Xi introduction and indetail

Hi friends,
Could u Please tell me about Xi in detail.

Ramesh,
Welcome to XI. XI is a middleware tool from SAP. Other middleware tools are like WebMethods, Tibco etc.
Go to this E-learning and see the complete video demonstration on the advantages of using XI:
https://www.sdn.sap.com/irj/sdn/xi-elearning
Go through these 3 series of Blogs by Sravya Talanki which is good for a starter.
/people/sravya.talanki2/blog/2006/12/25/aspirant-to-learn-sap-xiyou-won-the-jackpot-if-you-read-this-part-i
go through and practice these blogs.
Following are the links to weblogs which will help to develop the basic scenarios.
/people/prateek.shah/blog/2005/06/08/introduction-to-idoc-xi-file-scenario-and-complete-walk-through-for-starters - IDoc to File
/people/ravikumar.allampallam/blog/2005/03/14/abap-proxies-in-xiclient-proxy - ABAP Proxy to File
/people/sap.user72/blog/2005/06/01/file-to-jdbc-adapter-using-sap-xi-30 - File to JDBC
/people/prateek.shah/blog/2005/06/14/file-to-r3-via-abap-proxy - File to ABAP Proxy
/people/venkat.donela/blog/2005/03/02/introduction-to-simplefile-xi-filescenario-and-complete-walk-through-for-starterspart1 - File to File Part 1
/people/venkat.donela/blog/2005/03/03/introduction-to-simple-file-xi-filescenario-and-complete-walk-through-for-starterspart2 - File to File Part 2
/people/ravikumar.allampallam/blog/2005/06/24/convert-any-flat-file-to-any-idoc-java-mapping - Any flat file to any Idoc
/people/arpit.seth/blog/2005/06/27/rfc-scenario-using-bpm--starter-kit - File to RFC
https://www.sdn.sap.com/irj/sdn/weblogs?blog=/pub/wlg/1685 [original link is broken] [original link is broken] [original link is broken] [original link is broken] - File to Mail
/people/jayakrishnan.nair/blog/2005/06/20/dynamic-file-name-using-xi-30-sp12-part--i - Dynamic File Name Part 1
/people/jayakrishnan.nair/blog/2005/06/28/dynamic-file-namexslt-mapping-with-java-enhancement-using-xi-30-sp12-part-ii - Dynamic File Name Part 2
/people/michal.krawczyk2/blog/2005/03/07/mail-adapter-xi--how-to-implement-dynamic-mail-address - Dynamic Mail Address
/people/siva.maranani/blog/2005/05/25/understanding-message-flow-in-xi - Message Flow in XI
/people/krishna.moorthyp/blog/2005/06/09/walkthrough-with-bpm - Walk through BPM
/people/siva.maranani/blog/2005/05/22/schedule-your-bpm - Schedule BPM
/people/sriram.vasudevan3/blog/2005/01/11/demonstrating-use-of-synchronous-asynchronous-bridge-to-integrate-synchronous-and-asynchronous-systems-using-ccbpm-in-sap-xi - Use of Synch - Asynch bridge in ccBPM
https://www.sdn.sap.com/irj/sdn/weblogs?blog=/pub/wlg/1403 [original link is broken] [original link is broken] [original link is broken] [original link is broken] - Use of Synch - Asynch bridge in ccBPM
/people/michal.krawczyk2/blog/2005/08/22/xi-maintain-rfc-destinations-centrally - Maintain RFC destination centrally
