Workflows with SpeedGrade CC and Premiere CC

Is there any new workflow related feature in the upcoming Speedgrade CC that hasn't been shown yet ?
The new Lumetri Deep Color Engine looks like a fantastic idea, but unless I missed something you have to manually load each .look for each clip that get a discrete color correction. That's not that much of an issue for a multicam program, but for anything else that might have tens, hundreds or even thousands of differents .look to load on their respective clips, I wonder how it is usable. Please correct if I'm wrong and if you included some kind of auto .look linker.
Also, is SpeedGrade CC still limited to importing .EDL, or is .XML import coming to the next version ?

KGCW wrote:
Is there any new workflow related feature in the upcoming Speedgrade CC that hasn't been shown yet ?
The new Lumetri Deep Color Engine looks like a fantastic idea, but unless I missed something you have to manually load each .look for each clip that get a discrete color correction. That's not that much of an issue for a multicam program, but for anything else that might have tens, hundreds or even thousands of differents .look to load on their respective clips, I wonder how it is usable. Please correct if I'm wrong and if you included some kind of auto .look linker.
Also, is SpeedGrade CC still limited to importing .EDL, or is .XML import coming to the next version ?
You can actually use the Lumetri effect on adjustment layers and on individual clips. That will allow for easily applying a production look to an entire project, or slicing your project into acts with their respective looks, or using it based on scenes.
On the SpeedGrade side itself, we haven't changed the import structure for the version you're gonna get on June 17th.
Cheers,
Patrick

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Workflow with item type and item key is in progress. Abort existing workfl

Dear all,
I'm using the below code from the submit button event to launch the workflow. The workflow works fine when I submit for the first time, when i try to submit for the second time from the same session it throws me the error as Workflow with item type and item key is in progress. Abort existing workflow.
Where I am struck,Kindly send me any solution.
I am using below code in oaf
public void workflow(OAPageContext pageContext,
String headerId,
String empName,
String userName
String wfItemType = "XXSample";
String wfProcess = "XXSample";
String wfItemKey = headerId;
OANavigation wfClass = new OANavigation();
// Create Workflow Process
wfClass.createProcess(pageContext, wfItemType, wfProcess, wfItemKey);
System.out.println("Workflow created");
wfClass.setItemAttrText(pageContext,
wfItemType,
wfItemKey,
"XXHDRID",
headerId);
wfClass.setItemAttrText(pageContext,
wfItemType,
wfItemKey,
"XXEMPNAME",
employeeName);
wfClass.setItemOwner(pageContext, wfItemType, wfItemKey,username);
wfClass.startProcess(pageContext, wfItemType, wfProcess, wfItemKey);
System.out.println("Workflow started");
Thanks,
Kumar.

Item type and item key forms unique record for the workflow session, you cannot have 2 instances of the workflow running for the same header id, in your case. Check if the process exists for the header id. If so, display a warning message without launching another workflow session, else start the workflow process.
Thanks
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Can I share files from other programs or just Adobe apps files. I work with Final Cut and Premiere X

Can I share files from other programs or just Adobe apps files. I work with Final Cut and Premiere X.? Need to share files up to 6GB.
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The Creative Cloud file storage could be used for video assets but speed and performance might vary based on location. I would suggest you testing it out yourself using your Adobe ID before subscribing. Performance would not change after you joined.
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Is it possible to establish a tapeless workflow with FCP 5 and a Canon XL H1 shooting in HD mode?
We have to shoot many days of lectures and want to skip the import of the footage. The firestore FS-C can only record up to 7.5 hours in HD but we don't have the time to empty it overnight so it can be available the next day...
We can connect a couple of 500 GB lacie to a 17" Macbook Pro and wanted to use FCP to live capture from the camera. Is that possible?
Or did anyone try to do that with the Canon Console software (windows only) and then import its stream in FCP?
Thanks

No time to unload a drive when you have all night? Why would that be? Isn't this just a big drag and drop? Can't let it start and go to dinner?
If you shoot HDV you should also record it to tape becuase disk drives can fail etc during the shoot.
You can capture live from the camera's FW port but again I'd shoot tape as well... use capture now but also use the device control that works with that camera to get the TC thru too. (probably FW HDV basic)
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Workflow with DNG/Proxies at Premiere to AE

Hi guys
Sorry for my English. What's the problem - How to organize available workflow with dng?
I work with DNG sequences, I do a proxy in AE. I edit of these proxies in Premiere. Then import of the project to AE for color grading, vfx and others. But for this purpose I need to replace a proxy with DNG originals. I am able to do it through Replace Footage - and it isn't so difficult, but there is an opportunity somehow to automate process?

