Export Settings Work Area

Where can I find a descriptions of each option in a Premiere Dialog Box? The is the most basic thing for product documentation, but I can't find this for most Premiere dialog boxes. There are some fluffy marketing statements, but no descriptions.
When I get to a dialog box, and click a drop down, it lists a bunch of options. I want a definition of each option. For example, in the Adobe Media Encoder and in the "Export Settings" panel there is a "Range" drop down. The drop down has two options: "Entire Sequence" and "Work Area". Where in the docs is the definition for these two options.
Thanks,
Dan.

You will also find links to many
free tutorials in the PremiereProPedia that will quickly show you how things are done in Premiere Pro.
Cheers
Eddie
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PPCS3 won't export only the work area to media encoder

I can't figure out why Premiere Pro CS3 is no longer exporting the work area to the media encoder. I CAN successfully export the work area to Encore but even when I select WORK AREA under the RANGE option in EXPORT SETTINGS the media encoder still shows only the entire sequence.
Same results on any sequence or project I've tried.
Any suggestions?

Are you sure you're not confusing the sequence In and Out Points with the Work Area Bar? I've seen people make that mistake before. The Work Area Bar is what controls the "Work Area" export.
If it's not that then you have a real mystery on your hands. :o
Cheers
Eddie
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HELP!!! Work area bar / export issue in Premiere CS4

I have a project that is several hours in length. There is a small part, about 5 minutes worth, that I need to export. I have set the work area bar for just that area. However, no matter what I do, it exports my entire sequence. How can I get this to ONLY export the work area? Anyone else had this issue?

>Does this mean that the prior feature [...] has been discontinued by Adobe in CS4?
That statement makes it clear you did not read this entire thread. Click the
Show All Messages link to see the entire thread.
Let us know what you try and what the result is.
Cheers
Eddie
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Work area colours different to exported colours?

I have a wierd problem. When working within photoshop i can choose colours that i want but they show up a bit lighter on the screen in the work area, and when i click to export or save as the colours are shown a little darker and more saturated.
The colours on the export are actually the right shade, so they must be showing wrong within photoshop while i work on a document. I've never had this propblem in any other version of photoshop, only CS5 and i'm wondering if there is some setting or somehting i can change to have the colours be the same on export and while i'm working on the document, because it's very frustrating when the colours i picked turn out to be different when i save an image.
Could someone please help me?

It sounds as though the problems you are describing are rooted within the fact that Photoshop is a color managed application, and (depending on settings) will respond to the color profile of the image and the color profile of your monitor. To achieve the behavior you want (things not appearing unexpectedly different) we kind of need more info...
What are your Color preferences (Edit - Color Settings...).
What color profile(s) accompany the images you edit (i.e., where do you get them, how do you open them).
What operating system are you running?
What video interface (make/model/drivers) are you using?
Have you calibrated your monitor?
What are your goals (e.g., see the same thing on the monitor as Internet Explorer, or another app)?
Take heart: Photoshop can be set up to deliver consistent, expected results per your goals, and it will help to understand why you're seeing what you're seeing.
-Noel

Exporting work area in cc 2014 doesnt export actual entire work area

Can't understand what the issue is here. It only exports about 80% of the clip.

Hello,
There's a few things you can try.
1. Make sure the Work Area Bar is extended to the entire length of your sequence. See image below
2. From the Export Settings dialog, change the Source Range to 'Entire Sequence'. See image below.
Best,
Peter Garaway
Adobe
Premiere Pro

What are the correct iphone 5 H.264 export settings?

I have scoured the internet for help trying to find the correct way in which to make a proper H.264 mp4 video file that will play on the iPhone 5. I am using Adobe Premiere CS 6. There exist presets for the iphone 4, but not the iphone 5. I tried the iphone 4 presets but they will not play on the iphone 5.
I tried checking Apple's iphone 5 video specs to make sure I am not over spec: https://www.apple.com/iphone/specs.html, which says: Video formats supported: H.264 video up to 1080p, 30 frames per second, High Profile level 4.1 with AAC-LC audio up to 160 Kbps, 48kHz, stereo audio in .m4v, .mp4, and .mov file formats;
Here is how I have my video export settings set up in Adobe Media Exporter and the multiplexer is set to iPod:
I've tried other slight variations, but nothing will play. I am hosting these videos on a site and just trying to access them from the URL bar such as: http://harbourak.us/videos/iOS_mp4.mp4. I cannot use m4v or mov formats because of the flash script that is used on other flash supporting browsers that can convert the mp4 quickly on the fly.
If anyone has any suggestions for how to get this to work I would be greatly appreciative! Thank you!

