance greatly different in Encore CS3 after encoding 5.1 master track in Premiere Pro CS3

Hello! I'm wondering if anyone can offer some advice for my DVD audio problem.
I have a Premiere Pro CS3 project with a 5.1 master track that appears to behave correctly judging by the meters when I play it in PP. It also sounds reasonable (in a mixed-down fashion, I guess) on my PC system's speakers (L,R,LFE), and all rebalancing and panning seems to work well. However, once I export the master track to Encore using PP's SurCode Dolby Digital codec, the resulting audio mix is totally off. Here's what I get: both front channels play mainly out of the right front and center speakers, and the rear channels play mainly out of the left front speaker. I've tried all different settings, but I can't seem to change this. Well I've read that Encore just sends the audio mix straight through (the DVD trancode status is "Don't transcode"), but when I build the DVD and play it on both of my 5.1 surround systems, the results are just as bad as what my desktop PC speakers were hinting at. [Actually all DVDs that Encore builds are UNSUPPORTED on one of my set-top DVD players and they're both Panasonic! So first, I first have to copy the DVD using Nero and then the copy is accepted by all. That seems to have no bearing on my audio dilemma but I thought I'd mention it. I would love to know what Nero is doing right that Encore is doing wrong!)
Anyway, here's some background: I began to notice this problem with the audio balancing whenever a .wav music source is imported into PP as a stereo source. [A side issue here - I don't seem to be able to explain - or control - how one .wav file gets imported as stereo while another is imported as 5.1!] Anyway, as one would expect, since my master track is 5.1, the stereo track is automatically set up with a rebalancing tray with the puck set in the middle. The meters show that the source is stereo and the sound has been rebalanced across the master track. If I drag the puck around, the master meters behave accordingly. Then I import my video (.avi video clip) and that sound is imported as a stereo track. For that track, I drag the puck to the rear. Again, the master meters respond correctly. So far so good. But when I export to Encore, the resulting audio mix so completely wrong it can't even be explained as a 5.1-to-stereo downmix situation. The sounds that were supposed to come out of the rear channels are in front left and center (and deafening), overpowering the music that is only coming out of front right. And the rear speakers are silent unless I turn on Pro-Logic on my amplifier, which just confuses the issue. I didn't bother to check LFE as things were bad enough.
Where I DO NOT have the problem is when the audio file is imported as a 5.1 source (although it is just a stereo CD track ripped using Sony CD Architect). In that case, there is no rebalancing tray and the track meter shows only the L and R channels active, as expected. Ditto for the master track. Now if I go ahead and send the music to a stereo submix track and let that rebalance to the master, I see all channels active. But that results in the problem above after exporting to Adobe Media Encoder using SurCode and then importing the audio into Encore. If I don't remix to 5.1, the audio on the DVD is OK. But I would like to have the music come out of all speakers when there isn't a video soundtrack as there are many still pictures in the presentation.
So the question is, if I can rebalance and pan channels in PP CS3, why are the results coming out all wrong in Encore using SurCode? And how can I hear my project on DVD the same way I mixed in PP?
Any help would be greatly appreciated!
Doug Herbst
Holmdel NJ