/people/sravya.talanki2/blog/2005/08/18/triggering-e-mails-to-shared-folders-of-sap-is-u - Triggering Email from folder
/people/sravya.talanki2/blog/2005/08/17/outbound-idocs--work-around-using-party - Handling different partners for IDoc
/people/siva.maranani/blog/2005/08/27/modeling-integration-scenario146s-in-xi - Modeling Integration Scenario in XI
/people/michal.krawczyk2/blog/2005/08/25/xi-sending-a-message-without-the-use-of-an-adapter-not-possible - Testing of integration process
/people/michal.krawczyk2/blog/2005/05/25/xi-how-to-add-authorizations-to-repository-objects - Authorization in XI
http://help.sap.com/saphelp_nw04/helpdata/en/58/d22940cbf2195de10000000a1550b0/content.htm - Authorization in XI
/people/michal.krawczyk2/blog/2005/09/09/xi-alerts--step-by-step - Alert Configuration
/people/michal.krawczyk2/blog/2005/09/09/xi-alerts--troubleshooting-guide - Trouble shoot alert config
/people/sameer.shadab/blog/2005/09/21/executing-unix-shell-script-using-operating-system-command-in-xi - Call UNIX Shell Script
/people/sravya.talanki2/blog/2005/11/02/overview-of-transition-from-dev-to-qa-in-xi - Transport in XI
/people/r.eijpe/blog/2005/11/04/using-abap-xslt-extensions-for-xi-mapping - Using ABAP XSLT Extensions for XI Mapping
/people/prasad.ulagappan2/blog/2005/06/07/mail-adapter-scenarios-150-sap-exchange-infrastructure - Mail Adaptor options
/people/pooja.pandey/blog/2005/07/27/idocs-multiple-types-collection-in-bpm - Collection of IDoc to Single File
/people/sap.user72/blog/2005/11/17/xi-controlling-access-to-sensitive-interfaces - Controlling access to Sensitive Interfaces
/people/michal.krawczyk2/blog/2005/11/10/xi-the-same-filename-from-a-sender-to-a-receiver-file-adapter--sp14 - The same filename from a sender to a receiver file adapter - SP14
/people/prasad.illapani/blog/2005/11/14/payload-based-message-search-in-xi30-using-trex-engine - Payload Based Message Search in XI30 using Trex Engine
/people/sap.user72/blog/2005/11/24/xi-configuring-ccms-monitoring-for-xi-part-i - XI : Configuring CCMS Monitoring for XI- Part I
/people/michal.krawczyk2/blog/2005/11/23/xi-html-e-mails-from-the-receiver-mail-adapter - XI: HTML e-mails from the receiver mail adapter
/people/sap.user72/blog/2005/11/22/xi-faqs-provided-by-sap-updated - XI : FAQ's Provided by SAP
go thru this link to get the some demos-
https://www.sdn.sap.com/irj/sdn/docs?rid=/webcontent/uuid/110ff05d-0501-0010-a19d-958247c9f798#xi [original link is broken]
Tutor files-
Link is -
https://websmp109.sap-ag.de/netweaver ->SAP Netweaver In detail->Process Integration->SAP Exchange Infrastructure->Media Library
There are mnay tutor files/documentation etc..
Elearning~
https://www.sdn.sap.com/irj/sdn/developerareas/xi?rid=/webcontent/uuid/a680445e-0501-0010-1c94-a8c4a60619f8 [original link is broken]
http://help.sap.com/bp_bpmv130/html/demo_page.htm
---Satish

