Y cable protection 15454 MSTP 9.1

Dear all,
Would you please comment the following (in brakets are numbers of sections of the document "Cisco ONS 15454 DWDM Reference Manual, Release 9.1", http://www.cisco.com/en/US/partner/docs/optical/15000r9_1/dwdm/reference/guide/454d91_ref.html):
Issues with Y-cable protection (10.18 Y-Cable and Splitter Protection):
- In a MXP_MR_10DME card provisioned with Y-Cable protection, if a failure is detected on the active path, the traffic is switched to the protect card. In the process of performing the switch operation, the actual end-to-end traffic is affected for up to 15-20 seconds.
- There is a traffic hit of upto a couple hundred milliseconds on the MXP_MR_2.5G and MXP_MR_10DME cards in Y-cable configuration when a fiber cut or SFP failure occurs on one of the client ports.
So does the switchover takes "up to 15-20 seconds" or it takes "couple hundred milliseconds"?
Do you have experience with y-cable protection on "OTU2-XP" cards - how much time it takes for switchover?
Thanks in advance,
Mladen

The way I read the statements is the length of the outage will depend on where the outage occurs in the network.
If their is a cable break in the network between the 15454 nodes, then the outage could be 15-20 seconds.
If the failure is between the 15454 card and the client port, then the outage will be a couple of hundred milliseconds.
I do not have experience with the OTU2 cards.

Similar Messages

15454 MSTP Y-Cable protection in conjunction with patch-throughs

I have a circuit configured with Y-cable protection on two ends. One of the paths has a patch-through one the client ports at one of the nodes (these are all on MXP MR 2.5G cards), and the protection does not fail over properly. Does anyone know if they Y-cable can be used in conjunction with a patch somewhere downline? Thx.

Have you checked the configutation of the MXP card for Y cable protection.
If that is fine then probably the protection is not working for your MXP card maybe because of software/harware problem.
I am quite sure that patch through in between will be a problem.
check this link i think ur card is different but can be problem with ur card too
http://www.cisco.com/en/US/ts/fn/620/fn62823.html

Dual Ring Capabilty for ONS 15454 MSTP

Hi!
I am designing a MPLS over DWDM network which consist of one core DWDM ring and several regional DWDM ring using ONS 15454 MSTP. I would like to connect the regional ring to the core ring via P router in this case Cisco 12406GSR. My major concern now is to reduce the number of boxes especially on the DWDM part. Can an ONS box connect to 2 DWDM ring, regional and core directly without using a router in the middle. Apreciate your expert opinions. Thanks.
Rgds
Helme

Core DWDM ring and Regional DWDM ring are built using ROADM cards for full add/drop flexibility. Wavelengths can be engineered to pass between rings by physically patching at the wavelength level. By using the Mesh/Multiring Upgrade card (available today - see data sheet below) you can prepare the network for Degree-N capability, allowing multiple rings to be connected via a single point with dynamic wavelength provisioning across the rings.
http://www.cisco.com/en/US/products/hw/optical/ps2006/products_data_sheet0900aecd803fc502.html

Latency in MXP on ONS 15454 MSTP

Hi!
Have a question concerning latency in MXP for ONS 15454 MSTP. How do you define and measure it? I mean in for MXP you basically mux many client signals in to one lambda. Since this muxing requires O-E-O process there got to be some latency? Or is the values to small that it become neglible and we dont have to worry about it. My customer is asking me this and I cant come up with a definitive answer. To me there's practically none, it work at optical level, as to determine latency it is enough just from looking and end-to-end ping result on client side. Apreciate your expert advice.
Rgds
Helme

You are correct, there's practically none. To determine latency it is enough just from looking and end-to-end ping result on client side

DWDM: ONS 15454 MSTP M6 TNCE and TSCE

In a ONS 15454 MSTP M6 chassy (DWDM) both Transport Node Controller (TNC) and Transport Shelf Controller (TSC) cards can be installed in slot 1and 8 to perform system initialization, provisioning, alarm reporting, maintenance and diagnostics.
Can someboby clarify the following:
1) What is the difference between a TNCE and TSCE Card? (The only difference I found is that TNCE can be configured with one or two SFP ports to provide the OSC termination while TSCE not. Are there other differences? )
2) Is it possible to intall in the same 15454 M6 chassy one TNCE and one TSCE card?
3) Are there any circumstance under which is mandatory to install the TNCE card?
4) Is there any suggested cisco documentation or book explaining it in details?
Thanks

You can use an Mutiple M6 chassis in one node in a Multi Shelf configuration the TNC cards are designed to go in the the Primary or 1st node and you can use the TSC cards in the other nodes and connect them together using the MSM ports on the ECU cards.
Yes your are correct regarding the OSC ports are not enabled on the TSC cards. The TSC cards are a lower cost then the TNC cards as they are only for use with a subtended shelf.
2) Is it possible to intall in the same 15454 M6 chassis one TNCE and one TSCE card?
I dont believe so however you can install just a single TNCE card in a chassis if you don't require redundancy
3) Are there any circumstance under which is mandatory to install the TNCE card?
I believe a TNCE card is required for any node in a standalone configuration or in a Multi Shelf configuration.

ONS 15454 MSTP Client Connection Options

Hi!
Have questions regarding client connection options to ONS 15454 MSTP. FYI, I have experience on ONS 15540 ESPx and I usually connect client to the ONS using transponder like this
ONS 15540 ESPx
Client<->transponder<->OADM<->OADM<->transponder<->client
I am new to ONS 15454 MSTP and from the reference manual I understand that the it can be configured as hub, passive oadm, anti ase etc. My questions is how does the client get connected to each of this configurations
For example, for a passive or amplified nodes the client connections would be like this
ONS 15454 MSTP
client<->transponder<->OADM<->OA<->OA<->OADM<->transponder<->client
What about hub nodes where mux/demux card are used, where does the client connect,I do understand that these cards have to be used in pairs.
As always,appreciate your expert opinions and if you can point me to a web link that would be even better. Many Thanks.

