Can I export a RAW file with adjustments?

And keep it in RAW format? Is there a way to do this?

The reason this is impossible is that RAW is not actually an image format. It is simply the data dump from the sensor in your camera. Aperture and other programs decode this raw "feed" and translate it into an image, but the RAW file itself is not an image. It is always translated.
But if you mean how do you get an uncompressed image with the maximum amount of image data including your edits, the answer is simple: 16 bit TIFF.
Brace yourself for a VERY large file, but 16 bit TIFF is what you want if you are after maximum image data in the file.

Similar Messages

  • Can you export a raw file photo with Lightroom adjustments attached?

    Can you export a raw file photo from Lightroom with Lightroom adjustments attached in some way?  If not what is the equivalent?  There are some individuals I would like to send the full data of the raw file, but with the non-destructive Lightroom adjustments layered on top.
    --Gerry 

    You can select "Original" as the file type, in Export. This saves out a copy of the imported source file into the selected location, labelling the current adjustments onto that image. When this is sent to somebody and imported to LR / opened in ACR, these metadata will be found and used automatically, with the exact same outcome as within your own LR Catalog - provided the LR / ACR versions are sufficiently compatible, and provided camera and lens profiles applied to the image, are present in both contexts.
    LR uses whatever method is normal when writing metadata, for each file type involved. So, if one imported file is a proprietary Raw file, LR will write an XMP file alongside. If another is capable of having metadata written into its file header, LR will do that instead.
    One important difference between doing this, vs writing LR metadata out to your original imported file, and sending that: the Export Original method will work in the same way, just as successfully, for one or more Virtual Copy versions (duplicating physically as needed), as it will for the primary Master version - relating to a given imported file.

  • Hi, I have a version of CS4 on my Mac.  I can not longer open Raw files with it from my Canon 5D.   I never had problems with it in the past.  What can I do?

    Hi, I have a version of CS4 on my Mac.  I can not longer open Raw files with it from my Canon 5D.   I never had problems with it in the past.  What can I do?

    is that the eos 5d?
    if so, you only need cr 3.3 or greater.  what version do you have in your cs4? (help>about plugins>camera raw)
    if you need to update it, http://www.adobe.com/downloads/updates/

  • How can I REPLACE original RAW files with JPG's and keep my 'Develop mode' edits?

    An image describing my problem:
    http://i.imgur.com/hcqMYkv.jpg
    (Lightroom 5)
    'edits' = Edits made in develop mode.
    'CR2' = My RAW image file format.
    I have existing CR2's with edits for them saved in Lightroom.
    I want to replace the CR2's with JPG's, and do nothing else. I want those JPG's to inherit the CR2's edits, but I DO NOT want the edits to be permanently applied to the image.
    If I export the CR2's (which have edits) to JPG's, the edits will be permanently applied to them. I do not want this.
    If I export the CR2's to JPG's without the edits, I have no way of getting the edits back and will have to redo the work if I use that photo again.
    Any solutions? I've been trying for a while and have no idea how to do this.
    Q: Why not keep the CR2's?
    A: I am uploading these files to an online host (S3) as my primary storage method and uploading CR2's takes way too long with my internet speeds. Furthermore, online storage costs money.
    Q: Why not shoot with JPGs instead of shooting raw?
    A: I do my initial edits with the raw files and then archive them as JPG's to save storage space. They won't be raw anymore if I apply future edits, but I still have the option of retouching them from the 'original' state and still have my old edits preserved.

    Probably the best thing for you to do is simply use lossy DNG format (e.g. export as, or convert to..): raw data is re-formatted with jpeg compression (full-rez or reduced-rez), but all raw settings apply.
    If you insist on trying to have a true jpeg file with (mostly) raw settings, then:
    The simplest way I can think of to do it without a script or plugin:
    * Reset the raw photo (consider preserving things that don't translate well, like profile-based lens corrections and white balance).
    * Export jpeg
    * Un-reset the image (e.g. using edit history or pre-reset snapshot).
    * Sync settings from raw to jpeg (note: omit settings that don't transfer well, or that were not reset..).
    * Optionally: Delete raw
    To automate/streamline would require a script or plugin.

  • How Can I export a h264 file with wav audio?

    I'm having troubles to export an edited file in FCPX.
    The final result in audio always go in AAC file and the quality is bad. Is it possible to go in Wav?

