CS 4 - In Design Transparency issues?

When I adjust the transparency of a photo in IN DESIGN... once I create a PDF all the fonts on that page are affected. They aren't at "full strength" -- the blacks look less black than on a page when the transparency is not adjusted on any photos.
Any ideas?
Thanks!
David

Thanks. I'm kind of self taught hack. I usually manage for the basics but sometimes things like this give me fits.
My blacks were set for "rich blacks" already.
I'm not sure how to check this:
"Make sure the blend space matches the color mode of the background."
I know how to adjust the transparency blend space but don't know where to check for the color mode of the background exactly.
I was just messing with drop shadows and it too was have an effect on my exporting to a High Quality Print PDF. All my text was either lightened and the quality was degrading.
Is that fact that my images are .jpg an issue with adding effects?

Similar Messages

Can Anyone help with an Illustrator transparency issue?

I created a logo in Illustrator which includes an imported Photoshop psd file with a transparent background. The transparency behaves properly in Illustrator, but as soon as I place it in In Design or open it in photoshop the graphic shows up on a white box/background (the rest of the elements in the logo remain transparent, as they should be). And btw-the greyscale version of this same logo has no transparency issues.

function(){return A.apply(null,[this].concat($A(arguments)))}
it is part of an entire suite of logos that are all vector based Illustrator files
No, it is not. It contains a raster image, so it is not "all vector" regardless of its being assembled in Illustrator.
function(){return A.apply(null,[this].concat($A(arguments)))}
The EPS file will not handle transparency.
EPS supports "transparency" in 1-bit raster objects. It also supports clipping paths, which is how this particular logo would have been handled in earlier times (assuming one insists on the simple grads being raster).
function(){return A.apply(null,[this].concat($A(arguments)))}
What kind of file do you save and place in ID - should be an AI - is it?
InD doesn't really import AI content. It only imports PDF content of an .ai file (if any).
function(){return A.apply(null,[this].concat($A(arguments)))}
I'm on a time crunch
Take Scott's earlier advice. Especially given that you are compiling a collection of (presumably) reuseable logo files, this should be re-created as entirely vector content. That mark should take no more than a few minutes to redraw. Simply by including the raster element (which is primary element, by the way), you are obviating the core advantage of vector artwork (resolution independence) to begin with. So if you insist on that element being raster, then the whole thing might as well be, and your workflow is needlessly convoluted.
JET

Transparency Issues with PSD files in FCP 7

I'm having some weird file layer transparency issues with FCP 7. I'm working on a project that's made up entirely of graphics drawn in Photoshop CS5. They Photoshop settings were done to match an HDTV 1080i (16:9) sequence in FCP. In FCP, the pixels were set to square, field dominance to none, frame rate to 29.97 and compressor is Apple ProRes 422.
I exported my PSD files out of Photoshop, with each layer being exported to its own file. In general, things were fine, but there were a few files where you could see the outline of the character against the background, but mind you that this is only visible once the video is rendered out in the FCP timeline. Nothing is visible in Photoshop, nor is it visible while viewing from the Browser in FCP. I told this to the artist and he went back and made corrections, making sure everything was on a transparent background, but the result was still the same - once I rendered the graphics out in FCP, these edge lines were visible.
I then went back into Photoshop, opened all the files that were giving me trouble, clicked on the "foreground color" and changed it to a color other than white, then back to white and hit ok. That seemed to work - even when rendered out, I was getting no artifacts, until I tried enlarging the graphics over 100%.
Also, with some of the same graphics, I was trying to layer them so that a guy was in the foreground with other people and a van behind him in the background. Once again, no problem in Photoshop, but once brought into FCP, the background people were actually being displayed over the main foreground character.
I'm pretty baffled - what to do? I'll attach a photo of the weird lines around the characters. It might be hard to see at this size, but if you download and enlarge it to 300% or so, you'll see what I mean.

Just saw that Adam's original post was an older one. Will keep this here anyway to maybe help the most recent poster.
Sharon
Adam, did you try what David said about pointing to the root folder? Did that work?
When I copy the SD card, I name a new folder on my hard drive something specific, like Smith Wedding. Then I copy everything inside the SD card to that new folder. The first level inside my new folder now has folders for
AVF_INFO
PRIVATE
and on down from there. When you open Log and Transfer, point it to the Smith Wedding folder (of course whatever you have named yours).
ClipWrap2 also works great to convert the files beforehand if you want.
What camera are you using? I have the Sony NX30 and it was giving me fits because the .mts files don't ingest if the clips are longer than 11 min. My problem is that I'm still on FCP 6.0.6. I think 7.0.3 fixed that. But I did find enough work-arounds to keep the camera.
This is a link to the full discussion if you are interested.
https://discussions.apple.com/message/19085158#19085158
Sharon
Message was edited by: SSteele

