Workaround for too-dark Compressor exports

I've seen a few threads here about video exported from FCP X (Share->Export Media...) then opened in Compressor being noticeably darker (both viewing and exporting). I started noticing the same thing about two months ago. I've tried tweaking the Gamma, Brightness, and Contrast settings when exporting from Compressor but have not found the magic combination to just retain the same look as in the FCP X timeline. Someone mentioned using Share->Export Using Compressor Settings... as a workaround - and it works! The videos come out looking the same! So far, so good.
However, there is one glitch. My Custom settings created in Compressor aren't available in that menu in FCP X. It shows the Custom folder, but says it has 0 items, when it really has 7. I CAN successfully use those custom settings from within Compressor itself. My understanding is that those Custom settings are supposed to be available from that menu - any ideas as to what would make them not accessible?
Thanks

Similar Messages

Workarounds for project crashing when exporting?

I have developed a project in captivate 6 which is now crashing captivate when I export it. I can preview it in 'Web Browser' and 'HTML 5 output'. But when I export it as a SCORM package it crashes. I was able to do that yesterday but today it's crashing.
Any suggestions? Any one?
Slides contain nothing fancy except just mp3s, text and graphics.
Specs
Captivate 6 project
Tested on both Mac and PC
From,
Luke L

Hi Luke,
In Project Preferences, Start / End there is an option preload startscreen.
Best regards.
Philippe
Le 15 oct. 2012 à 21:48, Luke L PSA <[email protected]> a écrit :
Re: workarounds for project crashing when exporting?
created by Luke L PSA in Import/Export - View the full discussion
thank you tchiboo.
Which start screen is this? Thanks for the help desperate to know.
Please note that the Adobe Forums do not accept email attachments. If you want to embed a screen image in your message please visit the thread in the forum to embed the image at http://forums.adobe.com/message/4775908#4775908
Replies to this message go to everyone subscribed to this thread, not directly to the person who posted the message. To post a reply, either reply to this email or visit the message page: http://forums.adobe.com/message/4775908#4775908
To unsubscribe from this thread, please visit the message page at http://forums.adobe.com/message/4775908#4775908. In the Actions box on the right, click the Stop Email Notifications link.
Start a new discussion in Import/Export by email or at Adobe Community
For more information about maintaining your forum email notifications please go to http://forums.adobe.com/message/2936746#2936746.

Simple workaround for Epson 3800 printing too dark

I've read the threads over the last year on this topic with interest. I have a 3800, run CS3 on a Mac Pro, OS 10.4.11, do regular monitor calibration have, custom profiles and am an experienced Photoshop & Mac user. My colour prints are way too dark, independent of the paper used, but since B & W prints are perfect I assume I can rule out monitor brightness as the problem. After tearing my hair out & getting as much expert help as I could in NZ & reading all I could find online, I've come to the conclusion that for some unknown reason, some 3800s just have this problem. My workaround is to duplicate the flattened image, setting blend mode to screen at between 15 & 25%, depending on the image. With experience I can now quickly gauge the % required – if I'm not sure, I run some test strips. Sure, it's not a particularly "scientific" solution, but it's quick, easy & it works. If others out there are still struggling, I hope this helps.

Just sorted my problem using the suggestion on this site>
http://www.photographyri.com/index.php/2008/11/11/photoshop-cs4-vs-cs2-print-engine-proble
I reset my printer as the Default Printer and now the prints are exactly(!) what I'm seeing on the monitor.
Wonder what the reset does apart from cure a bug?
Brill!
D.

Exported black/white pictures are too dark

Hi,
My exported black and white pictures are too dark. I checked the pictures and the exif info contains information about the color profile RGB and sRGB (see below), but still the browsers (firefox and safari) ignore this and display the pictures way to dark. Is there a way to fix this? firefox has color management enabled and safari probably too. As for firefox: there are probably users that do not have color management enabled and it should work for them as well.
Could the problems be due to the reduced 8bit color depth of jpeg?
Any suggestions are highly welcome.
Thanks!
Color Space Data
: RGB
Profile Connection Space
: XYZ
Profile Date Time
: 1998:02:09 06:49:00
Profile File Signature
: acsp
Primary Platform
: Microsoft Corporation
CMM Flags
: Not Embedded, Independent
Device Manufacturer
: IEC
Device Model
: sRGB
Device Attributes
: Reflective, Glossy, Positive, Color
Rendering Intent
: Perceptual
Connection Space Illuminant
: 0.9642 1 0.82491
Profile Creator
: HP
Profile ID
: 0
Profile Copyright
: Copyright (c) 1998 Hewlett-Packard Company
Profile Description
: sRGB IEC61966-2.1
Media White Point
: 0.95045 1 1.08905
Media Black Point
: 0 0 0
Red Matrix Column
: 0.43607 0.22249 0.01392
Green Matrix Column
: 0.38515 0.71687 0.09708
Blue Matrix Column
: 0.14307 0.06061 0.7141
Device Mfg Desc
: IEC http://www.iec.ch
Device Model Desc
: IEC 61966-2.1 Default RGB colour space - sRGB
Viewing Cond Desc
: Reference Viewing Condition in IEC61966-2.1