Problem solved everyone!!!
Rebecca of Adobe support helped me identify the root cause: project was originally set up as standard (2-channel) and although it had evolved to a 5.1 project over time, it could never grow up to be anything other than a standard audio project. After you set up the new project, the setting that controls your audio is buried in the project somewhere. Changing your project settings to set up new 5.1 audio tracks for new timelines does NOT make the project 5.1! The real audio identity attribute set at birth is not alterable OR EVEN VISIBLE (even as a grayed-out project setting) although PP will allow you to set up and mix 5.1 audio tracks at will. So you may think you're working on a 5.1 project now, but you're only fooling yourself and PP goes right along with it. Even the .ac3 files you create via export are 5.1! But dare to build your DVD in Encore and all of your timelines are transcoded back to 2.0 instantly. Resistance is futile.
A new feature in PP CS4 will allow you to view, and even CHANGE, your project's audio identify from standard to 5.1. How sweet!
Well, I've devised a way to dig out myself out of this deep hole in CS3 and it worked, but I can't promise that it will work for everyone. (This assumes you own the Dolby Digital 5.1 codec from Minnetonka.)
1. Create a new Premiere Pro project as 5.1 audio from the get-go.
2. Import your suspected 2.0 project into this new 5.1 project and click each sequence to flesh out the timeline.
3. Re-export all audio as elemental streams using Adobe Media Encoder. Make sure you export the audio component of each timeline as Dolby Digital 5.1 and exactly - and I mean EXACTLY - the same way. To deviate the audio settings for each timeline is to ask for trouble, so I recommend setting up an audio pre-set that you can just click when you need it.
4. Create a new Encore project and import all original video assets and your new replaced and, hopefully, 5.1 audio assets into it.
5. In Encore, create a separate timeline for each pair of assets (.m2v and .ac3 for example). DO NOT ATTEMPT TO PLACE MULTIPLE PAIRS OF ASSETS ON THE SAME TIMELINE! For some unexplained reason, the build process will transcode the audio back to 2.0, and if you continue pack new 5.1 audio assets on the same timeline, you will get an error message "an input contract violation has occurred" because you now have 2.0 and 5.1 assets on the same timeline, even though you really don't know that and didn't ask for that to happen anyway. (Thanks to Bill Hunt who mentioned his habit of keeping the asset pairs on separate timelines in another thread - that suggestion was absolutely essential to the solution here.)
6. In Encore, check to make sure that all of your original video sychs up correctly with the new, true 5.1 audio. Link the end actions of each timeline with the next timeline to play in the correct sequence. Check your project for orphan timelines and other errors. Then, before you start building menus and start getting fancy, build a DVD and make sure it plays as 5.1 on your system.
Tip #1: while you're re-exporting and replacing the audio files, don't have Encore running. I've seen it gracefully and automatically re-import the replaced file once the export is done, but I have also seen it choke with the terribly descriptive "Encore has encountered a problem" message upon discovered the asset is not available while it is being replaced. Encore then continues to mark the asset as offline.
Tip #2: when re-exporting and replacing files, always select audio and video separately. For some reason, Encore will allow you to replace an .ac3 file when you perform an elemental audio export, but when you try to combine video and audio and both files exist, Encore will prompt you to replace the video, but immediately abort with an error that it cannot replace the .ac3 file, thus forcing you to delete the .ac3 component manually before trying again.
Doug

Adobe Premiere Pro CS3 3.2.0 update

Thought I'd share a bit of information on the 3.2.0 update that will be coming out via AUM this morning. The update will come out first via AUM, then will be available on the updates page shortly after at http://www.adobe.com/downloads/updates/?ogn=EN_US-gntray_dl_updates.
The readme will also be hosted at http://www.adobe.com/support/documentation/en/premierepro/releasenotes.html.
Dave Helmly has posted about the update on his blog, as well: http://blogs.adobe.com/davtechtable/2008/04/xdcam_and_premiere_32.html#more
New in this release:
- This update adds compatibility with the Sony XDCAM range of cameras. This includes disc-based XDCAM and XDCAM HD cameras., and the newer SxS-based XDCAM EX cameras. Content from XDCAM cameras can be imported and edited natively without transcoding or conversion. This makes possible similar workflows to Panasonic P2, including the ability to edit content directly from XDCAM EX cameras.
- Note: Adobe Premiere Pro CS3 3.2.0 does not support IMX editing or XDCAM HD50 editing at this time. Export to XDCAM is also not possible.
- Adobe Premiere Pro now has presets for HDV 24p. Note: Adobe Premiere Pro does NOT support print to tape in 24p mode.
- Improved handling of MPEG streams (e.g.: HDV video), along with error detection. MPEG stream errors can occur during recording due to tape dropouts, record start/stop glitches, timecode breaks, etc. Bad frames caused by these MPEG stream errors are identified during import/indexing or playback. These frames will play back as full red frames to alert the user that there is a problem in the encoded video at that location. Adobe Premiere Pro will also log error messages to the Events panel, indicating where the error(s) were encountered in the stream. Users can open the Events panel, determine the location of the MPEG stream error, navigate to that location in the clip and take corrective action, such as trimming out the video glitch or covering up the red frames with duplicated good frames copied from before or after the glitch. Note: MPEG files will need to be re-indexed to take advantage of the improvements in Adobe
Premiere Pro CS3 3.2.0. For more information, please see Working with MPEG Files.
Notable fixes:
- Titles/Footage no longer show up as offline when reloading saved projects.
- Rendered preview files no longer missing when reloading saved projects.
- Certain filters and/or transitions are now applied correctly when reloading saved projects, until the timeline is forcibly refreshed.
- When exporting via the Adobe Media Encoder, there is no longer a long delay before the progress dialog shows and rendering resums (Mac OS 10.5.x only).
- 24p HDV clips shot on a Canon XH A1 no longer come in incorrectly as 30 fps clips.
- Creating an offline clip in the project window then attempting to link it to media on disk no longer results in the application crashing.
- QT PAL movies rendered out of Adobe After Effects® software are no longer incorrectly identified as requiring rendering in a Adobe Premiere Pro PAL project.
- DV Clips of certain specific durations are no longer incorrectly identified on the timeline as requiring rendering.
- For P2 DVCPro clips, the right-most pixel column no longer contains video garbage.
- Fixed a memory fragmentation problem that would occur with projects with many custom bin columns.
- Fixed a bug where exporting to a QuickTime movie (with QT 7.4) would crash the application.
- Selecting "display only exact name matches" when relinking clip no longer crashes on Leopard.
- Fixed an issue where 30p and 30f HDV clips would incorrectly be identified as requiring rendering in a 29.97 progressive project.

