Creating a brush stroke or stamp from a logo

I recently upgraded from 6 to 8 because my computer containing 6 crashed. On 6, I was able to convert my photo logo into a brush stroke with a little help from my daughter who uses Photoshop 7 at school and was able to click on the brush stroke and size it for my photo, place it, click and it was there. But now in 8, I can't seem to do it. Would anybody be able to help? I also have a watermark that I was able to save from the crash, but the logo looks better and I place it in a corner similar to what pros do, and it's a lot faster, I can also change its color to compliment the photo. From what I remember, we placed the marquee around the logo, dropped down edit and the brush stroke select was highlighted, clicked on that and it became a selection in the drop-down menu for brush strokes. Does anyone have a suggestion? Thanks --

Select your logo/watermark image and make sure its on a transparent background and no bigger than 2500 pixels.
Alternatively select any image, then select the horizontal text tool and type a new logo and adjust color and opacity. Delete the background copy layer and you will have your new logo.
Then select: Edit > Define Brush
Give it a name like Pac Man Logo, then click OK.
Click on the brush tool and scroll down the default brushes and you should see your new logo brush near the bottom.
You can now use it on any image with just one click.

Similar Messages

Adjustment's brush strokes disappearing from adjustment brick.

Good day,
I am having a problem with the brush strokes from my skin smoothing and levels adjustments disappearing (perhaps others also but I haven't noticed those). I have spent a lot of time brushing in the skin smoothing on many images with great results. But twice now, the skin smoothing (and levels where I used those) adjustment's brush strokes have disappeared from the adjustment brick for all of the images. The brick still is there and still is checked on/active but no adjustment is being applied (since it no longer sees or contains the brush strokes). Somehow the internal link between the brush strokes and the adjustment brick have been broken, or the brush strokes deleted themselves en masse.
Has anybody seen this behavior before? Any ideas on why this is happening and if I can re-connect the brush strokes to the images (assuming the brush strokes are still inside the Aperture database somewhere)?
I just now upgraded to Aperture 3.1.2 from the most recent build (I upgrade regularly). The images are high resolution scanned from transparencies as 16bit tiff files. I use a managed library with no referenced images in the library. I have repaired permissions, repaired the database, and rebuilt the database with no positive results.
Please help.
Thanks!
Nils

Thanks for the suggestion and the quick reply too. I've tried it but it seems to only partially work in that I can stamp the first adjustment into a new version of the image and invert it. However I don't seem to be able to get it to stamp it as 2nd curve adjustment. It seems to overwrite the current curve adjustment, if there is one, or create it if there isn't one.
Thus if there is a way to stamp an existing curve adjustment to a new curve brick that would do the trick. Does anyone have any suggestions?
Thanks again for the help.
Best regards

CS6 is messing up my brush strokes?

I've had some trouble with Photoshop lately with my tablet. Whenever I'm trying to draw, it suddenly creates a brush stroke that I didn't do. Basically, it takes the brush stroke, extends it, brings it back, and thickens it like pen pressure was freaking out. I have a Genius tablet (not sure what model), and it never does this in Paint Tool SAI for me. Is my tablet just not compatible for CS6? I've tried it on CS5, too, and it does the same thing, so maybe it's not Photoshop friendly?
Is there any setting or something I can change to fix it?
Thanks
Stilanion

This is what I mean by it messing up my strokes.

Create a continuous brush stroke using a base image? (ex. barb wire, vines, etc )

Is it possible to create a brush that makes a stroke that's a continuous image and not just an instanced image as per usual?
I've seen brushes that do this already, I just can't find any information on how they do it.
Here is an Example
Any help is appreciated!

