Maintaining highest quality possible during importing

when I import 320 kbps music into ITunes, the songs are ending up as everything else but...and I am losing quality...I am most interested in maintaining the highest quality playback...can you assist?

Ahhhhh!!! I see the problem now. You are NOT importing music. Instead you are ADDing it. There is a big difference.
"Importing" is when you read music off an audio CD and convert it to whatever import preference you set (e.g. MP3, AAC, etc). Or it is when you pick a track in your library, right click, and pick the Convert To... function which will make a new copy in whatever format you have set for your import preference.
But when you take music already on a hard drive and drag and drop it onto your iTunes library, there is no conversion done at all and you are simply doing an ADD to library where the file, as is, it used by iTunes. So if you take a 128kbps MP3, drag & drop it onto your library, it gets added just as it is, a 128kbps file.
If you really wanted to, you could right click on those lower bit rate files and do the Convert To... to create the higher 320 kbps files you have the import preference set for, but there is really no point since you will gain nothing in the conversion (the quality loss has already happened and you can not put it back) and may even make the quality slightly worse with another conversion.
Patrick

Similar Messages

  • Highest Quality Possible for PDF

    Main Question: ignoring the size of the illustrator file, when you save the file as a PDF, intended for commercial print, what are the absolute best settings possible?
    Before answering “Press Quality Preset,” (thank-you I know that already) maybe I should provide further detail. Where to begin...
                This was the initial hitch that prompted further inquiry
    I was trying to save an illustrator file (CS6 in case that makes a difference) as a PDF for print. Naturally I selected the Press quality preset. However, when I examined the settings for this preset, I found that my ‘Color Bitmap Images’ are using a JPEG compression. Sure the Image quality is set to the maximum, but it’s still a JPEG compression- thus prone to image degradation if it needs to be resaved (or at least that’s my understanding). It seems reasonable that the simple answer would be to just change the compression from JPEG to the only other option- ZIP, in order to maintain the quality. Duh!
    However, I’m left wondering why JPEG is the automatic choice for the press preset if the ZIP compression provides better quality (possible answer- File Size). Furthermore, if the compression setting is not actually set for the highest quality possible (in an attempt to keep the file size down), then what other settings have been lowered in addition to this one. 
    My hope, as a result of posting in this forum, is to create a new PDF preset in illustrator that will optimize the quality of all possible aspects for any illustrator document. For ***** and giggles let’s just assume the document was originally created with an 1/8 inch bleed, using CMYK color mode, and a 300 ppi raster effect. Plus, this document has utilized every aspect of illustrator in some way (no this is not a real document- but rather a hypothetical document that is being used to identify the best possible settings available, no matter what the content is).
    Will these settings be overkill for the majority of documents created in illustrator? Yes! But that’s not the point- the point is, I’m exhausted of having to sift through mountains of information, to figure out the reasonable and the friendly-file-size settings I “should” use for every document I create. 
    Now, I’m just looking for the big *I WIN* bomb that’ll cream all future documents, regardless of the content, transparency, effects, fonts, etcetera… etcetera (that’s a fact).
    Maybe I could’ve skipped the story- but it just seems like people always end up having to go back to explain themselves anyway.
    Input on... any of this would be greatly appreciated

    PDF/x-1a -- No need to change anything other than maybe the marks - color bars, etc. But the overall comrpession and color settings are already appropriate for press.

  • Printing to DVD at the highest quality possible

    Hello out there. I have a question. I'm currently editing a project that was shot on 35mm film telecined full frame (4:3) to DigiBeta and down converted to DVCAM. Durning post we added a 1.85 matte (as he footage was originally composed for 1.85). My main concern is to output this footage at the highest quality possible. (Is FCP's Compression a good tool for this) Also I was wondering if anyone had a link to a discussion where I could find out how to burn a dvd with no menu that continuously loops. I'm currently using the FCP Production Suite with DVD S Studio Pro 4. Thanks
    Erv

    If you do a search you can find discussions on both of these topics as they have been discussed over and over, especially the compression one.
    this is a good read:
    http://www.kenstone.net/fcphomepage/first_playwarmouth.html

  • Best way to export from AVCHD to highest quality possible

    Hello,
    I just got the Canon HF200, a AVCHD Camcorder and new to Premiere Pro CS4.
    Does anyone have the time and is willing to explain what would be the best way to export AVCHD source material after editing ?
    I'm interested in the best quality you can get out of AVCHD.
    It would be nice to have a list of the settings in Premiere to be customized (i.e. setting up new project, exporting format settings and so on) to have the best quality of the footage exported.
    Thanks in advance
    best regards
    checop

