Working with audio | Learn Premiere Pro CS6 | Adobe TV

This movie introduces the robust audio tools in Premiere Pro. Abba Shapiro shows how to preview and trim audio in the Source Monitor. Whether it’s an audio-only file or the audio channel of a video clip, Abba shows how to enable sub-frame audio scrubbing and trimming. He also shows how to interpret clips to combine or separate stereo channels. At the same time, he introduces fundamental audio tools that are essential to working with audio in Premiere Pro.
http://adobe.ly/To00IZ

Is it possible to specify what audio channels to capture during capture from tape? It seems Premiere wants to mix the lavaliere mic and camera mic into a stereo track all the time, and then I have to modify audio settings and force it to mono in the project. In Final Cut pro 7, I am able to specify which audio tracks to capture, and this simplifies things in editing. I cannot see anywhere to do this in Premiere....

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    But that is not really a solution!
    I was on the Phone with Adobe, and on Chat, but they couldn't help me. They suggested to get a Tesla or Quadro Card, or at least a GPU that got confirmed as working on their page. I did that, but obviously, that is not the issue.

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  • Mac Pro RAID block size recommendations for working with audio in Logic Pro

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    Use 64k. Things like databases like having 32k blocks because of all the small files. Audio files are pretty small even at 24-bit 192KHz. Go to 128k if all you are doing is streaming and no samples. But 20+ 24-bit is really not too large anyway considering most modern HDD's can stream 100MB/s off one spindle. You'll probably be fine regardless of the block size you choose. But most audio pro's choose 64k.

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    More information needed for someone to help... please click below and provide the requested information
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