You could do it by stroking a path with a brush multiple times. Once for the body of the wire — you make the wire rough by using a small splatter brush with close spacing, lots of angle jitter, and a tiny amount of scatter jitter.
Then stroke again with the barbs or razors. For regular barbs just give your custom brush a loose spacing, and set angle jitter to Direction. You could make a multi-barbed brush, but not too long, or the angle jitter would move it off the wire. Still doable if wire and barbs are on different layers so you could nudge the barbs back into place with FT warp.
Layer Styles could give the wire depth and realism.
OK... money where your mouth is time... Two examples. I shaped the razer brush with the Pen tool and guides. The Barb brush was shaped from a DL'd image. The wire in both instances is an 80% hard round brush (the slight softening to give it a touch of anti-aliassing on the curves).
Spacing set wide, and Angle jitter to Direction. Those are the only brush dynamics I used. Bevel & Emboss layer style to give it depth, and Colour overlay because it is easier to experiment with layer styles. The barb brush looked a bit thin, so I duplicated the layer a couple of times. The look better on a black BG with the layer styles.
I _tried_ to get the affect in your example image, but couldn't do it convincingly. If I had a better mind's eye view of what I was trying to achieve, I think I'd have been able to do it. But once you have the brush presets made and saved, it's a very quick and easy to do.
If you do happen to have access to Illustrator, the Art Brush is pretty damn clever
Create an Art brush | Adobe Illustrator CC tutorials

How can I change a brush stroke to a pencil stroke after I've drawn it?

How can I change a brush stroke to a pencil stroke after I've drawn it? Is this possible?

h,
As I (mis)understand it, (in effect) just by clicking the Reduce to Basic Appearance button in the Appearance palette (and setting the desired Stroke Weight, if different from 1pt).
The Pencil Tool creates a uniform width path like the Pen Tool, producing Anchor Points like the Artbrush Tool. So when you reduce to basic appearance you will get a path corresponding/identical to the one you would create with the Pencil Tool.

Brush strokes show in history but not reflected on mask

I have CS4 Extended, Dell Precision M0, WinXP 64bit and 20GB of Ram (overkill I know). This issue happens most often in the 32bit version of PS which I need to use for certain filters. It also happens in the 64bit version but takes longer to manifest itself.
When I apply a filter to a duplicate layer and then add a layer mask OR of I add an adjustment layer and try to fine tune the effect by painting on the mask, the brush strokes show up in history but they have no affect on the mask. It typically happens mostly on very large files such as those from my 5DMKII but also happens if I've added several layers and masks to smaller files.
As a workaround, I can make selections and fill the area on the mask with black and it works. This is time consuming as you can imagine.
The brush problem is only related to masks. I can create a new layer, for instance, and paint on it with black or any color.
I've also had this issue when trying to use the spot removal tool or when cloning. Again...very large files.
I've entered every imaginable query and haven't had any luck! I'm hoping someone here has a clue.
Thanks in advance.

Thanks for your reply. I sure wish it were that simple but no....that is not the problem. I'm an advanced PS user and know the workings of a computer well. I've been through every imagineable possibility and now am wondering if my video card isn't up to the task of redrawing the brush strokes on huge files. I'm grasping at straws.
Thanks anyway.

Need help with creating a brush

Hi guys,
I wanted to ask for help with creating a brush (even a link to a tutorial will be goon enough ).
I got this sample:
I've created a brush from it, and i'm trying to get this kind of result:
but it's only duplicates it and gives me this result:
Can someone help me please understand what i need to define in order to make the brush behave like a continues brush instead of duplicate it?
Thank you very much
shlomit

what you need to do is make a brush that looks like the tip of a brush. photoshop has several already but you can make your own that will be better.
get a paintbrush and paint a spot kind of like what you did but dont paint a stroke. make it look kindof grungy. then make your brush from that, making sure to desaturate it and everything.
EDIT:
oh, and if you bring the fill down to like 10-20% your stroke will look better

Can you smooth out a brush stroke?

I am using an animated brush stroke to provide the Indiana Jones look on top of a picture of a google map for a trip I took. I can draw the brush stroke and set a key frame on the "end" attribute so that it paints on the stroke, but the stroke is not as smooth as I would like it and I can't find a way to edit the vertices of the brush stroke and can't apply the smoother to it either. Once you draw a brush stroke, can you smooth it out? Also, since I drew the brush stroke on top of my layer, is there a way to put a shadow underneath the brush stroke?
Thanks in advance!

