XDCAM SD PDW530p MXF files unable to import into Premiere CS4

Hey guys,
New to the XDCAM world...I'm trying to load in the mxf files using the import function but I get an error 'Codec missing or unavailable'. Can anyone shed some light on this? While i'm here the footage is shot in 720 x 576 @ 50MB...what project option should i select?
Cheers.

I am indeed referring to our PDW530p camera which is a disc-based (PDF23a Sony, bluray-like, discs) camera that saves every shot in a MXF file, no matter what format is used. I probably made it more confusing then necessary. Basically you can shoot to DVCAM and that is a format Premiere can natively import. IMX50, which is XDCAM as far as I am told, can not be imported by premiere natively.
@colin: we tried this "trick" (I am now in doubt if we renamed to .avi or to .mpg, it was a while back) on a machine that has a RT.X2 which does not support IMX50 and we NEEDED to be able to either convert or edit the clips. We have two systems here, one with the Axio and one with the RT.X2 (I know, I know :( ). We eventually ended up going to the Axio system, imported the footage in CS3, converted it to something premiere natively does support, transported that over the network to the other machine and loaded it in.
But we WERE able to get the clips in premiere on the RT.X2 system by renaming the clips. We just did not trust it. Feel free to try it if you wish. :)
On the Axio machine you can indeed playback IMX50 recored clips/footage in any program thanks to the hardware, drivers and codecs (it is a joined accomplishment *cough*) Matrox provides for their boards.

Similar Messages

  • Avi file won't import into Premiere CS4 after re installing

    Recently I purchased a new PC (Windows 7 64 bit, i7 processor). I re installed Premiere Pro CS4 and copied over my project files from my old system (Windows Vista 64 bit, AMD quad core processor). I attempted to load a project that was created on the old system, which contained an avi file that was done in AE CS5, the avi file was not downloaded from a camera. When Premiere kept locking up when I attempted to load the project, I finally figured out that it was getting hung up trying to load this avi file. After further investigation, I found that the avi file wouldn't play using any type of player, including WM Player, and DivX player. Funny enough, QT played the file, but only after a delay of about 10 minutes before opening. All of the posts I've seen on the forums indicate codec issues. I've installed three different codes, and used gspot to inspect the file and it indicated "no codec needed".
    I must reiterate that on my old system, the file was created in AE CS5 and exported as an avi, and works fine.
    Can anyone shed some light

    Report back with the codec details of your file, use the programs below... A screen shot works well to SHOW people what you are doing
    http://forums.adobe.com/thread/592070?tstart=30
    For PC http://mediainfo.sourceforge.net/en or http://www.headbands.com/gspot/

  • Maximum file size for importing into Premiere Pro CS6

    Hi,
    I'm considering recording raw video, no compression at 720p, 30 fps for 20-30 min.  This woudl result in a file that is close to 80 Gbytes.  I'm wondering what the maximum file size for importing into premiere Pro is and if I need to split this file up into smaller pieces.  Any recommendations on how I may deal with uncompressed raw video that is pretty long in length?
    Thanks,
    Serena

    There is bound to be some limit somewhere in the program, but you should be well below that. The biggest issue might be whether your computer is up to the task of handling it. If you will post your computer specs., someone will give you comments on that aspect.
    Good luck,
    Hunt

  • What is THE best video file format to import into Premiere Pro CS6?

    What is THE best video file format to import into Premiere Pro CS6? I am tired of the guess work of "this might work if you do this." Just tell me which is, flat out, the easiest for Premiere to read?? I generally animate in Adobe Flash, and some times with a Live camera. Premiere seems to pick and choose which video file it wants. I import from the File drop down box in the upper left hand corner, then move the video file to timeline. Under the "scrubber" there is a thin red, (or when rendered) a green line. The videos I put in the timeline show a thin yellow line which means Premiere is confused. So, in basic terms, which video format is MOST commonly accepted with the least amount of trouble/hassle?

    Premiere has a function now where you can import a clip and drag onto a timeline and it will prompt you with a message about changing the timeline settings to match your clip, (or if there is no timeline it will automatically create one that matches your clip.) This is in CC of course so you might consider upgrading. They have fixed a lot of compatibility issues from CS6 to now. If you don't want to get all of CC for 60/month then you can at least shell out 20/month on premiere. It's worth it. They've made it where you don't have to worry about 99% of all video formats. They just work.