Thanks a lot for helping me to track this down. Looking at EXIF information with EXIF tool I get:
Profile CMM Type
: Lino
Profile Version
: 2.1.0
Profile Class
: Display Device Profile
Color Space Data
: RGB
Profile Connection Space
: XYZ
Profile Date Time
: 1998:02:09 06:49:00
Profile File Signature
: acsp
Primary Platform
: Microsoft Corporation
CMM Flags
: Not Embedded, Independent
Device Manufacturer
: IEC
Device Model
: sRGB
Device Attributes
: Reflective, Glossy, Positive, Color
Rendering Intent
: Perceptual
Connection Space Illuminant
: 0.9642 1 0.82491
Profile Creator
: HP
Profile ID
: 0
Profile Copyright
: Copyright (c) 1998 Hewlett-Packard Company
Profile Description
: sRGB IEC61966-2.1
Media White Point
: 0.95045 1 1.08905
Media Black Point
: 0 0 0
Red Matrix Column
: 0.43607 0.22249 0.01392
Green Matrix Column
: 0.38515 0.71687 0.09708
Blue Matrix Column
: 0.14307 0.06061 0.7141
Device Mfg Desc
: IEC http://www.iec.ch
Device Model Desc
: IEC 61966-2.1 Default RGB colour space - sRGB
Viewing Cond Desc
: Reference Viewing Condition in IEC61966-2.1
Viewing Cond Illuminant
: 19.6445 20.3718 16.8089
Viewing Cond Surround
: 3.92889 4.07439 3.36179
Viewing Cond Illuminant Type
: D50
Luminance
: 76.03647 80 87.12462
Measurement Observer
: CIE 1931
Measurement Backing
: 0 0 0
Measurement Geometry
: Unknown (0)
Measurement Flare
: 0.999%
Measurement Illuminant
: D65
Technology
: Cathode Ray Tube Display
Red Tone Reproduction Curve
: (Binary data 2060 bytes, use -b option to extract)
Green Tone Reproduction Curve   : (Binary data 2060 bytes, use -b option to extract)
Blue Tone Reproduction Curve
: (Binary data 2060 bytes, use -b option to extract)
XMP Toolkit
: Image::ExifTool 9.53
Doesn't this include the profile? I use Metadata wrangler and creative commons and morgify as plugins, but these shouldn't interfere with the profile, should they? I also experimented with disabling the metadata wrangler (by clicking disable), but this did not have any effect.
Thanks a lot!
Stefan

Exported Jpeg's when sent to photo lab print too dark

I have had consistent results with exported jpeg images that look fine on my monitor (as raw files)and show in the histogram in lightroom 2.5 as the highlights just starting to clip as printing too dark when sent to a photo lab in SRGB. Is this a fault of my monitor? I have calibrated the monitor, a Dell S2409W, using charts on the website at http://www.normankoren.com/makingfineprints1A.html but this still happens. Will darkening the Monitor help or will the images still clip at the same point? I have been able to send a second image with the exposure and or brightness boosted a bit and they print brighter, but this is a pain. What is the best way to correct this so that I can see the same image as I get back from the lab?

hello henrykipson,
you said that you want starting an professional laboratory business,i can talking about this because i had a laboratory until some years ago .i hope that you made some artistic study,so it's more easy for you to learn this topic.you must study,an pass an examination for take an artigianal licence that allow you to open this activity ,the licence given you the opportunity to work either for sale photografic material either to shoot and developing,one time that you had pass this examination you must gone to the police autority and inform these of your business (is under police control.because you work with chemical material,and also because you had a reservate people information,and they must given you their assent.)after all you can start to buy a good developer and print machine beyond to have a dark room.for manual print.you must decided if do you want work in black and white or color.You can do both but is better to specialize by one of them ,like you want.
Remember from the digital events many people print his image at home,you must deciding maybe is better to work with a professional photographer,that can given you more work.itsn't easy.you must have a good preparation because ,they are more exigent.The good results depend also from the quality of your works.a good machine,good chemical product,good upkeep,of your laboratory.(in italy this is the procedure,i think also in other country,because is a ticklish question licence.)I hope that this my little explanation are useful to you.Good luck .
cheers alessandra minotti

Is there a workaround for exported Muse html files to render accurately when opened in DreamWeaver d

Is there a workaround for exported Muse html files to render accurately when opened in DreamWeaver design view?