In both cases, the client (assuming it has a non-ITU output) will connect via a transponder or muxponder card. This takes the client signal and converts (with multiplexing in the muxponder case) the client signal into an ITU wavelength.
On the MSTP, the ITU port on the transponder/muxponder is then physically patched into the appropriate port on either ROADM, OADM or Mux/Demux cards.
To directly answer your question, on a hub node equipped with Mux/Demux cards, the Tx from the Transponder is connected to the Mux card, and the Rx connected to the Demux. Likewise, at the node where the wavelength is dropped (eg at an OADM site), there will be an equivalent transpoder connected to the OADM module (Tx and Rx at wavelength xyz).
The transponders/muxponders may be in the same shelf, separate shelves, or you may use a direct ITU connection from devices such as a DWDM GBIC, an SDH DWDM card or 10GE XENPAK from Catalyst 6500.
As long as you have designed the network to take the appropriate interface types into account, you should be fine.

Some boards of 15454 MSTP support 82channels, how?

Hi all
Because the DMX-40-C and DMX-40-CE only has 40 channels, at most we can see they only support 80 channels, how can the systems support up to 82 or 41 channels?

15454 can support total 112 wavelngth 80 in C band and 32 in L Band.
But cisco have defined 82 wavelngths in C band and 80 Wavelngths in L Band.
So you will have ONLY 80 Channels in C band but if you have tunable laser it CAN be tuned over the 82 wavelngth defined by Cisco.
So 15454 support 80 channels from that 82 list
For DWDM wavelngth see the link
http://www.cisco.com/en/US/docs/optical/15000r7_0/dwdm/reference/guide/d70cdref.html#wp331045

ONS 15454 MSTP & SNMP for MRTG

I can't find regular oid for optical power and span loss. I need them for mrtg statistics.

I have not found an SNMP value for span loss but you may be able to calculate it as the difference between the transmit power and rceive power across a span. You may want to look at cOpticalParameterValue 1.3.6.1.4.1.3607.2.30.1.1.1.3 and cMsDwdmIfTransportPower 1.3.6.1.4.1.3607.2.40.1.2.1.3 as the base OIDs for ports on OPT-BST, OPT-PRE, and MXPP cards. So far for me the values are matching up with those presented in CTC. I'm running sw version 8.5 so things may be different if you are running a significantly different version. To see RX power I add on to the base OID... cOpticalParameterValue.%inst%.1.1 . It is similar for TX and laser bias power etc. TX power = cOpticalParameterValue.%inst%.2.1 . Bias= cOpticalParameterValue.%inst%.2.5 .
I hope this helps!

Upgrade ONS15454 MSTP from 7.0 to 9.8

Hi all
I would like to some help that customer need to upgrade ONS15454 MSTP from version 7.0 to 9.8. So, I may need some help
1. how to upgrade it ?a
2. Is it possible to direct upgrade to 9.8?
3. I saw many file information in cisco web site, and which one i must to download it ? ( ONS 15454 R9.8.0 System Software for MultiService Transport Platform, ONS 15454 R9.8.0 System Software for Multiservice Transport Platform - Lite Version for TCC2P/TCC3 -WSON) I do not know which one is to using
4. what should i know that my card support version 9.8? In my idea, i think it should be support but i may need confirm or information from this before. (my card have OSC-CSM, OPT-PRE, AD-2C, MXP-10DME and TCCP2)
5. Have any interrupt between upgrade ? and Is it upgrade in each TCCP2? because that may help when card reset or reboot. And the traffic still flow to another TCC2P.
Thanks
V

1. I try to using your upgrade tool, my ONS15454 is SDH version 7.0 so, I can choose only 9.3 for destination version. It means that i must to upgrade to 9.3 first and then go to 9.6 and 9.8, Correct?
yes it is true you go directly to 9.3.0, it is not a multi-shelf node.
please be sure that your software version is 7.0.0.
So upgrade path is 7.0.0 to 9.3.0
2. Is it possible to upgrade without downtime ? as my understand that ONS15454 have 2 site (east and west), Can i do upgrade east site before west site? and when finish upgrade east site and go to upgrade west site after that, can i ?
becase as i understand when finish upgrade per site all card in that site will reboot, so, i think that another site will take the traffic without downtime. I don't sure that i am correct or not if you have any mention please let's me know
no not possible without downtime,
there will be a traffic hit or 10seconds or less than that, it you are using MXP_MR_2.5G cards without Y-cable protection. same for GE_XP cards there will be a traffic loss for few seconds.
yes you can upgrade east node and after that upgrdae west node, but not like doing upgrade to 9.8 for one node and another still on 7.0
3. I don't have multishelf, i just have one shelf per site
4. I have plan to upgrade to customer soon, but i may need to give a plan for them. But right now, i may confuse about the way and solution to upgrade that include how and impact to upgrade.
1. There will be a traffic impact on MXP and GE_XP card for less than 10 seconds.
2. If MXP client ports are y-cable provisioned, than upgrade will be error less, in case of Y-cable protection just lock protection before proceeding to upgrade.
3. traffic will impact as MXP cards have to do FPGA upgrade also and for this they will take a reboot, but in case of y-cable other card is taking over.
4. As you have TCC2P card, so always select lite versions, if its SDH than SDH-DWDM.
5. also if possible, arrange spare TCC2P card, atleast one at each site, just to be on safe side.
6. here is the path which you have to follow:
7.0.0 to 9.3.0
9.3.0 to 9.6.0
9.6.0 to 9.8.0
also please feel free to reach for any queries.

Amount of Lamda supported on 15454

I have beed receiving conflicting information on the amount of lamda's a 15454 can support on the DWDM environment. I sometimes hear 32 other times I hear 40. I might be related to the version of software.

