Workflow for DVD

Hello -
I have 1:57 mins. of video that I exported from FCP (MOV) Self Contained.
Now to make a _GOOD QUALITY_ dvd. Do I take it to Compressor then DVD Studio Pro or straight to DVD Studio Pro?
Additional info:
-Imported Video to FCP from MINI-DV tapes
-Final destination = DVD
-Ratio = 4:3

Do I take it to Compressor then DVD Studio Pro or straight to DVD Studio Pro?
Do take it to Compressor, which offers you best presets and one that should be just right for you:
DVD best quality 150 minutes. The important thing is that Compressor will encode sound to ac3, which is perfect for DVD while DVDstudioPro won't and your audio could take just too much disk space.

Similar Messages

Best Workflow for Dvd studio Pro

I am looking to get the best possible workflow for dvd output. I currently just export my FCE HD project as quicktime movie NOT self contained. I then pull it into DVD Studio Pro 3 and after i do all the menus I build and burn the dvd. The image quality is good, but after reading alot of posts here it seems alot of people put their projects through compression before dvd studio pro builds the project. Should i be doing this?
Thanks.

Well, use the best encoder you can get your hands on. If you can budget for other encoders then maybe do that. Compressor will give you more control so its a good place to start,
-jake

Workflow for DVD from HD+SD source...

Based on the lengthy so-called "single-field conversion" issues with iM09, I'm looking for some inputs on the best workflow to retain high quality for DVD distribution for mixed media - video shot with HD & SD camcorders..
Here's what I did:
A> Converted all the SD (720x480) MPEG clips to progressive using QT
B> Imported 480p MPEG clips into iMovie 9
C> Edited 1080i + 480p material in iM and exported using the HD preset. Previous tests I did confirmed no diff between the HD export preset (newly added in the latest update), and the QT custom export for 720p.
D> Imported the 720p file into iDVD and re-rendered to DVD format.
Resulting DVD video was good (not bad, and obviously nowhere near HD quality). Wondering if anybody else has a diff workflow they would like to share that minimizes the rendering steps for HD+SD material to retain good quality?
Thanks!
P.S. Unfortunately, I sold off my copy of FCE when I upgraded to iM9, otherwise iM9 XML --> FCE --> iDVD might have been an option.

function(){return A.apply(null,[this].concat($A(arguments)))}
shooternz wrote:
I dont get why one would need to scale down an HD sequence to an SD Sequence (in PPRO) first?
That must invoke "processing" for the scale and PAR and add the complication of letterbox or otherwise.
A Dynamic Link of the HD Sequence to Encore does the scaling automatically (and well) and the image retains 16:9 aspect.
A MPEG2 - DVD export file also does the scaling automatically and you import that into an Encore Project where no further transcoding is required.
Well try it and let me know how it compares for you, I would be curious what your results are. I have recently had to do a a slew of HDV to WS DVD with timecode window burns. It was taking so long when i was linking the hdv project to encore that i tried nesting the hdv footage in the WS NTSC project and it rendered faster for me so i stuck with it.
I assumed it had something to do with the GPU doing the scaling and with premiere rendering the video in SD rez faster then it can render in HD rez then scale it down for encoding in encore.