    Hi Tom!
    That's what I do... but the sound goes in a AAC and this format it's worst than wav files!
    I think ther's no option to do this in FCPX!

  • Can you export photos from aperture with adjustments?

    Doing a photobook and using multiple librarys. And wants to keep my adjustments without exporting it as something else than RAW.
    How do you do? Anyone?

    Hello Jesper,
    Solved.
    Exporting it as a Project.
    Glad, you solved it. Do you mean "Export -> Project as New Library"?
    Regards
    Léonie

  • I have downloaded Adobe camera raw 8.4 so that I can open raw files with pictures taken with the Sony a6000 camera.  However it is not opening the images in camera raw.  What can I do?

    I have downloaded Adobe camera raw 8.4 so that I can open raw files with pictures taken with the Sony a6000 camera.  However it is not opening the images in camera raw.  What can I do?

    Close and restart Photoshop if you have not already done so.
    In Photoshop, go to the Help - About Plug-in... menu then choose Camera Raw.  What version does it say there?
    -Noel

  • I have Photoshop CS5 and a Nikon D 810 camera.  I have downloaded Camera Raw 8.8 & DNG converter.  I can neither open the raw files (.nef), nor process them with the DNG converter. What is going wrong?

    I have Photoshop CS5 and a Nikon D 810 camera.  I have downloaded Camera Raw 8.8 & DNG converter.  I can neither open the raw files (.nef), nor process them with the DNG converter. What is going wrong?  Thanks!

    This is the last paragraph from my very first response to you, post #1 in this thread:
    …Additionally, you need to install the DNG Converter, not just "download" it, and you need to launch it and run it on each folder of NEFs you wish to convert to raw DNGs.  [emphasis added]

  • Just upgraded to 10.8.4 and now can't open canon raw files in photoshop cs5 with camera raw plug in 6.7

    i've just upgraded to os 10.8.4 and now i can't open canon raw files in photoshop cs5 with camera raw plug in 6.7 which worked perfectly prior to the upgrade....anyone else encountered this issue?

    Adobe's software is a mess in terms of the fact that it's sprayed all over the place and may not survive an OS upgrade.  Try reinstalling Photoshop CS5.

  • I have my camera (Canon 5D MARK 2) set to take both JPEG Large and Raw files with each shot. I uploaded the images from the card to my Pro (Aperture 3) and while the import info said 1500 images were uploaded, I can't find the RAW images.  Aperture put ab

    I have my camera (Canon 5D Mark 2) set to take both JPEG Large and Raw files with each shot. I uploaded the images from the card to my Pro (Aperture 3) and while the import info said 1500 images were uploaded, I can't find the RAW images.  Aperture put about 700 images in an untitled project folder, but all the images are the JPEGs.  What am I missing?
    Thanks,
    upsjdris

    Have you checked your "Import" settings for "Raw&Jpeg" pairs in the "Import" panel?
    You can set Aperture to import raw, jpeg, or raw&jpeg.
    If you imported Raw&Jpeg, but have set Aperture to use the Jpeg as original, you will see the imported image as Jpeg image, not as a raw image, even if the raw has also been imported. You can switch between Raw and Jpeg originals for selected images from the Photos menu:
    Photos > Use Raw as original.
    Regards
    Léonie

  • Just downloaded latest updates to Camera Raw for use with my new Sony RX100 M3 but still can't get the RAW files to open. Any suggestions?

    Just downloaded latest updates to Camera Raw for use with my new Sony RX100 M3 but still can't get the RAW files to open. Any suggestions?

    Never mind, I finally got it working, thanks!

  • How can I export a RAW photo from iphoto to anywhere without it changing into a jpg?

    How can I export a RAW photo from iphoto to anywhere (PSE, or desktop) without it changing into a jpg???