There are multiple options; 40 channel and 32 channel mux/demux filters.
From what I can gather from the data sheet, the 15454 MSTP will support 80 C-Band and 32 L-band channels (112 channels total).
MSTP Data Sheet
<http://www.cisco.com/en/US/prod/collateral/optical/ps5724/ps2006/ps5320/product_data_sheet09186a00801849e7.html>

Need key commands list - complete

can someone do me a favor and email me the clipboard output of the comprehensive key command list? i'm not in a position to do this myself right at the moment. if someone chimes up, i'll reply with the email address to send it to. no formating or anything is necessary.
also, for those that use key commands a lot and have some complex customization, what is your opinion on its reliability? my questioning is due to the possible utilization of a remote session of logic, receiving custom MIDI sysex commands to basically remote control functionality via MIDI. (i will be sending commands via TCP, but there will be a local server sending MIDI to the host machine) do key commands ever not execute? if you send a rapid sequence of key commands, do they execute in a predictable fashion? etc...

Why do you need to use Sysex commands? They're so much more complicated to program and keep track of...
In terms of reliability, sometimes I find that key commands "go bad". This is almost always a case of "key label" commands going bad and to fix the problem they need to be re-programmed as "key position". That's the only buggy behavior re key commands, aside from the bugs in the key command window itself. But that's another story. Here's the list:
-------- Global Commands --------
* Record
•Record Repeat
Tab •Record Toggle
sh - 18 •Capture Last Take as Recording
•Capture Last Take as Recording & Play
Enter Play
; Pause
Return Stop
Space Play or Stop
Rewind
Forward
Fast Rewind
Fast Forward
Rewind 1 frame
Forward 1 frame
Rewind by format value
Forward by format value
Shuttle Rewind
Shuttle Forward
Scrub Rewind
Scrub Forward
Scrub by MIDI Value (-2-)
ct 0 •Play from Beginning
•Play from previous Bar
•Play from Left Locator
•Play from Right Locator
•Play from left window corner
Goto Left Locator
ct Enter Goto Right Locator
Goto Last Play Position
Stop Goto Last Play Position
Stop Goto Left Locator
op co G •goto Position...
. Set Left Locator...
ct . Set Right Locator...
sh [ Set Left Locator by Song Position
[ Set Left Locator by rounded Song Position
Set Left Autodrop Point by Song Position
Set Left Autodrop Point by rounded Song Position
sh ] Set Right Locator by Song Position
] Set Right Locator by rounded Song Position
Set Right Autodrop Point by Song Position
Set Right Autodrop Point by rounded Song Position
Set Locators by Regions
op O Set rounded Locators by Regions/Events
ct X •Set Locators & Play
X •Set rounded Locators & Play
•Set rounded Locators & Cycle Play
•Set rounded Locators & Record
•Set rounded Locators & Cycle Record
Swap Left and Right Locator
Move Locators forward by Cycle Length
Move Locators backwards by Cycle Length
sh Enter •Play from Selection
•Goto Selection
ct a Create Marker
sh a Create Marker without rounding
Create Marker by Regions
Delete Marker
sh M Open Marker List...
Open Marker List as Float...
Open Marker Text...
Open Marker Text as Float...
Set Locators by Marker & Enable Cycle
Set Locators by previous Marker & Enable Cycle
Set Locators by next Marker & Enable Cycle
sh -123 Goto Previous Marker
sh -124 Goto Next Marker
Goto Marker Number...
sh - 85 Quick Edit Marker
ct 1 Goto Marker Number 1
ct 2 Goto Marker Number 2
ct 3 Goto Marker Number 3
ct 4 Goto Marker Number 4
ct 5 Goto Marker Number 5
ct 6 Goto Marker Number 6
ct 7 Goto Marker Number 7
ct 8 Goto Marker Number 8
ct 9 Goto Marker Number 9
ct op 0 Goto Marker Number 10
ct op 1 Goto Marker Number 11
ct op 2 Goto Marker Number 12
ct op 3 Goto Marker Number 13
ct op 4 Goto Marker Number 14
ct op 5 Goto Marker Number 15
ct op 6 Goto Marker Number 16
ct op 7 Goto Marker Number 17
ct op 8 Goto Marker Number 18
ct op 9 Goto Marker Number 19
ct op co 0 Goto Marker Number 20
Select Previous Song
Select Next Song
Select Song 1
Select Song 2
Select Song 3
Select Song 4
Select Song 5
Select Song 6
Select Song 7
Select Song 8
Select Song 9
Select Song 10
Select Song 11
Select Song 12
Select Song 13
Select Song 14
Select Song 15
Select Song 16
Select Song 17
Select Song 18
Select Song 19
Select Song 20
C Cycle
Drop
Replace
S Solo
op -  1 •Set Solo Lock Mode
ct op co -  1 •Reselect Solo-locked Regions
Solo off for all
Mute off for all
sh ct * Record off for all
Sync intern/extern
•Tap Tempo
MIDI Machine Control
sh ct op * Toggle MIDI Remote (always MIDI remotable)
Disable MIDI Remote
co 3 •Set next higher Format
co 2 •Set next lower Format
N MIDI/Monitor Metronome Click
Send Reset Controllers
sh Help Send discrete Note Offs (Panic)
Send Maximum Volume
Send Used Instruments MIDI Settings
Send All Current Fader Values except Sysex
Send All Current Fader Values
•Revert to Current Screenset
Copy Screenset
Paste Screenset
Lock/Unlock Current Screenset
•Next Screenset
•Previous Screenset
- 83 Recall Screenset 1
- 84 Recall Screenset 2
- 85 Recall Screenset 3
- 86 Recall Screenset 4
- 87 Recall Screenset 5
- 88 Recall Screenset 6
- 89 Recall Screenset 7
- 91 Recall Screenset 8
- 92 Recall Screenset 9
sh op co C Copy MIDI Events...
sh ct X Extended Region Parameters...
