Wishlist: Speach detection and recognition and for Final Cut Pro video clip

The next feature I want to see in the new FCP is speech detection and semi transparent text recognition in cartoon clouds that will spring up above audio clips waveforms, so I can decide where to cut my interview based on what is being said rather than the waveform itself. This Might be annoying, but helpful if you could turn them on and off for clips where speech is detected on import. The semi transparent text clouds should be "correctable" as we know the computer won't be 100% accurate. When an edit is finished, such as a news story, we should have the option to export the "script" This would be really helpful to the writers who write for on-air content of studio anchors, as they could instantly get B-roll script without it being transcribed and interrupting the editing process.
Long live FCP!

This: http://www.getphonetic.com/get/index.html kind of gets you some of the way there.

Similar Messages

  • I had downloaded and used Final Cut Pro 7 (studio 3) on my mac, but it died. Can I download it to my new computer without buying a new copy? I'm not sure of the number of installations for academic copies. How would I do this?

    I had downloaded and used Final Cut Pro 7 (studio 3) on my mac, but it died. Can I download it to my new computer without buying a new copy? I'm not sure of the number of installations for academic copies. How would I do this?

    AH...good. 
    There is no limit on the times you can install it from the DVDs. There's just a limit as to being able to run it on multiple machines AT THE SAME TIME. If your old computer dies, or you sell it (please reformat the drive so they don't get FCP for free), then you can install on a new computer fine.  And you are allowed to install on (1) desktop and (1) laptop at the same time as well...but only use it on one machine at any given time. Meaning you can use it on the desktop at work, and then when away from the office, on your laptop.
    Long story short...you can install it fine without any issues.

  • Student Help advice! what is best iMac model for Final Cut Pro and logic pro

    Hi
    I am currently looking into getting a iMac, but is toggling to device if I need a 27inch or a 21inch(top model),which will be used for Final Cut Pro and logic
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    The specs that I have on mine are..
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    If anyone can give me some advice, or even tell me about there set up they have for media work please let me know.

    All kinds of things affect system & HD performance, I can't tell you why your 4 year old Mac is slow.  Just because your old Mac is slow doesn't mean that a new iMac will be equally slow.
    You are correct about the issue with the smaller fusion drives.  It's one of the reasons I am not high on recommending them.  Everyone thinks they want power & performance but don't understand the gap between marketing and real life performance.  The 1TB fusion drive however should give you a good combination of rapid access and sizeable storage capacity.
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  • Why is there no disc for Final Cut Pro X, is there one coming, and how do I transfer the program to a new machine from the download?  Thanks!

    Hello:
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    Is there one coming?
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    You purchase FCX in the Mac App Store, there is no disc. You can reload past purchases under your account within the app store. You should also be regularly backing up your system

  • Can I download and use final cut pro 7 on new mac pro tower?,or I must work with the new final cut pro x only?

    can I download and use final cut pro 7 on new mac pro tower?,or I must work with the new final cut pro x only?

    Disclaimer: This response assumes that a "new mac pro tower" is the new cylindrical model.
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  • Uninstalling and reinstalling final cut pro x 10.0.9

    Hello all Can anyone tell me how to Uninstall and reinstall final cut pro x 10.0.9. Can I redownload final cut pro x I bought it on line. Also I'm running  Lion.
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    Can not update to Maverick.

    Hopefully, you can fix before having to uninstall. If you so the only way you can get 10.0.9 is to install Mountain Lion (10.8.))
    Does it hang with all projects? 
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  • Mac OSX 10.5.8 and use Final Cut Pro X.?

    I need to know how I go about updating my system which is Mac OSX 10.5.8 // 2.5 GHz// Intel Core 2 Duo// 2 GB to be able to download and use Final Cut Pro X.
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    No 10.6.8 or 10.7.2 or later are the requirements.See http://www.apple.com/finalcutpro/specs/

  • Where can I find a full manual for final cut pro 6?

    I'm trying to learn final cut because I haver an amature film making contest I'd like to enter and that would give me quite an edge, considering most of the intries will be using movie Could someone help me find a full manual or something that would assist in this indevor? I do only have final cut 6 because I am using my schools imac and that is ther vertion they have. so, can anyone help?

