How to make LR3 convert .erf files better [Epson R-D1s]

How can I help Adobe make LR3 convert .erf files [Epson digtial rangefinder R-D1s raw format] better?
After testing LR3 I have re-evaluated my policy for converting two of the three different raw-formats I use: .nef, .x3f and .erf. With the camera calibration beta 2 features for .nef files I cannot see any difference between Capture NX2 output and that of LR3 – well done. And while Sigma’s Photo Pro might still have a slight edge on absolute quality for .x3f files, LR3 has a definite advantage in minimizing (almost eliminating) the green cast problem of high ISO .x3f files. That is one very impressive result.
But for the .erf files there is no marked improvement in LR3 over LR2 and the difference between PhotoRAW and LR3 is almost unbelievable and not to LR3’s advantage. I have tried all possible combinations of process (2003, 2010), profiles (ACR 2.4, 4.4 and Adobe standard) and color space on direct import of raw-files (.erf, .erf converted to .dng, differently sized .tiffs and jpegs) as well as all different combinations of .tiff and .jpegs (size and bit) imports via PhotoRAW and nothing in LR3 comes even close.
The .erf files in PhotoRAW have a certain look to them [a combination of a 3D effect and a brilliance that reminds me of a high quality film transparancy] which is what users of R-D1s love and non-users cannot understand is possible to extract from a 6 megapixel sensor. Although it is possible to use PhotoRAW as an editor from within LR, even the imported .tiff files do not have the same brilliance/3D effect.
Now the question is: how can I help Adobe improve the conversion routine for these files?
Regards
Xpanded
PS: If anybody out there has the magic conversion bullet, then please do share.

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Have you found the solution, I have the same problem.
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