Working with RAW-Image-Sequences: keyframing parameters of the camera-raw editor

Hey guys,
is it, somehow, possible, to set keyframes for the parameters of the camera-raw editor, when I work with a raw-image-sequence?
I would like to keyframe the white balance and exposure for a timelapse shot in raw-images.
Maybe there's a trick with expressions?
Thanks for your help.
Best,
Paul

ok, thank you!
That is what i was thinking, but know i know it for sure...
Cheers,
Paul

Similar Messages

  • Crash While Working With an Image Sequence

    So I am working with an image sequence in my timeline and every time I touch that clip (either to render it or move it) Premiere crashes.
    I am working on an iMac with 32 GB of Ram with OS X 10.10.3 installed. I recently upgraded from Premiere Pro CS6 to CC and since
    then I am unable to work with it.
    Here is the error log I keep getting:
    Process:               Adobe Premiere Pro CC 2014 [839]
    Path:                  /Applications/Adobe Premiere Pro CC 2014/Adobe Premiere Pro CC 2014.app/Contents/MacOS/Adobe Premiere Pro CC 2014
    Identifier:            com.adobe.AdobePremierePro
    Version:               8.2.0 (8.2.0)
    Code Type:             X86-64 (Native)
    Parent Process:        ??? [1]
    Responsible:           Adobe Premiere Pro CC 2014 [839]
    User ID:               501
    Date/Time:             2015-04-18 16:36:11.311 -0700
    OS Version:            Mac OS X 10.10.3 (14D136)
    Report Version:        11
    Anonymous UUID:        06821F38-EC27-D4F0-775A-7CB2D2257EE6
    Time Awake Since Boot: 3900 seconds
    Crashed Thread:        24  Dispatch queue: opencl_runtime
    Exception Type:        EXC_BAD_ACCESS (SIGSEGV)
    Exception Codes:       KERN_INVALID_ADDRESS at 0x0000000000000008

    It seems to happen when I am not using any tools. When I have a photo open for any purpose.
    It occurs with no input.  I fix it by zooming back to where I was.
    I am not working with a tablet.  I am not working with a mouse.
    I will need to look up these preferences. I did not know they existed.
    Thanks.
    Duane

  • Just got a Canon G7 x only to find that lightroom 5 and PS6 don't support the camera RAW that it produces. Tried the Camera raw 8.7 and that didn't help. Will there be an update that includes this camera?

    Just got a Canon G7 x only to find that lightroom 5 and PS6 don't support the camera RAW that it produces. Tried the Camera raw 8.7 and that didn't help. Will there be an update that includes this camera?

    I'm sure there will be support for the camera eventually. But Adobe never announces that information in advance. It's possible that it could be added to the 8.7 final release and to the next update of Lightroom. But that depends on the timeline and if the engineers were able to get the camera in time to create profiles. You'll just have to wait and see.

  • Best way to work with large image sequences

    Hello,
    Im relatively new to Adobe CS4. I am learning to create detailed animations with another software that produces thousands of still images. (I normally save them as  .png, 720 x 480, 29.97 fps) I spent the money to buy CS4 becuase I was told this was what I needed to turn those images into video, add titles, captions, credits, etc. So far, I've been useing PremierPro to import the image sequences and add titles. But when I export the sequences, the quality is crap. I've tried all combinations of exporting formats, but even when I try to go for the greatest quality, my files are 100 MB large, and the quality is still crap (nice smooth lines are jagged, and details are blurry and pixilated, even with the titles I added). Can someone tell me how I should be working with these still image sequences so that I can retain the best quality while keeping the file size large. These videos are just played on local computer systems, not over a network or on DVDs. I dont know if I should be bringing the shorter clip sequences into AfterEffects and somehow exporting those. I just dont know. But nothing is working for me. Help!
    Nikki