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My introduction and a hardware discussion.

Hello Adobe forums.
Its nice to meet you all. This is going to be a heavy first post, hopefully it will bloom into a great discussion.
I have been reading and learning and just wracking my brain around all the great info here for building a NLE system.
For starters let me introduce my self, I am Erik, and I have been a long ago user of Premier. In fact I was in undergrad when i made my first cut and ripple delete. that was 1999 and I think there wasnt even premier pro, my memory recalls premier 7 or something, then a year into college it changed to PP. I might have that all mixed up too.
So anywho, cut on adobe all thru undergrad and then went to grad school and learned the Avid system. I have no hang ups about either system, in my experience a cut is a cut and a dissolve is a dissolve no matter what system makes it.
I am now released from grad school and am out on my own again, in my life I will never be able to afford an avid system like our school had, with a nitrous, composers in the big lab and a huge audio booth with avid something for multi track mastering. I want to touch back to my roots there for I have chosen to return to adobe, in the flavor of production premium.
I am excited to see what's different and also about being able to work with out rendering, I remember the days when in order to see anything i had to first render, make a tiny change then render again, you all know this cycle too well i am sure.
I am a simple one thing at a time guy, independent, I dont unless specifically asked edit for clients. I write my shorts and full lengths, shoot them, edit them and play on the festival circuit.
So that is my intention for my NLE system.
I will say I am exceedingly happy with a lot of the info on this forum. In school sadly we are only taught the artisan side of editing and those areas, the digital science end is left to our own exploration. since starting my research I went from the basic concept of data rate of the camera and how big a memory card I need, to the more important how fast the memory card can write. Also applying this knowledge to the concepts in the computer for the NLE, so a big thanks to the guys I see adding valuable info such as, Harm, ADK boys, Videoguys and other members with great input. Thank to you all.
After all that lets talk about the prospected build.
CPU: 3960, socket 2011. I was satisfied with a lga 1155 but you all convinced me i can have a longer living machine with room for improvements over the next few years.
MBO: ASUS X79 sabertooth.
Ram: Gskill ripjaws Z 1600 64gig pack.
GPU: asus gtx 680 4gb ddr5
ASUS dvd bruner/ drive sata
Cooler Master 1200w silent pro gold
Case: Cooler Master haf 932 advanced
Cooling: Cooler Master Seidon Liquid cooler. I wanted air cooling but in order to allow room for the ram this was the best solution.
SSD1: OS and programs, Intel 335 series 240gb, I know many will say thats larger than i need, but it works for me.
SSD2: Render and export, Intel 335 series 240gb
Hdd1: Projects, 1tb wd black caviar 7200rpm sata 3.0 32mb cache
hdd2: Cache "same as above"
hdd3: Media"ditto"
Now as I explore the MB more and more I have learned that there is an extra 2 sata 6 on the MB. AS learned from Harm in another post those 2 extra satas are on the maverick which shares with the gpu, however this MB does not suffer a performance loss of the gpu if i was to use those two slots for later drive expansion. Again for later when money allows.
Now lets discuss my personal work flow.
I shoot nikon d800, with a Pix 220 external recorder. I use DNxHD codec at 220Mbs @8 bitdepth.
My editing style is one thing at a time. I am a simple man, when i cut, i cut. I don't have the multitasking ability to cut one project while doing effects in AE and render in the background. Just too much for me to do at once.
I am a patient man, and like i said above I dont have clients so when I render/export I usually just walk away or go eat/sleep whatever. My time is my own so my deadlines are for festival entries. Of course I want as quick as possible, who would turn down speed?
Going back to one thing at a time, this is where i became strange from my fellow students, when I am finished with a project I am done. I dont go back and tweak like many of my former colleagues. When I make the export, bar any major problems, the video file is placed on a back up external hdd and a disc, then the work computer is formatted and ready for the next project.
Me thinks that covers all aspects of my workflow, if there is anything more specific you need to know please ask.
My questions for discussion.
first and foremost, look over the parts and please point out any things you see as funky, missing or things that will have issues that you learned from your experience.
I know you will all suggest a raid0 some where. For this point in time I would like to stick to single drives with single tasks to keep them from reading and writing at the same time or at least to a minimum. I like to have stability of my data, but I also understand that perhaps there is a speed requirement for my codec to play back smoothly. So if I must, I am open to raid0 in the future when i can afford a stable backup of all the stuff.
Leading to my next question. Of a few posts out there in adobe forums, the general idea is a hdd can playback pretty heavy duty video if the hdd is purposed for video only. I am using 220Mbs would the WD CB be able to handle that if dedicated?
please look at the intended use for my drives, I am only copying what i have seen as advice on the forums, but would like some input as to the how and why you would make one drive as the cache, media and projects drives. any other suggestions for what would be a better use of single drives?
i need your help to educate me in some things i couldn't find on my own. Several times i see members talk about streams, is a stream meaning playing the timeline in multiple monitors? or is it also refering to multiple video tracks. video 1,2,3,4, playing at once?
Are filters considered streams? since i shoot dslr i have to automatically use 3 filters off the bat, rolling shutter remove, color, and a touch of sharpness. sorry for the basic info like i said i was taught the artisan side of editing first.
I am very used to taking my footage from the camera storing it, then importing and transcoding in the Avid to a low low bit rate to make the editing smooooth. A bit rate of 36Mb or so, then after picture lock, connecting with my orginal media for the color correction post effects and export.
since it has been sooo long and I have learned so much, I would assume that PP allows for this type of online off line editing style, does it?
Personally I would rather not have to transcode and edit natively, which as I can see, is what adobe is selling since cs5
I think thats a great place to stop. You guys dont need to write me a text book for an answer, like i did above, please point to links and I will read. If you fingers really want to type away and I will read it too.
Thank You all for your time and input.
ESR

