Photo Jpeg
I'm working on a project that will only consist of Photo Jpeg compression pictures what is my best choice for sequence settings or which Easy Setup should i use.
What do you want the final output to be? If you're going to DVD or MiniDV, then build an NTSC DV timeline.
~Luke
Similar Messages
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i am having problems exporting my time lapses from quick time pro i need to save my files as photo jpegs but the standard video compression window will not open fully, it just keeps my mac (old 1.6Ghz 2.5 GB sdram G5 still good for most stuff i need) spinning for ever but i can see compression type H.264 selected and the other setting but i can not select any other options as it still thinking but never opens! why is this happening how do i get round it?
my work flow is: 300 images shot on a 5d mark II medium jpegs opened in Light Room cropped to 16:9 then exported and opened in quick time i can save a .mov H264 giving me files sizes of 14 mb for a 16 second time lapse, mp4 9 mb. the only way i can get large files is saving as a self contained movie then i get 300mb files.
i need to save my files 1920 x 1080 photo jpeg codec as i want HD quality.
i am sure there is a simple way round this?
thanks guys!It is very difficult to offer troubleshooting suggestions when the "os version" you are using is unknown as each os has their own troubleshooting solutions.
How large is your hard drive and how much hard drive space do you have left? -
Does anyone see this issue happening? In Flash Pro it's OK, but in AIR, it's broken.
https://bugbase.adobe.com/index.cfm?event=bug&id=3558175
Problem Description:
Some JPEG-compressed images in swc produced by Flash Pro CS6 is not shown in AIR.
Steps to Reproduce:
1. Create a fla with Flash Pro CS6
2. Put a png image in it and open the property of the image to make sure its compression option is Photo (JPEG)
3. Produce an swc out of the fla
4. Create an AIR app that shows the contents in the swc
Actual Result:
All images are shown
Expected Result:
Some of the images are not shown (nothing is shown where they are supposed to be)
Any Workarounds:
Use Lossless (PNG/GIF) for all imagesi was able to get it to work from a suggestion in another thread: if you write a JSFL that goes through all your bitmaps and makes sure they do not uset he default compression of the document, but instead use custom compression (it can match the default however). this worked for me
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Interlacing for photo-jpeg movie
I originally posted this in the compressor forum. Forgive me for posting again here - I had no response at all on the compressor forum...
I'm encoding a DV movie into photo-jpeg. I chose this codec as I believe it provides more accurate frames, rather than the keyframe technology in stuff like h.264, or sorenson etc. I am writing music to picture and accurate sync is essential. (feel free to correct me if my format choice is wrong!). The movie needs to frame sync perfectly (if this is possible from a DV source?) with Logic Pro's timeline.
On export there is an option to "de-interlace source". As I'm viewing the footage on my computer monitor I checked this option in the belief a de-interlaced movie would produce better results. With the option checked the burned-in-timecode looks blurred. When paused the frame number looks like a combination of the current frame and the previous frame - so for eg if I pause the movie at the 18th frame the bitc display looks like a number 18 over the top of 17. Indeed the "weirdness" reminds me of the sort of effect one gets when viewing interlaced footage on a progressive scan screen.
If I render the movie ~without~ the option of "de-interlace source" checked, all looks sharp and as it should be.
I am currently encoding my movies without the option checked.
does anyone know what is going on here?
(I'm wondering if that option just needs to be checked when the source is already de-interlaced?)
TIAEdit: Go ahead and read this, but it occurs to me that this is neither a Compressor nor an FCP question. This is what Logic people deal with every day. Ask on the Logic forum what works best for those purposes.
When I say DV I don't mean digital video. My video is
delivered on DV tapes from a TV production company.
(for some reason they wont provide any other format).
I use FCP to capture and then export the movie to use
in Logic to create sync music.
Are you only doing this to create a visual for music production? i.e. this video won't be used in the end product? If so it really doesn't matter what format you use, and it sounds as though there's no real place for FCP in this beyond capturing the video.
Are you sure DV is all keyframes?
