Wich videocamera works best with Adobe Connect Pro?

I want to buy a videcamera to import live video in my ACP sessions. Wich videocamera works great or best?

Any camera that works with Adobe Flash Player should work well with Adobe Connect. Given the number of existing products in the market, we cannot possibly test with all specific brands and models.
Some folks in the team give some guidance around this topic in a blog post at Adobe Connect supported cameras and mic. See of this helps. Do let us know what works or does not work for you, so that the community benefits from your findings.
regards,
Ashish

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Which Premier Global (Premier NA) Audio product works with Adobe Connect Pro 7.5

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Hi Everyone -
I'm working with a colleague to help her prepare a few webinars. I originally created a series of meetings for her, but she wants to use customized templates. Apparently, you cannot apply a customized template to an existing meeting; you need to select the template when you create the meeting.
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I deleted the webinars you created in Adobe Connect so that I could re-create them with my new meeting template.
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This doesn't seem to be a solution to a problem, and since I'm new to working with templates in ACP, I am wondering if anyone else out there has any advice.
Thanks in advance!
Lucy

Hi Lucy,
In order to use a meeting as a template you have to move that particular meeting into shared Template folder and then while creating any new meeting you will get an option to use that meeting as a Template for your New meeting. Also please revert with some more details so that we can look into that matter more clearly.
Also you can contact the Technical Support for Connect its free of cost the number is 18004223623
Thanks!
Swetank

What camcorders work best with a Mac Pro?

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You can get a quote and consult from Adobe, just go here;
http://www.adobe.com/products/acrobatconnectpro/
You could also look in to ConnectNow with presenter licenses? Call the sales line though, and they can help you decide what is best.
Talk to Adobe Connect Sales:
Sales 888-649-2990
matt rock | Technical Response Team, Connect
adobe systems
my.adobe.acrobat.com/mattrock

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We have been having ongoing problems with Adobe Connect Pro dropping the audio's from the recordings. We get long dead spaces in the recordings of silence and then hear the instructor answer the question asked but never hear the question.
bob

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found out she had no flash player, and could get it either. I thought mobile devices could connect to Adobe Connect pro, apparently they cannot because they can not get Adobe Flash installed.
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High quality mic on external usb-soundcard dosen't work with Adobe Connect. Why?

Hello
A friend of mine bought a quite good microphone and a good extrernal soundcard for recording podcasts. Everything works fine. But know she wants to use the microphone for Adobe Connect, because of the very good sound quality. Adobe Connect finds it an you can select it, but now singal comes into Adobe Connect. But it works with every other Adobe application. So why doesn't it work with Adobe Connect?
The soundcard is the Tascam US-122 Mk2. Normaly very uncomplicated ..
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One of my HD is in a MacAlly 2.5" enclosure that offers both FireWire and USB2. The other one is in some generic enclosure with only USB2. Both are bus-powered and both work fine.

Which Digidesign interfaces work best with Logic Pro ?

Can anyone tell which of these work best with Logic if any at all?
- Digi-003
- M-Box Pro
- M-box2
- M-Box mini
- M-Powered

Thanks for the posts
After hearing complaints about latency, driver
issues, horrible quality,incompatibility with there
plugs in logic as well as no chance to stand against
performances and sound quality of other hardware half
there prices i thought to ask.
Wow. All that??? And then they recommend Migraine-Audio to you??? I don't think those posters know what they are talking about.
I've been using Logic since it could be used with Digidesign hardware, from version 4.8.1, and it has always worked very well.
It does pay to research the setting up of a DAW computer, as it is almost never just "plug-n-play" like many people believe. But once it is set up, it can run for years without problems. Most people experience problems because they change the setup, install free plugins, change audio gear, every other day of the week, and of course, that makes for a very unstable situation. No wonder they complain. But it is their tech-ethic they should be complaining about, not the equipment.
Can anyone verify there set ups and latency?
Here's one extensive test I did on my Digi 002R:
http://nicksevilla.com/logicpro-som/LogicTests.html
The latency is the same as with other comparable FireWire interfaces. Not more, and not less.
i wont drag this out into a long post i just want a
round about, all logic users in other forums seem to
be against Digi hardware, most advised to buy the
cheapest possible M-Audio interface just to run M
Powered Pro Tools if i realy need PT at all.
Really??? All of them???And did they know they are advising you to buy stuff that actually does NOT work properly??? Shame on those posters you read, as Digidesign drivers are a LOT more stable that the Migraine-Audio ones. Digidesign themselves told me to stay away from M-Audio... so you read into that whatever you like. I'll keep that advise from them.
Cheers