Well, I don't like to make a thread and then just leave it unfinished.
The beast is built, runs cool, looks cool and in my experience is blazing fast even at stock speeds.
I have not begun to overclock yet as I dont fully understand how and I am researching the how tos and theory behind it. I dont want to go changing voltages and cook everything. Ill get there though, one day.
No major build issues, in factthis is the first machine I have built in 13 years, and back then usb 2.0 just came out and the standard device connect was IDE ribbon, plus a 200gb hard drive was THEE monster, for the public that is.
For those of you out there looking at this forum and nervous about assembling your first PC, I say to you, do you research, take you time and make sure all parts will work in balance with your intended use and then assemble.
Other than childbirth, the simultaneous feelings of terror and excitement are something you must experience, its the ultimate high.
I have waded thru some issues and a learning curve in the UEFI bios these days. Like I said above, last time i built a computer there was no bios, I used to have to put the jumpers in the right place. I kinda miss that, but dont get me wrong, on screen bios, woof, i love it.
I would like to discuss some things with you guys as there are some oddities I want to root out.
First, I noticed that running asus utilities, such as, gpu tweak, ai suite ii, conflicts with adobe software.
How? it slows it down a bit here and there, and it seems to cause some crash, force quit not bsod, when closing adobe programs. what happens and how i know a crash is coming is when closing PR, the second monitor will stay full screen on the last image and not move. If i dont hit the windows button or alt tab to another program it will sit there for hours, after the tab or windows key then windows says it stopped responding and to force it to close.
any one else having similar issues? or any recommendations as to some setting in windows/bios/adobe that i may have over looked.
This only happens to me when i have ai suite and gpu tweak open. all other times with out those programs running adobe is smooth as glass.
the other weird thing I have noticed on several forums is the Asus utilities programs are buggy. I was experiencing incredibly loooong lag after boot up when having the ai suite ii on the active services list. it was strange, boot into windows was fine but it seems like the suite either has in incredible amount of files to open or it just conflicts with windows.
here is the exact scenario, windows welcomes you with the sound, you wait a second to react, no hour glass, open the win tab and select either computer, or resource manager, when your me and trying to see what is making the system work so hard and long, the tab sits there for 1min doing nothing, then drops a bit leaving the graphic glitches and sits there longer. finally your window pops up and then everything is hunkey dorey till your next restart.
after disabling anything asus in the services tab i have not had this issue for a week now.
do you guys with asus MBO use their software? or do you guys just skip it all together? and have you experienced these bugs?
one thing about this long lag issue that looms in the back of my mind (even with it hopefully solved) is i never had this type of lag while on the OS ssd. After I plugged in the other 6 drives the next boot was absolutely awful. It took me 30mins to format each one, due to i couldn't control the mouse for more than second and then it would register my movement and shoot me across the screen so i had to baby step it back to the drive format window.
After getting all the hdds formatted it made the lag intermittent like stated above.
all drivers are current, ssds are on latest firmware. I had a fight with the marvell though, it would always register my two drives on it as unpluggable devices and i could actually click safely remove them and the would disappear. but after reading and researching i got it all setup right. I mention this because it bothers me in the back of my mind even though the issue appears to be solved from the drive end and the asus software end.
share with me if any of you have had this type of experience on your build and what you did to overcome it incase i missed a step in bios or in windows setup.
to clarify further:
I run ahci mode on intel and marvell. not a raid man.
the ports are filled as such.
intel sata 6 has my os/programs ssd and the render/export ssd.
the asus dvd burner is on a intel sata 3
the other 3 intels are just wd black hdd
the marvel has 2 additional wd hdd.
like i said the massive lag cam after i plugged all that in, formatting made it intermittent and removing asus software seems to have solved it. just looking for experiences and any missed steps.
second wierd thing is, and perhaps this is why you guys call it QUIRKtime. I can not export dnxhd quiktime format to my render/export drive. It is a intel 335 ssd with latest firmware, (sorry Harm, the specs were great and the price was too) i have all permissions on the drive, but every time i try to export to it in that format i get the export faild can not create source file. All other formats work with out a hitch, just dnxhd quicktime at any resolution.
and lastly, i must be an idiot but i cant seem to get PR to render my audio effects, or that there just not big enough to place them on the drive. its odd, PR is set to have audio previews on its own HDD, and PR creates the folder for renders/previews but never puts anything into them.
Also when i click render audio, its instant playback, faster than i can hit home and l. I have tried to make the files complex with many many filters and effects on audio but no dice.
exported time lines, and sending projects to SG, AE, audition everything works just fine, but its like i will fill up my audio previews HDD with nothing but empty folders. anyone had this issue before? I have settings set to render audio at the same time as video.
those are the only bugs as of now to report. this sytem like i said at stock speed is blindingly fast for me and my work flow, I see a loooong life for this computer.
thank you for reading and thank you all for your input on my little issues, it will save my hair.
Erik.