So yeah, there is no setting I can find that allows you to properly export your video in h.264 .mp4 that will play on the iphone from Adobe Premiere CS6. What is the point? I just don't get it. It's like secretly apple has decided to not allow any mp4 to be downloaded from the web and be played on the iphone, but then lie to everyone when they say on their spec page that the iphone will play mp4s that are 640x480, 30fps, AAC 48kHz, < 2.5Mbps. Ugh, I've exported so many different versions of .mp4s and for each and everyone the iphone says "sorry, broken play button image" and no explanation. So helpful! </sarc>
Okay, you want examples that work FINE in regular PC browsers? Well, I set up a dummy page with the HTML5 embed code here:
http://housemajority.org/wp-content/themes/candidate/video-test.php. Works fine in Safari for Mac & PC.
This currently has the 640x480, 30fps, AAC 48kHz, < 2.5Mbps h.264 codec .mp4. Plays fine in Safri on the PC or Mac but not the iphone. This file completely coorelates with Apple's spec sheet so I'm at a total loss. The actual file can be found here: http://housemajority.org/vids/iOS_30fps.mp4
Other video attempts:
/vids/iOS_preset.mp4 - 29.97 fps before changing to 30fps
/vids/iOS_mp4.mp4 - 720x480 before changing to 640x480. makes no sense
/vids/H264_w29.mp4 - another version of the 720x480 version.
/vids/iOS_converted.mp4 - tried using one of those "convert videos to iphone version" shareware apps that also doesn't work.

What are the best export settings to use...

Operating system: Vista SP1
Camera: Canon HF100 (1900x1080 HD quality 29.97fps) -- uses AVCHD compression which is H.264 I believe.
I'm able to watch my camera video files in Vista nicely. However, I'm having trouble with the watching the results of my edited and exported videos. Assuming I want the same quality and playability as the source video, what settings should I use in the export?
In the export settings window... I select:
Format: H.264
Preset: HDTV 1080p 29.97 High Quality
Source files have the extension: .m2ts
...I don't change the other values. Then I export. Now the result is an .mp4 file which does not play in Windows Media Player. It does play in Quicktime or iTunes however it plays jerkily... I would like to be able to play it as smoothly as the original source plays... And I'd like to be able to play it in windows media player just as the source can be played in media player. Media player seems to play the source more smoothly than does iTunes or Quicktime.
So what are the best export settings for me so that I can watch my edited HD video on my computer as easily as the source footage???
I've been able to edit and save the results of the edit using the crappy ImageMixer3 video editor that comes with the camera. The results are perfect and play in windows media fine. The files it exports the edited video as is the same as the soure... the file extension is .m2ts
So the problem is how to get Adobe to export the edited video to an .m2ts file or at least to a file type that plays as nicely in my system?

See
Exporting to iPods, cell phones, PSPs and other mobile devices in the PPro Help for details.
Cheers
Eddie
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I cannot send or forward email but I do receive mail OK. All of the same settings work on my wife's IPhone and our Ipad. All are running on IOS 5.0.1. I get a message of your email has been put in your outbox because the receipent "%@" does not allow rela

I cannot send or forward email but I do receive mail OK. All of the same settings work on my wife's IPhone and our Ipad. All are running on IOS 5.0.1. I get a message of your email has been put in your outbox because the receipent "%@" does not allow relaying.

Try deleting the mail account and setting it back up again.

What are the best export settings for a HD video in Premier Pro CS4?