    Hello!,
    The output frame size has so far been the same as my rendering size (720 x 480), but I's just trying to get the best quality, if I need to render larger I can. Delivery has so far just been video, no audio, although when I get better at this I will record narrations of the animations and put that in. Playback is intended only for computers. Every once in a while, it is requested in a format that will be played over our network, but I wanted to worry about that later.
    The preset I chose for the sequence was the DV-NTSC Standard 32kHz
    The project/sequence settings are:
    General
         Editing Mode: DV NTSC
         Timebase: 29.97 fps
    Video
         Frame size: 720, 480 4:3
         Pixel Aspect Ratio: D1/DV NTSC (0.9091)
         Display Format: 30 fps Non-Drop-Frame Timecode
    Audio
         doesnt matter
    Video Previews
         Preview File Format: NTSC DV
         Codec: DV NTSC
         Maximum Bit Depth
    Hope that was the information you requested.
    Nikki

  • Crash with still images and keyframes?

    Has anyone experienced a HARD crash on Premiere Pro CS6 (v6.0.2) mac when working with still images on the timeline & adding keyframes to add slight movement to those images?
    without adding keyframes, the images seem to sit happily in my sequence but as soon as I add keyframes, it crashes so hard I can't switch to another application, force quit, or anything except a hard restart.
    Premiere has been pretty damn solid for me since the latest update and since I went to 16GB RAM so this is surprising and frustrating.
    any advice will be appreciated.
    I'm on
    OS X 10.8.2
    MBP 2.2 GHz Intel Core i7
    16GB RAM
    graphics: AMD Radeon HD 6750M 1024MB
    thanks
    \d

    Photo Scaling for Video http://forums.adobe.com/thread/450798
    -Too Large May = Crash http://forums.adobe.com/thread/879967
    -And another crash report http://forums.adobe.com/thread/973935

  • AE CS5.5 can't import RAW image sequence

    Hi all,
    I'm running a late 2011 imac full spec, with a CS5.5 retail version.
    If I try to import a RAW (CR2) image sequence I get the following error: After Effects error: Photoshop file format error (-30504)
    I updated AE and all other relevant software. It works when I tried it in AE CS6 (trial), it works when I convert the CR2 files to DNG files but I just want to be able to import a CR2 RAW image sequence.
    Googling and searching the forums didn't help one bit.
    If anyone has any advice that'd be much appreciated!
    Regards,
    Matthew

    Troubleshoot Camera Raw
    This is for PS and PSE, but it may help. And of course check your ACR version. Support for specific camera models may depend on it.
    Camera Raw plug-in | Supported cameras
    Camera Raw-compatible Adobe applications
    Mylenium

  • Can I create a RAW image Sequence in Photoshop CS6?

    Hello Photoshop Gurus,
    I'm posting this because I've tried searching for an answer but I've only found one and it doesn't work for me.  I'm trying to create a RAW image sequence in Photoshop CS6 on a mac.  the box is greyed out.  The only answer I've found is to disable jpeg support in preferences but that didn't work.
    Just trying to create a timelapse from an image sequence without having to spend $20/month renting After Effects!
    Thanks!

    Do you have the Extended version of photoshop cs6?
    (not sure if you need the extended version or not)
    more info:
    Photoshop Help | Importing video files and image sequences
    It might be that you need to convert the images to another file format such as tif.

  • How do I open a raw image with the Photoshop raw plug in as opposed to the Bridge raw plug-in.