    See if any of this info will help:
    Using Photoshop (or Photoshop Elements) as Your Editor of Choice in iPhoto.
    1 - select Photoshop as your editor of choice in iPhoto's General Preference Section's under the "Edit photo:" menu.
    Click to view full size
    2 - double click on the thumbnail in iPhoto to open it in Photoshop.  When you're finished editing click on the Save button. If you immediately get the JPEG Options window make your selection (Baseline standard seems to be the most compatible jpeg format) and click on the OK button. Your done.  3 - however, if you get the navigation window
    Click to view full size
    that indicates that  PS wants to save it as a PS formatted file.  You'll need to either select JPEG from the menu and save (top image) or click on the desktop in the Navigation window (bottom image) and save it to the desktop for importing as a new photo.
    This method will let iPhoto know that the photo has been editied and will update the thumbnail file to reflect the edit..
    NOTE: With Photoshop Elements 9 the Saving File preferences should be configured as shown:
    Click to view full size
    I also suggest the Maximize PSD File Compatabilty be set to Always.  In PSE’s General preference pane set the Color Picker to Apple as shown:
    Click to view full size
    NOTE: If you want to use both iPhoto's editing mode and PS without having to go back and forth to the Preference pane, once you've selected PS as your editor of choice, reset the Preferences back to "Open in main window".  That will let you either edit in iPhoto (double click on the thumbnail) or in PS (Control-click on the thumbnail and seledt "Edit in external editor" in the Contextual menu).  This way you get the best of both worlds.
    OT

  • Importing RAW files with keywords from Bridge

    Hi everyone,
    I downloaded the trial version of Aperture and have now imported RAW files (Canon 20D) with keywords and IPTC data applied via Bridge.
    The import of the RAW files was no problem however the files lacked the keywords and IPTC data, which I applied in Bridge.
    I also tried to import JEPG files and here Aperture could show me keywords and IPTC data.
    Why does this not work for RAW files? What do I have to do in order to get it to work?
    Thanks in advance for your advise
    /David

    When you add metadata (keywords etc.) to most proprietary raw formats (including Canon .CR2 files), Bridge doesn’t know how to embed that data in to the file—Canon and other manufacturers haven’t told Adobe (or anyone else) what the structure of these raw files is and how metadata can be stored within the file itself. Therefore, Bridge creates a ‘sidecar’ file to go with the raw file: the sidecar file sits alongside the raw file, with the same filename and a .xmp extension. This sidecar file contains any metadata you may have applied, as well as adjustments you have made in Adobe Camera Raw.
    Unfortunately, Aperture doesn’t read these sidecar files when importing raw files, so you lose any adjustments from ACR (not surprising, since Aperture is obviously a different raw converter to ACR so the adjustments would be different anwyay), but also you lose any metadata you may carefully have applied.
    There may be an answer, however. But it’ll cost. That would be to use iView Media Pro (which has recently been bought by Microsoft, but a Mac version still exists). There is a 21-day free trial for iVMP—since my suggestion is to use it as a temporary conduit for importing all your existing raw files into Aperture, you won’t necessarily have to pay the £129 GBP asking price for iVMP (others can debate the morality of that statement, however; fortunately I already owned iVMP and so didn’t have to worry about such things). I believe iVMP can read the XMP sidecar files created by Bridge. Create a new iVMP catalogue with all your raw files which you want to move into Aperture. It should bring all your existing metadata into the iVMP catalogue as well.
    Then, import all the raw files into Aperture. As you have found, they’ll be without any metadata. As long as the filenames are the same in both the iVMP catalogue and the Aperture library, you can use Adam Tow’s application Annoture to transfer metadata from the iVMP catalogue into the Aperture library.
    Sort of circuitous, but possible. If only Aperture read the metadata from those sidecar files, eh? If I’m wrong in thinking that iVMP imports the XMP metadata, then what you can do is get Bridge to convert all your .CR2 raw files into .DNG files. If you don’t know about DNG, read about it at Adobe. But briefly, Bridge is able to embed its metadata into the DNG files and iVMP is able to read that embedded metadata when importing DNG files into the catalogue. I know that for certain: I used iVMP and DNG files (from my own 20D) before using Aperture; when I started using Aperture (which I love, now) I used Annoture to transfer all my metadata from iVMP into Aperture.
    Perhaps someone else will explain this better than I.

  • Aperture library can't link the RAW files.

    I am pretty much pulling my hair out on this. I setup Aperture so all files are collected and held into the APlibrary files.
    My Aperture library also resigned on an external drive. One day I realized that I needed to reformat the drive so I copied the Aperture Library off onto another drive. When I went to choose the new Library which was the backup, all raw files couldn't be found. At first it was unrecognized file error, and now it just shows the jpg.
    I ran Aperture holding the keycombos to fix permissions, and do a rebuild of the Library. What that did was make it so I wouldn't get an error but it replaced everything with the JPGs and no raw files to be found.
    Next I renamed the aplibrary file to .foo I opened it up as a directory and then started to rename the project folders so I could open those. All of the NEF (RAW) files are there intact which is great, but I need to connect everything so I still have the Raw files with all color adjustments.
    If anyone can point me in the right direction, that would be great. I don't know what else I can do.
    Thanks!