    Geezus the guy just wants a simple answer.
    MASTER FILE / FOR YOUR BLU RAY PLAYER / ARCHIVAL
    1) use the Bluray H.264 preset to get a Bluray master. Best quality, takes a while to encode though.
    Unless it's a five hour movie I'm pretty sure it'll fit on a BD disc.
    GENERAL RULE OF THUMB FOR ARCHIVAL AND MASTER FILES: try to match the final product with your source file.
    If your source is H.264/AVCHD export in that format too (In this case, Bluray H264 preset)
    If it's 1080i then export as such
    If it's 24Mbps then use that bitrate to export as too. Etc. etc. etc.
    Now that's for archiving - getting the best looking Master file. Uploading  your movie to the web is different...
    IF YOU'RE GOING TO SHOW YOUR MOVIE ON THE WEB
    1) use that Bluray master (or encode directly from your CS 4 timeline if you have the time) to WMV.
    Choose the NTSC setting and then customize it.
    640 x 360 or 575 x 324 sizes are good; Make sure to use the SQUARE pixels option since the sizes here are figured for that. Keyframes every 2 seconds, or every 5 seconds if there's not a lot of movement and background business going on. In the 1000 - 1600 kbps range is good (larger dimensions = higher bitrate).
    Audio 96/44 is fine.
    Choose 2 Pass Variable Bitrate for best quality/size ratio.
    If you're using CS4 it'll automatically deinterlace when you encode to WMV. In other programs you need to check "Deinterlace".
    2) Flash (FLV) is popular too. Same sizes, you can get away with lower bitrates than WMV. Requires special players either on the web or on the users' desktop so only do this if you feature the movie on your site and you know how to make a SWF file with your FLV embedded.
    Lost me here? Then just forget Flash for now.
    Other Primer Notes (VERY GENERALIZED SPEAKING):
    Forget MPEG 1. Bad quality/size ratio compared to WMV.
    Use MPEG 2 for archival purposes, but use high bitrates (like 1920 x 1080 @ 24 Mbps or similar. )
    Quicktime is good for archiving too but takes a long time to encode on PCs. Not worth it for web delivery anymore... although there will be Mac fanatics disagreeing with me right now.
    Hope this helps
    For more info hit me up http://www.kroycom.com

  • I have scanned photos using an Epson V500 scanner set to jpeg format using the least compression (highest quality) setting. When I try to import the scanned jpegs into iPhoto I get an error  message saying "The file is an unrecognized format."  But if I

    I have scanned photos using an Epson V500 scanner set to scan using jpeg format at the highest quality (least compression) setting.  When I try to import the scanned jpegs into iPhoto, I get an error message from iPhoto saying "The file is an unrecognized format."  But if I reduce the quality setting on the Epson scanner to just slightly below highest quality, the images import into iPhoto just fine.  Why won't iPhoto accept jpegs scanned at the highest quality setting?  Wondering?

    What scanner format settings dis you use?  Are these color photos? If they are B/W did you scan as grayscale images?  That could be the problem.  
    Are you able to open them with Preview?  If so do a Save As, select full quality and save as a jpeg with a new file name.  See if that file will import and work as intended. 
    OT

  • Elements 9, DSLR H.264 - What codec is best to edit with & highest quality?

    Hello All,
    I have quite a bit of DSLR footage I recently shot using a Canon 5d.  I have Adobe Premiere Elements 9 and it really chokes down the system.  I have a PC with i7 and 8 gigs of RAM.
    What would be the best file format to convert the H.264 footage for editing while maintaining the highest quality possible.  The footage was shot at 24fps.  Please give a detailed description of how to convert it - there are a lot of adjustable settings in the advanced tab of the share section in PrE 9.
    Thanks in Advance,
    Brian

    Bill,
    Is probably right , as he is most times when he is drinking Aussie wine.
    I only have PE 4 and when you bring the H.264 mov in there you get a red line, you are better off rendering the working area as it will run smoother.
    Ps.  You should not be having problems with the audio, I have just finished editing 35 mins jazz from a live performance, if there is a red line from the h.264mov files as Bill said , you should render the lot. Changing the audio should be easy, but save as you go
    Ah, I do not know why there are two track of video in there, you should have one video+ 1 audio track together, unless you have added another video track ?
    Ps. If the playback stops and the music continues you have a problem, It has happened to me.You are running a 32 bit piece of software in a 64 bit operating system, it may help if you download  Running Windows XP Mode with Windows Virtual PC as I used to lose files and windows in PP and PE, but, other experts here will tell you it is not necessary, it is worth a try ?
    I would start a new project , Clean the Media Cache, bring the H.264mov clips in one by one and  have no gaps , do not disconnect the audio from the video.
    Good luck ( you could try Adobe Technical Service, if all else fails ) ?
    Message was edited by: Bob Dix Photographer

  • Export setting in highest quality

    Dear all, I am new in PE11 and I am looking for the best export setting in order to keep a clean and highest quality possible version of my movie. From that clean copy I will be able to create different versions (for youtube, DVD, PC, etc...). Any idea? Thanks for your help.

