How do I add/import multiple audio tracks when adding a video to the Elements timeline?

I have 2 audio tracks that have been made, but only 1 is being brought in. ( It is a .Ts video file that is from Hauppauge Capture and it has game play audio and commentary audio that is being over-layed.) They are written as separate audio tracks but when imported into Premier only 1 of the 2 are being brought in. Is there a way to bring in both files?

pinhead276
It is my recollection that we had a similar question a little while ago on this question. I do not recall the outcome. My first impression "it is what it is", but I am trying to dust off my memory to make sure that the user did not come up with a unique way to workaround the situation. I will start searching for the thread that I think that I remember.
If you find the thread first, please post and let us know.
More later.
ATR

Similar Messages

How do I import multiple audio tracks?

Hi there...
I have a number of video files that have multiple audio tracks in them. The problem is I can not work out how to get prem to see multiple audio tracks. The files import fine and I have also tried various other formates with multi-track audio.. but only audio "stream 1" is visible in prem.
What I was hoping is that the video would come in with a 2 audio tracks instead of 1 each in its own "lane".. so I can then use the mixer and the audio files are linked to the video file and in perfect sync.. (just like when you import with 1 track)
NOTE: I am not talking about channels.. but complete 2 completely different audio tracks.. and I know that I could extract these audio streams into wavs and then re-sync them but this seams overkill and a duplication of effort... surly there is a way to have prem support more than 1 audio track on a video file?
--Me

Well, if PP doesn't bring them in, then best guess is they just don't exist.
There's really no trick or user adjustment for this that I'm aware of. You import the file, PP sees what's in it. I've never observed or read about any other behavior than that.

Importing multiple audio tracks from FCE HD

On page 22 of the FCE HD manual it says of importing Quicktime movies "...new audio tracks are added below the video track for EACH audio track in the movie". This does not seem to be the case when I import movies exported for Soundtrack. Is the manual wrong, or is it me?
Sorry if this is a FAQ, I've tried a lot of searches and I can't find anything.
G4 Mac OS X (10.4.7) 832 MB Ram, ATI Radeon 7000, Mercury Elite 1 Ghz

Ok - I'm back again. I've been fooling around a bit with this and this is what I have come up with. ST only allows 1 track in at a time. Multitracks of audio from FCE are flattened down which makes it impossible to tweak them individually in ST. I turned the link button off in FCE and exported the audio tracks one at a time. Each track you bring into ST has to be opened in a new ST project file. Then you can tweak them and export them out of ST, and bring them back into FCE.
My opinion however is that ST is such a weak and watered down verion of STP that it is actually better and more time efficient to use the audio tools in FCE to fix your audio problems and do your mix. Sure, if you have STP its a great program - but ST has none of the power tools that its big rother STP has. You are much better using FCE.

Is it possible to retain multiple audio tracks when exporting?

While ripping my DVD collection, I've wanted to add a purchased RiffTrax (see www.riftrax.com) to the movie as another audio track. I've been successful, but it took the following steps:
1. Encode the movie using Handbrake, open the resulting m4v file in Quicktime Pro
2. Also in Quicktime Pro, open the Rifftrax aac file I created and add it as another audio track in the m4v
3. Save the m4v as a Quicktime mov file
4. Use Handbrake again to encode the mov file into an m4v file, including my added audio track
The reason I have to do step 4 is because if I were to export an m4v file directly from Quicktime Pro, it would compress all of the audio tracks into a single audio track. It would save a lot of time if Quicktime could export multiple audio tracks, at least when exporting to formats that can handle them. Does anyone know if this is possible?
BTW, if anyone wants more details into how I create the RiffTrax aac, just ask.
- Jake

I've answered my own question, it was a lot easier than I thought. After the first encoding by Handbrake, there's really no difference between calling it a mov file or m4v file. I can change the file extension at will and there's no need to do an export that mashes the audio tracks. It's only AppleTV that needs to see the m4v file extension, Quicktime and iTunes doesn't seem to care one way or the other.
Thanks for letting me think out loud.
Jake