Import Settings...
Open Synchronization Song Settings...
sh N Open Metronome Song Settings...
Recording options...
Open Tuning Song Settings...
sh ct -106 Open Audio Song Settings...
ct -106 MIDI options...
sh ct C Chase Events...
Open Score Song Settings...
Open Video Song Settings...
Preferences...
Open Global Preferences...
-106 Open Audio Preferences...
Open MIDI Preferences...
Open Display Preferences...
sh ct co S Score Preferences
Open Video Preferences...
sh F14 Open Automation Preferences...
Open Control Surfaces Preferences...
Open Surround Preferences...
Initialize All Except Key Commands...
Start Logic Setup Assistant...
Start Logic AU Manager...
Import File...
sh F1 Open Event Editor...
co 1 Open Arrange Window...
Open Track Mixer...
F3 Open Score Editor...
co 4 Transform
Open Hyper Editor...
Open Matrix Editor...
co 7 Open Transport...
F8 Open Environment...
co K Open Step Input Keyboard
\ Open Audio Window...
Loop Browser...
sh co - 14 Open Sample Editor...
EXS24 Instrument Editor
Open Project Manager...
Open Signature Changes List...
ct F1 Toggle Event Float
F1 Toggle Event Editor
Toggle Arrange Window
co M Toggle Track Mixer
sh F3 Toggle Score Editor
Toggle Transform
Toggle Hyper Editor
F2 Toggle Matrix Editor
F4 Toggle Transport
Toggle Environment
Toggle Audio Window
Toggle Sample Editor
Toggle Signature Changes List
Start external Sample Editor
sh / Open System Performance...
TDM DSP Usage
T Open Tempo List...
Open Tempo Operations...
Open Tempo Interpreter...
K Open Key Commands...
ct C Open Object Colors...
Open Movie...
sh co F Open Movie as Float...
Open Movie Again
sh ct op A Open Movie Again as Float
Find Scene Cuts
Remove Scene Markers
/ Open Audio Record Window...
•Toggle (Mute) Audio Inputs
•Toggle (Mute) Audio Tracks
•Toggle (Mute) Audio Aux
•Toggle (Mute) Audio Bus
•Toggle (Mute) Audio Outputs
Toggle Current Track Automation Off/Read
Set Current Track to Automation Read
Toggle Current Track Automation Touch/Read
Toggle Current Track Automation Latch/Read
Toggle Current Track Automation Write/Read
Toggle Current Track Automation MIDI/Read
Set All Tracks to Automation Off
ct op co R Set All Tracks to Automation Read
Set All Tracks to Automation Touch
Set All Tracks to Automation Latch
Set All Tracks to Automation Write
Set All Tracks to Automation MIDI
co E Automation Event Edit...
sh F15 Track Automation Settings...
Toggle Automation controlling Volume
Toggle Automation controlling Pan
Toggle Automation controlling Mute
Toggle Automation controlling Send Levels
Toggle Automation controlling Plug-in parameters
Toggle Automation controlling Solo
Toggle Automation Quick Access
Toggle Group Clutch
Open Group Settings...
Write To End
Write To Right Locator
Delete currently visible Automation Data of Current Track
Delete All Automation Data of Current Track
Delete Orphan Automation Data of Current Track
Delete All Automation Data of All Tracks
sh ct R Move Current Region Data To Track Automation
Move Current Track Automation Data To Region
Move All Region Control Data To Track Automation
op co M Move All Track Automation Data To Region
Refresh Freeze Files
•Refresh Audio Configuration
- 75 Audio Hardware Setup
ct \ Audio Configuration
co \ Set Audio Record Path...
Toggle Punch On The Fly
Toggle Auto Input Monitoring
sh ct / Toggle Pre-Fader Metering
sh Space Clear Overload Flag in Audio Channel Display
Toggle Velocity Engine support
co W Close Window
co Esc Close Floating Window
Esc Close Window or Song
Close Song without Save
sh F Select Next Window
sh R Redraw current window
co N New...
Initialize Song
co O Open...
Project Settings...
Clean up Project...
Consolidate Project...
Rename Project...
sh co W Close
co S Save
ct -  1 Save Song as...
Save a Copy As...
Save as Template...
Save as Project...
Revert to Saved...
Page Setup...
co P Print
Import...
Export Selection as MIDI File...
Export Region as Audio File...
Export Track as Audio File...
Export All Tracks as Audio File...
Export Song as OMF File...
Export Song as OpenTL File...
Export Song as AAF File...
Song to FinalCut Pro/XML...
Bounce...
co Q Quit
co Z Undo
sh co Z Redo
Undo History...
Delete Undo History
co X Cut
co C Copy
co V Paste
-117 Clear
co A Select All
co F4 Zoom Window
Tile Windows
Tile Windows horizontally
Stack Windows
Import Audio File...
Next Plug-In Setting
Previous Plug-In Setting
Next EXS Instrument
Previous EXS Instrument
Next Plug-In Setting or EXS Instrument
Previous Plug-In Setting or EXS Instrument
Next Channel Strip Setting
Previous Channel Strip Setting
Copy Channel Strip Setting
Paste Channel Strip Setting
Save Channel Strip Setting as...
Next Channel Strip or Plug-in Setting or EXS Instrument
Previous Channel Strip or Plug-in Setting or EXS Instrument
Plug-in Delay Compensation: All
-------- Various Windows --------
•Show Tools
•Set Next Tool
•Set Previous Tool
W •Set Arrow Tool
R •Set Scissors Tool
•Set Glue Tool
•Set Eraser Tool
•Set MIDI Thru Tool
E •Set Text Tool
•Set Solo Tool
•Set Pencil Tool
•Set Crosshair Tool
•Set Mute Tool
•Set Finger Tool
•Set Layout Tool
•Set Magnifying Glass Tool
•Set Size Tool
•Set Voice Separation Tool
•Set Camera Tool
•Set Velocity Tool
•Set Quantize Tool
•Set Audio Crossfade Tool
•Set Automation Tool
•Set Marquee Tool
sh G Toggle Global Tracks
Toggle Signature Track
Toggle Tempo Track
Toggle Chord Track