My Personal Workflow for DVD Authoring in Encore

This is being posted, due to requests for workflow recs. from a few other threads. It is separate from those threads, but I will try to link to his post in those.
The DVD Specs. are quite strict on what is allowed, and in what exact form, in a DVD to be compliant with the standards set forth. However, there are some differences, other than image sizes, between NTSC and PAL. Depending on where you are, and where your DVD will be played, these can, and will, be different. Rather than type out a list of the specifications, Ill point you to: http://www.dvd-replica.com/DVD/dvdprimer-1.php for some reading and references.
That said, Adobe Encore can handle, on Import, more formats and sizes, than are allowed, by the DVD specs. In most cases, it will fit the Assets to DVD, but not in all cases. Also, some Assets are more likely to work, without problems, than are others. Rather than list all of the file formats, etc., that Encore can work with, Im only going to list a potential workflow, that has been known to work, with the least effort, for me. My suggestion is that if you have Assets that are different, you look into getting them into perfect compliance, BEFORE you bring them into Encore. This allows Encore to do, what it does best, create DVD Spec. DVDs for play on a television set through a set-top player, or on a computer through a DVD software player. This article will not address a lot of other possible inclusions, such as ROM content, interactive DVD, multiple Audio Tracks, Closed Captioning, or Subtitles. It also assumes that one is burning to a DVD and not to Blu-ray Disc, or another medium.
Most of the thoughts here come from a few sources, the prime one being Jeff Bellunes book, The Focal Easy Guide to Adobe Encore DVD 2.0, by Focal Press, ISBN 0-240-52004-1. Other sources are Adobe Press Classroom in a Book for Encore, and various articles and discussions from the Adobe User-to-User Forums, for Encore and Premiere Pro.*
There are many possible ways to acquire Assets (the actual Audio and Video files that you will use), and I will not cover all of these, nor will I go into great detail on preparing your Assets for Encore, other than to say that its best to Export from your Non-Linear Editor (NLE), or convert with third-party programs, your Assets so that they are most likely to work in Encore. Your choice of NLE, or conversion program is totally up to you. There are freeware, shareware and commercial ware programs for all of this. Reading the various Adobe forums and other video production forums, plus a healthy dose of Google, should yield a whole toolbox of utilities. No one utility, from $50,000 authoring programs to freeware file converters can do it all. Like a good mechanic, you need the best tools for the exact job. Also, there are other DVD authoring programs, and some are less strict, than is Encore, about what they will and will not accept. Your final DVD may play perfectly, or it may not. Encore tries to assure that you will get perfect playback on as many different machines, as is possible.
Ill step you through my personal workflow, but you have to understand that this is not the ONLY way to do it. You also must realize that your exact needs might dictate that you do it otherwise. All Im giving you, is what has worked for me in hundreds of successful DVD Projects. It is based on trial-and-error, a lot of help from the regulars in the Adobe forums, Jeff Bellunes book and other resources. How you adapt this to your personal workflow, or your particular Project is up to you.
[Go to Page 2 for the rest]