    You should ask your question in the Final Cut Studio forum.
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  • Can I add a secondary location for Final Cut Pro Documents?

    Hi Guys,
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    Sure -- go to Final Cut Pro menu on your menu bar and select System Settings.
    The first tab is SCRATCH DISKS -- that's the term too -- not secondary folder for FCP Documents.
    Change it there.
    Drawbacks...
    It has been a while since I've had to deal with this, but FCP used to not remember (feature or bug??) a project's original scratch disk location and if you change it for ONE project it will be changed for ALL future AND past projects... until you change it back.
    Now, that in itself isn't a BAD thing. All that that means is that if you continue to capture material into that old project it will now put it over here instead of over there. Also, other things like render files and such which won't really matter much unless they do... and now you've got stuff spread over a coupla drives.
    FCP's projects don't care. They've already mapped where they need to go to get the video and render files it needs. Move your Scratch Disk 33 times... won't make a difference to the browser and timeline. -- UNTIL you remove one of the important drives. THEN red lines galore! Un renders, missing files... messy messy messy!
    Much better to start and finish a project in scratch disk. Makes for easy cleanup. Kinda like cooking thanksgiving dinner (American??) in 5 houses at once.
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  • Canon EOS MOVIE Plugin-E1 for Final Cut Pro Now Available...

    There's been so much talk about the 5D, 7D, 550D on this board that I'm going to point to the EOS MOVIE Plugin-E1 for Final Cut Pro. This is supposed to speed to transcode of Canon Camera H.264 to FCP-friendly formats and let you add more metadata along the way.
    Enjoy!
    Canon webpage. Under Drivers & Downloads. Once you select your OS, "Mac OS X", the download should appear near the top of the "Software" list.
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    FWIW: The quick start guide says cameras involved are 7D, 5D, 1D, no mention of 550D. Sort of odd.

    For users in North America to make the Canon EOS REBEL T2i work (550D for Europe):
    1. Install the new Canon EOS MOVIE Plugin-E1 for Final Cut Pro (http://www.usa.canon.com/consumer/co...nloadDetailAct)
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    4. Save the text file. Close it. Everything should work now.
    Cheerz.

  • Following Media Files Are Not Optimized For Final Cut Pro

    I'm sure you've seen this before and I've tried to search for a thread on it here and fell asleep, so sorry if this is a repeat.
    I have edited projects in Premiere Pro (on my PC) and I have tried to transfer them in FCP. It worked with the exception of two things:
    1. the error message, "Following Media Files Are Not Optimized For Final Cut Pro"
    2. the quality *****! watching it on the playback in FCP it looks great, but then when I burn it to Disc it's pixelated in spots and generally has a lower quality picture.
    I know that it's Standard Def. and can't expect the best, but I've done it before (once or twice) and it didn't seem this bad.
    Can someone suggest anything to help the quality? Should I run my AVIs through MPEG Steamclip to make it a QT file and if so what is the best format in that since there are many to choose from and most I'm not familiar with?
    Thank you,
    Crayton

    I did compress them to DV NTSC then burned it to DVD and the result was no bueno.
    I thought what I would do is try compressing them again before I send them on over to DVDSPRO. Here is a simplified break down of the situation:
    - I have edited the raw footage in Premiere Pro on my PC. They were recorded and captured as SD.
    - I rendered them in Premiere, then transfered the rendered AVI file to FCP.
    - When went to place the files in FCP, I received the warning message; "Following Media Files Are Not Optimized For Final Cut Pro" but I went forward anyways and it allowed me to do so.
    - Originally I went ahead and compressed them from FCP to QT Movie as a DV NTSC, which ended up poorly.
    - Therefore my question is, should I compress them using another file type (other then DV NTSC)? Which leads me to another program that I have called MPEG Streamclip, which offers tons of file types of which I am unfamiliar with most. I want the best quality of course but don't know what file type is the highest going from AVI to a format that can be accepted by FCP and ultimately DVDSPRO. Keeping in mind that I only have FCP5 and do not have Prores.
    Did that make sense?
    Thank you again,
    Crayton

  • Which firewire interface for Final Cut Pro on MacPro?