Toggle Beat Mapping Track
Toggle Marker Track
Toggle Video Track
Toggle Transposition Track
Hide All Global Tracks
Show All Global Tracks
ct Left Zoom Horizontal Out
ct Right Zoom Horizontal In
ct Down Zoom Vertical Out
ct Up Zoom Vertical In
co F1 •Recall Zoom 1
co F2 •Recall Zoom 2
co F3 •Recall Zoom 3
sh co F1 •Save as Zoom 1
sh co F2 •Save as Zoom 2
sh co F3 •Save as Zoom 3
Zoom to fit Selection vertically & horizontally, store Navigation Snapshot
Zoom to fit Selection horizontally, store Navigation Snapshot
Zoom to fit Locators, store Navigation Snapshot
Store Navigation Snapshot
Navigation: Back
Navigation: Forward
PageUp Page Up
PageDown Page Down
Page Left
Page Right
1/3 Page Left
1/3 Page Right
1/8 Page Left
1/8 Page Right
Home Page Top
End Page Bottom
Page Left-most
Page Right-most
Scroll In Play
sh F4 Hide/Show Transport
Hide/Show Parameters
Hide/Show Toolbox
sh op co G Grid
Plain Background
A Catch Clock Position
Link Window (Same Level)
D MIDI Out Toggle
MIDI In Toggle
M Mute Folders/Regions
F12 Hyper Draw: Disable
F13 Hyper Draw: Volume
Hyper Draw: Pan
Hyper Draw: Modulation
Hyper Draw: Pitch Bend
Hyper Draw: Note Velocity
Hyper Draw: Other...
H Hyper Draw: Autodefine
-------- Arrange and Various Editors --------
co a •Go Into Folder or Region
a •Go Out of Folder or Region
Deselect All
sh ct T Toggle Selection
ct op co F Select All Following
Select All Following of Track
Select inside Locators
Deselect outside Locators
Deselect Global Tracks
sh U Select empty Objects
sh O Select overlapped Objects
op = Select Equal Objects
ct op S Select Similar Objects
= Select Equal Channels
sh = Select Equal Subpositions
ct op co M Select Muted Regions/Events
sh co 1 •Select First
sh co 2 •Select Last
Left •Select Previous Event
Right •Select Next Event
sh Left •Toggle Previous Region/Event
sh Right •Toggle Next Region/Event
-  5 Scroll To Selection
Q Quantize Again
•Quantize: next value
•Quantize: previous Value
sh Q De-Quantize
sh co F Note Overlap Correction
sh co C Note Force Legato
Select Top Line
ct op co Down Select Bottom Line
sh C Lines To Channels
co L Sustain Pedal to Note Length
co F Note Overlap Correction (selected/selected)
ct co C Note Force Legato (selected/selected)
co R Note Overlap Correction for Repeated Notes
•Delete Similar Objects
•Delete but Keep Similar Objects
•Delete and Select Next Region/Event
ct V Paste at original Position
Paste Replace
Erase Unselected within Selection
sh co R Repeat Objects...
J Merge Objects
Split Regions/Events by Locators
sh F5 Split Regions/Events by rounded Song Position
F5 Split Regions/Events by Song Position
ct op co P •Pickup Clock (Move Event to SPL Position)
sh ct P •Pickup Clock & Select Next Event
•Set Region/Event Start to SPL Position
sh \ •Set Region/Event End to SPL Position
ct op + •Nudge Event Position by SMPTE frame +1
ct op - •Nudge Event Position by SMPTE frame -1
sh ct + •Nudge Event Position by SMPTE Bits +1
sh ct - •Nudge Event Position by SMPTE Bits -1
ct + •Nudge Event Position by SMPTE frame + 0.5
ct - •Nudge Event Position by SMPTE frame - 0.5
•Nudge Event Position by SMPTE frame + 5
•Nudge Event Position by SMPTE frame - 5
•Nudge Event Position by Tick +1
•Nudge Event Position by Tick -1
ct op Right •Nudge Event Position by Format +1
•Nudge Event Position by Format -1
•Nudge Event Position by Beat +1
•Nudge Event Position by Beat -1
•Nudge Event Position by Bar +1
•Nudge Event Position by Bar -1
•Nudge Event Position by + Nudge Value
•Nudge Event Position by - Nudge Value
•Set Nudge Value to Tick
•Set Nudge Value to Format
•Set Nudge Value to Beat
•Set Nudge Value to Bar
•Set Nudge Value to SMPTE Frame
•Set Nudge Value to 0.5 SMPTE Frame
•Nudge Event Length by Tick +1
•Nudge Event Length by Tick -1
sh ct Right •Nudge Event Length by Format +1
sh ct Left •Nudge Event Length by Format -1
•Nudge Event Length by Beat +1
•Nudge Event Length by Beat -1
•Nudge Event Length by Bar +1
•Nudge Event Length by Bar -1
•Nudge Event Length by SMPTE frame +1
•Nudge Event Length by SMPTE frame -1
op Up •Event Transpose +1
op Down •Event Transpose -1
+ •Event Channel +1
- •Event Channel -1
P Positions/Time Ruler in SMPTE Units
co U Unlock SMPTE Position
ct op co - 37 Lock SMPTE Position
Snap Mode: Smart
Snap Mode: Bar
Snap Mode: Beat
Snap Mode: Format
Snap Mode: Ticks
Snap Mode: Frames
Snap Mode: QF
sh co D Snap Mode: Samples
Drag Mode: Overlap
Drag Mode: No Overlap
Drag Mode: X-Fade
Drag Mode: Shuffle L
Drag Mode: Shuffle R
-------- Windows showing audio files --------
ct op co W Show file(s) in Finder
-------- Arrange Window --------
Up •Select previous Track
Down •Select next Track
Left •Select previous Region
Right •Select next Region
ct op co D •Deselect All Regions Except Recording Track
•Set Track & MIDI Thru Parameters by Region/Folder
ct op co C Select Equal Colored Regions
Pack Folder
Unpack Folder
Unpack Folder (Use Existing Tracks)
Append Track to Track List
sh - 17 Create Track
sh ct Return Create Track with next Instrument
Create Multiple Tracks...
Delete Track
co D Delete unused Tracks
sh op co D Delete Redundant Audio Tracks
sh co T Tracks for Overlapped Regions
Tracks for Selected Regions
H Toggle Hide View
Hide Current Track and Select Next Track
Unhide All Tracks
Toggle Track Mute
Toggle Track Mute of all Tracks of Folder
Toggle Track Mute of all Tracks With Same Instrument of Song