  • MXF files won't import into Adobe Premiere CS6

    I can't get mxf files to open in Adobe Premiere CS6. I'm working on the newest Mac Book Pro- OS X Yosemite 10.10.1.  I tried importing the files through the media browser but I can't open them that way either. I see the mxf video icon but when I try to open it I get this error message -"the importer reported a generic error."  I ran all the updates for adobe and apple, but still these files don't open. Help please.

    If I double click on the word holiday, it just shows the file folders. In the file folders the mxf files still don't open.

  • MXF file conversion for import into Final Cut Express 4

    Does anyone know of a good software product to convert mxf files to quicktime for import into Final Cut Express 4? Not having much luck finding one. Thanks

    alski999 wrote:
    Does anyone know of a good software product to convert mxf files to quicktime for import into Final Cut Express 4?
    the makers of famous flip4mac (=wmv plug-in for QT), offer a mxf-modul too
    http://www.telestream.net/telestream-products/desktop-products.htm
    they offer a trial - test before buy.
    mxf is a professional format, so professional price ...

  • I can't import MXF files shot on a Canon C300 into FCP 10.1.2.  I have the Canon plug in for MXF file to FCP import but FCPX still doesn't recognize MXF files when I try to import. Premiere works fine importing MXF on the same computer.

    I can't import MXF files shot on a Canon C300 into FCP 10.1.2.  I have the Canon plug in for MXF file to FCP import but FCPX still doesn't recognize MXF files when I try to import. Premiere works fine importing MXF on the same computer.  Any help is appreciated.

    Russ and Luis,
    I did uninstall and re-install Canon XF Utility and the Canon FCPX plug in.   Still no luck.  I checked the CanonXF64.RADPlug folder is on my computer in the Rad Plugins folder in application support  This is where it is supposed to be as far as I can figure out. 
    Another piece of the puzzle is that  footage shot on a Canon C300 in 2013 and  I reimported today and it DOES import into FCP10.1.3.   Footage shot on a different Canon C300 filmed this summer will NOT import into FCPX.  The latter will import into Premiere. But I am trying to work in FCPX, but maybe I shouldn’t be??
    Any ideas?  (screen shots below)
    Thanks.
    Peace, Huey
    FYI Here is what Canon says
      "There is another trick that works sometimes though.  Try uninstalling the plugin and XF Utility.  Then, install the latest XF Utility, followed by the plugin, in that order."
    I did do this but no results.  Otherwise they say I need to wait for a new plugin.
    Here's 2014 Canon C300 files does NOT import to FCPX
    Here's 2013 Canon C300 files does import into FCPX.  I thought it was Contents folder but another set of footage shot on C300 does import and there is no contents folder for that. 

  • A series of video files (0001.MTS to 0005.MTS) were imported into premiere, when moved to timeline premiere combined them and made them look like one long clip nmed 0001.MTS. Multiple motion edits and opacity edits were made. When project manager moved th

    A series of video files (0001.MTS to 0005.MTS) were imported into premiere, when moved to timeline premiere combined them and made them look like one long clip named 0001.MTS. Multiple motion edits and opacity edits were made. When project manager moved the project, the actual video content of 0002.MTS to 0005.MTS was missing(source clips are still there but they were playing and working as part of that 0001.MTS timeline clip before). Those parts of the 0001.MTS clip in the timeline were Danger Striped and can be relinked but now have no edits anymore. The edits are apparently only linked with the original 0001.MTS source clip but extend beyond the actual range of the actual source clip. At the time I thought it was weird that premiere displayed the whole string of clips as one (with one name and no breaks) but it all works in the original project file but cannot be transferred to another location without multiple clips showing Danger Stripes.I need to move it and preserve the dozens of motion and opacity edits linked to the apparently oversized timeline clip. HELP!! any ideas?
    I did not nest any clips or sequences, premiere just seemed to combine the clips under one name when I moved them to timeline.
    I am using CS5.

    A series of video files (0001.MTS to 0005.MTS) were imported into premiere, when moved to timeline premiere combined them and made them look like one long clip named 0001.MTS. Multiple motion edits and opacity edits were made. When project manager moved the project, the actual video content of 0002.MTS to 0005.MTS was missing(source clips are still there but they were playing and working as part of that 0001.MTS timeline clip before). Those parts of the 0001.MTS clip in the timeline were Danger Striped and can be relinked but now have no edits anymore. The edits are apparently only linked with the original 0001.MTS source clip but extend beyond the actual range of the actual source clip. At the time I thought it was weird that premiere displayed the whole string of clips as one (with one name and no breaks) but it all works in the original project file but cannot be transferred to another location without multiple clips showing Danger Stripes.I need to move it and preserve the dozens of motion and opacity edits linked to the apparently oversized timeline clip. HELP!! any ideas?
    I did not nest any clips or sequences, premiere just seemed to combine the clips under one name when I moved them to timeline.
    I am using CS5.