[Page 2]
To start, plan your Project from beginning to the finished product in this case, a DVD that can play on a TV, or on a computer, that is compliant with the DVD specs. I usually have edited all of my Video and Audio Assets, using Adobe Premiere Pro (PP), and Adobe Audition (AA). Any still Assets have usually come from Adobe Photoshop (PS), whether they are Menus, or Graphics of some sort. This allows me great flexibility in the creation and Export of my Assets. In a parallel universe, one might have a client, who hands them Assets, that have to be manipulated. One then has to find the right tools to get the Assets into a format that will work.
I plan each Project, and usually draw out a flowchart (not unlike the Flowchart Panel in Encore) in Adobe Illustrator (AI). This gives me the layout and navigation of the DVD, and lists all of my Assets, showing all of the links from Menus to Assets, often by way of Playlists, or Chapter Playlists. From this flowchart, I then create a list of all of my Assets, noting what form they are in, and also which ones will, or might, need some additional work.
Next, I gather these Assets from their location on my systems hard drive (HDD). There, I have built a folder hierarchy that differentiates the Assets type, Still, Menu, Music, Audio (associated with the Video) and Video. All are below my main Projects folder. As I have created these Assets, I have control over their form and format. All of my Video is an elemental stream (Video only no Audio, not muxed) in the DV-AVI format. All of my Audio is an elemental stream (Audio only no Video, not muxed) in the AC3 (Dolby Digital) format and is usually DD 5.1 Surround Sound. All of my Music (for Menus, etc.) is in AC3 format. All of my Menus are PSDs, and are either built FROM the template Menus in Encore, adapted for my needs, or are constructed in PS using the exact same conventions as the template Menus in Encore.
I have created a template Project in Encore, that has my normal structure in place. It is empty, except for a Bin structure, which lists my Assets: Video, Timelines, Audio, Music, Menus, etc.. This template has been saved from Encore (remember, its otherwise empty), and I Open it in Encore, and immediately Save_As, to my Project folder, with that Projects name. I use Save_As for two reasons, it leaves my template Project untouched and then locates my Project in the proper folder and is still in Encore on my screen. If I were to use Save_As_a_Copy, Id then have to Exit and Open that copy. My way automatically gets me to where I need to be, with my new Project (named appropriately) open in Encore. Im ready to get started.
With my Assets list in hand, I Import these into the pre-made Bins. First, I Import my Videos, as Timelines into my Timelines Bin. This brings in my DV-AVI Video files and creates a Timeline for each. When done, I split out the Video, into the Video Bin leaving the Timelines alone in the Timelines Bin. If I have any Video for my Motion Menus, I Import, as Asset, into the Video Bin, along with the Videos that were used to automatically create my Timelines. Next, I Import, as Asset, my Audio AC3 files into the Audio Bin. Same for Menus, as Menus, into my Menus Bin. Music AC3's are Imported as an Asset into the Music Bin. Should there be any Stills, that are not Menus (highly unlikely), they are Imported into a Stills Bin. Now its time for some drag-n-drop. Each Timeline has its Video on it, and I go to the Audio Bin, and drag the appropriate Audio file to its respective Timeline. Because I edited and Exported these files as elemental streams (non-multiplexed, or muxed), I know that they are EXACTLY the same Duration. Now, I set the appropriate Poster Frame for each Chapter/Timeline. To step back a bit here, I need to point out that I always edit my movies in PP, my NLE of choice, and keep each Chapter on its own Sequence. I Export each Sequence as a separate file (one Audio and one Video). I almost never use Chapter Markers, as each Chapter will be a separate set of Audio and Video files, and will have it own Timeline in Encore. The only times that I use Chapter Markers, is when I need some additional navigation within a Timeline, but that is not often. This is just how I edit. I will not cover other methods, but there are books and articles that discuss other ways. None is right vs wrong. They are just different, and this one is mine.
From my Flowchart Panel, I know if I will have a Video (with Audio) lead-in as my First Play. I also know exactly what my Menu structure will be. Most of my Projects have a Main Menu with sub-Menus for Scene selection, or other features navigation. I also know how many Playlists I will need, and create these. There is usually a Play All Playlist, as my Chapters are all on a separate Timeline. I seldom use a Chapter Playlist (similar name, but different than a Playlist). These are all stored in my Playlist Bin. Now, I can now start Linking my Assets.
In PS, I will have named my Buttons to correspond to the names of my Chapters (remember mine will be each on a separate Timeline, which have also been named appropriately). I leave the Button numbering, which is different than a Buttons name, in the same hierarchal order, #1 is the lowest on the Button Layer Set palette, with higher numbers in ascending order. Because my Buttons are already named, Ill take each Menu into the Menu Monitor and do a Ctrl-a (Select all) and makes sure that Sync Button Name is unchecked in the Menu Properties Panel. I do this for all of my Menu Buttons - heck, I have already spent the time in PS to create the proper Text Layer, and have changed the Buttons names to what I want them to be, why mess that up now.
With the Buttons, in all of my Menus and sub-Menus named appropriately, I can look in the Flowchart Panel and know exactly where I need to Link. One could almost do this blindfolded. Its here that I make sure that the End Actions get me exactly where I wish to go. Also, by using Playlists for things like Play All, I can set the End Action there.
Last, I address my Menus, regarding Motion. About half of my Menus have some form of animated Background. These are always non-muxed DV-AVIs (stored in the Video Bin). Almost all of my Menus will have Audio, in the form of an AC3 (stored in the Audio Bin).
Everything has been Linked, all End Actions have been set, nothing is left in the Orphanage, and it is time to Check Project. Oh, if I do have animations on my Menus, Ill Render Motion Menus and Preview them. I always leave all functions checked in Check Project and run it. I note any warnings, or errors, and go about fixing these. Ninety percent of the time, I only get the occasional warning, and it will be about End Actions. As these are only warnings, I note them to make sure that, in Preview, things function as I wish. There are almost never any errors, but if there are, I begin fixing them. Note: the Check Project function really only checks the navigation, as per the DVD specs. It does not check that your Assets are compliant. Since mine are, before they are Imported, this is never a problem.
Now, I Preview, and Preview, and Preview. Normally, I am able to leave Button Routing to Automatically Route Buttons, so I seldom have to worry about that. Also, since I either built my Menus FROM the Encore Menu Templates, or created them PER the Encore Menu Templates, I seldom have any Button overlaps.
[Go to Page 3]