Record Enable Track
Toggle Track Solo
ct op Down Individual Track Zoom In
ct op Up Individual Track Zoom Out
Toggle Individual Track Zoom
Auto Track Zoom
ct op co -  6 Individual Track Zoom Reset
ct op co T Individual Track Zoom Reset for All Tracks
Make Alias
Make Alias but Copy Folder
Turn Alias to Real Copy
Reassign Alias
Find Original of Alias
Select All Aliases of Region
Select All Orphan Aliases
Delete All Orphan Aliases
Audio Crossfade Options for Merge...
Merge Regions per Tracks
< Snip: Cut Time and Move by Locators
Insert Time and Move by Locators
Splice: Insert snipped part at Song Position
Demix by Event Channel
Demix by Note Pitch
ct op co F15 Empty Trash
ct op co F14 Open Trash
Create New Instrument
ct T Create Trackname
Delete Trackname
Move Selected Regions to track
Adjust Tempo using Region Length and Locators
ct op co O Set Region(s) to Recording Position
Convert Regions to New Regions
Convert Regions to New Audio Files
sh ct co - 37 Adjust Region Length to Locators
Adjust Region Length to Nearest Bar
Strip Silence...
ct op co A Open in Apple Loops Utility...
Copy ReCycle Loop
Paste ReCycle Loop
Search Zero Crossings
ct op co N Normalize
Normalize without Channel
Normalize without Channel & Delay
ct op co Q Apply Quantization Settings Destructively
L Toggle Loop
sh L Turn Loops to Real Copies
Turn Loops to Aliases
Erase Duplicated Events
ct op co X Set Optimal Region Sizes rounded by bar
Set Optimal Region Sizes rounded by denominator
Snap Region Start to Bar
Remove Overlaps
sh Tab Tie Regions by Length Change
op Tab Tie Regions by Position Change
Replace Overlapped Regions
Tie Regions within Locators
Insert Instrument MIDI settings as Events
Erase inside Locators
Erase outside Locators
ct E Erase outside Region Borders
Crop Regions outside Marquee Selection
Remove Groove Template from list
Make Groove Template
Import DNA Groove Templates...
Show Channel Strip Only
sh A View Track Automation
ct D Delay in ms
Region Content
sh op C Instrument Colors To Regions
sh op N Tracknames To Regions
Waveform vertical zoom x 1 (Normal)
Waveform vertical zoom x 2
Waveform vertical zoom x 4
Waveform vertical zoom x 8
ct op co -125 Waveform vertical zoom out
ct op co Up Waveform vertical zoom in
-------- Track &Mixer --------
Toggle MIDI Instruments
Toggle Audio Inputs
Toggle Audio Tracks
Toggle Audio Instruments
Toggle Audio Aux
Toggle Audio Busses
Toggle Audio Outputs
-------- Environment Window --------
New Standard Instrument
New Multi Instrument
New Mapped Instrument
New Fader/Knobs/...
New Keyboard
New Monitor
New Arpeggiator
New Transformer
New Delay Line
New Voice Limiter
New Channel Splitter
New Chord Memorizer
New MIDI Out Port
New Audio Object
Clear Cables only
Clean up Positions
Reset Sizes
ct A Align Objects
sh ct op Left Object move left
sh ct op Right Object move right
sh ct op Up Object move up
sh ct op Down Object move down
Object Width -1 Pixel
Object Width +1 Pixel
Object Height -1 Pixel
Object Height +1 Pixel
Hide/Show Cables
Protect Cabling/Positions
•Toggle Channel Display Default of Multi Instrument
sh ct T Toggle Selection
ct F Select Used Instruments
op G Select Unused Instruments
Select Cable Destination
ct op co / Select Cable Origin
Goto Layer of Object
Goto previous Layer
Send Selected Fader Values
Send All Fader Values except Sysex
Delete Layer
Insert Layer
Cable serially
Apply Buffer Template to Position and Size
Apply Buffer Template to Position
Apply Buffer Template to Size
Apply Buffer Template to Definition
Apply Buffer Template to Definition, channel increment
Apply Buffer Template to Definition, number increment
Apply Buffer Template to Cable(s)
-------- Score Window --------
Page Edit
Explode Folders
ct P Explode Polyphony
Hide/Show Instrument Names
ct op co H Hide/Show Page Rulers
Color View: individual
sh ct F14 Color View: Show Pitch
Color View: Show Velocity
Color View: Show Polyphony
Color View: Force Black & White
sh G Go to Page #...
ct op co V Paste Multiple
•Paste Multiple at original Position
Right •Next Event
Left •Previous Event
Down •Next Staff
Up •Previous Staff
sh ct D Default Syncopation
sh ct F Force Syncopation
sh ct G Defeat Syncopation
ct G Default Interpretation
ct F Force Interpretation
ct D Defeat Interpretation
Stems: default
- 23 Stems: up
- 19 Stems: down
Stems: hide
Stem End: Default Length
sh ct op Up Stem End: Move Up
sh ct op Down Stem End: Move Down
Voice/Staff Assignment: default
Voice/Staff Assignment: staff above voice
Voice/Staff Assignment: staff below voice
Ties: default
ct PageUp Ties: up
ct PageDown Ties: down
B Beam Selected Notes
U Unbeam Selected Notes
Default Beams
Not Independent
co I Independent
co G Independent Grace
Default Accidentals
sh ct 3 Enharmonic Shift: #
sh ct B Enharmonic Shift: b
ct [ Flats To Sharps
ct ] Sharps To Flats
Force Accidental
Hide Accidental
sh co G Guide Accidental
co N Reset Note Attributes
Reset Line Layout
op V •Align Object Positions Vertically
op H •Align Object Positions Horizontally
•Align Object Positions
Split To Channels
ct op co Up •Nudge Position Up
•Nudge Position Down
ct op co Left •Nudge Position Left
ct op co Right •Nudge Position Right
ct op co PageUp Open Score Style Window
ct op co PageDown Open Instrument Set Window
ct op co G Settings: Global Format
ct N Settings: Numbers Names
Settings: Guitar Tablature
Settings: Clefs & Signatures