Feature Request: Ability to import multiple audio tracks

Hello, I'm having a problem with Premiere Pro CC 2014.2. Unfortunately it lacks an important feature that I require if I'm to transition from Sony Vegas Pro. I much prefer Premiere, but I'm stuck using Vegas due to Premiere's inability to import all the audio tracks in my video files. I've seen a few other people around the internet complaining of the same problem and they also feel that it's rather silly for such a major editing software to lack this feature.
Here is an example video file. If you open it in Premiere Pro you'll not be able to hear my microphone, although it's there in Windows Media Player and Sony Vegas.
APB 2014-12-11 18-29-16-795.avi - Google Drive

All I get is "left" and "right". I tried to set the number of channels to 2 but it just ended up with an empty channel.
Here's the audio specs from MediaInfo:
Audio #1
ID                                       : 1
Format                                   : PCM
Format settings, Endianness              : Little
Format settings, Sign                    : Signed
Codec ID                                 : 1
Duration                                 : 11mn 44s
Bit rate mode                            : Constant
Bit rate                                 : 1 536 Kbps
Channel(s)                               : 2 channels
Sampling rate                            : 48.0 KHz
Bit depth                                : 16 bits
Stream size                              : 129 MiB (1%)
Alignment                                : Aligned on interleaves
Interleave, duration                     : 10 ms (0.60 video frame)
Interleave, preload duration             : 60 ms
Audio #2
ID                                       : 2
Format                                   : PCM
Format settings, Endianness              : Little
Format settings, Sign                    : Signed
Codec ID                                 : 1
Duration                                 : 11mn 44s
Bit rate mode                            : Constant
Bit rate                                 : 1 536 Kbps
Channel(s)                               : 2 channels
Sampling rate                            : 48.0 KHz
Bit depth                                : 16 bits
Stream size                              : 129 MiB (1%)
Alignment                                : Aligned on interleaves
Interleave, duration                     : 10 ms (0.60 video frame)
Interleave, preload duration             : 50 ms
I've read on several video editing forums that this is just how Premiere is and you simply can't load the audio channel. Also the video file was made in Bandicam. I've also tried Dxtory and had the same problem.
Edit:
Looked at the media properties for the video and saw this:
Audio track 1:
Size is 42.74M bytes
Rate is 48000 samples/sec
Sample size is 16 bits
Audio track 2:
Size is 0 bytes
Rate is 48000 samples/sec
Sample size is 16 bits
I know for a fact that there's audio data in that track.

How do I set up stereo audio tracks as default in Premiere using the ProRes 422 codec?

Forgive me if this has been asked many times before. I have searched but can't find anything that explains it in language that doesn't require an advanced degree in computer engineering.
I am a recent convert for our beloved FCP 7. I am learning to love Premiere dearly - but the audio part of it drives me nuts.
I have exported from FCP a series of files as ProRes 422 movies with stereo audio tracks. I want to bring them into Premiere in the same way. But when I do it squashed everything into a single audio file.
This plays havoc with the panning - especially in mixes that have stereo music mixes. Apart from that it just confuses me.
Also. when I create a new project from scratch in Premiere and I select the custom ProRes 422 setting it only allows ProRes 422 mono audio. I don't see a codec for anything else (ie. stereo).
Am I missing something?
I have looked in all the preferences areas and can't find anywhere to change this. I just want to be able to import simple, basic two track audio (and have it show up the same) as I would in FCP, ProTools and the myriad other editing programs I use.
I also want to be able to set up a basic two track stereo timeline/sequence without having to reinvent the wheel.
Many thanks for any help and your patience. I am slowly tearing my hair out and spending long periods sitting in the corner hugging my knees and weeping.
My specs. Preferred editing codec: ProRes 422
Premiere pro version CS6 (6.05)
Thanks again.

Go to the Project Panel, select all clips and rightclick/modify/audio channels.
Set it to 2 tack and mono.
When you drop the clip onto the timeline the stereo will come in on two tracks.
You can also set this to default in the Preferences under Audio (before importing the clips) (Stereo set to mono).

Having difficulty with multiple audio tracks when exporting

Hi,
I am trying to export a couple of sequences to send off to a friend. I've tried sending it to iDVD as well as sending to print to video. When I play it on the computer as a quicktime movie every track is there for the audio ( 6)
When I print to video to a dvc tape. All 6 tracks are there. When I then tried to record to a dvd on a dvd deck I only have 2 tracks of audio. Same with iDVD. Is there a button I didn't push. Did I push a button I shouldn't have? These are the questions I need answered. What have I done wrong. ANY help or SUGGESTIONS would be greatly APPRECIATED.