Need opinions for A to Z workflow for DVD

Here's what I've got to work with:
HVX-200p
CS4 Master Collection
The final product will be a set of 6 educational DVD's done in an interview format, so we're not talking about a movie or documentary type production.
I've been capturing at 720p60fps which comes into OnLocation at 960x720. I then put this into a PP DVCPRO50 720p60p sequence (has a pixel aspect ratio of HD Anamorphic 1080-1.333). I use lots of 1980x1080 HD clips and sometimes some lower resolution clips for slides, etc., some rendered in AE, and scaled to frame size in the PP timeline. All live footage is shot against a green screen and I use AE to chromakey the background using Dynamic Link. Once the editing is finished, I export with AME MPEG2-DVD, max render quality (basically Jeff Bullune's workflow). Here are the settings:
I put the exported file into Encore, build a disc image and burn it to a disc using ImgBurn.
Thing is, I think the final product looks pretty good. In the end, I just want it to look the best it can.
Jim Simon says that DVD can only hold 30 or 24 fps material, so am I doing overkill? I tried capturing at 720p30p and customizing a sequence to match, but I don't like the way it came out in PP or a test output to mp4--ghosting/trails. Isn't 24fps more of a movie-like quality?
Jeff Bellune says it's easier for PP to deal with 60 fps footage in a 30 fps sequence.
Agree? Disagree? What would you change?
Also, if there's an article or thread on this that I was unable to find, I would be grateful to be referred to it.
Thanks.
Paul

If it's all ending up on DVD, I'd just shoot in standard DV format. Make things simple on yourself.

Best workflow for DVD production

I need to create a DVD.
I have read that I can export my timeline to Adobe Media Encoder and use the DVD presets there. Is this good practice or are there better methods?
Thanks

Within Encore you can load the Adobe project file (*.prproj) as an asset. Dobble click in the Projects Pane and and navigate to your folder where you store your Premiere project files.

What's best workflow for adding subtitle to existing dvd?

We have been requested to add a foreign language subtitle to an existing dvd. It was authored in DVDSP so we have the original files. The translators are requesting a QT or dvd with window dub of the timecode for timing. How would I do that if the assets are already encoded and in the DVDSP timeline?
Also, the project is setup on 5 tracks, many short chapters in each. Because the cost for translation is per file, it means we pay the minimum charge for each track which ends up being double than if we would have kept all the files on a single track. Other than re-authoring the dvd is there another way to do this and save the money. If I get a stl or son file of a long video stream can that file be broken into separate files for each of the tracks? Also looking for a better workflow for the future.

rshellhammer wrote:
...we have the original files. The translators are requesting a QT or dvd with window dub of the timecode for timing.
Take the file you used in Compressor to make the mpeg and make a mov file h.264 I believe will maintain the timecode.
Also, the project is setup on 5 tracks, many short chapters in each. Because the cost for translation is per file, it means we pay the minimum charge for each track which ends up being double than if we would have kept all the files on a single track. Other than re-authoring the dvd is there another way to do this and save the money.
No.
If I get a stl or son file of a long video stream can that file be broken into separate files for each of the tracks?
Not without a lot of work.
o| TonyTony |o

Best workflow for burning Blu-ray and DVD

Hi,
What's the best workflow for effciency sake for burning both a Blu-ray and a DVD of the same project?
Essientially I'd like to export and create a menu once, then be able to downrez to DVD. However, I'm not sure that is possible since blu-ray and DVD are differnt codecs.
Thank you