Have a look at this thread that should answer your query - http://forums.adobe.com/message/5231996.
Thanks,
Vinayak

Color management help needed for adobe CS5 and Epson printer 1400-Prints coming out too dark with re

Color management help needed for adobe CS5 and Epson printer 1400-Prints coming out too dark with reddish cast and loss of detail
System: Windows 7
Adobe CS5
Printer: Epson Stylus Photo 1400
Paper: Inkjet matte presentation paper with slight luster
Installed latest patch for Adobe CS5
Epson driver up to date
After reading solutions online and trying them for my settings for 2 days I am still unable to print what I am seeing on my screen in Adobe CS5. I calibrated my monitor, but am not sure once calibration is saved if I somehow use this setting in Photoshop’s color management.
The files I am printing are photographs of dogs with lots of detail I digitally painted with my Wacom tablet in Photoshop CS5 and then printed with Epson Stylus 1400 on inkjet paper 20lb with slight luster.
My Printed images lose a lot of the detail & come out way to dark with a reddish cast and loss of detail when I used these settings in the printing window:
Color Handling: Photoshop manages color, Color management -ICM, OFF no color adjustment.
When I change to these settings in printer window: Color Handling: Printer manages color. Color management- Color Controls, 1.8 Gamma and choose Epson Standard it prints lighter, but with reddish cast and very little detail and this is the best setting I have used so far.
Based on what I have read on line, I think the issue is mainly to do with what controls are set in the Photoshop Color Settings window and the Epson Printer preferences. I have screen images attached of these windows and would appreciate knowing what you recommend I enter for each choice.
Also I am confused as to what ICM color management system to use with this printer and CS5:
What is the best ICM to use with PS CS5 & the Epson 1400 printer? Should I use the same ICM for both?
Do I embed the ICM I choose into the new files I create?
Do I view all files in the CS5 workspace in this default ICM?
Do I set my monitor setting to the same ICM?
If new file opens in CS5 workspace and it has a different embedded profile than my workspace, do I convert it?
Do I set my printer, Monitor and PS CS5 color settings to the same ICM?
Is using the same ICM for all devices what is called a consistent workflow?
I appreciate any and all advice that can be sent my way on this complicated issue. Thank you in advance for your time and kind help.

It may be possible to figure out by watching a Dr.Brown video on the subject of color printing. Adobe tv
I hope this may help...............

Is there any workaround for exporting 24 bit AAF of OMF in soundtrack?

Hi
Soundtrack pro seems to have only 16bit AAF export function. Is there any workaround to be able to export a multitrack session in higher bit (24bit industry standard) resolution, in AAF or OMF format?
I know Final Cut has 24bit AAF export funcion, but sending clips from soundtrack to Final Cut seems not possible. Only sending mastermixes to FC is possible. But I want to send individual clips to FC.
Or any other suggestions are welcome for solving this problem.
Thanks!
Xske

If Premiere offers you the option to use hardware encoding, then your card is recognized. There is normally nothing more to do. If I understand you correctly, you are concerned that Premiere is not using the card. There are 2 ways to check if it is:
1. Install someting like GPU-Z (google it, it's free) to monitor the GPU. Start to encode something that will actually use CUDA cores, and you should see some activity reported, given as a percentage. Keep in mind that CUDA is only used for some specific tasks (some effects, resizing) when encoding.
2. Export a file that will use CUDA when encoding 2 times, once with hardware encoding enabled, and then with software only. Is there a difference in the time needed to complete the export?

Lightroom 5.4 JPG too dark. Faulthy export.

I updated lightroom 5.3 to 5.4. After this when i export a RAW (NEF) file to JPG, the JPG is too dark . It should be the same. Please help.

This is a duplicate post, original is here:
http://forums.adobe.com/thread/1448794
(granted, this one has a better title )

IGlasses for Snow Leopard - Too dark? Anyone else?

I'm finding the new iGlasses upgrade for Snow Leopard way too dark. It's useless and I had to uninstall it. Anyone else having this problem, or found a fix?