New Premier Pro User Introduction and Comments

Just wanted to introduce myself as I plan to be a frequent reader and hopefully contributor to this forum and in the hope that a few of the comments below will be useful.
First, to show my age, I began video editing back in the early 1990's with the Amiga and the Video Toaster. Later I began editing in Vegas Pro and Edius. In 2007 I largely left the PC platform for Macs, and almost immediately purchaed Final Cut Pro which I have used as my NLE on an eight core (2.8 GHz) 3.1 Mac Pro equipped with a 2 TB Raid 0 array of SATA drives as well as an external Raid 5 8TB SATA system for backups. Although video editing is just a hobby for me, I am serious about it and feel fairly competent in FCP.
With the arrival of the MPE and 64-bit support for Adobe's Premier Pro, I was attracte to trying this editing package which I had obtained in a purchase of the Production Premium package for the Mac. When I received the PP package a few months ago, I installed all the software and briefly tried PP and the other software components in the package but I did not do any serious projects with PP at that time.
Recently, I was involved in video recording a three camera shoot of a piano concert given in my home by my pinao teacher. We used two HDV cameras and my Canon 5D Mark II for the video and an Edirol R-09HR recorder optimally placed for recroding my Yamaha grand piano. I wanted to do a multicamera edit of the one hour concert, but I found this possible but very contorted to do in FCP (with the assistance of PlurarEyes for synching the externally recorded audio with the video). It was at that point that I became serious about learning and using PP CS5.
To get into PP CS5 in the fastest possible manner, I purchased the Learn by Video series on PP CS5 presented by Maxim Jago and Jan Ozer. I feel this is an outstnading video tutorial on using PP CS5. I also decided to upgrade the video card in my Mac Pro 3.1 from the Ati 2600XT card (which does not support the MPE with CUDA) with the nVidia GTX 285 which does. I was able to purchase a new overclocked GTX 285 on eBAy and installed it in my Mac Pro. I also purchsed PluralEyes for PP for synching the external audio in PP.
My experience with this rather large multi-camera project hs been excellent. Not one crash in many hours of work on the project! The GTX 285 easily handles rela time playback with no dropped frames in the timeline. I am impressed with the ease of doing a multi-camera edit in PP CS5 and in general very pleased iwth the program. The most difficult thing I have had to adjust to is the difference between PP CS5 and FCP in terms of getting video and audio into the timeline where I want it in PP. It's not difficult to do, but just sufficiently different that I found the PP CS5 video tutorials that I had purchased very useful in learning how to move video and audio around and patch to precise locations in PP.
Well, enough for now. I have much yet to do to complete this multicamera project, but I have been actively monitoring this forum for months now and simply wanted to say thanks for all I have learned here as well as to just say "hello".
Tom

just took me a while to find it as I don't think I have ever even visited the Video Lounge.
Tom,
Now that you have discovered our "little secret," do not be a stranger. We're a pretty loose, but friendly crew around the forum - both in the Lounge and out in the technical product forum.
Though some technical "stuff" does get posted here, one is usually better off in the product forum, as more users will see the post. Now, "technical" is a slightly abstract term. We've had mic. options explored here, camera options, and of course snakes. When the technical aspect gets to Adobe products, then the main fora are obviously the best locations.
There is also the Hardware sub-forum, and it's great for technical discussions on hardware. Most of that discussion revolves around using Adobe products on said computer, but a lot is general computer talk and questions.
If the discussion gets to authoring DVD/BD, then the Encore Forum is the right place, even though Encore now only ships with PrPro. One reason to break things off there is that some Encore gurus do not hang out here. Considering your audio background, one such individual is Neil Wilkes, the Encore audio-guru. He seldom shows up in the PrPro fora, but is usually not that far away in the Encore forum.
That's just a little breakdown of these fora.
Enjoy PrPro, and thanks for the intro and the thoughts,
Hunt

Introduction and java simple editor

Hi All,
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1 .month complete java basic and class library.
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1 month completing J2EE.
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To confused_in_java:
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With Vignesh R. P.
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Hi Vignesh
Is there is any limitation to connect a N2K directly to the N7K?
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I Thank you in advance.