The only way that you can get acceptable re-scaling of menus is to go from BR to DVD, and do the editing in Photoshop. Simply re-scaling the menu here will not give acceptable results.
I usually copy the various button layers from the BR menu to a new DVD menu file created using the provided Photoshop preset. You will still have to do some manual re-scaling and alignment. The thing that has given me the most trouble over the years is round button highlights - a segment is often chopped off. Font sizes will probably need adjusting too.
Unless you are adept with handling layers and groups within Photoshop, it may be easier to start again.
Any attempt to convert within Encore is unlikely to produce acceptable menus in my experience.

BEST Workflow? MPEG-2 Cutting and preparing for DVD...

Hi all
I am in the process of putting together a showreel. The only way I can get my work on a DVD is to record the DVB-T Stream (its Swiss Television), which Quicktime says is "MPEG2 Muxed, 720 x 540 Pixel" - and it's with 25fps.
Now I'd love to cut those Files in FCP with as high quality as possible and export it for DVD-Studio. If I would not be cutting these files, as I already did last year, there is not much conversion but only demuxing needed to use them in DVD Studio.
But how can I cut those MPEG-2 in FC Studio 2 without much quality degredation?
Whats the best workflow for this?
I read somewhere here in that forum, that I have to convert this into DV, cut it in FCP, and then convert it again to MPEG-2 -- but that sounds like a lot of compression going on...

Thanks for your reply Shawn.
Im aware of the fact that a recompress is not the best way to go. But I don't have any other chance, since a broadcasted signal is already in MPEG-2 and there is nothing I can do about it, this is my only available source. There is no tape for me.
I was basically just wondering if there is something like a smart Compress..say, it only recompresses where there have been changes, between two I-Frames... and evrything els thats unchanged just get copied. that would be the way to go...
Message was edited by: loop 66

Best workflow for outputting a SD DVD?

So, I've got a bunch of video shot at 1080i/60 (HDV). I captured the video into FCP using the HDV preset, edited, then exported the sequence using Quicktime and current settings. Then I used compressor to encode for DVD. I used DVD 90 min best quality settings. It takes more than 3 hours to encode for about 50 min of video. Then I use DVD Studio Pro to burn to a DVD. The results are a pretty high quality DVD but I'm wondering if there is a better way? I want the best quality SD DVD I can get. Would I get as good results if I converted the HDV to ProRes for editing?

Rather than encodeing to an mpeg in compressor, I send the exported QT directly to DVDSP and let the program convert it. This works the best for me. Takes out the Compressor step.
I never use HDV, though. I know that HDV changes some things and I don't know how DVDSP operates with it, though it should work fine.
Other possibilities (off the top of my head):
-If you do want to compress to an mpeg, I would recommend exporting an mpeg from FCP through Compressor. Take out the middle step of exporting a QT.
-Make a new SD sequence in FCP, nest your HDV sequence there and export an SD QT. This should work seamlessly with DVDSP.
Any of these workflows will take a long time to encode. Three hours for 50 mins seems pretty right on to me.
Hope this helps,
Stef

Workflow for dual NTSC and PAL DVD project

Hello,
I am really in need of professional advice here, and any tips would be GREATLY appreciated. I am not an expert in Final Cut Studio, but I am OK to get things done on the project I am working on. Some things, despite cracking through multiple manuals, I can't properly figure out... THANKS AGAIN for any help!
I am working on a DVD project which I want to release in two versions: NTSC version in US, and PAL version for Poland — same content. Content was created using DV-NTSC Quicktime files, made on import from an American mini-DV SONY camcorder into Final Cut Pro. All the titles created in Photoshop were created in 720 x 540 and converted to 720 x 480 for the sequences.
I made one NTSC DVD using Studio Pro, and it seems to work okay, with some minor tweaks. But I really need to know what is the best way to make a PAL DVD with minimal quality loss. I need to set up this project correctly, because I have a **** of a lot of work to do, and I don't want to screw it up by incorrect setup.
So many questions... Should I use separate Final Cut sequence files, with different settings, for each disc? Should I finish my work in sequences with NTSC settings in Final Cut, and then use Compressor to export to PAL from within Final Cut? Really, what is the best workflow for something like this? I would dearly appreciate any advice.
Many thanks!
Rad