Bonjour Michael,
Thanks for the suggestion but when I did that I then had no sound. What did I do wrong. Is there another step?
thanks,
jenn

Losing the audio track when moving a clip from the browser to the timeline

Today we were trying to add two clips from the browser in Final Cut Express HD to the timeline that was created yesterday. The problem is, the clips we were adding today are not moving with the audio tracks. All other clips from when we created the movie are fine but the two we added today have no sound. The audio works when viewing the clip in "viewer" but not once it is moved to the timeline. Any thoughts?

Hi(Bonjour)!
Look at the left side of the time line, there is a device (the patch panel) to set the current video and audio target tracks. (little V1 and a1 a2 icons). Swith them to desired tracks to select the target audio tracks (that's where the video and audio-or just one of them-will be inserted in timeline upon editing). There is also a contextual menu (control click) with reset panel command.
Michel Boissonneault

Question about multiple audio tracks

Hello,
I see that imovie has only 2 audio tracks available when creating a movie. I need more than two since I will be working with a voiceover track, a soundtrack and at least one background/environment track all at one time. I won't be able to use the sound recorded with the video so that "track" is not an option.
My question is; Am I out of luck here and need to spend the 1K for studio pro to add more multiple audio tracks?
Also, I tried working with garageband but since all of my audio tracks import in at a minimum of 40 beats per minute, the voiceovers are all sped up and sound chipmunky.
Thanks for any help!

Well I didn't mean to irritate you...LOL And yes, I realize that this is the iM 6 forum but the gist of my question was related to multiple audio tracks in iM and thought I would ask about it in the forum pertaining to the latest release.
I had already posted a question in the GB forum regarding the bpm problem and found no answers so I was pretty much about to shelve that idea and forgo the whole garageband thing; this without knowing about the new "swap" features. I just updated to iM 6 yesterday.
As far as the "on-tape" raw audios: I was working on my movie in iM4. I wanted to add more audio bits but I don't have a proper mic for my G5 so I recorded the audio bits on dv8 tape through my camcorder. I imported the video (the image was the inside of my lens cap!), extracted the audio, took those audio files and imported them into GarageBand. That's when I noticed the bpm problem.
I'm sorry about the lack of info I originally gave but like I said, I had pretty much gave up on the idea of using GarageBand. I'm pretty new at this and I'm trying to decide what I need in terms of software to get what I want out of my movie. I'd be willing to pay for FCxp but still looking into whether I need to do just that or whether I can get by by using imovie and now it looks like GarageBand too.
ah, thanks for that
what irritates me, Prince wrote:
The audio tracks were voiceovers that came from my
dv8tape, imported into imovie4.
... ehm, but this is the iM 6(six) section, as said,
iM 6 allows now "swapping" files with GB3... (I'm way
back in the 90ies.... see my specs... )
so, video is in some iM, and he wants to use the
actual "on-tape" raw audios...
I thnik we need a little more detail...

HOW TO ADD MULTIPLE AUDIO TRACKS - iMovie '11

I'm having trouble adding multiple audio tracks in iMovie 11. I already have an audio track embedded with the video and a separate music track under. I wish to extend the music track further but need to cut it off at a certain point. I tried just adding the 2nd music track under the first but when I 'drop' the track it doesn't show up anywhere. Any ideas or work arounds will be helpful. Thanks.

Hana wrote:
... I tried just adding the 2nd music track under the first but when I 'drop' the track it doesn't show up anywhere. ...
you have to drag the music-clip onto a video-clip - then, iM will add it automatically upon/under the other ones ...

How to play multiple audio tracks simultaneously?

Hi there,
I am having problem with playing multiple audio tracks. I want to play 2 or more audio tracks at exact time (without delay) - is it possible? how can it be done?