Ok thanks, that helps me quite a bit. The footage is all numbered sequentially so Im not mixing it up (9x1 hour blocks), but the framerates could be causing the problem. If the imported footage is HD 1440x1080 @ 25fps in Premiere, I have created a new project also set at HDV1080i 25 (50i) and imported the timeline. I then save this and import to AE, but am still getting the same problem. I know that Ive done the process backwards (premiere then AE), but out of curiosity, can you yourself get premiere transitions to work in AE? Cause I might ask adobe for new install discs if you can.
Cheers
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I have problems with my Photoshop and Premiere Elements 10

I've had Elements 10 and Premier Elements 10 since February and they've been nothing but trouble, constantly closing and, in addition, I believe causiing other programs, such as IE 9 and those in Office 10, to close also.
They've disappeared again and, again, I am unable to download them. I've been on Chat, followed instructions with no result, and spent about 15 hours trying to re-download them. Again. I just don't understand this. I've had a running dialogue with Adobe and gotten nowhere.
Must I order and pay for the discs? If I get the discs, will my results be any different? (Better or worse?)

Branching to a new discussion as this is not related to the previous error message posted.
Kay Latona you can order replacement media by contacting our support team. Are you currently receiving errors when trying to install Photoshop and Premiere Elements or when you try to open either Photoshop or Premiere Elements?

Pc is installed with Photoshop elements and premiere but...

i have a sony vaio
Model:VGM-CR4354
It Is Installed with
Adobe Premiere Elements 4.0
Adobe Photoshop Elements 6.0
but Photoshop Elements Don't work
i Reinstalled it and still not working
it says
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photoshop elements and premiere elements are two different programs (as you know). they have different serial numbers used to activate them.
if you were supposed to get both with your camera, you should have two serial numbers: Find your serial number quickly
however, is it possible you were only supposed to get a premiere elements serial number, and photoshop elements was supplied as a trial (to see if you wanted to purchase a serial number)?

Aspect ratio problem with consumer camera and Premiere Elements 11

Hello everyone - I'm Steve. I'm new here. I do still photography on a pro level, digital and analog, but I am an absolute dummy with video...but then, I don't want to do much, just rudimentarily cut a few family videos, upload them, etc.
However, I can't get Premiere Elements 11 to output my self-shot clips in a correct aspect ratio.
My camera is a consumer-model Canon Legria FS200. I shoot video in a resolution the camera calls XP. The camera says they are 16:9, the camera monitor shows them as 16:9, and when I use the software (called Pixela Image Mixer) that came with the camera to import the clips to disk, I get mpg files that Windows (7) Explorer says are 720x576 pixel, and that VLC player correctly displays as wide-screen 16:9 without me having to tweak its display settings.
However, the moment I import them into Premiere Elements, they appear horizontally squeezed, and I can't seem to output them any other way, with or even without editing them in Premiere.
I tried to use the recipe given here: https://forums.adobe.com/message/5987538#5987538 , (replacing only NTSC with PAL because I'm in Germany), namely, setting the project preset set manually for PAL/Hard Disk etc/ Widescreen 48kHz and check force selected program settings. But no matter, Premiere displays the video in horizontally compressed form, with large black bars to the right and to the left.
On the export side, setting the output to PAL DVD Widescreen and setting the Pixel Aspect Ratio in the output settings to Widescreen does not help, either. Neither can I force VLC player manually to display the correct aspect ratio. BTW, audio is perfect all along.
This is about as far as I can see myself getting without help. Has anyone any idea?
Thanks a lot in advance,
Steve, from Germany