Newbie here, but I think I have some info that might help.
Applets can be tricky because you have to bank on the fact that your users are running either the same runtime environment as you or better. Example, you are developing with SDK 1.3, your clients must be running JRE 1.3 or higher. And it sounds like you want to maybe use Swing (GUI) elements in your applet. That makes applets even more tricky. You might want to look at the suggestion of doing this in DHTML or possibly with some kind of server-side scripting like PHP or Miva. That's my suggestion, but I know little of applets and such, so I may be totally off. I do know, however, that you have to be careful of the SDK you use.
James McConnell

Introduction and downloading Safari

OK folks, I give up .... I'm lost. I don't know how to even get started with Safari. How and where do I download this software? I have found loads of information about Safari, 'What's new?', 'Importing exporting bookmarks' etc., but I just can't find out where to download it. I thought I'd found it once, the page was titled 'Safari Support' in big letters and on the right was the word 'Installation'. "Ah, found it at last" I thought, but when I clicked on it I found myself reading about installing Tiger. "What! Where did that come from?"
I went to the Download page and typed 'Safari' in the search box, but anything but Safari popped up in search results. So please, help me out here folks, I usually have problems understanding computers and web sites, embarrass me and show me what an idiot I've been and show me how it's been staring me in the face. How do I get started with this programme? How do I install this programme?
G4 400MHz Mac OS 9.0.x

Ah, drat, can't have it then eh! Well, actually, it looks like it might not solve the problem I've got anyway because I've just seen a posting asking why Safari hasn't got 128 encryption. I'm having problems joining PayPal because I can't see their Joining page and it might be the encryption rate, or the cookies need deleting. I've got the most up-to-date Internet Explorer. I know they've stopped upgrading and supporting that now. Anyway, thanks for the Icab suggestion.
G4 400MHz Mac OS 9.0.x
G4 400MHz Mac OS 9.0.x

Introduction and newbie question

Hi all
My name is Dave and I live and work in Yellowknife, NWT, Canada.
I have only had CS5 for a couple of weeks now and during that time have been reading and watching tutorials online trying to learn the in's and out's of Priemer Pro.
I am working on a project that is comprised of stills and video footage.
I am trying to figure out why when I insert a group of stills into the project all of the stills are there (proper names and files) but when I play or scroll through the timeline all of the images seem to be copies of the first image (ie. when the default 5 seconds of the first image is up and it should transition to the second image the video continues to play (including audio) but the image doesn't change.
I have done some searching for resolutions to this issue without any luck.
Thanks in advance for any help you can offer.
Dave

My apologies Jayson
The issue was indeed a file size issue, it just manifested it's self differently than it did for the OP in that post.
I did a batch resize in PS and all is good.
I had resized those images already from very large files down to 1024X768 but I guess that was still to large for PP to deal with.
Thanks again for the info.
Dave

MSI PE70: Introduction and Features

It’s not every day we introduce an all-new series of notebooks, but it does happen. This time, it’s a system not aimed at gamers, but rather a system that sits beneath our Workstation lineup on the professional side of things – the Prestige series, or P series.
With its 100% sRGB panel, high-performance CPU and NVIDIA GeForce GTX 950M or 960M graphics, it promises to be a great fit for professional editors around the world. Have a look at our introductory video below and see what we’re on about.

I would like to recommend people checking out MSI computers to take a look at the Nahimic sound enhancement software. The sound is so beyond expectation.
Check this out and just imagine watching a horror movie with it.

SNC introduction and how to setup

Hi Friends,
I want to setup SNC with SAPERP04 system. Can anyone help me with suitable document which elaborates what is SNC and how to connect to SAP System using Java client?
Thanks in advance.

hi Naveen,
Pleasese visit
http://help.sap.com/saphelp_nw04s/helpdata/en/0a/0a2e0fef6211d3a6510000e835363f/content.htm
http://help.sap.com/saphelp_nw04/helpdata/en/c3/d2281db19ec347a2365fba6ab3b22b/content.htm
Regards.
Ruchit.