    I read in a book on adobe raw that it is often useful to open an image at the same time with the adobe camera raw bridge plug in and the Photoshop camera raw plug in.
    I can open a raw image in photoshop but I suspect I am not actually getting access to the camera raw plug in as none of the controls present in the bridge raw plug seem to be available from within Photoshop.
    Of course I can access bridge and the bridge raw plug in by opening bridge from within Photoshop but this is not what I want to do.  I would like to open the image using the photoshop raw plug in not the bridge plug in.
    Clueless . . . and confused.
    --Kenoli

    Thanks for the discussion.  It is interesting.  Let me clarify a bit regarding my issue.
    I am using Mountain Lion OSX on a mac, of course, and CS6.  I have been using Aperture, a piece of Apple Software similar to Light Room to organize my images, opening them from Aperture in Photoshop to edit them, as I am both familiar with Photoshop and like the way it does things better than Aperture.  I recently started using CS6 and working with Adobe Camera raw 7, which I think is the version that comes with CS6.  All the info I can get from the web site, including a very nice tutorial from Adobe on camera raw, simply tells me to open it from Bridge.  When I do this, I get a nice set of sliders and other adjustments specifically associated with Adobe Camera Raw and the camera I am using.
    I can open a file in Photoshop using the method SkillRooster suggests and, sure enough, it opens it with the camera raw plug-in (if I simply open the image by double clicking on it it opens in photoshop, no plug-in).  If I then go to bridge and open it from there, I don't get a second instance of Camera raw, it simply points me at the instance opened through Photoshop.
    However, when I open a raw image in Photoshop from Aperture  (raw images open with no problem) I simply get the Photoshop interface, not the camera raw plug-in, the same as if I had double clicked on the image to open it from outside of Aperture.  I am trying to figure out if there is some way to open an image from Aperture in Photoshop so that it opens in the camera raw plug-in.  One possibility I could imagene is to open it in Photoshop and from there open it in the plug-in.  The only thing I see regarding this in Photoshop is a menu item that lets me close the image and open Bridge, which doesn't help me with my Aperture issue.  I could decide to switch to bridge, but with the thousands of images I now have in Aperture, this would be quite a bit of work.  I may just have to work with both going forward.
    The root of my original question comes from something I recently read in a book by Bruce Fraser on Camera Raw which is excellent, but it focues on CS 5.5 as he died before being able to update it.  In that book he describes a trick he uses where he opens the raw image in a plug-in in Bridge and then opens it a second time using a plug-in in Photoshop.  This give him a chance to compare adjustments between the two open images.  As I mentioned above, when I try to do this by starting with Photoshop and then going to Bridge, it points me at the same instance.  I can't open it in Bridge and then Photoshop since once it is open in Bridge, it won't let me into Photoshop without closing the image in Bridge.  I was thinking there might be something in Fraser's method that would help me with my Aperture issue, but can't reproduce what he describes.
    Perhaps this was possible in CS5.5 but no longer  in CS6.
    Another work around I can imagine is to do all my raw editing from Bridge and then save the file as a DNG file in Aperture.  I suspect that after that, I am stuck with doing any more raw editing using the Aperture camera raw funcions, which are a bit lacking compared with Adobe Camera Raw.
    Hope I am being clear here about my dilemma.  Any help would be welcomed.
    --Kenoli

  • Raw Image Sequence Workflow For Stop Animation

    Hi There,
    I'm making a music video using a bunch of stop animation stills shot using a DSLR. I'm trying to improve the speed of my current workflow so I can use the color correction features of Raw Processing to adjust and re-adjust shots.
    The current workflow:
    - Use Adobe Bridge to Process the Raw files and save out JPEGs
    - Import JPEGs into Motion as an Image sequence
    - Crop and resize the sequence to suit the shot
    - Import the Motion file directly into FCP
    - Render the the Motion file and edit to music
    The main issues I'm having:
    - When the JPEG image sequence is imported into Motion, it looks very desaturated
    - Tweaking the colour using RAW processing requires going back to Bridge and starting again
    Is there any kind of plug-in for Motion or FCP that will allow me to use Raw files and the color correction tools directly in either program?
    Any suggestions or workflow tweaks would be most welcome.
    Cheers