So, essentially, you're trying to take a recording of say, a singer and a guitar player, and end up with the singer in one file and the guitar in the other. Got it.
[http://java.sun.com/javase/technologies/desktop/media/jmf/2.1.1/solutions/Merge.html]
That sample will merge multiple input files into a single file. Because you want to play the files together rather than save them, just take the sample and strip out all of the DataSink stuff, and add the following line right after the Processor "outputProcessor" is realized...
outputProcessor.setContentDescriptor(null);
So, it'll make the following revision to the code:
     // Create the output processor
     ProcessorModel outputPM = new MyPMOut(merger);
     try {
         outputProcessor = Manager.createRealizedProcessor(outputPM);
                    outputProcessor.setContentDescriptor(null);
         outputDataSource = outputProcessor.getDataOutput();
     } catch (Exception exc) {
         System.err.println("Failed to create output processor: " + exc);
         System.exit(-1);
     }That'll make the outputProcessor play the file, as if it was a Player object. You won't have any visual controls, but if you need visual controls, then don't do that, and just create a Player object to play the outputDataSource.

How to quiet multiple audio tracks

I have 6 seperate video tracks (multiple angels of the same event). I used the suggestions given to me before on how to synch up all the footage. My problem is I can't figure out how to silence all but one video track so I can mark where the synch spot is (an air horn). When I click the green button next to the audio track, it unrenders the audio, so that isn't an option. I only need the audio to mark the synch spots, then I can delete it as I have a tape of just the audio through the PA system. Any suggestions?

I think rendering the audio has to do with the way I import to FCE. This is how I bring video into FCE because it seems to be the only way I can get it to work. I run my video camera through a digital coverter which runs a firewire into my Mac. I then import the video into imovie. After that is done, I do a drag and drop of the imovie into FCE. I have to render the audio because it just beeps if I don't when I play it back in FCE. I tried using the video capture in FCE but it keeps telling me it is unable to capture (my gues is the cameras are too old and the digital converter in not compatable with FCE or Mac). So once the video and audio footage is in FCE, if I click the green button on the left hand side, my rendered audio becomes a red line. However, I can click the same button on the upper video portion, and it drops the video out so I can see video clips on the lower levels and not just the first one on top. So that's why I render the audio. I can see all twelve audio tracks already. Tom- would making the change you suggest still help? Great book by the way also.

How to create a new independent audio track?

okay, probably a stupid question, but how can i create a new audio track that is not a "slave" to an already existing audio track. for example, all of my 8 audio tracks are in use, so when i try to open a new one, it is affected by the highlighted tracks specifications, making it very frustrating. please help and thanks.

Some things are just backward in Logic...we just have to get use too it.....
jord, I agree.. it's not that hard to understand the difference between an arrange track and an audio object. the fact that you can have many tracks in the arrangement that all use the same audio object or midi object is a great thing.
I think if people get their head around the fact that the arrange page _is not_ simply a representation of what is physically available in terms of tracks, then it all becomes clear.
I would recommend all new users to do the following:
click on your arrange window, and select the top track. start hitting delete until you have deleted every single track in the arrangement. you now have a blank page. but, importantly, the environment of available audio tracks/audio instruments/midi channels/whatever has not changed one single bit. you can now assign anything to your arrange page. 55 arrange tracks that are all using audio instrument 1 if you so desire. or, sequentially create new tracks that are all using subsequent channels/instruments by controlshiftreturn (by default).
people often get confused by doing the following: they create a new track in the arrangement - say they had audio instrument 1 and then created another _arrange track_ of audio instrument 1. then, they look in the parameter box for that second arrange track, and change it to audio instrument 2. then they get annoyed that for some reason, both tracks now change to audio instrument 2.. but this is totally normal, because you have changed the assigment of the same audio object, that just happened to be present in the arrangement in the form of 2 arrange tracks. the way to change what object is assigned to an arrange track is to click-hold on the track name (right there where the track is in the arrange list) and then you will see a pop up of all of the available objects, hierarchically presented to represent the environment layers in your song. or, instead of doing this, you can just create an arrange track that uses the next available audio track/instrument by using the key command described above (controlshiftreturn).
it's not at all illogical or backwards! when I am writing a midi part using an audio instrument, I (very) often want multiple arrange tracks of the same instrument so I can test out different ideas or variations.. muting all except the one I currently want to hear. and importantly, they aren't "copies" or "clones" of the same track, nor are they "linked" tracks that change assignment together, as many people seem to think. they are independant arrange tracks that just happen to have the same track or instrument assigned to them. once you get this, you start getting logic.
the way to build new audio objects or midi objects (which is what people mean when they say "new track") is and has always been in the environment. although, now there are shortcuts to do it by using the function 'create multiple tracks' which will produce the objects for you in the arrangement and add them to your arrangement in one operation. you also need to be aware of the setting in your audio prefs (or in hardware and drivers, can't remember which) where you define the maximum number of tracks that the audio engine will allow, this being another stalling point for many new users.
like I said, once you 'get' this architecture in your head, you start realising how powerful and flexible working on arrangements in logic will be. for me, it's a way better implementation than playlists in protools, for example.