Umm,
That does seem odd.
For a long while now the Ecamm Stuff has been very reliable.
However the range of Macs that their products will now work with has become very large which may mean some configurations have been missed.
I am using iGlasses on a G4/1Ghz Dual Processor with a UVC compliant cam.
I have created a Daytime and Night time Preset for myself as the lighting here changes dramatically from day to night.
10:23 PM Monday; November 23, 2009
Please, if posting Logs, do not post any Log info after the line "Binary Images for iChat"

Video playback for Amazon and Netflix are too dark to see. Running OSX 10.10.2

When playing these streaming videos, the pictures are too dark to see much of anything. YouTube and Facebook videos are nice and bright. I tried "never activate" the plugins, but that made no difference.

Hi rdocter,
First please check to make sure your drivers are up to date: [[Upgrade your graphics drivers to use hardware acceleration and WebGL]]
In order to better assist you with your issue please provide us with a screenshot. If you need help to create a screenshot, please see [[How do I create a screenshot of my problem?]]
Once you've done this, attach the saved screenshot file to your forum post by clicking the '''Browse...''' button below the ''Post your reply'' box. This will help us to visualize the problem.
Also please provide a link where this might be happening.
Thank you!

Photos in Web gallery too dark

Hello,
I just updated to the new iLife.
I tried the new Web Gallery function and the photos are too dark compared to the view in iPhoto.
Same happens with galleries in iWeb.
What's wrong?
JO

There is a color problem when publishing pictures from iPhoto 06 and 08 (as well as when e-mailing a picture).
The problem being that the images are published with their original color profile, whatever that is. Further, if profile is missing in the image in iPhoto, the profile will be missing in the output. (BUT iPhoto displays correctly in case there is an EXIF tag specifying sRGB).
The result is that colors will not be displayed correctly on the WEB (or in e-mail clients), more or less depending on OS platform. This applies both to images and their thumbnails.
Compare the iPhoto album http://www.tomasjonsson.eu/IPhotoTests/
with an album with correct colors http://www.tomasjonsson.eu/PictureSite/Albums/Pages/PreAndPostProcessed.html
In Safari, only IMG_9465 and IMG_5182 will show a difference - since those are the only images without a color profile. However, in other MS-Windows browsers, most images will be displayed incorrectly.
Note! Most digital cameras produce images without at color profile but with an EXIF tag. In iPhoto:Preferences:Advanced choose Embed ColorSync profile, which will add a profile corresponding the EXIF tag. However, the images that you have already imported will not be fixed.
Note to Apple: Show EXIF colors space and embedded color profile in Info pane. Add command - ASSIGN profile. And in export dialog - add option Color Space.
HOW IT SHOULD BE
Images on the web (and in general also e-mails) should be published in sRGB color space (otherwise they will not be displayed correctly in browsers on the MS-Windows platforms, with the exception of Safari, viewing images with a color profile)
Images should have a color profile, in particular the sRGB images (otherwise they will not be displayed correctly on the MacOS platforms. Maybe close to correct if you have calibrated your monitor to PC-gamma)
Actually all images should have a color profile, period. If the image does not have a color profile, it is just a pile of randomly colored pixels - to be interpreted freely by any displaying device, which they do.
For a demonstration of profiles and WEB see: http://www.gballard.net/psd/golive_pageprofile/embeddedJPEGprofiles.html
However, DO NOT follow this guys advice of omitting the color profile for WEB publishing because of overhead. The overhead is less than 1% of a high quality image. (I measured 0.5 - 2.5 kByte)
WORKAROUND
After exporting from iPhoto - use Photoshop and CONVERT TO PROFILE all images to sRGB color space. Save file with color profile.
Note, make sure that images without original profile are treated correctly (most often they are sRGB, check the EXIF tag with Preview application)
Note, apply also conversion to thumbnails.
Tomas Jonsson, Genicore Embedded Technology AB

Images too dark on external display

Hello,
I use Lightroom on my (Lenovo) notebook. Because of the small screen size, I tried using it with an external (Samsung) display. However, when I open Lightroom on the external display, all the images suddenly seem way too dark. It is the case that this display is generally too dark, because when I view the same picture in a photo viewer or a browser it is not too dark. See for example this screenshot. On the left hand you see an image (export from Lightroom) in my browser, on the right hand the same image in Lightroom. You can clearly see it is much darker. When I view both images on the screen of the notebook itself, there is no difference between them.
Actually, when I move the Lightroom window from the notebook display to the external display, you can clearly see Lightroom adjusting the images from light to dark.
Does anyone know what causes this, and how I can prevent Lightroom from showing the images too dark?
Thanks!