    Welcome to the forum.
    Will you be re-editing this material at any time? That can make a difference.
    If so, I like outputting to a lossless CODEC, like Lagarith, or UT Lossless - both free. See this article: http://forums.adobe.com/message/4556586#4556586
    The one drawback to such an intermediate is that the resulting file will have limited use, directly. It can be shared with others, for computer playback, but the recipient must have the same CODEC on their computer. For YouTube, Vimeo, DVD, etc., the lossless file will need to be Imported into a New Project, where it can be re-edited, but primarily to be output again, as is required for the intended delivery medium, i.e. YouTube, Vimeo, DVD-Video, etc.
    For some general guidelines, see this article. Though written for PrPro, it covers all the high points for PrE: http://forums.adobe.com/thread/878590?tstart=0
    Good luck,
    Hunt

  • Achieve Highest Quality (closest to blue ray...)

    Hey guys,
    I know this topic has been brought up time and time again on this discussion board; however, I recently bought a new iMac and was attempting to get the best results from my Sony HDR-SR11 camera.
    First, I noticed that the camera connects via USB rather than firewire, which didn't seem to pose much of a problem. I simply imported my movie files, shared to iDVD and burnt my project. When I went to import the files I was asked to select either full or large, I chose large (does this impact the final DVD quality?) I am not doing much editing in iMovie. I simply want to burn a basketball game onto a DVD in the highest quality possible. Would it help if I was using a blue-ray DVD player that up-scaled?
    What if I bypassed iMovie altogether and went with something like final cut express (which I do have on my MacBook Pro)? Would this produce superior results on the final DVD? If so, when I export the project, which settings should I use?
    Thanks for your patience and help... I appreciate it! I am simply looking for a quick way to burn a basketball game in the highest quality possible. I am not looking to make many, if any, edits.

    Your camera is very similar to my new Sony XR500. I am wrestling with the same issues you are.
    The camera will capture video in a variety of resolutions. The first step in getting best quality is to always record in the highest resolution that your camera allows. Detail thrown away in the camera cannot be recovered. And be sure to archive your unmodified camera files on at least two hard drives; I use the Chronosync program which makes that simple.
    I have Final Cut Express 3.5, which is a great program for editing DV from my old camcorder but cannot import AVCHD from my new camera. I expect an improved version very soon, so rather than spending $100 to upgrade now to 4.0 and another $100 in a month or two for 5.0, I'm waiting for the next version. Meanwhile I am using iMovie 09, which fully supports my camera (and yours).
    The import stage of any Apple editing program converts the camera video to an intermediate format that makes each frame independent, for easier editing and quicker display. If you keep full resolution, that intermediate format is typically at least 4 times bigger than the camcorder files. That's one reason why iMovie recommends using "Large" format which saves about half the space.
    My initial thought was that since even "large" format is higher resolution than DVD, it would make sense for me to import and edit using Large format. I just completed a DVD today using that path (camera full HD 1080i at highest available bit rate, edit using iMovie large, export to iDVD, burn a disc image, and then use Disk Utility to burn DVDs.) The result has excellent colour but looks a bit blocky compared with DVDs from my older miniDV camcorder. So I guess recoding it twice (camera AVCHD to "large" intermediate format then to DVD MPEG2) had more effect on quality than I expected.
    I have also tried making a Quicktime movie from another event that was recorded in full resolution and edited in iMovie in Large format. This time my final output had the same resolution as the Large intermediate format. It looks really sharp and clear, much better than DVD. So the quality loss I found in today's project may be mostly in the second recompression, where there is also a change from square pixels to rectangular pixels used in widescreen DVD.
    For the very best quality we should both of us be using blu-ray format for our final output. That would let us keep full camera resolution all the way. Today we have to use a third-party program to do that (for example Toast) because Apple does not have any support for blu-ray format. And of course a disc in blu-ray format (whether it is an expensive real blu-ray disc, or a cheaper DVD written in blu-ray format) cannot be played in an ordinary DVD player; you need a blu-ray player (or a PS3 game console, which is one of the best blu-ray players, and cheaper than some). Or of course you can forget about discs and use Quicktime on a USB flash drive, and play it back on a computer or on a TV that has a suitable input.

