Wmv export directly from Shake?

hi
caused off short production time, i need to export wmv´s directly out of shake. For a recoding in Quicktime won´t be time at the end of the production workflow. The clips i generate will be part of an realtime »PC« 3d engine. That´s why it must be wmv.
I know about a macro called MPEG writer 1.3, allowing to export mpeg1 directly out of shake. I need a way for wmv.
hear is the link for the MPEG writer 1.3:
http://www.fxshare.com/shake/downloads/plugins/image_generation/MPEG-writer-766. html
I´ve got flip4mac components
I need help and time is running out
thanks for quick answering.

thank´s for the hint.
this is a good wmv component for qt but it does not allow to write a wmv container out of shake. In shake only the codecs and components are available, that are used in a .mov container. (and of course a lot of other things like picsequ).I need the cabability to write out into a wmv container. I need something like a macros. A wmv sdk would also help.

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CS5: Bug when exporting directly from PPro with hardware MPE?

For the record, I'm using:
A GTX-480 (unsupported)
The hardware MPE-enabling hack (unsupported)
The latest version of the nVidia drivers (257.whatever)
I discovered an issue, of sorts, when exporting directly from Premiere CS5, versus using the "Queue" option to send to AME. I was exporting from an NTSC DV Standard sequence to a 320x240 H.264, in which I had enable cropping and trimmed a bit off the sides and top and bottom of the source; the Output tab was summarily set to "Scale to Fit". With hardware MPE enabled in the Project Settings, the export would be the proper final dimensions (320x240), but any area that was cropped off was instead padded with black. The actual video content was then squeezed and malformed into the area not occupied by the black bars.
I found that, if I disabled hardware MPE or sent the export through AME by use of the Queue button (instead of Export), then the export was performed properly--the video was cropped correctly and then the video stretched to the borders of the exported video, maintaining the desired aspect ratio.
As I mentioned at the outset, I'm breaking a couple rules and perhaps tempting fate with others, but before I go about rolling back my drivers and the like, has anyone noticed a similar issue?
ADDENDUM: By the way, the export doesn't need to come from a sequence. If I load up a source clip into the Source Monitor, and export from there using the process outlined above, I get the same issue. This would seem to indicate, to me, that this is due to some incompatibility with my card, its driver and hardware MPE...

Did he demo renders or exports?
About 11 minutes in, he [Dave] demos accelerated H.264 renders.
Harm Millaard wrote:
AFAIK MPE only works with renders, not with encoding.
Well, he did both, actually--but the quote above is a typo on my part. I meant to say "exports" or "encodes." The last couple minutes of the aforementioned demo video are dedicated to exporting a sequence directly from Premiere, and having the benefit of hardware MPE. That's where I'm getting the issue I've outlined above; with hardware MPE enabled, and using the "Export" versus AME "Queue" button/function, I get the strange black outline. With software MPE or through AME, all is well.

Exporting direct from FCP vs. sending to Compressor?

I've done both, but the choice ends up being a coin toss. So I'm curious if there's any accepted wisdom as to the Pros & Cons of each workflow (using the current versions of each app, and in a hypothetical All Things Being Equal scenario)?
In other words, if you were to create the exact same "Master File" from a given FCP Project using each route (in terms of the finished file's dimensions, frame rate, etc), and you selected the exact same codec/quality options to create that file (assuming the identical options exist to be chosen), would there still potentially be any significant difference between the two files? Either in terms of file size, length of time it takes for the file to be created, or any appreciable difference in image quality (despite the theoretically identical file settings)?
Because a difference in any one of those three categories might be enough to tip the scales towards using one workflow vs. the other, depending on the priorities in a given situation.
(And for the sake of this comparison, I'm leaving aside the issue of which app could still be used for other tasks while the export is in progress. Let's just assume for the sake of argument that in both cases the machine would not be being used for ANY other work during each of the exports.)
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Without considering every possibility, here are a couple of general thoughts.
Given the same Compressor preset there should be no quality difference between the output from a master fie to Compressor and sending it from the timeline to Compressor. There are speed differences and exporting from FCP X is the fastest workflow. Lately, I've found second fastest to be Send to Compressor. But the inferences differences aren't great.
Most of this depends on one's workflow preferences. The most lengthy workflow is to first export a master file and then bring that into Compressor;. Funnily enough, that is how I work because I want to have an iFrame master file that I can compress for different purposes over time.
One user recently posted that he used Send-to-Compresssor because it gave him the opportunity to pause the processes without losing his work.
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edit: override the auto complete

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Hello,
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We're happy to provide the RPT file to the Report Team to diagnose the problem. Ultimately, we need to be able to produce a 15 page report with approximately 45 images.
Our preferred scenario is fixing problem 2. The CR Designer seems quite capable of rendering our report and printing it to our third party PDF printer in a timely manner with small size. However, the API reports memory full.
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PS. Grr and my message formatting is lost when I edited this message!!!
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Edited by: grantph on Sep 30, 2009 2:49 AM

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