    Either use 'SYLKPIX Developer Studio SE' to develope the RAW files and to save them in another lossless format like TIFF, or try if Adobe's free DNG Coverter can convert your Lumix RAW files to dng. Then import the dngs. This way, your files will still be RAW files.  This works (most times) for my Lumix FZ28.
    Adobe DNG Converter 8.3  http://www.adobe.com/support/downloads/detail.jsp?ftpID=5695

  • RAW files with iPhoto

    I shot some pics in RAW for the first time today and have some questions. I imported them into iPhoto and then sent them to Elements using the Edit in External Editor option. They landed nicely in the AdobeRAW conversion pane which I understood alright. I don't know what to do from here when I am satisfied with them or what to expect. I thought I had to change them to jpeg after conversion but when I click Open, it opens as a DNG file in the editor window. Also, if I Save As jpeg it disappears into the folder, leaving the DNG file in the iPhoto window. Can you tell me what I should be doing and what to expect? I somehow thought the DNG file would go off into the Originals folder and leave the jpeg in the iPhoto window. I use iPhoto as my organizational tool. Thanks.

    There are several ways to upload your photos without importing into iPhoto directly. You can use Image Capture to selectively upload your photos to a folder on your Desktop. If your camera mounts on the Desktop as an external drive then you can simply drag and drop in the Finder to get the files on your Mac. If your camera doesn't mount, then you can place the camera card into a USB card reader, which will mount on the Desktop, then drag and drop.
    Once imported into iPhoto, the RAW files are automatically given the keyword "RAW." (Likewise, videos are given a Movie keyword.) All you have to do to locate those files is click the RAW keyword, and they will pop right up. You could also create a Smart Album where "keyword is RAW" to catch them for you. If you like working in Events view then you could separate your RAW photos from your jpegs by creating Events for them.
    You'll have to decide if you want the RAW files in your iPhoto Library. A disadvantage is that your library will contain 2 separate sets of files for photos where you have RAW versions and have imported your edited jpegs. An advantage is you can quickly compare your edited jpegs to the RAW files, and as your editing skills become more proficient you can always edit your RAW files again.
    I don't have a camera that shoots in RAW, so I haven't had to make these decisions for myself. I'll tell you my thoughts based on what I have read and what I have learned from a PSE tutorial. I believe that the advantage is that the RAW file has not been processed by the camera, which allows you to process it on your computer to best suit every photo. For example, my camera may have under-exposed a backlit subject because I forgot to turn on the flash and set the exposure to spot-metered. I can fix it in Photoshop, but because the camera incorrectly processed that jpeg, my options are limited, and my subject will most likely be grainy. Take that same shot in RAW, and those exposure decisions aren't made by the camera. Now I could open it in the RAW workspace of Elements, and I could apply the correct settings to turn that photo into the perfect shot. Of course, that depends on my ability to use the RAW editor to make the best adjustments for that photo. RAW used to be primarily for professional and serious photographers, but as cameras have come down in price more casual photographers choose to shoot in RAW. Aperture handles RAW files better than iPhoto, because it is aimed more at the professional photographer, whereas iPhoto is a consumer-level application.
    One more question along my road to understanding. When I am finished in the RAW converter and Open in Elements I am able to do all the cropping etc. before I Save As. It still has the dng extension at this point so am I still working on the RAW file?
    I don't know for sure. I did play with the RAW workspace in Elements as I worked a tutorial that I bought. I am guessing that what you have after leaving the RAW space and opening in Elements is an Adobe Raw file. That is what I kept seeing. If I saved the file as Adobe Raw then iPhoto 6 was unable to import it.
    Sometimes Photoshop expert [Barbara Brundage|http://discussions.apple.com/profile.jspa?userID=38538] chimes in to answer this type of question here. OR you can ask on the [Adobe Photoshop Elements forums|http://www.adobeforums.com/webx/.eeb4f8b>.
    Regards.

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