    I currently own a Presonus Firepod, and it seems to work pretty well, but may sell this when I upgrade from a MacMini to a MacPro. I use my Mac for Logic Pro currently.
    I anticipate running Final Cut Pro in the near future, so I'm wondering about the ability to read/generate SMPTE time code that the MOTU traveller supplies?
    There will be no external mixer, so this interface will connect directly to speakers & headphones. (would be nice to be able to mute speakers and control headphone mix using just the firewire interface).
    I don't anticipate needing more than 2 Mic inputs - and my current mike is a Rode NT1. (As the NT1 is not a top-of-the-line mic, unsure if I should place a lot of emphasis on worrying about the pre-ams?)
    I would like decent mic preamps, and ability to graphically monitor input and output levels (is this graphic monitoring necessary, or is just the single overload indicator sufficient?).
    Which interfaces in $600-$1500 range would work best with Final Cut Pro - and Logic Pro?

    I saw the Traveller ads in Videography mentioning
    time code, so I presumed it had an advantage over
    other interfaces.
    I found this in some ad copy:
    """The Travler provides on-board SMPTE time code synchronization features that allow you to slave your Traveler system to SMPTE time code without a synchronizer. The Traveler provides a DSP-driven phase-lock engine with sophisticated filtering that provides fast lockup times and sub-frame accuracy. The included MOTU SMPTE Console software provides a complete set of tools to generate SMPTE for striping, regenerating or slaving other devices to the computer."""
    So it likely uses an audio port for timecode I/O. However, unless you have external equipment that you want to slave to Logic Pro, (or have Logic slave to) e.g. a timecode DAT, then this really is not necessary. FCP would not see the Travaller as a "controllable" device.
    For Final Cut Pro use, I'd probably shoot in HDV.
    When shooting a green screen near my computer (or
    maybe even on-site), I wondered if there would be an
    advantage to recording the audio thru an interface
    like the traveller.
    The advantage is that you could capture additional mics and audio tracks with your mac while the cameras shoot. Just slate your takes and sync up later.
    Do I actually need an interface that provides time
    code, or is that only needed for movie work?
    I have SMPTE I/O on my Unitor8, directly accessable in Logic Pro. In 8 years I've probably used it twice to capture audio from some modular digital multitracks. So, unless you have some specific need.....
    Maybe it is simpler just to connect to the mic
    directly to the camera's input?
    Indeed. You should always have camera audio available. Anything else is supplemental. Alternatively, you could use the Travaller or RME, etc. as a "live to camera" mixer in a studio situation. Plug your mics into the interface, create a submix and send it to the camera while simultaneously capturing each mic to an individual track in Logic Pro. There are many possibilities.
    G5 QuadPPC2.5, Ram:12.5g, Magma PCIe-PCI expansion   Mac OS X (10.4.8)   2X Hammerfall DSP Digiface+Multiface, Digi 002r, 4X UAD-1

  • I can't install trial version for final cut pro x

    I can't install trial version for final cut pro x on my computer..

    What are you trying to achieve?  Are you editing movies as a hobby? Or trying to build a business – and, if so, what kind?
    iMovie is the first thing that comes to mind. Not the depth of FCPX, but it can still do some excellent work.
    Russ

  • MacBook Pro 13" or MacBook Air 13" for Final Cut Pro?

    I am looking at buying either a MacBook Pro 13 inch with 8Gb of RAM, 750 GB, and a 2.8 Ghz i7 Processor or a MacBook Air 13 inch with the 4gb of RAM and a 1.8 Ghz i7 processor. Which is better for Final Cut Pro X? I would rather have the Air, but if the Pro is better (which is what I currently have) that's what I will get.

    Is it a very noticable difference? Will I REALLY notice it? I know that the Pros are more powerful but I just wanted to factor in the SSD in the Air.

  • HT4589 What are the computer requirements or specs for Final Cut Pro

    What are the computer specs required for Final Cut Pro?
    Also is anyone operating Avid Media Seven on an OS X Lion 10.

    Lynn Kielley wrote:
    What are the computer specs required for Final Cut Pro?
    http://www.apple.com/finalcutpro/specs/
    Even though it says 4 GB RAM recommended, I think most experience users woild say 8 GB and up is the real minimum.
    Can't answer the Avid question.
    Russ

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