I guess you misunderstood my problem. It's not only that images on the external display are way darker than on the notebook, but also that on the external display images in Lightroom are much darker than when I view the same image on the same display in a photo viewer or a browser. In the screenshot pictured above both the light and the dark version of the image are on the same external display.
However, in the meantime I found a solution. Changing the Windows Color System device profile to a non-WCS-profile did the trick: Photos appear as black, gray rectangles | Lightroom | Windows
Thanks anyway for trying to help.

Mac Printing Pics Too Dark

Weird and Complex.
Document in Word (for Mac) using images from internet (jpg, png, monochrome and colour - from various NASA, JPL and other sources). Printing Word .docx is fine. Export document to PDF (using in-built Mac OS X PDF Print system) and PDF on screen is fine. Print PDF using Mac Preview and it appears fine (colour a bit richer than .docx but OK). Print from Windows Adobe Reader, same as Mac Preview app. But print from Mac Adobe Reader (9.3.0) and the pictures come out as though the contrast is massively turned-up - monochrome pics far too dark and with a blue tint and colour pics darker and way OTT blue tint. This is destroying the pictures as the colour (and particularly blue) is very significant in the scientific pictures.
Pictures are from many different sources and jpg and png so I have not doctored them in any way - and the .docx prints fine.
When printing from Adobe Reader I have tried with Printer managing the colour and with ColourSync enabled (automatic profile) and it makes no difference. It appears just Adobe Reader on Mac that is the problem.
(As it on print only I cannot post samples to illustrate - if important I could scan the bad rint but that would probably adjust things further)
Update additional info: Pictures are either 8 bit RGB or grey scale (8 bit). Some have embedded ColoyrSync profiles (e.g. sRGB IEC61966-2.1 or Generic RGB Profile or Dot Gain 20%) some have no embedded profile - all come out badly and all affected. I tried using Photoshop to add a profile to one of the images without a profile and it made no difference. Printing from Photoshop (CS4) is fine (including photos without profiles - comes out same as printing original .docx) If I import the pages into Photoshop and print them they come out fine - just as printing the .docx - so I think there is nothing wrong with the PDF but it looks like it is the Adobe Reader printing.
Any ideas.
Many thanks
Simon

Welcome to the Apple Discussions. Check the display calibration and see if the gamma is set to 2.2 or 1.8. If it's set at 2.2 then set it to the Mac standard 1.8. See if that will lighten them up. Also check to make sure if you print one of the photos it will also match the display.
TIP: For insurance against the iPhoto database corruption that many users have experienced I recommend making a backup copy of the Library6.iPhoto (iPhoto.Library for iPhoto 5 and earlier) database file and keep it current. If problems crop up where iPhoto suddenly can't see any photos or thinks there are no photos in the library, replacing the working Library6.iPhoto file with the backup will often get the library back. By keeping it current I mean backup after each import and/or any serious editing or work on books, slideshows, calendars, cards, etc. That insures that if a problem pops up and you do need to replace the database file, you'll retain all those efforts. It doesn't take long to make the backup and it's good insurance.
I've created an Automator workflow application (requires Tiger), iPhoto dB File Backup, that will copy the selected Library6.iPhoto file from your iPhoto Library folder to the Pictures folder, replacing any previous version of it. It's compatible with iPhoto 6 and 7 libraries and Tiger and Leopard. iPhoto does not have to be closed to run the application, just idle. You can download it at Toad's Cellar. Be sure to read the Read Me pdf file.

Grayscale images too dark in InDesign

Hello everyone,
Whenever I place a grayscale image in my InDesign (CS 3) document, it looks far too dark (compared to what I want and what I prepared in Photoshop).
These are the specs of the images: tif, 300 dpi, grayscale, 15% dot gain profile.
I've tinkered with the color settings in InDesign, but nothing seems to change this. Only when I export the InDesign document to pdf and choose 'Convert to destination (preserve numbers) - Working CMYK (Coated Fogra27)' and choose to 'Include destination profile' the photos in the pdf document seem okay again.
What am I doing wrong?
Thanks for your help!
johan

The Gray profile you use in Photoshop gets ignored by ID even if you save it with the grayscale. ID puts the incoming grayscale's values on the black plate unchanged. Using a CMYK profile as the gray space in PS matches ID's color managementthe grayscale previews as it would print on the black plate of a CMYK press. You get a more consistent previewbut it has no affect on output.
The only way you would get a conversion of black or grayscale values to a black+CMY color at output or export would be if the print destination CMYK profile were something other than the document CMYK profile. So if you assign Coated Fogra27 to your document, your printer would have to choose some other profile as the destination printer profile when she outputs separations for black to convert to CMYK.

Workaround for too-dark Compressor exports

Similar Messages

Maybe you are looking for