I'd use a shape layer and the Trim Paths path operation rather than a paint stroke.
There's a link to a video tutorial showing how to do this in the
"Alter shapes with path operations" section of After Effects Help on the Web.
But, if you are using a paint stroke, then you can decrease the value of the Spacing property to make the strokes more smooth and continuous. See the
"Brushes and the Brushes panel" section of After Effects Help on the Web.
[Edit: Oh, I just realized that just meant "smooth" as in having fewer and less sharp turns. For this, you should copy the Path property of the paint stroke, paste it into the Position property of a temporary dummy layer, run the Smoother on that motion path, copy the motion path, and then paste that into your paint path. If you just want to edit the path a little bit, then you can copy it into a mask path and use the mask path editing tools and techniques. David Wigforss has a tip about this
on this page. The basic thing to take away from this is that you can copy and paste between the various kinds of paths and use the tools for one to help you with the other. (See
"Create a mask or shape from a motion path".)]
Regarding the shadow: There are many ways to do this. The first that comes to my mind for the paint stroke is to duplicate the stroke, make it a dark grey, reduce its opacity, and offset its position slightly from the other stroke. (Each paint stroke has its own Transform properties, so you can just go into the duplicate stroke's Transform property group and add a little to its Position values.) If you decide to go with the shape layer option, you could do essentially the same thing or you could use a Drop Shadow
layer style.

"UNDO" & "BACKWARD" not working for brush strokes?

After making three consecutive brush strokes in my image:
Click on Undo once, History list backs up one step, but last stroke remains on screen. Press Undo again (Redo) and History list returns to last position, last stroke is still on screen. Click Undo again, History list backs up one step, but now brush stroke disappears as it should.
Or, after clicking Undo the first time, the brush stroke will disappear if I apply another stroke or enter a command, e.g. add new layer.
After making three consecutive brush strokes:
Use Backwards command, the History list backs up one step, but brush stroke remains on screen. Use Backwards command a second time, History list backs up another step, the last two brush strokes disappear from screen. Use Backwards a third time, History list backs up another step (now 3 steps total), and the first brush stroke disappears as it should.
These commands work fine when creating three consecutive layers, then undoing or moving backwards.
I am using CS 5.1 for Mac running OS Lion 10.7.4. This problem occurs using either a trackball, Wacom Intuos4 tablet or keyboard shortcuts. Can this be a screen-draw bug in the brush tool? Thanks.

*Rich* wrote:
I still don't know what Vertical Sync pertains to relative to OpenGL Settings. Anyone know? Thanks.
Only Adobe knows the exact implementation under the covers, but what it conceptually does is prevent display updates in the middle of a scan.
Keep in mind that what you see on the screen is sent pixel by pixel, row by row, to the monitor - much as it was done in the time of CRT displays and scanning electron beams, even though today most have LCDs.
Once the last pixel at the bottom has been sent, there is a time called the "vertical sync" time where nothing is sent, before the "scan" starts again from the top.
Setting the "Vertical Sync" option is supposed to limit display updates to only occur only during the vertical sync time.
As Conroy has said, this generally can make a display seem cleaner, as when moving something around you might see part of it moved more than another part without Vertical Sync. This is called "tearing" (as in "tearing a piece of paper in two and having the two parts not line up").
By definition the Vertical Sync option setting causes a difference in the timing and the sequence of display operations, and that may be working around a bug in the display driver on your system. It sounds kind of far-fetched, but it happens more than you might think. Adobe provides all these options to help work around problems.
-Noel

Illustrator brush stroke - Character arm rig

I found some fantastic tutorials on how to animated cartoon characters going from Adobe Illustrator to Flash. Very useful.
One tip that was tantalizingly mentioned by not spelled out was how you can create a character's whole arm as a brush stroke in Illustrator and then animated it in Flash. See for yourself at the 06:45 marker.
http://www.youtube.com/user/PeaceLoveAnimation#p/u/0/ywONJam2dSg
Anyone have any idea how you can take this brush stroked arm into Flash and have it be as flexible & keyable?
Mahalo for sharing!