InDesign CS2-generated PDF & feather effect/transparency issues

I am at my wit's end. I received a client's PDF file created to my specs (same ones we've used for 5 years). I am having massive flattened transparency issues. I am currently using Trueflow version 3, a rip which does not support live transparency; therefore, my distiller settings require that transparency be flattened. There are some horrible results that I can't rectify on my end. There is stitching showing (and outputting to the plate!) where she has placed .psd files on some pages. There is also a problem with feathered objects (which are linked photos) - they look just fine in the document but when exported and flattened, there is a white box behind the pictures instead of the soft feathered look.
When I exported her CS2 file using Acrobat 5 instead of 4, the effect is fine, but - my rip kicks it out. When I export to my specs, the PDF has the above print issues --
I want to clarify that I always view print ready PDF files using output and overprint preview -- this is not a preview issue -- it is a definite file & export & resulting print issue.
I would love to be able to assist my client -- this is a rush job. If anyone has encountered this and has a feeling what may be causing it, please let me know -
Also - I do not have any software to correct this issue -
Thanks in advance -

Peter -- I am looking over those articles now. Here is the problem -- we do not print from the application
File > Print, and under Output, choose Composite CMYK, and CHECK the “Simulate Overprint” checkbox. Under Advanced, select your all-raster flattener.
I do not have her entire document -- only a couple of the problem children.
I suppose a workaround would be to (if I had her files) see if I could print as a postscript and distill it to a PDF -- or print to a postscript and send that into Trueflow to see if it will accept it --
However, I did receive a warning that by creating that high res setting with the slider all the way to the left, it would rasterize the whole page --
Now, I can already do that in just one step by opening the PDF in photoshop at a very high resolution and flattening it --
I simply hate having to go that route when we have type on the page too -- I think my issue is a lack of proper equipment -- we don't like to rasterize if we can help it -
Since this job is a rush, I may have no choice but to do that on those pages -
That info is helpful but in reality is a longer way of accomplishing the same thing --

Indesign CS4 to PDF 1.3 transparency issue

We submitted an ad to the local newspaper that we created in Indesign CS4 and Acrobat 9. The ad was exported as a press-quality Acrobat 4 PDF.
It is a fairly simple layout, with type and a logo.
The headline and logo have a drop shadow applied with multiply blend mode. All colors are CMYK.
When the ad prints, the headline and logo have 1% black-filled boxes around them.
I know this is a transparency issue. However, we've done the same ad in Indesign CS3 and Acrobat 8 with no problems as long as we were CMYK and Acrobat 4.
Has something changed in CS4 that I don't know about? Could it be the multiply blend mode rather than normal?
Problem is, the newspaper can't give me a proof -- we have to wait and see what happens when they print. I can't simulate the problem on my end. The ad prints perfectly on my HP5000N in b/w and on my Phaser 8560 in color.
One workaround suggested was to export the file as a JPG or EPS and save as a Photoshop PDF. We did that on one ad that will run Monday, so we'll see. However, that makes the files with photos enormous -- like from 4 mb to 26 mb.
Any ideas would be greatly appreciated. We're in the middle of an ad campaign and we're resorted to the old-fashioned manual drop shadow out of desperation!
mev

Has something changed in CS4 that I don't know about? Could it be the multiply blend mode rather than normal?
Something did change. In some cases (maybe all), the flattener in CS4 will put the shadow behind the background rather than in front. In both cases, though, using a RIP and/or viewer which is set to honor overprints will avoid the problem, and allow the artwork to render correctly.
You say that all colors are CMYK. Are you absolutely certain that the background (whatever the rectangular shadow-containing "boxes" knock out) is not a spot color? Your problem description would be more easily explicable if it were.
One workaround suggested was to export the file as a JPG or EPS and save as a Photoshop PDF. We did that on one ad that will run Monday, so we'll see. However, that makes the files with photos enormous -- like from 4 mb to 26 mb
This in itself suggests that these folks do not know what they are doing (though I know that's not terribly helpful to you if you need to advertise with them). I must say that given current economic realities in the newspaper business, it's hard to image a paper refusing to cooperate with a paying advertiser - especially one who has been previously bitten - if not by the newspaper's own incompetence, at least by their unwillingness/inability to provide a proof.