  • Editing MP4 files in CS6 then importing into Premiere Elements 13

    I would like to import MP4 files from a Phantom Drone into Photoshop CS6 ---Edit those files--Then rather then making the movie in CS6 --import into Premiere Elements 13 to edit and render ..Is it possible to use both program's to enhance the final movie?    Thanks Tom

    Tom
    Add On..
    On what computer operating system is your Premiere Elements 13 running?
    If your Photoshop CS6 comes with Bridge, I am wondering if there is a way to go from
    CS6 Bridge to Elements Organizer 13. From Elements Organizer 13, you could import from there
    into the Premiere Elements 13 Editor.
    Quick results...
    Photoshop CS5.1 Extended, File Menu/Export/Render Video
    File Menu/Browse in Bridge
    Right click .mp4 export in Bridge, select Open With, select Adobe Premiere Elements 13 which needs to be set as default.
    Seems 13 is opening but without the .mp4.
    More later.
    ATR

  • Why do the MP4 files that I import to Premiere Pro CC have unsynced audio? (Resolved)

    I have identified and resolved.the issue. There is a bug with how Premeire Pro handles importing videos with variable frame rate.
    Community Memeber Walter.Johnson found a work-around at the bottum of this post, which also has the identification and submission of the bug itself:
    http://forums.adobe.com/thread/1110005?start=40&tstart=0
    I had to convert the video with "constant framerate" selected in handbrake. I'm believe the ffmpeg CLI equivilant switch is "-cfr" but I have not tested to be sure.
    I can now import videos with synced audio!
    I have recorded several hours of footage using a program called XSplit (a screen recording tool).
    The files are recorded in a FLV format and I then convert them to MP4 as premiere pro cant read then in FLV.
    In a MP4 format I can import the files into Premiere Pro CC and the video looks perfect, but the audio is unsynced. It is also unsynced in non-linear way so it is not something that I can simply unlink and adjust to compensate as it would have to be done manually every minute.
    If I import these same MP4s into other video editing programs they import perfectly fine and have no audio sync issues what-so-ever. I only experience this issue in Premeire Pro CC. I can even tested these videos in 6 different media players and they play perfecly fine.
    If I convert the files to AVI using ffmpeg or ffmpeg assisted tools it will not import into Premiere Pro CC and gives a "unsupported format or damaged file" error. Once again, this avi can be played and edited in several other programs no problem.
    Here are the details about one of these files:
    VIdeo Codec: H.264/MPEG-4 AVC
    Video: 1280x720
    Audio Codec: mp4a: MPEG-4 ACC LC
    Audio: 44100hz 63 kb/s tot , stereo (2/0)
    Anyone have any ideas on why the audio is becomming de-synced in Premiere Pro CC only?

    I'm happy to announce to you all that my "mp4 importing" issues has been sorted out. Now I import mp4 shot with the same Windows Phone 8 Device into Adobe Premiere Pro CS4. Only that for the moment, it doesn't play as fast as with ordinary player.
    But how did I get it to work, you may wonder;
    I simply installed Itunes on the system, I also installed an app called media monkey. I can't say which of the apps did the magic but the next time I tried to import mp4 files into Premiere Pro after these installations, it imported seamlessly.
    Obviously there's a link between the required codecs and the itunes itself.
    You may want to try it and hope it works for you.
    Kindly inform us if it works.
    Thank you all.
    Cheers.

  • I need to down convert MXF files so I can use Premiere 11.  Any suggestions?

    I need to down convert MXF files so I can use Premiere 11.  Any Suggestions?

    https://www.google.com/#q=convert+mxf+to+avi

  • File name not importing into iPhoto

    I keep my photos on an external disk and import them from that disk into iPhoto. When I import, sometimes the file name is imported into the caption field and sometimes it does not.
    Any ideas why? I have search for others posts but can't find any. I did check the permissions of the files representing both results and the permissions are the same.

    What is displayed in the title field under the thumbnails?
    Have you tried selecting the offending photos, going to the Photos->Batch Change menu and selecting Title to File Name option?
    Click to view full size

  • Image sequence of jpegs import into Premiere Pro CC 2014 out of sync!