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Was hoping i could get some opinions on which osx version works best with logic 7.2
i currently have OSX 10.4.2 but i would like to update at least to 10.4.3 (that is least required to run logic as stated in install manual)...
should i go for 10.4.4, 10.4.5 or 10.4.6 ?
which would run best with logic pro 7.2?
thanks much everyone
Quad G5 2.5ghz 3GB RAM Mac OS X (10.4.2)
Quad G5 2.5ghz 3GB RAM Mac OS X (10.4.2)

10.4.5 was rock solid for me, and three days into heavy Logic use at 10.4.6 is proving to be just as good.
Get caught up, and go ahead and update to 10.4.6

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Hi folks,
I have an assignment for a TV production to secure and convert the data (mxf files XDCAM HD 422 1080i 50 / 50 Mbit/sec with 8 audio channels) from Sony XDCAM camcorders (PDW-700) for postproduction.
The producer wants me to convert the mxf files during production to Apple ProRes 422 (HQ) for faster and smooth editing during postproduction.
I'm not sure about the final output yet, but I guess it will be either 720p50 or 1080i 25, since the production will be broadcast and as far as I know this is the standard for HD on German television. It is also not clear which NLE will be used for editing (usually one of the producers edits their projects with FCP, but this time they've got their hands full and are still looking for someone to outsource postproduction.
Unfortunately, my Macbook is getting fixed as we speak, so I can't try things out.
Since this is the first time I'm doing this workflow, could someone please check if I got everything right?
1. Can someone please confirm that I can actually convert the mxf files using AME CC to Apple ProRes 422?
Or do I need to install any other tools/converters for this task? Does MPEG streamclip do the job? Any other freeware?
2. When converting to Apple ProRes422, the producer suggested to deinterlace the footage (1080i 50) to 25p, if 720p or 1080p I have to find out tomorrow since our conversation got interrupted this afternoon.
In my opinion this doesn't make sense, though. First, if output to 1080i 25 it has to stay interlaced anyway. Second, in case the output will be 720p 50 I would edit the footage either natively or in Apple ProRes 422, but leave deinterlacing until the very end when outputting to the final format. This way I could use an advanced deinterlacer, e.g. the one from Magic Bullet Suite, rather than just checking some deinterlace box in the export settings for Apple ProRes 422.
The reason the producer suggested to deinterlace right away when using an intermediate like ProRes was that she and the client got irritated by the jagged lines from the interlaced footage when editing the last project with the same requirements on a progressive display.
3. What would be the best solution to tackle this issue (jagged lines) during editing?
As I said my Mac is getting fixed, so I have no way of trying things out,and I usually edit DSLR footage which is progressive anyway.
But if I remember correctly I can switch my monitor between 1080p and 1080i. This should do the trick, shouldn't it?
4. Can I keep all of the 8 audio tracks when converting to ProRes using AME CC ?
5. Is ProRes422 (HQ) really necessary, or is the regular quality sufficient for this kind of job?
6. Let's assume the whole project would be edited within Adobe Premiere Pro CC and system specs as stated below:
Since Adobe Premiere Pro CC has native support for XDCAM HD is there any advantage of using an intermediate like ProRes at all?
How smooth is native editing with XDCAM HD in Premiere Pro CC? I don't think there will be more than 3-4 video tracks in use...
Thanks for your help!
working with
Adobe Premiere Pro CC and Adobe Media Encoder CC
Apple MacBook Pro
Intel Core i7 Quad Core Prozessor
2.3 GHz and 6MB L3 Cache
16 GB RAM 1600MHz DDR3,
256 GB SSD
Intel HD Graphics 4000 512MB + nVidia GeForce GT 650M with 1 GB GDDR5 RAM

Thanks Jim! I knew there must be a reason xdcam is widely uses for eng aquistion :) I think they used FCP 6 or 7 on their last project... So what about monitoring interlaced footage on a progressive screen? Any advice on that? Is there a converter built in to APP CC that deinterlaces in realtime when monitoring interlaced sources on a progressive screen? And would you agree that deinterlacing source material is best left right before outputting?

Wich videocamera works best with Adobe Connect Pro?

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