Hi!
   I've been having so much trouble with this issue and it's something that continually frustrates my boss. I have a HD video the settings for it are
FPS 23.98
1920 x 1080, then a few lines down it says 1408 x 792
16 bit,
2 channels
48000 Hz
   What should the settings be when I make a new sequence?
             When I look at it in the window in Premiere Pro I have to contantly 'shrink' the image to fit the window, is that something I should be doing or does it indicate the sequence settings are incorrect?
But more importantly what should the export settings be? I exported a 4 minute long video and the size was 1 GB, I know that's too big.
I need to export it without loosing any quality and export another one that meets the Youtube and Vimeo limits on size.
Vimeo is 500 MB per week, sometimes I upload 4 videos per week. I think Youtube you can only upload 500 MB at a time.
I need to get smaller sizes with loosing the least amount of quality possible AND the best export settings for quality, so I guess I have 3 separate questions-
What are the best sequence settings for HD video?
What are the best export settings for HD without loosing any quality?
What are the best export settings for the size to come out around 500 MB with loosing the least amount of quality possible?
Thank You!
http://forums.adobe.com/thread/713070
On the above thread I used the 5th anwer, and it's going to take about 7 hours to export a 4 minute video :/

It Stands for "Coder Decoder."
Your format is like a container for your video file. Certain containers can hold certain codecs and not others. Other containers can hold other codecs. Sometimes different containers can hold the same codecs.
This might be a bad analogy but I'll give it a try.
A coffe cup (container) can hold pretty much any liquid you drink, where a red solo cup (container) won't hold scolding water. So, the coffe cup would be your container of choice most likely because it has the most options for liquids (codecs). But, you might want a red solo cup for just a single crappy beer at a party (a moderate quality streaming video on the web). In that case, you don't need all the optoins of another container.
In Premiere Pro CC H.264 is a Container and the Codec in one option. This has been streamlined for web distrobution of video to be played in browsers without things like Flash or special players.
Were as if you choose the QuickTime Container there are over 40 codec optoins (at least on my machine with additinal ones installed) but you may run into an issue where your browser doesn't support QuickTime playback.
I would say that your container is for compatability with players and your codec is taken into consideration when looking at the quality of the compression.
Yesteraday I wrote a blog entery on Exporting from Premiere Pro and found that the MPEG-4 codec inside of the QuickTime container gave me much richer colors than the H.264 container/codec option.
I posted the link before but here it is:
http://goo.gl/8GZq4i

CS6: exporting "range of time markers" without setting in-/out point or defining working area?

Hi,
in CS6 I defined several "range of time markers" to get a better overview of my project. Now I want to export each range as a single video.
The only way to do this is creating in-/out points or setting the working area (what is the English translation for "Arbeitsbereichsleiste" (German)...?)?
Or is it possible to define this selections via the previous created range of time markers? That would be the easiest way...
Thanks, Carlos

For exporting chunks of the Timeline, I set a Work Area and then export. If you want to export between markers, that would be a feature request: http://www.adobe.com/go/wish

Where are the custom export settings saved in Premiere 7.2

In previous versions of Premiere, I could easily find custom export settings I made in Premiere. Now, with the latest upgrade, I can no longer open those settings. I get an error saying they are not valid.
When I create a custom export settind and save it, it is saved and in the list of export settings. I need to copy these settings to distribute to other team members. I name the export setting an unique name, but I cannot find it on my computer. Where does it go? The save window does not have a browse button, just a save button.
Very frustrated with this upgrade so far.

Figured out how to do it.

How do I set start timecode to 00:00:00:00 for work area exports in cc 2014?

In all previous versions work area exports started at 00:00:00:00, now in 2014 they're taking the sequence's timecode. I can't find a way to set this anywhere.

This is exactly why we all start at 1:00:00;00.
LOL -- I guess it's not really a 2pop if it's only a frame from start.
Most show production REDBOOKS will aslo dictate that the show begin on hour1 rather than 00000.
But here's how you'll change your options...
Highlight the sequence in question inthe browser and hit Apple-Zero. Then the Timeline Options tab... set the timecode there to where you'll start everything and then add the show at the 1 hour mark.
Good luck,
CaptM

What are highest quality export settings from iMovie to FCE 4.0?

