Why wont my footage log and capture?

Why wont my footage log and Capture?
I have my Canon XH A1 connected to my Mac OS X computer. I am using Final Cut Pro to download the footage onto my Mac. The capture settings are set to HDV capture but it wont download properly.
The computer downloads the first 20 seconds of footage then stops. The tape in the camera continues to roll to the end and then gives me the 'End of tape' window- but nothing has been downloading past the initial 20 seconds.
Usually when HD footage is downloaded Final Cut creates many little clips. (Unlike normal DV which creates one big file). For some reason this isn't happening after the first 20 seconds.
Then, even though I have already created a named folder for the footage to be saved into, the computer asks me to save it as an untitled project somewhere else.
What is going on?
My download settings for HDV log and capture are:
Sequence Present: Apple ProRes 422 1440x1080 50i 48 kHz
Capture Present: HDV
Device Control Present: HDV FireWire Basic
Playback Output Video: Digital Cinema Desktop Preview-Main
Playback Output Audio: Default
Edit to Tape/PTV Output Video: HDV (1440x1080) 50i
Edit to Tape/PTV Output Audio: Default
Help!
Message was edited by: Caroline2

Do you have an external firewire drive connected? Canon equipment is unreliable capturing via firewire to a firewire drive, or even when capturing to a non-firewire drive when there are other devices present on the firewire bus.

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Log and capture freezes - please help

hi,
I'm using FCP 5 (studio). on G5 dual 2GH 1GB.
it has become a nightmare to log and capture. after few minutes from working with log and capture the applications freezes. I have to force quit FCP.
I trashed the preferences once, I re-installed, but the same thing is happening. I'm working on 2 projects, deadline is approaching.
I appreciate any helpful responses.
sz

Are you trying to record three video streams simultaneously? Or by a video amplifier, you mean a video switcher?
If you are using Capture Now, make sure you have set a capture limit. This is why:
When you use log and capture, the disk system is being asked by FCP to essentially "keep capturing until we tell you to stop ... and no, we don't know HOW much that will be either." It is stressful on the system to be continually wandering around looking for space to stuff those ones and zeros with out any sense of how many they have to accommodate. One solution available to the system is to allocate the ENTIRE empty space on the disk as the potential capture file. This essentially locks the machine as there is no headroom for basic disk operations.
However if you set a limit on capture now, say 60 minutes, the disk system can allocate the space and may seem to be less confused by the process. It still does not know EXACTLY how much you want, but it knows you will not want MORE THAN the limit and therefor can reduce some of the uncertainty.
Better yet is to record to a timecode addressable tape. This allows you to log the tape, then use batch capture. When you do this, the system knows EXACTLY how much space to allocate for each file and is very efficient.
Good luck.
x

Importing Footage from Camera (Log and Capture)

I am importing footage from my camera onto FC. Now my laptop doesn't have nearly enough space to import all the footage, but I have an external HD with 500 GB which is more than enough. But when I press log and capture, it immediately takes up space on the computer. Is there a way to import the footage directly to the hard drive?
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In Final Cut Pro, go to the menu Final Cut Pro > System Settings.
When the System Settings Pane opens, on the Scratch Disks Tab, you can deselect your system disk and select your external drive as the location for the media you are using. You need to deselect the system drive, not just add your external. When done, click OK. Any media you have already transferred to the system disk will still be available for use in the edit, this will direct FC to use your external as the media storage device from this point forward.
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Unknown whereabouts of Log and Captured HDV 1080 60i footage?

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Now, when I Log and capture new footage directly from my camera (Sony HDR FX-1), the footage does not appear in the logging bin, which I created, and I designated as the project's logging Bin. However, the footage is appearing on my Lacie hard drive. In a folder I designated as the project folder.
Help... I'm shooting a wedding this weekend.
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First set the correct drive. Final Cut Pro > System Settings. I always just set the drive and do not designate a folder. FCP will take care of that by putting media in a Capture Scratch folder, in a folder named the same as your project. Now, in FCP you should be able to set the correct logging bin.
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Why is my time audio out of sync when I log and capture?

When I log and Capture from my server, it copies everything. But when I play it, that audio doesn't match the video, but when I pause it, it stops on the place it is supposed to be? Anyone have this happen to them before? Please let me know. Thank You!

I don't understand. You log and capture FROM tape. You could log and capture TO your scratch disk which could possibly be over a network. If this is the case, try capturing locally and see if that works. If so. the problem is with your network, not fcp.