Multiclips and multiple audio tracks playing at the same time

I've only just taken delivery of my first ever mac (only ever used PC) with FCP, and I'm loving it already! Done lots of reading and viewing of video etc etc, and it's not as daunting as I thought it might be. I have one question the books don't seem to answer, and I can only find one reference to this on this site, with no definitive response. FCP5 probably doesn't work this way, but just in case someone knows different......
I film and edit motorsport (karting) programmes for television in the UK, using multiple cameras. I usually lay all the video and audio tracks on the timeline, (synched) lock the audio for each (as it is engine noise, and I want it playing without abrupt changes at cuts as each kart passes each camera, whether in shot or not) then cut the video tracks and delete those video segments not required.
The most exciting aspect of FCP5 for me is the multiclip editing facility, which I have found very easy to learn and is going to save me hours of work! However, I want to know if there is a way of having each audio track from each camera used in the multiclip laid down on the timeline when you import the multiclip to the timeline from the viewer, in order that I can play each audio track from each of the cameras at the same time.
I know how to cut from angle to angle, leaving the audio from the selected angle as the one audio track playing, but I want all of the tracks to appear in the timeline and play at the same time. I know there's a bit of a workaround by locking the video and importing each audio track from each clip independently, but if you do have to re-synch one of the multiclips, this means the audio is not then synched with the original clip, which will have had an in point set before being imported in as part of a multiclip.
I can understand why you might want to keep audio from one camera only playing over the whole multiclip, or to switch between audio from each, but in my case I prefer all audio to play at the same time. The workaround is still do-able for me as I'm only talking about engine notes, which if they are a few frames out is not very noticeable at all, but I would like to know if I'm right in thinking I cannot do it the way I would like to?
Wish I'd used FCP from the start, but glad I've got it now.....especially with the 30 inch screen! It's 4.40am, been going over 19 hours straight and I'm still making comments like...."WOW, that's brilliant"...every half hour!
G5 Mac OS X (10.4.3) Quad, 8gb ram, 2 x G-Media GRaid 500gb Raids, 30 + 20 inch Cinema screens

...

Premiere pro: multiple audio tracks in a single take. (Workflow for audio mixing outside premiere)

Hi I am an editor from Finland.
I need to sync multiple audio tracks (like 2 stereo and 4 mono) to different takes before i start to edit. You see, after the editing I will create an OMF file for the sound editor who needs all the audio tracks to work with. I have noticed however by just nesting (puttin video and audio clips in a single sequence) the resulting sequence placed on in the main sequence is flattened into stereo (not multichannel). You see my problem here? I am surprised, because i have always taught that this is a very normal workflow and so far i haven't found a single tutorial or a guide for this problem.
Just to make sure we're on the same page: I know how to sync video and audio, just not so that the 6different audio tracks in all my 120 different takes that i edit into a single sequence will have the 6different audio tracks in the audio post production (which is done in protools, maybe...)
Oh yeah, Premiere Pro CS5

Hi!
This is the case when i get a master clip with all the audio tracks in it. I however got separate files, a bunch of different video files (with stereo track), for every take a boom mic audio track, and a few tracks for all the microphones on the actors. Now after i import these into premiere, how will i proceed so that after i have synced all the audioclips to all the video clips (by nesting?) I will still have all the audio clips intact in the OMF file I will create.
Last time i created omf, all the clips had turned into stereo because of nesting. Is the only way to avoid this by joining the video and audio clips into multichannel audio clips with another program before importing into premiere?
I am not very good at explaining... Problem: I get a video and 10 audio tracks. I join them by putting them into a sequence. I repeat this about a hundred times (for every take). Now i start to edit. I create the main sequence in which i clip pieces from all the hundred takes. In the main sequence the clips have only one stereo track. When the movie is finished I create an OMF for the sound guy. The sound guy asks me why are there only 2 tracks per clip? Where are all the 10 separate audio tracks?

How do I add/import multiple audio tracks when adding a video to the Elements timeline?

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