Still no reply from anyone here.
I continue on in the wilderness alone.
So I experimented with my last theory. Attempted to use the Puppet Pin Tool in After Effects to achieve the flexiblity I'm looking for. FAILED! It essentially creates a rastered video when exported as either FLV or XFL. The XFL version creates an alias halo as well.
Next I attempted to use the very dodgy IK bone tool in Flash. That created all sorts of overlapping compound path problems.
The solution is out there somewhere!
We've seen it work.
Still it eludes me.
Mai Tai to anyone that can help a fellow animator out!

Brush strokes become jagged after a few seconds

I've tried just about everything to narrow down and eliminate this problem, with no luck.
When I first start PS and paint a line with a simple hard round brush, it's nice and smooth. After about 15 seconds (or 4-5 lines), the lines become jagged.They're not pixely - it's more like what happens if you have smoothing turned off. The effect is more pronounced when I paint zoomed out, as if the input data is constrained to the zoomed out pixel size.
This is not a tablet problem - it happens with the mouse as well.
It does not happen with the lasso selection tool, so it seems limited to the brush tool.
Here's an image showing a series of brushstrokes, going from left to right. You can see how the stroke quality degrades from the first stroke (on the left) which is nice and smooth, to the strokes on the right which are jagged. You need to view the image at 100% to see what's happening clearly.
The fact that this problem doesn't appear when I first start the program, then creeps in, is really perplexing! Once it starts it never goes away.

What does your system look like. To tell you the truth I don't seem to be having any of the problems you are having with the mouse or Wacom pen.    I don't like installing Plug-in I have no intention of using. Particulart Photoshop Plug-in for I keep plug-ins outside any Adobe folder and plug-installers a tend to install the plug-in in every version of Photoshop they find installed. I just download a trial of LN and after it installed I removed all the plug-in it installed into different version of Photoshop one my system. I copies the 32bit and 64Bit plug-ins into my Photoshop plug-ins trees. My windows workstation is good but not top of the line good. I do not see the jitter you seem to be getting with or without the plug-in enabled, I'm no artiest all I can do is scribble fast and slow, I do not see bad jitter. Here is what my system looks like and what I see when I scribble fast and slow.
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   Matlab Operation 14.2.1 (14.2.1 x001)
   Maximum 14.2.1 (14.2.1 x001)
   Mean 14.2.1 (14.2.1 x001)
   Measurement Core 14.2.1 (14.2.1 x001)
   Median 14.2.1 (14.2.1 x001)
   Mezzotint 14.2.1
   Minimum 14.2.1 (14.2.1 x001)
   MMXCore Routines 14.2.1 (14.2.1 x001)
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   Multiprocessor Support 14.2.1 (14.2.1 x001)
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   Wireless Bitmap 14.2.1 (14.2.1 x001)
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Optional and third party plug-ins:
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   ICO (Windows Icon) NO VERSION
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Plug-ins that failed to load: NONE
Flash:
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   Adobe Exchange
   Kuler
Installed TWAIN devices: NONE

What is the quickest way to paint a straight brush stroke that is NOT on 90 or 180 degrees?