Preview disabled in log and capture

I am using Final Cut Pro 7 on the latest iMac i7.
I have a DVCam deck connected to the iMac via a firwire 800 cable.
There is a DV tape with DV footage in the deck.
I am able to control the deck from log and capture but the display is the colour bar window with PREVIEW DISABLED on it.
I have checked and double checked that my settings are correct, that video and audio are selected in capture settings etc etc.
Everything is selected correctly on the deck.
All mu suer preferences and presets are also correct.
I have trashed FCP preferences as well.
The content on the tape is viewable fine on the camera and on an external monitor.
So, in summary:
I am unable to log and capture DV material from the tape even though the deck is controllable from log and capture window.

It's a Sony DVCam DSR 11 deck which will play mini DV or DvCam tapes recorded in PAL or NTSC.
I haven't changed anything on the deck at all since last usung it a few weeks ago with the G5 and Tiger OS. I simply unplugged the firewire and plugged it straight into the new iMac.
The old G5 was running FCP6, but because the G5 and Tiger (it's was a pre Intel machine) won't run FCP7 I decided to use this as the reason to upgrade and chage to the iMac i7 Lion OS.
The material in question is PAL DV on mini tapes.
The camera is a Panasonic DVX100A and only capapble of recording in SD DV.
All the selection switches are correct on the deck. I'm puzzled why I can get the image and capture from the camera, with the same cable, and yet not from the deck.
Thanks Michael

"log and capture" causing unexpected quits

Hello, so today I tested out an HX A1 on my macbook pro to see if my computer could handle editing the HD footage. So I selected the easy setup "HDV - 1080i60", created a new project, saved it, and clicked "log and capture", but FCP unexpectedly quit immediately after clicking. I tried multiple times and restarted my computer but it kept happening right after I clicked it. Why is it doing that?
As a side note, I've made dozens of movies using this version of FCP on my computer (SH, not HD) with this problem never happening before. Also, when I change my easy setup to regular NTSC right now and make a new project, "log and capture" works just fine. I also opened iMovie HD and captured and played back the 10 second test clip from the HX A1 perfectly.

I went to the apple store and the genius bar worker said he has seen this problem before. The only way he's gotten it to work is through a reinstall. So I'll try that soon and report if it worked.

Is it possible to resize the log and capture window?

Hi,
Using Final cut pro, I would like to make my capture window a bit bigger while capturing. I am capturing footage via my Blackmagic Infinity card and get the input through an HDMI cable. I'm capturing in Apple Pro ress on 720p, 59,59 fps.
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Thank you.

In my case, the capture window is adjustable if I am capturing SD (DVCAM) video. I can also use the scopes in this case. (Good if you are recording to disk, or using a laptop for monitoring.)
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Message was edited by: amarasme

Perturbing FCP 7 Log and Capture Question

I tried to digitize some HDV footage this afternoon, in theway I’ve always done it, but now suddenly it doesn’t work. Details to follow, but first my rig:
Mac Pro (Nehalem 2009) running Snow Leopard 10.6.8, NOFIREWIRE 400 PORTS
Final Cut Studio 2 with FCP 7
Sony Z1U HDV/SD videocamera connecting to Mac Pro via i.linkcable (aka firewire); I am using this to ingest because I can’t afford a deckat the moment. I know about thewear on the heads, etc., etc.
OWC Mercury Elite-Al Pro external media drive connected tocomputer via eSATA.
Here’s the scenario (keeping in mind that I’ve done thiscountless times in the past with no problems):
I connect the Z1U to the OWC drive with a 4-pin to 6-pinstandard FW 400 cable. I do thisbecause the Mac Pro does not have any FW 400 inputs but the OWC drivedoes. So I am in effect“daisy-chaining” and perhaps this is the problem.
I turn on the camera.
I start up FCP. It tells me: “Unable tolocate the following external devices: HDV (1440 x 1080) 60i.” After hitting “check again” a fewtimes, I hit “continue.”
I load my new project, into which I want to bring all thiswonderful HDV footage of my friends’ wedding. And, as I have done so many times, I hit command-8 to bringup the log and capture window.
To my horror, it says, “Unable to initialize capturedevice. Device is not connected orthe capture preset is not setup [sic] correctly.” Etc., etc.
I have read many posts here and elsewhere on similarproblems, so let me say what I have done:
I check Easy Setup: It says HDV – 1080i60, which is what it should say.
My Audio/Video Settings are:
Sequence Preset: HDV 1080i60
Capture Preset: HDV
Device Control Preset: Sony HDV Firewire
Video Playback: None
Audio Playback: Default
So now I go to my camera. It is set to output HDV. Component says 1080i/480i. i.LINK Convert is off. Down Convert says Squeeze, but I assume that’s meaningless since thei.LINK Convert is set to off. A/V>DV Out is set to off.
None of this makes a lick of difference, as far as I cantell.
I shut off the camera and disconnect the cable, thenreconnect the cable and turn it back on. No help.
I trash my FCP preferences, start FCP again, redo myprefs. Nothing.
I hit the reset button on the Z1U. Nada.
I do all this and then reboot the computer. Bupkis.
The footage was definitely shot in HDV. I can play it fine on the camerascreen.
I check the cable, which is brand new; it is firmly in placeon both ends.
Okay, so now I turned off the camera, quit FCP, ejected theOWC drive and turned it off. Iunplugged the eSATA cable. I wentand got my MacBook Pro and connected it to the OWC drive with a FW 800 cable. The camera was still connected to theOWC media drive via the i.LINK cable. I turned on the drive; I turned on the MacBook Pro; I turned on theZ1U. I started up FCP, and here’swhat happened:
It worked perfectly. No problem recognizing the camera, noproblem controlling it from the L&C window.
You might say that this solves my problem. But I prefer to edit on my desktopcomputer, and I am irritated that I can’t figure out what’s wrong. My suspicions are that it must havesomething to do with the cabling. FCP is working just fine with the Z1U routed through my media drive, theOWC. The only differences are thatmy drive is not connected to the computer via eSATA but FW 800. I see no differences in the settings.
Any insights?
Thanks,
Giraut