First off - you can do this. Finish your work in NTSC. Then go buy the Graeme Natress plug for FCP. http://www.nattress.com/standardsConversion.htm
Download and install the app. THen follow the instructions on his site. It's a short turorial movie and you're done.
Heads up - you'll need to first export NTSC Quicktime files of each of your movies.
Hope this helps.
Brian

Workflow for creating one project that can be burned to both Blu-ray and standard DVD?

Hi,
I have a 20 minute project and I'm creating a simple single menu with a play button. I'd like to create it once and be able to burn both a 1080p Blu-ray and a standard DVD. Is this possible?
Thanks

Hi,
Let me explain how transcoding works for DVD and Blueray.
Encore transcodes the files separately for DVD and Blueray and once the transcode is done and status shows transcoded the options for transcoding are greyed out, this means you have already transcoded the file and you cannot transcode again without reverting to original.
For example you have blueray selected in project settings and you click transcode now from project panel the files will be transcoded for blueray, but after transcoding if for any reason you decide to change the transcode settings and transcode the asset again with different settings you have to revert to original.
But in this case when you want to transcode the assets for DVD you don’t need to revert to original and loose the transcoding done for blueray. You can change the project settings from blueray to DVD after that you will be able to transcode for DVD without losing the transcoded files for blueray.

How do I create my own favorite template for DVD slideshows? I used to be able to select this from pulldown menu, but cannot now do so. I am directed straight to templates, which take more memory. I have a large slideshow, and need all the space I can get

First, how do I create my own favorite theme template for DVD slideshows? I used to be able to select this from pulldown menu, but cannot now do so. I am directed straight to already existing themes, which take more memory. I have a large slideshow, and need all the space I can get. I just want to use a picture as my DVD cover, and then insert a slideshow. Also, when I try to burn my 8.5gb double sided slideshow, all that burns is the music. It is a large slideshow, a memorial on the life of my now deceased brother. This means a lot to me and to my family, and I am having so much trouble trying to burn it. I have gone into Project View and selected appropriately. The bar shows I have room to burn this DVD, but it does not burn. I have burned so many DVDs in the past, but this one just will not burn. I am so confused at this point. I will say this is the first 8.5gb I have attempted to create and burn. My specs list a 7.7gb or 4.7gb as operable....but there are no 7.7gb dvds. I had to purchase 8.5gb. Help? What am I doing wrong? I have spent so much time on this, and just cannot figure it out.

Final Cut is a separate, higher end video editor. The pro version of iMovie.
Give iPhoto a look at for creating the slideshow. It's easy to assemble the photos in an album in iPhoto, put them in the order you want and then make a slideshow of them. You can select from various themes and transitions between slides and add music from your iTunes library.
When you have the slidshow as you want use the Export button at the bottom of the iPhoto window and export with Size = Medium or Large.
Save the resulting Quicktime movie file in your Movies folder.
Next, open iDVD, choose your theme and drag the QT movie file into the menu window being careful to avoid any drop zones.
Then follow this workflow to help assure the best qualty video DVD:
Once you have the project as you want it save it as a disk image via the File ➙ Save as Disk Image menu option. This will separate the encoding process from the burn process.
To check the encoding mount the disk image, launch DVD Player and play it. If it plays OK with DVD Player the encoding is good.
Then burn to disk with Disk Utility or Toast at the slowest speed available (2x-4x) to assure the best burn quality. Always use top quality media: Verbatim, Maxell or Taiyo Yuden DVD-R are the most recommended in these forums.
The reason I suggest iPhoto is that I find it much easier to use than iMovie (except for the older iMovie 6 HD version). Personal preferences showing here.

Is there a way to "center" video for DVD distribution?