Settings: Clefs & Signatures
Settings: Clefs & Signatures
Settings: Score Colors
Selection To New Instrument Set
•Partbox: 1/1 Note
•Partbox: 1/2 Note
•Partbox: 1/4 Note
•Partbox: 1/8 Note
•Partbox: 1/16 Note
•Partbox: 1/32 Note
•Next Partbox Symbol
•Previous Partbox Symbol
•Next Partbox Group
•Previous Partbox Group
•Attach Symbol: Fermata Up
•Attach Symbol: Fermata Down
- 47 •Attach Symbol: Staccato
•Attach Symbol: Staccatissimo
- 28 •Attach Symbol: Accent
•Attach Symbol: Strong Accent
•Attach Symbol: Long Accent
•Attach Symbol: Tenuto
sh ct U •Attach Symbol: Up-Bow
•Attach Symbol: Down-Bow
•Attach Symbol: Flageolet
sh ct P •Attach Symbol: Pizzicato
•Attach Symbol: Left Hand
•Attach Symbol: Right Hand
•Attach Symbol: Soft
•Attach Symbol: Heavy
•Attach Symbol: Jazz 1
•Attach Symbol: Jazz 2
•Attach Symbol: Jazz 3
•Attach Symbol: Jazz 4
•Attach Symbol: Jazz 5
•Attach Symbol: Jazz 6
sh ct W Insert: Slur Up
sh ct S Insert: Slur Down
co , Insert: Crescendo
co . Insert: Decrescendo
-------- Event Window --------
Left Scroll to Previous Event
Right Scroll to Next Event
Length as Absolute Position
Local Position
•Numerical Edit of Event Position
•Duplicate Event and Numerical Edit
ct op co E •Copy value to all following events
-------- Hyper Edit --------
Create Hyper Set
Create GM Drum Set
Create Hyper Set For Current Events
Clear Hyper Set
Create Event Definition
Delete Event Definition
Multi Create Event Definition...
Convert Event Definition...
Copy Event Definition
Paste Event Definition
Select All Event Definitions
Protect Values toggle
Auto define toggle
-------- Audio Window --------
Up Select Previous Audio File
Down Select Next Audio File
Show Audio File Details
Hide Audio File Details
Play/Stop Region
ct O Add Audio File...
Add Region
Delete File(s)
Optimize File(s)...
Backup File(s)
Copy/Convert File(s)
Move File(s)
ct F Select Used
ct D Select Unused
ct G Show All Regions
ct H Hide All Regions
sh W Strip Silence...
Import SDII Regions
Export SDII Regions
Create Group...
Delete selected Groups
-------- Sample Edit Window --------
Play/Stop Selection
sh ct Space •Play/Stop All
ct Space •Play/Stop Region
•Play/Stop Region to Anchor
sh ct A •Play/Stop Region from Anchor
Create Backup
Revert to Backup
Save A Copy As...
Save Selection As...
Region -> Selection
Selection -> Region
Left •Goto Selection Start
Right •Goto Selection End
•Goto Region Start
sh E •Goto Region End
sh A •Goto Region Anchor
ct R Create New Region
ct N Normalize
Change Gain...
Fade In
Fade Out
ct Backspace Silence
Invert
ct < Reverse
F7 Trim
Remove DC Offset
Time and Pitch Machine...
ct G Groove Machine...
ct E Audio Energizer...
Sample Rate Convert...
Silencer...
Audio to MIDI Groove Template...
Audio to Score...
Quantize Engine...
Search Peak
Search Silence
-------- EXS24 Instrument Editor --------
Z Select zones pointing to selected group(s)
Toggle Selection
Left Previous Zone/Group
Right Next Zone/Group
Open file selector for selected zone
New Zone
New Group
View: All / Toggle Mode
View: Next Zone Parameter
View: Next Group Parameter
Move Audio files
Copy Audio files
•Backup audio files of all USED and ACTIVE instruments of current song...
•Shift selected zone(s) left
•Shift selected zone(s) right
•Shift selected zone(s) left (inc. root key)
•Shift selected zone(s) right (inc. root key)
-------- Keyboard Input --------
Note 'C'
Note 'C#'
Note 'D'
Note 'D#'
Note 'E'
Note 'F'
Note 'F#'
Note 'G'
Note 'G#'
Note 'A'
Note 'A#'
Note 'B'
Rest
Next note will be sharp
Next note will be flat
Chord Mode
Erase
- 43 Step backwards
- 47 Step forward
Octave 0
Octave 1
Octave 2
Octave 3
Octave 4
Octave 5
Octave 6
Octave - 2
Octave - 1
Octave + 1
Octave + 2
1/1 note
1/2 note
1/4 note
1/8 note
1/16 note
1/32 note
1/64 note
1/128 note
Next three notes are triplets
Next two notes are a dotted group
Velocity 16 (ppp)
Velocity 32 (pp)
Velocity 48 (p)
Velocity 64 (mp)
Velocity 80 (mf)
Velocity 96 (f)
Velocity 112 (ff)
Velocity 127 (fff)
Sustain inserted note(s)
Quantize note starts on/off
-------- Project Manager --------
Up
Down
Left
Right
Scan
Expanded Scan
Scan folder...
Abort scan process
Check for modified or deleted files
Clear scanned data
Save Project Manager data
Install files from...
Toggle find mode
Toggle Scan Paths mode
Set selected folder as display root
Move display root one level up
Move display root to top
Consolidate files of selected Songs...
Add selected files to Audio Window
Find used files for selected items
op co U Find unresolved file references for selected items
Move used files for selected EXS-Instruments...
Copy selected EXS-Instruments and used samples...
Convert selected REX files to Apple Loops...
Set comment 1 for selected...
Set comment 2 for selected...
Show details for selected
Hide details for selected
Move selected items...
Copy selected items...
Start/stop preview
Back
Update file list in find mode
Add selected files to Arrange
-------- Global Control Surfaces Commands --------
Open Setup
Open Setup as Float
Open Controller Assignments
Open Install
sh ct op M Open MIDI Monitor
Open MIDI Monitor as Float
Scan all models
Rebuild Defaults
Learn new Controller Assignment
-------- Setup Window --------
as Icons
as List
-------- Install Window --------
Scan for selected models
Scan all models
Add selected models
(the "old") Quad, 6G RAM Mac OS X (10.4.5) LP 7.1.1, MOTU PCI/2408/1224