From what you say, I would suggest that the OWC enclosure does not utilize/energize the firewire interface when it is using the eSata.
This is just a guess.
Connect the Drive/Camera to your desktop via the FW800 cable: Mac Pro > FW800 Cable > OWC enclosure >FW 6Pin to 4 Pin Cable > HDV Camera. The speed difference between eSata and FW should be minimal as in each case you are limited by the FW400 connection at the camera.
MtD

Log and Capturing from USB device?

I have a VHS connected to my G5 using an InterView RCA to USB device. Is it possible to log and capture into FCP5? I seem to be getting the sound okay, but can't get the video.

You can't capture to FCP without timecode.<<</div>
Not true. You can easily capture non-timecoded footage from any number of sources, including VHS. Set FCP's device control to "Non-Controlable Device" and use "Capture Now." The source player will need to be connected to your DV device (camcorder, VTR or converter).
VHS decks don't generate timecode<<</div>
Also not true. Most pro VHS and S-VHS VTRs have both VITC and LTC capability.
-DH

Logging and Capturing

As a result of this thread: http://discussions.apple.com/message.jspa?messageID=3857627#3857627
I did a test of various ways to capture footage into FCP. Sorry for saying this again but I’m new to FCP - after 20 some odd years editing with proprietary, Avid and Premiere Pro NLE’s. I mention this [again] because it is hard to teach an old dog new tricks, and some of the bias that I’ve gathered along the way might show up in the way I approached this.
I have four one hour HDV tapes recorded on a Sony HC1; I used the same camera that created the tapes to down convert and capture standard definition NTSC anamorphic DV. Each taped averaged about 70-80 clips.
Tape 1
The first tape I logged the clips using the controls in the log and capture window. Fairly straightforward, but the HC1 was not very responsive to the J/K/L keys and the image in the capture window was very low resolution during scrubbing and searching. This made the process of logging slower than it should be. Once logged, batch capturing was fairly quick [about 1:12:00:00 to capture a 60 minute tape] and pretty much what I expected.
This was not a very efficient way to capture 70-80 clips, a lot of time wasted with pre and post roll. If you had fewer, 20-50 this might be the better way to capture but for what I was doing this was my least favorite way.
Tape 2
After entering the clip information into the log window I hit K key and capture “Now” button and captured the entire tape. I was a little concerned at what would happen when timecode ran out at the end. Nothing happened, it stopped and the clip appeared in the capture bin – all was good.
Once captured I created a custom Browser window with only the columns I wanted to log and make subclips: [following Steve Braker’s instructions]
1) Loaded the master clip into the viewer.
2) Set in and out points for the first clip.
3) Command-U to create a subclip.
4) Re-named the subclip, added description and label.
5) Click in Viewer and
6) Repeated steps 2-5 until 70 clips later it was complete.
Steve suggested deleting or moving the master clip, however checking the folder in the finder where the master clip was store revealed that this process didn’t produce individual clips. Apparently the subclips are simply pointers to the master file so I didn’t delete it.
This process was surprisingly fast but I still ended up with a single file that was approximately 5GB’s which made this process almost useless for working with subclips in Motion2 for example.
Tape 3
Marked an [in and out] in 20 minute intervals to create three master clips for this reel.
1) Loaded the master clip part 1 of 3 into the viewer.
2) In the Mark menu selected DV Start/Stop
3) After FCP placed markers at the scene breaks I “clicked the disclosure triangle” next to the master clip to reveal all of the markers in the Browser.
4) Selected all of the markers to highlight them
5) Chose Modify>Make subclip after which the subclips appeared in the same bin as the master clip and markers [note* at this point I checked my hard drive to find there was still only one contiguous master file for these subclips.