I do perspective drawing for interior designers and do the colouring in Photoshop. Think of old fashioned painting with a brush/copic marker against a ruler to get a straight line, but with varying thickness or opacity. I would like the same effect in Photoshop.
The closest that I have come is to press Shift before the brush stroke. That constrains the stroke, makes a very neat line AND allows me to vary the line/brush thickness as I paint.
Often the lines may need to be at an arbitrary angle which is NOT 90 or 180 degrees. The only way I know of for getting that brush stroke in the correct position is to make sure that each stroke is on a separate layer. Select the stroke/transform/rotate. Quite a few steps as opposed to the one it takes to draw the line in the correct position and angle with a brush/ copic marker on paper.
This becomes time consuming and difficult once you have many lines to paint and if you need to be accurate (as with perspective drawing). If you are working on a very large canvas the point of rotation can sometimes be very far from where you are working (i.e. on a vanishing point) and difficult to see without a lot of Zooming and moving around on the canvas.
To Stroke a path with the brush gives an unrealistic and even line thickness which does not look hand painted.
Any suggestions?
Has anyone ever used a ruler while drawing on a Cintiq? That may give the desired effect and be much quicker than selecting and rotating.

Thank you R_Kelly! Though it is still a bit tricky judging the angle as you rotate the page, your workaround is actually a bit quicker than having to rotate each line individually.
This allows me to see the line as it develops in place and I also don't necessarily need to create a new layer for each new brush stroke, if I work carefully. Very close to placing the ruler on the work space before drawing a line!
Thank you!

Hidden brush strokes "Woof"

In InDesign one-on-one Deke McClelland mentions some hidden brush strokes, I'm interested in one called "Woof" which produces a track of paw prints rather than dashes. I've tried to create this new brush stroke with no success. Is there such a thing? How do I access it?
Thanks
don

Nini , I finally got to Paws but it needs tweaking: I created a new stroke in the new Stroke window settings were:
Name Woof
Type dash
in the next box a black bar went in a continuous to the 125 mark on the ruler Length was at 1p0, pattern length 2p0, corners none Preview wt. 18.5. I clicked OK.
If I look at Stroke styles I can see Woof preceded by some tiny paws.
OKAY now how do I use it?
I'm using the Pencil tool, do I draw a line and then convert it to paws? Do I select Woof Stroke before I draw the line? If so how do I select it? I've been pressing the down arrow in a black bar located to the left of the opacity symbol, if I select Woof I see paws in place of the black bar. Next I go to the widow directly above that and change it from 0pt to 9 or 20 or whatever, then I take the pencil and draw a line, I get a line of connected dots-not paws. Somehow accidentally I managed to get a line of paws but they were in a black line not individual prints on my yellow background. How do I get paw prints that are separated by spaces and stand out as individual prints against the yellow backgriund of my book cover?
If this sounds like the ramblings of an old man, it is. I have found it is much easier to write a book than to do all of the publishing work.
Thanks for your patience, I'm looking forward to your response and maybe we can put this hread to bed.
Don

Japanese Brush Strokes?

I need to use a brush to create Japanese style brush strokes - like Japanese calligraphy as exemplified in the link below.
http://img399.imageshack.us/my.php?image=japanesecalms6.jpg
Can I create a brush from scratch to do this? If so, can I get an assist on some settings? I've played around for about an hour but I keep varying too many things.
Thoughts?
Peace,
Tony

Well first of all, thanks to old friends for the well wishes in this new year. Maybe this year will be better than the last (Counting Crows).
The tips posted regarding the brush settings helped quite a bit. I found that if I created a circular path and stroked that path with a brush, I was able to vary parameters and judge their effect in a more consistent manner. That was a big help.
While I'm still not 100% happy with my results so far, it DID lead me to thoughts on creating a new brush shape that, in concert with the Flow control may help me achieve the desired effect.
So thanks a ton - I can always rely on this forum to be of absolute top notch help.
Peace,
Tony

How do you edit out the date and time stamp from a photo

How do you edit out the date and time stamp from a photo

You can blur it out with retouch
The built-in "Retouch" brush in "Edit" mode should suffice, if the background is mostly uniform, and if you set the size of the brush to slightly wider than the bar width of the letters. For example, in this picture I removed the year from the date (in the lower right corner) by using the "retouch" brush and following the contours of the letters. (the screen shot is from iPhoto '11, but iPhoto 9 should give similar results).
Regards
Léonie

Creating a brush stroke or stamp from a logo

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