    Hi There,
    Thanks for all the replies. As you can tell I'm not a video guy so I guess it's time to embrace the video side as you say Adam!
    Every shot was processed into JPEGs weeks ago, so time-wise it's not really an option to re-process everything - the deadline is today! A local editor/DOP I've talked to has said that by the time things go from 3072px wide to 1920px to 768px (local PAL TV) we won't notice any JPEG artifacts.
    He agrees that JPEGs are not ideal but has said it will be OK - especially as it's a grungy stop animation rockin ' roll video created by the band. We want the highest quality possible but there is definitely a cut-off point as we're not professionals and the budget is literally $0.00, hence the limited equipment.
    I've done some tests with TIFF files but motion won't display the size correctly for some reason - same with a PSD sequence. I like the PICT suggestion Mark. but I'd have to re-process the raw files in Photoshop as I can't save them directly from Bridge which is quicker.
    Thanks for your reply Patrick, I got the size wrong. The files are between 3072px wide or 3888px wide depending on the camera used.
    As it stands, all the shots have been processed in Motion and imported into FCP - and I can adjust cropping etc very easily back in Motion (thanks Adam). The only issue is that FCP won't render out a final movie (keeps crashing) so I think I'm going to render movies from Motion and re-import into FCP unless there is a better way to do it?
    Thanks for all your help and suggestions, most appreciated.
    Cheers

  • Just purchased Elements12, can't download Raw images from SD card from new Panasonic Lumix DMC-Gx7. CF card from Canon 5D works fine. I understand I have to upgrade camera raw, does anyone know how to do this and where to fine it. Please and thank you..

    Can you please tell us which operating system you are running on and details of the camera producing the raw images (Make & Model).
    Each different camera model has it's own unique format of the raw file and so the camera raw has to be updated occasionally. Gives us the details above and we can help you further.
    I'm new with windows 8 and brand new computer

    FWIW, my Help/Updates does not work. My ACR is 8.0 and each time that ACR has been updated during the last year I have tried to update it through Help/Updates and each time I have received in the Application Manager window that opens the text, "Your applications are all up to date." I suppose it is possible that the fact that I have an updated copy of LIghtroom (5.6) is confusing the Application Manager.
    Because I do all my Raw processing in LR it does not really bother me that the PSE 12 ACR plugin does not update.

  • I had this video file and I was trying to flip it to a format that would work with iMovie.  It used to have the Quicktime image with it.  So, I assume it was a QT file.  But, somehow I've changed the file from a video to a folder.

    I had a video file and I was trying to flip it to a format that would work with iMovie.  It used to have the Quicktime image with it.  So, I assume it was a QT file.  But, somehow I've changed the file from a video to a folder.  I've tried to undo the action.  No luck.  I wasn't running my Time Machine.  So, I can't go back.  Help.  It's the only copy of this video.

    I've tried to undo the action.
    How?
    Please detail ALL you have done so far in the way of troubleshooting?   Need this info to avoid the been there done that scenarios.
    it's the only copy of this video.
    Where did you get the video from?
    From the pic I noticed that the folder is 841.9mb.  What's inside?  Or what happens when you click on it?

  • My student has been using Lightroom 4 with Photoshop CS5 on her Mac for well over a year. Because of the difference between the Camera raw version available to her in Photoshop CS5 and the raw process in Lightroom 4, she has been exporting her raw images

    Any ideas?

    My student has been using Lightroom 4 with Photoshop CS5 on her Mac for well over a year. Because of the difference between the Camera raw version available to her in Photoshop CS5 and the raw process in Lightroom 4, she has been exporting her raw images from Lightroom and choosing the "Render using Lightroom option when it popped up in the dialogue box. She has been doing this for over a year and a half without any problem. Today when she hit Command E no dialogue box appeared and the image just opened in Photoshop. I'm concerned that all of her Lightroom edits are not being rendered to Photoshop. Anyone have an idea as to how we can get the "Render using Lightroom" dialogue back?