10 Gigabit Ethernet Wan PHY vs LAN PHY

hello,
Is it possible to connect a 10 Gigabit Ethernet LAN PHY client interface (12xxx or 76xx) on a 10 Gigabit Ethernet WAN PHY port of provider équipment (Nortel 5200) ?
what about the existence of 10 Gigabit Ethernet WAN PHY interface on 12xxx or 76xx plateform ?
thank you in advance

The Cisco ONS 15454 MSTP DWDM system offers a a 10Gbps transponder card supporting a 10GE LAN PHY client interface.
http://cisco.com/en/US/products/hw/optical/ps2006/products_data_sheet0900aecd80101903.html
I do not know if the Nortel 5200 DWDM system supports LAN PHY interfaces on their transponders.

SAN extension - slightly off topic

Greetings,
We currently have two pairs of Brocade 48000 Directors at each site that are filling up very rapidly. We also have two pairs of Brocade 3800's that have ISL's over dark fibre. We have purchased some 8-Port Enhanced Data Muxponder Cards for the Cisco ONS 15454 Multiservice Transport Platform (MSTP) for SAN extenion as we are going to need lots more bandwidth as we are looking at use VTL's at each site to backup the other site. And we also are doing geographically dispersed clusters (geo clusters) which requires synchronous true copy between the HDS USP's. The plan is to move all the ISL's to the 48000's and retire the 3800's.
The current Brocade switches have endless zero buffer credits messages (about 300,000 per hour) but there is no apparent way to fix this as they only have 29 buffer credits available per ISL and the distance between the sites is small enough that 29 is enough. In theory, we only need 20. The switches use 29 all the time. I don't even know if this is a problem.
I am looking at asking for a Cisco solution to handle the geoclusters and the upgraded number of ISL's for the backups. I seriously doubt my work will look at the director class as they think they have spent enough on the Brocade switches.
I am interested in knowing if anyone thinks something like the 9216i would be a better solution with the ONS 15454 MSTP as both are Cisco products. In particular the buffer to buffer credits seem to be much higher in the MDS than the Brocade but if there were issues with Brocade, then surely they would have made changes for this.
The reason I see the zero buffer credits all the time is because I am using HDS Tuning Manager and it reports on them for some reason.
Our HDS systems have spare ports which means we could use them and the the connections to the geo cluster hosts and connect them through the 9216 to each datacenter. Thats enough redundancy with four switches. The ONS seems to understand the Cisco B2B credits.
I think it is strange there is no Brocade forum site or at least one that I can find.
Stephen

On a Cisco board, you are always going to be told that the ONS and MDS are a better option....:)I would think the MDS is a better option not only because it is stronger with regards to BB credits that you suggest is the core of the issue, but gives you more tools to do your work. The MDS has the simple show command and you would catch a zero BB credit situation if it occured. You have more config options to make the hardware do what you want, IE move BB credits around. You have 4 interop modes. You get VSAN's to do what you want. You can turn on performance monitor for free for 119 days to test your E ports. I don't want to do a marketing list here, but the point is that there more things you can do with the product so the business can get work done.
I still am guessing that your tool is looking at the F port link and not the E port link. Not to say that I know exactly what it is reporting but flow control is point-to-point so unless your device is one end of the E port, then it really doesn't know what's going on other than it does not have a credit to send from it's perspective in the world. If the E port has 29 and the F port on the BRCD has say 7, then once the array sends 7 frames and no R_RDY back, then the array thinks it has zero BB Tx credits. In this example, the credits still sits at 22 on the E port. This is assuming the HDS is using class3 FCP.

Connecting two CRS-4 over 110Km lenght dark-fiber

I wonder if I want connect two CRS-4 over 110Km lenght and get 40G of througput whitout ONS 15454 MSTP DWDM infrastructure.
I am looking for lowering the cost for a two cities point-to-point carrier class connection with high throughput.
TIA

Thank you for the reply.
As long as I can understand for it, it is possible to interconnect two CRS-4 by mean a dark-fiber without a DWDM transport system, if the distance and fiber parameters limits are meeted.
In the 1-Port OC-768C/STM-256C Tunable WDMPOS datasheet I can read that the targeted distance is 1000km for DWDM Line Interface, and 80 or 100Km for Single-channel optical link (without DWDM).
This would mean that a DWDM platform is needed to get the 1000km length?
What about the throughput when it is connected in single-chanel mode?
http://www.cisco.com/en/US/prod/collateral/routers/ps5763/product_data_sheet0900aecd80395bbe.html
I appreciate so much your attention.
Gustavo Espitia

DWDM design,hardware and installation

Which Network Card,interface or module is required for connecting two ONS 15454 MSTP to achieve DWDM cloud.
also want to connect MSTP 15454 with Cisco 3825 Router, which interface and module is required on Router 3825 as well as ONS 15454 MSTP to achieve this.
Thanks in advance

ONS 15454 MSTP features a number of Transponders, Muxponder and XPonder units which can be used to transport Client signals between DWDM Nodes.
Details about the different available units and system configurations can be found in the platform datasheet available at the following location:
http://www.cisco.com/en/US/prod/collateral/optical/ps5724/ps2006/ps5320/product_data_sheet09186a00801849e7.html
Dedicated datasheets for the different units can be found at the following location:
http://www.cisco.com/en/US/products/hw/optical/ps2006/products_data_sheets_list.html
Details of which interface is supported by the different units can be found in the following document:
http://www.cisco.com/en/US/prod/collateral/optical/ps5724/ps2006/brochure_c02-452560.html

Y cable protection 15454 MSTP 9.1

Similar Messages

Maybe you are looking for