  • Exporting at HIGHEST quality - iTunes IMPORTING preferences?

    Does the iTUNES IMPORTING preferences matter? I am exporting UNcompressed so I can give songs to a Master Engineer. What should my itune settings be at?
    or should i share another way?
    Thank you!

    Scott Magri wrote:
    Does the iTUNES IMPORTING preferences matter? I am exporting UNcompressed so I can give songs to a Master Engineer. What should my itune settings be at?
    or should i share another way?
    Yes - If you're delivering a mix to a mastering engineer, do not share to iTunes! Export to Disk instead.
    Generally, when you deliver something to a mastering engineer, you want it to be as unprocessed as possible. iTunes is a fantastic consumer-oriented playback application. But for sending audio in and out of iTunes on its way to a mastering engineer, it’s Hogwarts - full of mysterious nooks and crannies that could inadvertently transform your audio without you realizing it. Plus, it's completely unnecessary and avoidable.
    So to take steps to ensure the highest (and most unadulterated) quality possible, first turn off auto normalize in GB’s advanced preferences, if you haven't already done so.
    Then, if you've chosen any presets for your Master Track, remove them (adding these kind of finalizing effects is exactly what the mastering engineer does; the presets in Garageband are a quick and easy alternative, but you have the real thing).
    Finally, under the Share Menu, choose Export Song to Disk. And, of course, don't compress.

  • Maintaining quality throughout editing (import and export)

    Hi All,
    This is going to be a loaded question because I'm pretty new to this and a complete tyro when it comes to understanding different video specifications. My goal is to ultimately put an HD video onto YouTube without compromising the quality of the video. So here goes:
    I shot a video using a Canon Mark II, and from what I can see the video's dimensions are 1920 x 1080, Codes H.264, Linear PCM. I'm pretty sure it's at 29.97 FPS (not 30 FPS).
    My first problem starts right away when I import the video into FCE (version 4.0.1). It appears that the canvas is set to a 4:3 ratio even though the video is at a 16:9 ratio. So right away the black space above and below the video appear troublesome to me (and gets worse during export). Are there settings I can change where FCE knows it's dealing with a 16:9 HD ratio video to maintain the proper dimensions and quality?
    When I export, this is where I get lost in a world of options. In an attempt to maintain the quality of the video I go to File > Export > Using Quicktime Conversion. I make the format QuickTime Move, and hit the Options tab. I make the video settings to be:
    Compression: H.264
    Quality: High
    Frame reordering: yes
    Encoding mode: multi-pass
    Dimensions: 1920x1080 (1888x1062)
    Scale: Crop
    The result is a video that maintain the 1920x1080 ratio, except there's a painfully thick black outline on the top and bottom (as in the canvas) occupying about 15% of the screen. Also, it looks like the video got stretched horizontally a bit (I look fat...which is fine with me because I'm skinny,...but still).
    In summary, for the export video what can I do to preserve the 1920x1080 ratio, not stretch the video, and fill the screen entirely with the video? Also, how can I maintain the quality of the video overall? The original footages is 95.1 MB but exported is 13.7 MB.

    You need to start again.
    Before you begin to capture video you need the correct Easy Setup, which in your case should be
    AVCD - Apple Intermediate Codec 1920x1080i60 . . . . and make sure you create a new Project which will reflect these changed settings.
    Your QT settings seem generally OK but from now on do not use "Crop" or do anything with "Scale".
    When you talk about maintaining the quality you mention the original is 95MB.
    Is that about a minute of video?
    The fact that the final video is 13.7MB does not mean the quality will be reduced.
    One of the reasons for converting with QT is to make smaller, more manageable files which play with virtually the same quality as a huge one.
    It's like .mp3 tunes which are only a tenth the size of a CD but most people can't tell the difference.
    Message was edited by: Ian R. Brown

  • When exporting to a DVD from Final Cut Pro X, what settings are there to make sure you making the highest quality DVD possible?

    When exporting to a DVD from Final Cut Pro X, what settings are there to make sure you making the highest quality DVD possible?