Steve
I see that you are now in the Adobe Premiere Elements Forum with your problem already solved.
I did not see any Why for what you encountered, so I thought I would give you my take on this.
Your Canon FS200 gives video with MPEG2 video compression with a .mod file extension. That .mod file extension can be found in use with some Canon as well as JVC cameras. The .mod file history with Premiere Elements (any version) is problematic. In some instances, the user needs to rename the file extension from .mod to .mpg before it can be imported, but not always. But, the .mod widescreen comes packaged with the aspect ratio dilemma, presenting as 4:3 rather than 16:9. The classical argument is whether Premiere Elements does not recognize a .mod file's 16:9 flag or whether the 16:9 flag got lost.
There used to be a utility contributed by an user to handle the file extension and/or aspect ratio issues. Now, the general fix is to import the file into Premiere Elements (in your case 11) with Add Media/Files and Folder/Project Assets. And in Project Assets, you right click the file, select Interpret Footage, and go to the Pixel Aspect Ratio section of the Interpret Footage dialog where you
(a) dot the Conform To:
and
(a) set the Contorm To: field to (in your case) D1/DV PAL Widescreen 16:9 (1.4587)
Once you are in the program and have the file on the Timeline, if any black edges, you can click the monitor to bring up the image's bounding box. Then drag on a bounding box handle to scale the image just to the point where the black edges are gone.
If you ever need the Adobe Premiere Elements Forum, maybe bookmark this link
Premiere Elements
You should expect to have this issue with any .mod widescreen file that you obtain from your Canon FS200 camera.
ATR
Add On...If you are depending on the program to set the correct project preset, you may want to check into what it is setting based on the properties the first file you drag to the Timeline. A manual setting of the project preset may be in order. Please see
ATR Premiere Elements Troubleshooting: PE11: Accuracy of Automatic Project Preset (New Project Dialog) Setting

Clip notes with reader 9 and premiere cs4

After upgrading reader to version 9 clip notes no longer works from Premiere CS3. It does work with premiere CS4 but a modification to reader by the reviewer is required to view the clip notes. Otherwise the video play/rewind etc buttons will be missing. This modification is detailed here www.alserver.co.uk/clipnotesreadme.pdf.
I have discovered this after many hours of trial and error and have posted the workaround here for anyone else with the same problem. Adobe support have been as much use as a chocolate tea pot! why do they ruin such great feature of premiere.
If anyone knows of a better workaround then please advise.

...real-time playback works fine in other high-load editing programs, as in the 2-series version of Avid Media Composer (which, by the way, played back just fine on my GeForce card and CPU/RAM configuration.) I wanted to go to Premiere because of my other CS programs. That said, I'd like to take a different approach other than simply throwing money and horsepower at a problem that might simply be a configuration issue.
Thanks!
Alan Staats

Problems with Mac Mini and Premiere Pro CC 2014

I am new to video editing with a background in graphic design and typically do short corporate videos.
I am currently using a Mac Mini (late 2012 model), running Mavericks 10.9.5. And I keep having a problem with Premiere Pro CC 2014 freezing in the program monitor, while scrubbing through the timeline.
Here are my specs:
Processor: 2.6 GHz Intel Quad Core i7
Memory: 16 GB
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I'm wondering if the freezing is caused by Mac Mini having a integrated graphics card vs. a discreet one. Has anyone else had any problems like this using a Mac Mini?

I am new to video editing with a background in graphic design and typically do short corporate videos.
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Processor: 2.6 GHz Intel Quad Core i7
Memory: 16 GB
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I'm wondering if the freezing is caused by Mac Mini having a integrated graphics card vs. a discreet one. Has anyone else had any problems like this using a Mac Mini?

Optimal Workflow with CS3, Lightroom and iPhoto

I am using Lightroom and CS3 for my initial workflow, adding keyword tags, ratings and flags to my photos in LR. I would like to be able to work with these photos in LR and CS3 and transfer/copy the best of them into a "iPhoto" directory and import them into iPhoto with the CS3 work, meta data and keywords intact so I don't have to go through these changes again in iPhoto. I prefer CS3 for doing the work, but like the emailing, slideshow and iBook capabilities of iPhoto.
Thanks in advance,
Kevin

Few people use both Lightroom and iPhoto - they both do essentially the same thing but are different and in the past iPhoto has found LR processed photos unacceptable - and they can not operate on the same physical photos - you must export photos form LR and import them into iPhoto since they both manage photos
If you want to use both you will have to have photos imported into each
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Panasonic AG-HPX500 workflow with FC - pros and cons?