    Ever since I left CS6 to CC 2014, image sequences as jpeg files do not properly import into Premiere in sync anymore.  I use Blender 3d to export render scenes as jpegs then convert them to h.264 mpeg4 video clips in Premiere.  What happens is that the images upload into Premiere's project tab out of order, even though they are correctly ordered in my hard drive.  Improper naming conventions are probably ruled out since their files extensions are _000 types, and I never had a problem importing sequences in CS6 anyways.  Still image default duration is set to 1 in the general preferences.  Does anyone know what is suggest?  Thanks.

    Good point, I am importing as separate jpegs each set to one frame, so it's not an image sequence as I thought.
    My indeterminate media timebase and sequence are the same (29.97fps), though I have to say that even if they were different I don't see why that would be a problem.
    Here is a screen shot of my images just after uploading them into the project tab, it is seen from first to last that file numbers appear out of order such as 066, 054, 072, 058...ect:
    Is there anything else I could try?

  • Can animated titles created in Titlemotion imported into Premiere Pro CS3?

    Hi,
    We are using Titlemotion Software(Standalone Version)for creating animated titles.
    We would want to use these animations into Premiere Pro CS3.
    We can save the animations made in Titlemotion as
    1) an FX-script,
    2) a targa sequence &
    3) a '.VIA' format.
    'VIA' files created in Titlemotion do not get imported into Premiere Pro CS3, Premiere Pro informs that they are not supported.
    Is there any way to import a .VIA file into Premiere Pro CS3?
    OR
    Is there any work-around wherein animations created in Titlemotion Pro could be taken into Premiere Pro CS3?

    Save as a targa sequence with an alpha channel.

  • FCP XML Import on Premiere CS4.0.1 Windows

    Great work on implementing FCP XML import on CS4.0.1. <br /><br />We have all our media mounted on a network share. On the Mac exporting a sequence from FCP and then importing into Premiere on the Mac works no problems. On Windows this is a problem, Premiere prompts for each of the media items, which is pretty painful to re-link again. <br /><br />Looking at the FCP XML this appears to be down to the <pathurl> area of the XML. These are typically file://server/Volumes..... etc... which doesn't translate to any of the file mountings on Windows, which are D: E: F: etc... mounted drives. Is there any way to help us? We can write a script to manually modify the XML. Can you explain how Premiere Windows likes to read these Mac URLs?

    Thank you all for your help. It still leaves a bit of a workflow problem. <br /><br />Basically we have some people ingesting / organizing content and maintaining on a network share. Duplicating the media is slow and moving it all into one volume is not too good either as it breaks all the relationships for others. Re-linking is good, but doesn't work if the material is spread across subdirectories and giving a key to link all the media together looses some of the benefit of having the export from FCP in the first place, it's just as easy to re-make the edit.<br /><br />We are only using cut edits, so this is quite simple. For users on the Mac using FCP and handing off to Premier it works fine, the problem is we want to hand off to Windows Premier. It's ok to run a script over the files to change the XML naming of the <pathurl> which seems to be causing the problem, but how to describe this in the Windows world?<br /><br />Thanks for all the help.... anyone from Adobe with any ideas?<br /><br />The problem as I see it is how to identify Mac OS mounts to a Windows version of Premier on XML import.

Maybe you are looking for

  • HT1338 can I upgrade from MAC OS 10.5 to 10.6 ?

    I have an apple desktop from 2007-2008 (I think) and need to upgrade from MAC OS X Version 10.5.8 to 10.6  Anyone know if I can do this?

  • How to enable bonjour?

    i went to control panel>Administrative tools>services>bonjour     right click on it but all the options it povided me were blanked. i mean they were fixed can't be changed.....................help me!!!!!!!!!1

  • RFBIBL00  and LSMW

    Hello abapers, I have a problem. My upload file is structured therefore: |Header data|Item1 data|Item2 data How I can make to divide the record, in LSMW, so as to register FI document? Thank. Bye.

  • Adobe Form Error FPRUNX001

    Hi everyone, When trying to print a customer specific sales invoice form, the following message appears in the log of execution: "ADS: com.adobe.ProcessingException: com.adobe.ads.excep(200101)" The message number is "FPRUNX001". The detail message s

  • LSMW...new query

    First profound thanks to Dittakavi Srinivas, Rajesh Banka, Chandru and others who guided me for LSMW. I have the following new queries: 1. I have uploaded the customer master from the legacy using the 'Recording 'method. The first customer has got re