  • Have discovered how to split visual and audio tracks. However the cut away only seems to work with still images from iPhoto!

    trying to cut away from one video clip to a second one, while keeping the original sound track, works with still images imported from iPhoto, but cant get the video to drag/drop. please help thanks

    simonjacobson wrote:
    Drag clip over target, green plus sign appears.........clip appears at front of video, no menu option appears,
    OK that sounds correct. Just to clarify, when the sign appears, as you release the mouse button (or whatever you are using), no menu pops up but the clip immediately positions itself:
    at the front of the target clip, OR
    at the very beginning of your project
    Not sure where I'm heading here, just trying to get the complete picture.
    I di it once, but not again, do i need to double click/right click or something?
    No, there is no double-click or right-click involved at all. Just drag and drop, then select from the pop-up menu. You should be able to repeat this with no issues. I've also tested dropping video onto a still picture - the cutaway works on that as well.
    Something is definitely not working correctly - strange! Quit iMovie, then try deleting the preference file as I described in my last post. Quitting and relaunching iMovie might even fix it. Also, try restarting your Mac - that sometimes helps.
    John

  • Working with grey images

    Hey guys, got a new question for you. I'm working with grey images from an old newspaper in the 40's in photoshop, originally the format was working gray - dot gain 20%. My question is since this is a gray image with no cmyk to be found, what would you suggest would be the ideal format so that when these images are sent to the printer they will come out looking good? Thanks in advance guys.
    Jason

    What I'm doing for JPEGs:
    72 ppi at current size
    144 ppi at half size
    215 ppi at 1/3 size
    288 ppi at 1/4 size
    and even lower if I can get the images that small, but these are intended for a small brochure so I figure they will be okay at around 1 inch wide per placed image in indesign.

  • When working with aRGB images, what changes must be made when printing?

    Working in the Adobe RGB color space requires that all components in the chain (camera, software, monitor, printer) be able to handle aRGB. When printing from Photoshop Elements, what changes (if any) need to be made at printing time?

    Thanks Michel.
    I knew about the "more options" dialog box and use it regularly to set
    ICC profiles for my Canon Pro9500 Mark II printer, ensuring also that
    "Photoshop Elements manages colors". I could have asked the question
    better perhaps: "When working with aRGB images, how can I set both an
    ICC printer profile for a specific paper and ensure that printer uses
    the aRGB color space?". As far as I can tell, you can set an aRGB
    profile (either in Photoshop or at the level of the printer), but you
    can't use both the aRGB profile and an ICC paper profile at the same
    time. I am assuming that you can't set an ICC profile for the paper in
    Photoshop Elements and at the same time use the printer's aRGB driver.
    Is that right?
    Craig.

Maybe you are looking for

  • Select list and date picker on one line  -  is this a bug?

    I'm using: Application Express 3.2.0.00.27 Is the following a bug? If so, how do I get it reported so it will be fixed in a future release of APEX? If not, how do I do it so it ends up the way I want? 1. create blank page 2. create html region 3. cre

  • Need to make a copy/clone of a table which has sdo_geometry data type

    Folks, We are running Oracle 11gr1 on Suse Linux platform. We have a requirement, where we need to make a copy of a table, in the same database but in a difference schema, the source table has about 130 millions rows and also has the sdo_getometry da

  • Warranty of cellular iPad mini in Canada

    I have a wifi + cellular ipad mini purchased from U.S. and now it has caught a screen problem. Will I get warranty replacement for it in Canada?

  • Download fails, PART file in temp folder

    I rebuilt my PC on the 8th June and downloaded the latest FireFox and installed it. Within a day or two download window stopped appearing. I went into Tools, Option, Downloads to check that the window should be appearing. It should be. I noticed that

  • How to use call transaction 'XD03' in abap.

    Hi Experts, I am  use call transaction xd03 in programme but when i click on any customer number the transaction xd03 is called and it show only one customer details. i.e 1 st  in row . other customer details not show. so please write code to solved