Harm,
I don't use HDV, so I'm not sure if this is the case or not, but in the top post, there is mention of having to re-index the MPEG files "to take advantage of the improvements in Adobe Premiere Pro CS3 3.2.0." While it seems this should be an automatic process, maybe wiping out the previously-created index files (I seem to remember them being in the Media Cache folder when importing MPG files from DVD rips and such) would let the project open. Or, maybe the old trick of importing an existing project into a new one? Just a couple thoughts...
To the other poster: surely, I don't jest. At least, not when it comes to anything in the video production industry and my operation in it. Long ago, I gave up expecting perfection from any particular piece of hardware or software, and just focused on being creative. That's why I got into this. I refuse to let any piece of equipment dictate what I can or can't do--I just find another way around. Funny how we managed to make it as a species and a civilization as long as we have, and now that computers are here to make our lives easier (*snort*), we're quick to raise our ire about everything that's wrong with them. That's why I will always marvel at things built long ago prior to the advent of all the technology we take for granted today.
Anyway, we're all entitled to our opinions, and I've taken this thread completely off-topic. My apologies, so...

"Media Offline" in Premiere Pro CS3 .. but it's not offline!

If anyone is able to advise on a technical problem in Adobe Premiere Pro (CS3), I'd be most appreciative I'm hoping someone will be around anywhere to help solve this...
Please look at:
http://www.thepfjstudios.com.au/images/PremiereProblem.jpg
to understand my issue better. (Img 1440x900, approx 210kb)
In the upper left box are the videos in the project. This issue is with all videos in the project, but for the example, I'm looking at the highlighted video, MOV03C_03.mpg. The thumbnail at the top of the list shows the video is working, I can play it fine by pressing the play button next to the thumbnail.
The same video, MOV03C_03.mpg, is in the timeline at the current point of the cursor. The current timecode is 00:00:55:22 (hh:mm:ss:ff). I don't understand why the monitor on the upper right corner is showing the video (and all videos in the project) as "media offline", when they're all in the project and able to be played, therefore *not* offline.
Is there some way I can fix this? It's for a university project that I'm needing to deliver to our customer this week...

The guy that said "if an Asset appears as Off-line, it is because the Asset IS Off-line" obviously hasn't seen this problem before.
You are absolutely correct here. Most users have not seen this problem before. In my search of these fora, I found only this, and one other thread where this behavior was reported. In all others, the problem came about because of things like Paths changing (external drive letter changes were the most common). There were cases where the Path was changed by Renaming, Moving and Deletion, but only this, and one other instance, where something else intruded.
Now, it appears that you also encountered the issue, so that runs the count up to three. There are possibly others, who have never posted here, but we cannot count them, unless one searches every possible forum on the Internet.
It is good that you have found a way to get around the issue, and thank you for posting that.
I do, however, have a little problem with your attitude. A forum respondent can only comment of problems that they have had, observed from others, or have read about. If few users have encountered this issue, it might seem that it is related to but a few Projects, systems, or users' actions. If it were a universal Bug, it would seem most logical, that many others would have encountered it, and reported it.
You are correct. I have not encountered this problem, and it appears that most other users are in the same exact position. Maybe we do something differently, or our systems and Projects are different enough, that we have just been spared. I am not sure that is a bad thing.
Again, thanks for posting your keystrokes to handle the problem, when it arises. I hope that will help others, when they show up.
Good luck,
Hunt

Proxy editing in Adobe Premiere Pro CS3?

Hey all.
I understand proxy editing is a method by which the user does all of his/her editing with lower quality footage, and then all of the edits/effects/transitions/etc are applied to higher quality footage when the project is rendered. Does Premiere Pro CS3 support this feature? If so, how do I use it?

Perhaps, but not in my case. I'm doing my editing on the following rig:
Alienware Area-51 m5790:
Intel Core 2 Duo T7400 (2.16 GHz, 667 MHz FSB, 4 MB L2)
ATI Mobility Radeon X1900 (400 MHz Core / 470 MHz Memory, 256 MB, PCIe)
4 GB (2 x 2 GB) DDR2-667
Western Digital Scorpio Blue (320 GB 5400 RPM SATA)
Western Digital Scorpio Blue (400 GB 5400 RPM SATA)
Windows Vista Ultimate 64-bit
It's a laptop, and I'm taking HDV footage from a Canon HV20. It's not terrible at performance... but it's not as snappy as I'd like to see. Hence why I'd prefer to do editing with standard definition clips instead of the HD clips.