NetApp Manageability (NM) SDK 5.4 - Introduction and Download Information

The NetApp Manageability SDK provides resources to develop applications that monitor and manage NetApp storage systems. SDK Help provides information about core APIs, which provide infrastructure to invoke Data ONTAP® APIs, OnCommand Unified Manager [DataFabric Manager] APIs . The NetApp Manageability SDK 5.4 supports API Bindings for both Data ONTAP® APIs and OnCommand® Unified Manager APIs. The API Bindings libraries contain interfaces to establish a connection with either the Data ONTAP server or the Unified Manager [DataFabric Manager] server. By using these libraries, you can create applications to access and manage clustered Data ONTAP or OnCommand Unified Manager. NetApp Manageability SDK 5.4 API Bindings includes the following new feature:API Bindings for Data ONTAP 8.2.3 and 8.3.1 NetApp Manageability SDK 5.4 API Bindings are available free of cost to customers and partners. You must accept the End User License Agreement at the time of downloading the NetApp Manageability SDK 5.4 API Bindings. Download Information: NMSDK is available free-of-charge through the NetApp Support site. To access NMSDK, partners and customers need to sign-up for it. Create a NetApp Support Site login, if you do not have one.
http://mysupport.netapp.com Download NMSDK package. You can find the zip file at the following location on the NetApp Support Site:
http://mysupport.netapp.com/NOW/cgi-bin/software Documentation is available at the following location on the NetApp Support Site:
https://mysupport.netapp.com/documentation/productsatoz/index.html

Since the Perl bindings to the XML API is mapped in the OntapClusterAPI.pm library file, this is one correction you can make yourself.   In OntapClusterAPI.pm, each entity - APIs, Types, etc. - is described as a hash. The "service-processor-info" type is defined on line 67693 of the SDK 5.4 version. In the "fields" key, I added an appropriate entry to define "ipmi-version" as follows: 'service-processor-info' => { 'category' => 'service-processor',
'fields' => {
'device-revision' => {
'type' => 'string',
'flags' => 4,
'scope' => [],
'firmware-version' => {
'type' => 'string',
'flags' => 4,
'scope' => [],
},## more fields here - skipped for brevity   },}, Add an entry in the 'fields' key as:   'ipmi-version' => {
'type' => 'string',
'flags' => 4,
'scope' => [],
}, And now the API call will work because the Perl binding will understand everything coming back from the ZAPI call... C:\work\test>ipmi.pl
$VAR1 = {
'attributes' => {
'service-processor-info' => {
'firmware-version' => '1.4.1P3',
'type' => 'sp',
'ip-address' => {
  'ip-address' => [
'XXX.XXX.XXX.XXX'
  'part-num' => 'Not Applicable',
'device-revision' => 'Not Applicable',
'is-ip-configured' => 'true',
'is-autoupdate-enabled' => 'true',
'ipmi-version' => '2.0',
'status' => 'online',
'node' => 'xxxxxxxxx',
'mac-address' => '00:11:22:33:44:55',
'serial-num' => 'Not Applicable'
Yes, you may notice, I eschew the PowerShell toolkit in favor of Perl even though I typically use a Windows scripting box. The Perl API bindings are way more expressive and convenient than is the PowerShell toolkit, espeically when accessing Advanced or Diagnositic level ZAPIs. Hope this helps you! Bob

Problem with Lightroom and Infrared Photography

This problem is specifically related to using LR & PS to process Infrared images. I apologize if this forum may not be the correct place to ask this question. I am having problems processing Infrared Images when using LR & PS. I take my IR images with a 530 IR conversion to a Canon G12 camera. I learned early on Adobe products don't play well with IR images (they come in magenta when importing ) so I bring IR images shot withmy G12 into my computer with Canon Digital Photo Professional and then work in LR & PS from there.
If I then directly open this imported image from my hard drive into Photoshop and try and do adjustments such as blue sky adjustments with a red/blue channel swap, it works fine, just as I would expect.
(If you are not familiar with IR processing, I understand this introduction and question will not make sense)
But when using Lightroom, I sometimes have issues. I always import all my images into LR. Even with IR images, after using DPP to bring them to my computer, I import them into LR for cataloging purposes and to make other potential adjustments. Then my usual workflow is to move photos from LR to Photoshop via the "edit in" command. This opens a dialog box giving a choice of "edit a copy with LR adjustments" which is the default option and the one I always use, or "edit original".
Here's the interesting thing I finally discovered.
If I send the photo from LR to PS using the "edit a copy with Lightroom adjustments" option, I get a bad blue sky effect, where the sky is green and the foliage is pink instead of the sky being blue and the foliage yellow. But if I send it to PS using the "edit original" option, the blue sky effect works fine.
So there appears to be an issue when tring to send IR images from Lightroom to Photoshop. Any thoughts?
Thanks,
Matthew Kraus

