Wrong aspect ratio with ProRes capture

Capturing tape from a panasonic DVX100A shot 24pAdvanced squeeze. When I capture with the DV/DVCPRO codec (using the anamorphic setting) the footage comes in the correct aspect ratio in the project, and the quicktme clip in the finder is the correct aspect ratio also (16:9). However if I capture with the same NTSC anamorphic setting in the ProRes 422 codec, the clip is the correct aspect ratio in the project, but the quicktime file in the finder still has a squeezed look. I understand that the ProRes codec is much better quality, but it is very inconvenient to have all the quicktime files the wrong aspect ratio. This footage will be shared among many projects, and it could be a problem going forward. Any way to get the ProRes codec to create the quicktime file with the correct aspect ratio?

For anyone following the thread, I found this forum from Ken Stone, with a couple folks (including Ken) saying that the DVCPro codec is basically indistiguishable from ProRes. So I will be using that codec on these tapes.
"Before ProRes came alomg, many people transcoded to DVCPRO HD (and DVCPRO 50), from Interframe, long GOP formats and other formats as well.  DVCPRO HD is 4:2:2, Intra frame with a bandwidth of 100 Mbits, excellent. The only difference between DVCPRO HD and ProRes is that ProRes is 10 bit and DVCPRO HD is 8 bit, but ProRes has a higher bandwidth of 144 and 220 Mbits (HQ).
Now we have ProRes which is an excellent alternative for HDV and XDCAM EX, etc. Everytime we transcode to a different codec we do lose something, so I would think that because these two formats are so very close I would stay in DVCPRO HD and not 'lose' any quality by transcoding to ProRes.
For me, FCP has always loved DVCPRO HD and runs it like a dream.
My 2 cents.
--ken "

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