Transparency issues with INDCS3 and Pantone color

Running Windows XP, Serv Pk 2, Creative Suite CS3, All updates.
Heres the deal: We are having problems with PDFs printing and Ripping when using transparencies and drop shadows.
Issue 1: INDD CS3 file with transparent PDF placed as image. Separate frame filled with paper, stroke and drop shadow placed under trans PDF file. Filled frame areas of percentage tint using a PANTONE color used on same page. File re-PDFed (compat to v6) and file printed correctly to XEROX 7760 and HP color. PDF views correctly. Recommended ordering policy applied to all layers as to keep drop shadow below text. PROBLEM: User running Acro 7 to printing to same color printers, receives copy with color tint areas missing.
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Could this also be the "known issue" of transparencies and PANTONE colors? We are testing out converting all the colors to CMYK.
Please respond at your earliest.
KEN PANTHEN, Albany, NY

Ken,
If your final output is to the Xerox, which can't print Spot colors without converting them to CMYK, you should use process colors instead.
Also, read the articles from InDesign Secrets:
http://indesignsecrets.com/eliminating-the-white-box-effect.php
http://indesignsecrets.com/eliminating-ydb-yucky-discolored-box-syndrome.php
Peter

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I recently designed a flyer for an event that a group of artists and I are doing as a not-for-profit organization that we started, to help clean up the area and promote the arts.
When I print the file (saved as an AI), the colors are bold, the font is crisp, and everthing overall looks fantastic, apart from this "box" around some of the elements I have created/added to the file.
When being printed from an exported jpeg format, the boxes are not present, but the image overall is of lesser quality (i know it's from being compressed to a jpeg), and the colors are not as bold.
I only have a black & white printer, a Brother MFC-7220. I only found out this issue when my curiousity got the best of me, and printed it to see what it'd look like on paper (8.5"x11") before we sent it off to the print shot. This is when I noticed the problem.
The elements which have this box around them were edited in Photoshop CS 6 (trial), where I had (at least thought), disposed of each elements background, so I could import them into AI as objects, without any background.
The files were edited in PS in new documents with a transparent background, saved as a PSD, then "opened" in Illustrator where I simply copied the object and pasted into the AI file I was working in. I've tried recreating/re-adding the elements from PS back into AI with the same issue.
The image also looks perfect on my screen, no boxes whatsoever. I've tried playing around with printer settings, transparency/raster settings, but the only thing I can get close, is the low-quality jpeg file. This problem also happens when exporting to a PDF, which is what I typically use for my printing format from AI.
Any ideas what's going on here? The pictures linked below show a photo of the AI and the jpeg, and a screencap of my desktop as the AI stands right now. The jpeg export has a few minor changes to it, but are still otherwise the same. The only items that are "supposed" to have this, are the logos for our sponsors in the bottom-left corner.
I'm stumped, nothing is working that I've read about, and I need to get these printed as soon as I can! Any help would be appreciated - please keep in mind I'm a novice when it comes to AI/PS, I know mostly basics.
[url=http://s1286.beta.photobucket.com/user/em0te-apparel/library/AI%20Print%20Issue]PICTURES[/url]

I, too am having the same issue printing from AI CS5. I have edited images in PS CS5 and there is a transparent background. I then placed (File>Place) the PSD files into AI and everything looks good on screen. However, I'm also getting a strange box that appears around my images—though the box itself isn't a solid opaque—it looks more like there's a overprint or screen and so it just shifts the colors behind it. I've tried saving the images as transparent PNGs with the same result. I've also tried playing with my transparency settings in the print dialogue to no avail.
Strangely this is only occurring when I print at 100% size. I came upon this by happenstance when I accidentally printed a copy at 75% and everything was fine. If anyone has any insights, it would be much appreciated. Thanks!

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InDesign 5.5: Strange Printing Transparency Issues

Hi guys, long time reader, first time poster. This forum has helped with a lot of problems, so thanks, and hopefully you can help with this one.
I'm working on a multiple-spread page for a client that is giving me some strange issues when it's printed. The document has an image as a background for the entire page, and then a black box over the image with some text on top of it. For some reason, the black box with text is letting the image underneath show through, almost as if the box is 99% transparent or something. I've checked each box individually, and there's nothing in the transparency/attributes boxes. I'm not sure how, exactly, to solve this issue -- is there some sort of universal transparent image setting (for instance, set black to 99% opacity always or something similar)?. It's the only thing I can think of.
InDesign CS5.5, OSX Lion. The files are a combination of TIFF and JPG images, and I get the same issue no matter what image format is underneath.
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No problem, Peter. I've included a few shots from various pages (the problem stems to all black boxes placed over images over the 64 page document) on the links below.
http://img40.imageshack.us/img40/5964/88392023.jpg
http://img94.imageshack.us/img94/9741/93991019.jpg
http://img20.imageshack.us/img20/7883/10837728.jpg
The third one is the page that I took the picture of the printout with my phone.
I've tried this on an offset press and a digital press; with 'knockout group' ticked and not. For the life of me, I can't understand why the black is still overprinting on the image when it shouldn't be.