I am using iMovie '08 to create Ken Burns effect movies from iPhoto photos to import into FCE. I want the least amount of loss from iMovie to FCE.
What are the highest quality settings for exporting from iMovie to FCE.
I do not care about size of file etc. Highest quality is all that matters to me.
Cheers,
Chuck

Well here are the facts.
My original question rephrased: "I want to know what are the settings to export Ken Burns created movies (therefore using photos) from iMovie (in this case iMovie '08) with the least loss and regardless of file size for importation into Final Cut Express".
I went to the local Apple store and some of the users (employees) of Final Cut Pro mentioned appropriately they thought .DV would be the best. However when we played some created videos they looked horrible when compared to .MOV with H.264. This just did not make sense, but we went by what we were seeing. Not being able to think with this I did more research and found this article which explained why .DV lookes like pooh pooh compared to H.264 video.
The article http://docs.info.apple.com/article.html?artnum=93002 explains a setting in Quicktime preferences that if not selected some videos appear pixelated.
So, when this preference in Quicktime is selected (never thought to try playing on VLC) the .DV movies look better than those using H.264. So with this resolved then my trial and error testing was realistic. That is I could try different export settings and see which ones looked better to determine the best export setting.
I tried what I thought was everything as far as "Export using Quicktime..." settings. Then I read in "iMovie '08 & iDVD: The Missing Manuals" under "The Video Codecs: A Catalog" an explanation of every type of compression when using the settings under "Movie to QuickTime Movie". Finally someone wrote more data on the codecs. I never found such explanation on the apple website (discussions etc). I really got tired of reading how H.264 is the better than sliced bread "greatest quality for the file size" which I think is true but did nothing to answer my original question. The book then mentioned the option "none". I was like I don't remember this option for "Compression Type". (BTW this all applies to iPhoto '08, Final Cut Express 4, and QuickTime Pro). So I tried "None".
Wow! Zero pixelation! Vivid colors! So I created three videos. One using H.264, DV/DVCPRO - NTSC and None (I had already tried many others but for this last experiment just these three). I also maxed out the Quality for each compressor. Results:
- H.264 colors looked a little faded from the original photos and minor minor fuzziness, file size about 6 MB
- DV/DVCPRO - NTSC colors a little more vivid and less fuzziness, file size about 60 MB
- None...Bam! absolutely photo quality resolution and color, file size about 600 MB. I didn't care about the size.
So, bingo "None" as as the compressor settings in Quicktime to export iMovie '08 Ken Burns effect slide shows for importation into Final Cut Express (FCE) with minimal loss and who cares about the file size. Yeah, this is mammoth file but this allows me to make snappy Extremely High Quality Ken Burns effect videos in iMovie for FCE. Then when I export from FCE I don't make a copy of a copy but make my first compression of the video.
That is my answer!
I consider this thread closed and will only open if I find any of this is incorrect. BTW I already imported the iMovie '08 video with compression "None" into FCE and after rendering it looks awesome and plays well.
Cheers,
Chuck

Today's update has helped...here are settings that are working for me...

So, whatever Apple released today seems to have solved some problems. Finally, my new 80211n base stations are working well -- great speed, two base stations, extending the network, USB printer connected to satellite station, all A-Ok so far. After much experimentation, here are settings that are working for me:
Radio mode: 80211n (80211a compatible)
Security: WEP
IPV6 off
Choosing 80211n/a compatible makes WEP security an option, and with WEP, speed is good. WPA still slows things down too much for me.
Good luck to all.

I've had no problems with WPA. I set my network to "g only" using the alt-key when selecting network type. I turned off NAT, I think that's helped a lot. I've had headache after headache, restarting a few times a day--I had a stable wireless setup with two Expresses for months... I'm hoping this update is going to solve some of those "Where did the Expresses go?" mysteries (restart and they're there again...) Haven't lost iTunes for a few days now, that's a bright spot. I had given up initially on using my external HD for a wireless iTunes repository, with the exception of needing to restart when I wake up or when I come home, iTunes has been trouble free: albums quit cutting out after a few tweaks, and movies and TV shows play straight through now: no further "fade-out-so-iTunes-can-inform-me-it-can't-save-library-do-you-want-me-not-to-r emind-you-again"
I think the major early element that contributed to iTunes stability was to choose a channel. Then g-only, since I have no n-capable elements, then turning off NAT, which I gather is "newish."
Like I say, I have high hopes for this update.
802.11g only
Security:WPA2
IPV6off
IPV4: DHCP

Why can't I export ONLY my work area in CS5???!!!! Help!

i have a lenghty project with multiple 2 minute clips on the timeline. i need to export each short clip seperately. thought putting them on one timeline would be faster, but my CS5 keeps trying the export the whole project, even though i have clearly marked the work area with the little markers (arrows) and selected "work area only" on the encoder screen. help!!!

They're handles, rather than arrows. And the selected work area should be reflected in the AME window...

Export Settings Work Area

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