6) Re-named each subclip, added description and label and then placed them in a separate bin and placed the subclips that I didn’t want to keep in a bin to be deleted. [temp trash]
7) Highlighted the subclips that I wanted to convert to Independent clips
8) Chose File>Media Manager
9) Chose Use Existing from the “Media referenced by selected clip” drop down.
10) Selected the “Delete unused media from selected clips.”
11) Chose Clip Names from the “Base media file names on” drop down (Oops, sorry that’s for a PC) pop-up menu.
12) Un-checked the “Duplicate selected clip and place into new project.” This placed the independent clips in the same folder on your hard drive as the master file for the subclips. I suspect although I did not test it that if I had this checked I could choose a different folder?
13) Held my breath and clicked OK!
14) That’s when FCP started treating me like a total idiot “are you sure you want to do this, you’d better be because there’s no going back. Are you really, really sure…” Anyway for me since this is the only project on this machine I didn’t even read the warnings [yes I am an impatient idiot] **** the torpedoes full steam ahead..
15) Done! NOT Quite yet. You’d think that since I un-checked the “Duplicate selected clip and place into new project,” that FCP would be smart enough to place the new clips in my project window. Didn’t happen, had to control click and import files.
This process requires a bit more explanation. I had 16 subclips that I converted to independent clips, after which I deleted all associated subclips and markers. When I imported files there were only seven clips in the folder where the master clips was saved [now deleted as part of this process].
On further inspection all of the footage that I wanted was there, HOWEVER, by using the DV Start/Stop to create markers and then using those markers to create subclips if there are two or more clips with continuous timecode it consolidates them into one contiguous clip thereby defeating the purpose of creating the subclips in the first place. I’m guessing but if I hadn’t deleted some of the subclips I didn’t want to convert I would have ended up with the same large file with a different name.
The manual recommends that you delete the master clip from the Browser before converting the subclips into individual clips. I was suspicious of the need to do this so I left it and after the conversion it did what I expected, became offline. It was a good thing because I could use it to recapture. Also, any logging with description and labels etc is history it is not included in the new independent clip.
Tape 3 Part 2
I won’t bore everyone with going through the steps I’ll just explain how this one was different.
1) I didn’t use the DV Start/Stop option, instead marked I/O separately leaving at least 2 frames between edits to make sure there was discontinuous timecode.
2) I also didn’t bother naming or logging at this point and left whatever ridiculous name the subclip process assigned.
3) The settings in the Media Manager were all set from the previous conversion hit OK [this time read the warnings which would have done nothing to correct the previous attempt].
4) 12 subclips went in and 12 new independent clips came out.
5) Once I had the new clips I logged and added descriptions and labels etc…
Although this sounds like a very convoluted process, and it is certainly much more difficult than it needs to be, by the fourth tape it was predictable and quite fast.
I will say though that because FCP consolidated any continuous clips without warning you really have to pay attention to detail. And it would be nice if we could use the log & capture window for this process so any descriptions, labels etc would be carried forward to the new clip.
Certainly not as easy to accomplish as it is in PPro but definitely possible. There might be more functionality that I just missed, if so please let me know. Anything that can be done to simplify this would be helpful.
Mac Pro. 5GB RAM. 1TB SATAII RAID 0. Mac OS X (10.4.8) FCP 5.1.2