Why are my identically coloured opaque images printing different colours? Is it a transparency issue

I have an object that is a plain white logo with a grey background - the file is a flattened psd file and has only the one layer.
when i place the logo into InDesign (CS5) onto a plain grey (the same colour as in the logo) background and print this simple combination, the grey background on the logo is a funny colour compared to that on the document background. they have the exact same RGB reference! they only appear different colours when printed; on screen they look great.
i thought that this was an issue with transparency and have tried playing around with having a transparent logo with no background and various transparancy flattener settings but nothings fixing the problem. the only thing that i managed to achieve was to make all of the grey one colour, but the funny coloured grey i was seeing just in the logo background!
when i go to window-output and check the flattener preview, i can see that i have no transparent objects whatsoever in my document.
any help on this matter would be greatly appreciated - its driving me MAD!
thanks,
becky

More to the point on this, I think, is that both RGB and CMYK values listed for any spot color are "best approximations" (many, perhaps most, spot colors have no good CMYK equivalent, and that would be true as well for some subset using RGB) using Pantone's unknown color space. Even in that space the probability of getting an actual match between the simulation and the true spot ink is close to zero. Using some other space makes things worse, and since there is no way to know the sapce in use at Pantone, you're kind of up the creek.
For CMYK converison you can do reasonably well by using the Ink manager to convert the spot to process and check the bok to Use Lab Values at the same time. For RGB, I have no idea how to come close, at all.

XML and its influence over program design (2 issues)

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Greg

I am trying to develop a J2EE application but find
myself stuttering at an early stage because I cannot
decide on the best design for my application. Part of
my problem is a lack of experience with the different
J2EE technologies/API (especially XML APIs), and theThat's nothing to be ashamed of. And realising that you lack experience and trying to remedy that is a good sign.
A major issue is this: my application basically is
concerned with representing conversations between the
server and a user, e.g. a simple sequence of yes/no
questions asked by the server to the user, which the
user replies to in turn. I believe that the XML
format would be a very suitable way to represent
these conversations. My first question is:
XML might be overkill if it's just a question followed by an answer and neither contains complex hierarchical data structures.
* Should the decision to use XML as a storage format
influence the design of the rest of the program? ICertainly not.
XML should represent data structures that are natural to your program, thus becoming a tool rather than forcing its structure upon you.
feel that in choosing XML to represent the
conversation data, I am stuck thinking about the rest
of my program in a XML way (i.e. doing everything
using a DOM etc.). Am I right in thinking that my
program should be designed in such a way that an
XML-based storage system could be easily interchanged
with, say, a relational flat-tabled database?
Flexibility is good to keep in mind, but at the moment I'd worry about just getting something to work.
* Imagine that each conversation contains one or more
questions, and there are, say, 4 different types of
question (e.g. yes/no, multiple choice, etc.). Each
of these needs to be handled in a different way. Is
there a good pattern or recommended way of handling
this sort of situation in code, ideally avoiding a
big 'if' or switch statement (e.g. if the node is of
"ABC" type do this, else if it is "yes/no"...). It
would be great if one could easily add new types of
question to the XML and then similarly one can make
easy additions to the code to cope with these new
cases.
Think of a factory that creates the handlers on the fly based on the actual message received.
If the factory makes use of some mapping construct to do so there's no need for any conditionals at all in your decision tree.
I've myself used XML structures successfully to define such mappings (and so have others) on disc, but simple ones can be easily represented using just a properties file.

SVG to PDF/AI gradient and transparency issues

This is probably quite off topic for these forums, so apologies for that up front, but I can't seem to get answers in more appropriate places.
I am trying to use inkscape or rsvg-convert, which both use cairo, to convert SVG to PDF.
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Typically I get "An unknown shading type was encountered" and the offending shapes are un-editable "images" with a clipping mask over them.
There are two circumstances that result in problems for me.
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Does anyone have any experience doing server-side conversions of SVG to PDF and have managed to create a PDF which contains gradients and transparency that are actually editable once opened in Illustrator?
Or does anyone know if there is something more I can do with the original SVG code to make the opacity work ok in the final PDF?
Thanks

Works fine for me as .ai with pdf comptible turned on. You may have input transparency in the wrong location in Illustrator. Change opacity in the gradient palette, and not tint in the color palette.
Opacity is 0 here, anything less tha 100% will create tranaprency. To proof in Illustratopr do a Shift Command D to change your background to a checkerboard pattern.

CS 4 - In Design Transparency issues?

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