This may be a long story so hear me out...
For the past year or so, after every great sports win by my alma mater Michigan State University I make a highlight video for web distribution. My workflow for doing so goes like this:
1. Record straight to DVD from Tivo or live TV using Panasonic ES10 recorder
2. Extract clips using Cinematize (uncompressed full quality setting, automatic adjustment 640x480)
3. Import clips into Final Cut Pro and edit
4. Export full quality uncompressed Quicktime
5. Export H.264 for web viewing
Well this work has found the attention of someone in the East Lansing (where MSU is) city council. They would like me to throw together a short little video to be played at bars in East Lansing after the MSU mens basketball tournament games.
I have done a few tests simply taking the uncompressed Final Cut exports and making a DVD in iDVD out of them. The results, while OK, aren't the best. I'm thinking there isn't much I can do there because I'm not working with the best source material (going through a number of compressions - Tivo, DVD recorder, iDVD, etc).
But one thing I did notice though is my fancy iDVD created menu looked pretty slick with the video scaled down. The video was crisp and clear.
Is there a way to scale my video down so that it doesn't play full screen? Almost doing a 4-sided letterbox. I'm envisioning the video scaled down, centered on the TV.

Yes, I think I understand what you want to do...
You can scale the video down or up to pretty much any size you would want to use;
When your video is in the timeline, double click it, and it will open in one of the video preview windows (I belive its called the "viewer" window), for me on my dual screen, its the one on the left;
A few tabs will appear at the top of the the Viewer window, Video, Filters and Motion; Click on the motion Tab...
When there the video will disappear a time line where keyframes live will appear, since you have not used key frames in this clip for motion, there will not be any there;
You will see to the left of this a few pull downs, Basic Motion, Crop, Distort, Opacity, Drop Shadow and Time Remap;
When you have the basic Motion twisty selected, you will see, Scale, Rotation, Center and Anchor Point;
The one your interested in for what I belive you wan to do is Scale. You can click in the box that defaults to 100 (meaning 100 percent) and change this to anything you want.
By changing it this once it will make the entire clip play at that new scale. You can get creative and keyframe it over time using the little diamond shape button with the right and left arrow on each side. You can add a key frame at any point int he time line; and it will scale (in this case) to each setting you have set a key for. It interpolates the scale at each point in the time line when you set different scales etc... you can fiddle with this and get some good ideas for other projects if you want;
For what I belive you asked for, no key frame is required as you want it to start and finish att he same reduced scale.
I trust this helps you out, and hopefully I read your question correctly;
p.s. if you leave the Center at 0, and 0 it will be centred, but its important to note you can use that to chance the position of the video in the video frame, again not needed for your request - but handy to know....
tk

Efficient workflow for annual report

I've been busy last days to make an annual report. The source file was a 100+ page Word document with lot's of tables with different content and sizes, and legal texts with multi level list styles.
I think I got most out the importing of the Word file and converting all Word styling to the right Indesign styles, but the tables seem to be very time consuming still, as some are just text listings and others contain many numbers in various structures, sub headings and specifically highlighted cells.
I bet there's a much more efficient workflow for this and I try to find out about it. I'm afraid I couldn't ask the financial people to start working in a XML workflow, Incopy or anything much different from the Word+Excel software they are used to. However I reckon there's a better way they could deliver the content to me, maybe by giving separate excel sheets instead of embedded tables in Word or by using stricter formatting rules?
Ideally the workflow should also support the flexibility of linked Word/Excel files, so revised input would painlessly be updated into the formatted Indesign document.
Does anybody has any advice, tips/tricks to make a smarter workflow for such a project?

FWIW I create a new, separate library for each book. I assemble the photos to be used in to an album in the main library and then copy it to the book library with the paid version of iPhoto Library Manager.
When I'm done with the book and it's ordered I cull out the photos I didn't use in the book and then archive the book library to another HD, a CD or DVD disk (if small enough to fit). This way the book is isolated from the day to day use of my main library and any accidental deletions of photos in the book. If I want to reorder a copy, edited or not, I know the book is intact.

Workflow for DVD

Similar Messages

Maybe you are looking for