When you delete the master clip from the browser, you aren't deleting the media file it referenced. So the subclips reference that same original captured QT movie, it's just not in your project.
It will work. try it. It's how I've been working for about 6 years now. I don't have problems with subclips at all doing anything I want to with them.
Subclips are nothing more than reference files that reference a portion of a master clip. A Master clip is nothing more than a reference to the media file that you're capturing... it's not the media it's a reference to it.
Subclips are how FCP was really intended to be logged I think. I don't like long captures at all, and would prefer to actually capture the way you did the first time... but because it takes longer, I usually don't have time to do things that way. However, if you do things that way, you can add descriptions etc. to the logged clip in the Log and Capture window, if that helps your workflow.
The responsivness you lack with your HDV camera is because it's HDV... HDV doesn't contain all of the pixels of every frame, so to see a single frame the computer has to do a lot of processing to show it to you. It's an MPEG stream, which uses whole frame information every 8 or 15 frames only. The rest of the frames are the difference between the frames only on the recorded tape, thus the work and slow response to HDV logging and capturing.
P2 on the other hand, would make ALL of this MUCH easier to deal with. For one thing, each take is an individual file, and it's an all I frame format so it's easier for the computer to deal with. It renders 8 times faster than HDV does... no "conforming" necessary.
Jerry

Log and capture or Log and transfer?

I'm a newbie to FCP, I've been working at it and researching, so I have a basic understanding, been able to do some good stuff, now I'm looking to find more time-economical ways to do things. I'm a football coach, looking to cut up game films into individual plays (1 play per clip), and ideally being able to name each clip by it's play name "Trap" or "Pop Pass" for example. It looks like I need to get into logging if possible. My workflow at present when dealing with an opponent's film is to take a DVD, and get it onto my computer using MPEG Streamclip. I've been using DVC-PAL as a codec at someone's suggestion, I can't rmemeber where I got that. Is this a mistake? Anyhow, I now import that movie file into FCP using File>Import. At this point I can't do any logging though, if I try Log and Capture or Log and Transfer I get "Unable to initialize video deck", though it tells me I can still use Capture Now. Once it opens the Log and Capture window, I get "Error: this operation requires a controllable deck." and directs me to the Audio/Video Settings. Here's where I'm pretty much lost. Do I try to adjust settings from here? If so, to what? Do I need to start by changing my MPEG Streamclip settings and then trying to match those up in my FCP Audio/Video Settings? Or do I need to completely overhaul the way I'm approaching this? ARGH! I've been impressed with myself getting to this point, any help from here would be greatly appreciated, thanks all!
Grouch

Log and Capture is used if you are capturing footage from tape based formats. DV, HDV, HDCAM...others.
Log and Transfer is for tapeless camera systems. P2, XDCAM, Canon DSLR, AVCHD.
If your footage comes from DVDs...and you convert the footage to QT files...then you simply go to FILE>IMPORT. You don't log with this method. Just import and work with the footage.

Missing Log and Capture window

Firstly, let me say....I'm new to Macs, go easy on me if this is an obvious question.
I'm trying to import some P2 files from a HVX200 but when I click on the Log and Capture option in the menu, I have no Log and Capture window.
In the list in the Window menu it is listed there. Clicking on it seems to do nothing. Is it possible that the window is somehow out of the viewing range of my monitor or something ? If so, how do I restore it ?
Thanks in advance

I haven't used FCP 6 before, but I've seen some tutorials on it, and if I remember correctly, the place you import HD footage is in the "Log and Transfer" window, not the log and capture one. However, log and capture usually just comes up the second you click it in the menu, so that's odd. Maybe it's hiding behind one of your windows haha. --David

Log and capture not working with Apple intermediate Codec

Hi,
I just got my copy of Final Cut Pro 6.
I'm trying to capture HDV footage using the apple intermediate codec, but when I try to open the log and capture window, it just comes up with a window saying 'HDV capture', but with no logging options at all. It just captures from that point onwards from the tape.
Tom

You need a video IO card to transcode the signal to another format on capture - you're just connecting the camera via Firewire, yes?
(Incidentally, even if you could get this work, AIC is almost certainly the 'wrong' codec for whatever you're doing. What's your worklow reason for choosing that format? And finally - are you really running OSX 10.3.9? You need to be on 10.4.9 to run FCS2)

Log and Capture suddenly stopped working

I encountered a strange issue today, I have a Cannon HF 200 and it created .MTS files when I record my video, I usually insert the SD card and than select log and capture from FCP7 and convert all my videos..but now when I insert my card and select log and capture, the card does not load and I cannot see any of the clips..which is very odd
I even trashed the preferences but to no avail
Any help guys??

I have also un-intalled and then re-installed FCP7< </div>
Why do people keep doing that? Macintosh software just doesn't work that way.
You probably turned the camera off before the software had completed the write to the card or you may have set the camera to record in a weird format or used the wrong drive setting. Try pluging the card into a PC? Have you tried the Canon users' forums? When you search for them, you will want to spell the brand correctly.
bogiesan

Why wont my footage log and capture?

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