We are now shooting on Betacam SP, capturing to DV using a DSR-45P DVCAM deck.
We edit in FCP 5.
Now we are about to first upgrade our computers to MacBook Pro and Mac Pro and FCS 6.
Next step is a new camcorder.
We have been recommended to take a look at Panasonic AG-HPX500, which uses the P2 card.
Have anyone of you excellent forum members started working with this camcorder?
I understand that FCS 6 does have native support for the P2 card and if you have a MacBook Pro, you can plug the P2 card into the computer and copy the footage you want to use to a hard drive (or even edit directly on the P2 card).
I'd be very glad if you'd share your opinions.
We have this idea to start shooting and editing in HD and then downconvert to SD when creating the MPEG-2 for a SD DVD as output format. This would hopefully give the best quality to our MPEG-2 encoder.

I've been using the P2 system for about 7 months and have to say it's great!
I'm not sure what you mean about it not having native support in FCP. FCP 6 has all you need to get your material in and work with it using the Log and Transfer system within the app.
I use a P2 reader to get the material in, and yes you can use a laptop but only the Powerbok type, the newer MacBook Pro's have the smaller PCMCIA slot so you can't transfer without a P2 viewer or reader. The good thing about the reader is it has 6 slots so you can just setup your transfers and then go away for a bite, come back and it's all done, rather than swapping cards etc.
All in all a great workflow. The only problem I have experienced is a couple of cards I had became corrupted, although they played fine in the camera. I was able to record off the material via HD SDI and save it, it just wouldn't show up in the reader/viewer.
The flexibility of the P2 system in terms of shooting formats, under and over cranking etc is fantastic, very much another step towards achieving filmic quality with digital equipment.
I don't know if there are any real benefits to be had by shooting in HD and resolving down to SD. You'll end up just loosing a lot of frame info in the transfer and you'd be hard pushed to see any discernable difference between good quality SD and the route you propose.
Having said that, investing in HD is a good move as will only get more widespread and lets hope that the formats calm down a bit!

I just bought a camera bundled with Photoshop elements12 and Premiere elements 12, DVD-Rom is working fine, What can I do?

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Archiving Workflow with SARA; WORKITEM_WRI and WORKITEM_DEL

I have been manually running the write and delete steps to archive completed workitems. I am now ready to set these jobs to run on a schedule through SM37. The write worked fine and created four archive files. However, the scheduled delete job only processed the first file. How can I define a scheduled job for the delete to use all files generated from the scheduled write job? I will not know how many archive files will be written. I just want the scheduled delete job to use them all.
Thanks

Hello Cliff,
Problem could be that your deletion job was stopped or terminated because of various reasons.
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Maintain Spool and Time > execute
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2. There is no problem in your setting of deletion program because already one archive file was deleted successfully.
Thanks,
Ajay

I want to sell my Canon EOS 6D with bundled Lightroom and Elements. May the purchaser use the bundle

I want to sell my Canon EOS 6D with bundled Lightroom and Premiere Elements. May the purchusar use the bundled software?

In researching the issue I read that to edit in raw you need a camera model requirement of at least 7.3 which only works with CS6.
That is correct. Your camera was first supported by Camera Raw 7.3. Camera Raw 7.3 will not work with CS5. You need CS6 or CC.
Being new to all this I see that my options are to upgrade to CS6 or convert by using DNG converter and paying a monthly fee. Two things I know nothing about and don't know which is would be more beneficial.
I'd appreciate any advise on which route to go and how upgrade and what it may cost.
It all depends on your preferred workflow and your budget.
Using the DNG converter is free. There is no monthly fee. You use the converter to convert all Raw files from the EOS 6D to DNGs then edit the DNGs in CS5. That's an extra step every time - every photo. Some people don't like the extra step. Others don't mind.
Camera raw, DNG | Adobe Photoshop CC
Or you can upgrade to CS6 (non-Cloud) and pay the upgrade fee
Creative Suite 6
Or join the Cloud and pay the monthly fee
Or join the Photoshop Photography Program (US9.99/month) and get PS CC+LR

Workflows with SpeedGrade CC and Premiere CC

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