Thanks so much for working on this.
I fear the behavior you noticed was just due to the fact I cheanged the
file from 16 bit to 8 bit so the size was smaller and I could easily email
it. When I open any of my regular 16 bit files, whether I send them to PS
as "edit original" or "edit copy with lightroom adjustments", they both end
up as 16 bit and as far as I can see, seem the same, though obviously they
are not.
I don't really have a preset, but I'll walk you through the process.
1. Choose Channel Mixer from the Adjustment Pannel
2. Make sure the output channel is red, change the red channel slider from
100% to 0% and increase the blue channel slider from 0% to 100%. You can
type in the values.
3. Change the output channel to blue. Increase the red channel from 0% to
100% and the blue channel from 100% to 0%.
This is supposed to change the sky from brown to blue and the foliage from
blue to yellow and is what happens when you use the "edit original"
option. When you use the "edit copy with lightroom adjustments", the sky
turns green and the foliage pink. So you get 2 different behaviors,
depending on which option you use to bring the image from LR to PS.
That's my question, why do you get 2 different behaviors?
Thanks,
Matthew Kraus

Re-write numerical page numbers to roman numerals for an introduction?

Hi there everybody,
I've been attempting (for some considerable time!) to typeset and format a book. The book needs to have roman numerals running from the first title page (which is in reality left blank through using a secondary master page without page numbers). However, I didn't realise I would need to use roman numerals in the introduction, and instead started the page numbers from the first title page of the introduction. Therefore, my pages that are numbered by roman numerals (copyright page etc) stop at this point and in the introduction become numbers.
I need to change it so it is roman numerals up until the first page of the actual book, all through the introduction, but when I try to change it in the Numbers and Sections tab, it tells me that i've already used the numbers i've typed in.
Basically I would like to know how to take off the first set of roman numeral page numbers and start again??
I'm very confused!! Help would be MUCH appreciated.
Lucy

Is this any help?
Working with Page Numbers and Sections | Managing Pages and Books with Adobe InDesign CS6 | Que

So long and thanks for all the fish..

It is with delight that I am saying goodbye to BT after all these years. I have been with BT for over 7 years now and most of that time it has been great but this last year has been a total shambles with the amount of lies told by the recontract team and the bill department and now there have been demanding phone calls and letters from them as well.
When I recontracted in Jan this year (2013) it was because of a verbal agreement that I would still receive a loyalty discount when Fibre was in my area. 6 months later Fibre arrives and BT says no way am I getting a discount so no fibre. Then last month they alter the day the money is taken from my account by over a week taking before the beginning of the month so I get hit with bank charges.
After lots of phone calls they say that there manager will phone me back to sort it out but no phone call happens. I phone back and tell that enough is enough and that as a result I have cancelled my DD and will pay my bill on the old date of the 2nd and as it will be last bill they can either take it or leave it. The person obviously did not make a note of it as this morning a letter arrived saying that I need to pay my bill or my services will be restricted. I phone tham straight up and they are very evasive so the conversation ends with me asking for my MAC code.
2 hours later I get a phone call from the billing department telling me that I need to pay my bill and set up a DD or my services will be restricted. After explaining it all again he says he needs to put me through to the cancellations team to which he is told to sod off.
So new contract signed with a new provider (Talk Talk) which offers more for a lot less and should go live on the 15th which is when they will cancel my BT.
Of yeah one more thing, There team says that Talk Talk is the most complained about provider but just for the record they have a 0.37 per 1000 customer complaint ratio and that is going down. BT have 0.36 per 1000 customers and that is on the rise.
It is since BT added BT Sport that they really do not worry about keeping customers but sorry if you treat your customers badly then they will leave so again so long and thanks for everything but I have no confidence in you anymore as you have lied far to much...

We all know you think very highly of yourself, Austin, but this post of yours is amazing.
Before you accuse someone of not being "porfessional" perhaps you should learn even a moderate amount of who they are. There are many tools to accomplish just this, The Google springs to mind. (I might even add that you should pay heed to the built in Spell Checker.)
I'll give you a little start. You have that book by Alexis Van Hurkman, you know, the book every "real" colorist needs, "Color Correction Handbook," open it to page XV in the Introduction and peruse the list of names before settling to read the bottom paragraph.
Good luck,
z.

Xi introduction and indetail

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