Why won't my Mac Pro go to sleep?

Why won't my Mac Pro go to sleep?

Hi X,
I've been having the same problem of mac pro not going to sleep. I think its to do with some universal audio drivers installed with a recent hardware interface I've added.
the terminal app in response to above line reads;
com.uaudio.driver.UAD2System(6.3.1)
com.uaudio.driver.UAFWAudio(4.0.0
com.digidesign.iokit.DigiDal(9.0.6f4)
com.paceap.kext.pacesupport.snowleopard(5.8)
launch agents (in user)
com.adobe.ARM.202f4087f2bbde52e3ac2df389f53a4f123223c9cc56a8fd83a6f7ae.plist
com.apple.FolderActions.enabled.plist
com.apple.FolderActions.folders.plist
com.google.keystone.agent.plist
launch agents and daemons - too many to list
any idea from this or would you need to see all the files you listed in Mona Gorillas query?
appreciate your input

Why won't Acrobat X Pro honor the margin (art box) from PDF's exported from InDesign CS6?

Why won't Acrobat X Pro honor the margin (art box) from PDF's exported from InDesign CS6?
When I export a PDF from InDesign CS6 with specific margins, Acrobat does not recognize the Art box. (I have PitStop Pro 11 for page box view)

Thanks Steve,
We are exporting PDF's as you indicate. I see the same thing. The boxes are all the size of the original InDesign document. The PDF art box should be predicated by the margins in InDesign. When we had CS3, this worked great. Now, it seems that there is a disconnect between the two Adobe products honoring the page box size. I have contacted the Adobe techs via chat, and they had no clue what I was referring to. I find it mystifying that Acrobat can not interpret the art box set in InDesign as margins.

Seeking Help/Advise for Premiere Pro CS3 editing project

Hello everyone,
I am an Absolute newbe here, and to both forums and Adobe in general, so I may be going about this all wrong. If so forgive me, but I have a problem that I would Desperately like some help with.
For about twenty-five years I have been looking for a movie, the problem was hampered somewhat by the fact that it was never released on either VHS or DVD, making it rather hard to find as you might imagine. Now, thanks to the wonder of a (new?) site called youtube, I found DL it piece by piece. I dont mind that it is not DVD quality, in fact, since it was originally a made for tv film, I kind of like it.
The PROBLEM is that for some reason the audio doesnt match up with the video. It is a few seconds before/after (Dont ask me why, I dont Know computers much) and though I have dl/tried every program I can get my hands on, I cant seem to join the pieces together and get the stuff to sync up. Its like watching an old, old Japanese monster movie and watching Those gave me a headache when I was young lol.
Then someone told me that Adobe Premiere Pro CS3 could fix the problem, so I DL it on a trial basis. Thing is, I know nothing about computers and cant even get the movie to load. Let me say I am not especially computer literate, and while I am currently trying to figure out Adobe Premiere Pro CS3 I most likely Wont be keeping it past the 30-day trial. Not that I dont like it (I suppose, so far I have been able to get absolutely no place with it) but rather because I DL it for one reason and, at almost a thousand dollars, it seems an extravagance for a program I will likely never have the need to use again.
(No disrespect intended)
With utmost respect to all, could someone either guide me through the process or convert the thing for me? I have tried going the video editing rout, but they wont help me due to a copyright thing (though I grabbed the thing from public youtube). I dont want to publically display, resell, show off or make a dime from the thing, I just want to make it sync up and burn it to dvd to watch on my tv.
Any advise/help would be warmly appreciated. I am posting this in a couple of forums, so like I said, if I am out of line I apologize.
Respectfully to all.
B G

To John Smith,
Thanks, I have now dl elements and I am going to fool with it today, wish me luck.
To Malick,
Exactly why I am here. Because I am computer functionally illiterate, I am hoping someone here can either:
A: Talk me through the process.
or
B: Be convinced to do it for me. I am willing to deal. :) (I suspect it is the kind of thing that, a person who Knew what they were doing, could do it in about five min.)
For me, who has only used computers for the most Basic things.....
I have tried putting everything onto a CD and taking it to places, but each time I get told that, even though I found the thing on youtube, it is (Was) a real movie released on TV and as such cannot be touched due to copyright. (goofy, if ya ask me. I don't want to sell the thing, just watch it)
But I thank you.

Why won't my premiere pro cs3 launch?

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