    There have been a lot of recent reports of difficulties sharing to DVD, but haven't been hearing about unreadable disks. Posibly there was an encoding error. Or it could have been bad media (blank disk).
    Does it play in your Mac?
    What brand of disks are you using?
    Russ

  • Highest quality import settings for iTunes 9?

    http://answers.yahoo.com/question/index;ylt=AooGuxvheq40oC0etoPY8yvty6IX;ylv=3?qid=20090909143724AALIlSP
    *What are the highest quality import settings for iTunes 9?*
    I just got iTunes 9 and I want to know what the HIGHEST quality import settings are with the exception of Apple Lossless. I usually import cd's as
    AAC
    Stereo Bit Rate: 320kbps
    Sample Bit Rate: 48.000 kHz
    Channels: Stereo
    Now when I go into the custom menu and try to set these settings, it gives me an error message that reads the following:
    "The selected combination of bit rate and sample rate is not allowed."
    I was thinking about using WAV but I want a format that will be compatible with other/future personal media players as well such as Zune's and Creative MP3 players. Right now I have an iPod and don't plan on changing anytime soon. I just want the highest quality sound for my ears to hear.
    so, *What is the highest for AAC?*
    *Should I switch to WAV?*
    & if you could, *What are highest quality settings for the other formats as well.*

    well i personally think you should go with mp3 at 320kbps (max for that file format) main reason for this is that mp3 is compatible with pretty much everything, where as aac isn't although it is getting a bit better. the main difference between aac and mp3 is in the lower bit rates, i.e aac 128kbps sounds equivalent to mp3 192kbps (suppoesdly) but when you go from 192kbps and up both file formats sound basically the same, just a variation in file size. ig you want the highest quality for you ipod i would say 320kbps mp3. anything higher isn't worth it becuase most earphones cant even pick it up, only if you have high quality ones.

  • What's the best iTunes import setting for highest quality and universality?

    What's the best iTunes import setting for highest quality and universality?

    Highest quality?
    Apple Lossless. (But the files are way big)
    Universality?
    MP3 (choose the bit rate you think sounds best and doesn't take too much space)

  • I am shooting aerial video with a GoPro H3  at 1080p 30fps and would like to edit videos and give them to my clients to use in as much media as possible for their advertising and marketing needs.  I would like to give it to them at the highest quality all

    I am shooting aerial video with a GoPro H3+ at 1080p 30fps and would like to edit videos and give them to my clients to use in as much media as possible for their advertising and marketing needs.  I would like to give it to them at the highest quality allowed.  What form should I save it in 'Publish and Share'?  I have Premier Elements 12.

    KM
    Can we assume that your 1080p30 is an AVCHD.mp4 file or other?
    You manually or the project automatically should set the project preset to
    NTSC
    DSLR
    1080p
    DSLR 1080p30 @29.97
    (If your frame rate is really 30 instead of 29.97, then go with DSLR 1080p30 instead of DLSR 1080p30 @29.97)
    See the following link for setting the project preset manually
    http://www.atr935.blogspot.com/2013/04/pe11-accuracy-of-automatic-project.html
    For your export
    Publish+Share
    Computer
    AVCHD
    with Presets = MP4 - H.264 1920 x 1080p30
    Please let us know if you have further questions on this or need clarification on anything written.
    Thank you.
    ATR

  • How do I import with highest quality ?

    How do I import with highest quality ? Should I chose ''optimized media'' when importing or chose nothing ?

    Hey Marcs,
    The answer is no, but I suggest you have a read of some of the excellent articles out there about this to understand whats going on, and how to choose settings on import, and when sharing.
    Here is a good article for example ...
    http://www.larryjordan.biz/fcpx-when-to-optimize-media/
    Cheers,
    Bammers.

Maybe you are looking for

  • SELECTION BASE ON SELECTION

    hi all,    can anyone tell me how to code for a selection based on selection, that is i have taken suppose material document in the selection screen now when i look for a data in the field it should select based on the moment type displaying a popup

  • Creat a DLL from a set of VIs

    Hello, I've a board that cames with Labview VIs for each of its functions. As I'd like to use it from CVI, I need a DLL. NI support team gave me the procedure to make such a DLL, it works fine. But, the create DLL can't be used by 2 application in sa

  • BAM caching

    Hi, I am testing BAM behaviour in a particular scenario. Objective: What happens, when data is being sent using the BAM Adapter, from a SOA application and the BAM server is down. Here are my results based on 3 Tests conducted. PLease go through the

  • ORA - 15555

    Hi, I have been experiencing ORA-1555 which I understand is due to undo tablespace. and I should eaither increase the retention period or undo tabelspace size. But defore doing all that I want to check on which SQL statement cause this error.When che

  • FK Referential Integrity

    I am writing a generic procedure that developers can call to get details about the foreign key when an ORA-0229: integrity constraint (?) violated - parent key not found is thrown. My intension was to be able to return understandable information to t