I'm sure, and I'm pretty sure that Colin is sure.
What I do know is that DV is not the best of
formats where sound sync is absolutely crucial
DV has no inherent sync problems. There are sync problems that can some up with poor practices in capturing, but it DV is in sync when it starts out in FCP it will stay that way.
I'm working in PAL 25fps for the record - but of
course your info equally applies. In my case I
obviously can't stipulate the shooting formats used
(shot on digibeta for broadcast).
My main question though is just what does
"de-interlace source" check-option in the export pane
in QT for motion-jpeg codec mean? Do I check it when
my source footage is de-interlaced, or when I want to
produce a de-interlaced file?
You would use it to produce de-interlaced output, which is irrelevant in your situation and should be ignored. De-interlacing is only called for when moving to final distribution format, and when that format will only be seen on web or computer screens.
My problem is described in my original post regarding
the BITC frame numbers looking "doubled up". Its like
the previous frame gets superimposed on top of the
current one.
It's VITC - but DV doesn't use VITC.
In any case, it's relevant to know where your window burn came from. Is it burned into the tape you receive, or are you using TC Generator or Reader in FCP?
What it indicates is a time code offset by one field (half a frame). It may also indicate that there are fields which are not only in the wrong order but in the wrong frame. If your tape has hard cuts in it, park at one of those and see if you get half the lines of the outgoing shot and half of the incoming one. That would indicate such a problem.
Most likely it's just a problem with whatever device did the window burn. If it's a problem for your work, ask them to fix it.
If this is a reference tape, most likely there was an analog transfer from DBeta, with one or both of these issues introduced there.
Is there relevant DV timecode on the tape itself? If so you should probably use that and ignore the window burn.
I am wondering its a field order thing. There is a
de-interlace process going on and instead of
combining field 1 and field 2 of frame5 say, it
combines field 2 of frame 4 with field 1 of frame 5.
Another possibility is that there was a standards conversion in the chain, which would spread some source fields over two frames. Did the program originate in NTSC?
I can post examples of the issue if the problem needs
to be "seen". With "de-interlaced source" checked I
get a more blurred result with messed up BITC.
Don't do the deinterlacing, you'll confuse yourself more. At best you'll cover up a problem which may really be a problem. You don't need deinterlacing.
The Animation or None codec
create movie files that are too big and unwieldily.
This is why I've been using photo-jpeg. I'm not sure
how the Motion-jpeg A or B codecs you mention work -
any info would be useful.
You also likely have no use for any of these codecs. Most of them will actually degrade from DV somewhat. Don't fix what ain't broke. For your purposes DV is the native format you have to work with. Everything will work best if you keep it that way.
I need my movie to be as undemanding on CPU ~and~
disk as possible, while supplying true frames. Logic
needs every clock cycle and disk bandwidth it can
get! Picture quality is less important - I can always
look at the DV stuff if I need too.
Others with Logic experience will have other suggestions. If you need to see every field for timing you will need an interlaced signal and an interlaced display, which pretty much leaves you using standard PAL. Might as well be standard PAL DV. If the machine can't hack that there are other formats to consider including even MPEG-1 or -2. -
Unable to transfer photos (jpeg) from desktop to SD card for Cannon Power shot camera.
Appears as if successful, jpegs show up in SD card window, but they do not show up when I put SD card in camera.
Go through entire process to no avail. SD card is not locked.
Thank You
LAhh, extra info ahead...
Pictures on SD card, SanDisc-SDHC, 4GB Card, are jpeg. The ones I would like to put on the card are jpeg as well.
SD format MS-DOS (FAT32) .
3.876 GB available on card.
I have
Exported the pics from iPhoto to the desktop. Inserted sd card into side of iMac. The icon of card popped up.
Attempts to no avail:
1) Dragged the photos to the disk icon for the sd card.
2) Dragged pictures into the DCIM folder (where all photos taken on camera resided).
3) Created new folder. Put photos from desktop into folder and dragged ne folder inside DCIM -since pictures taken at different times had their own folders inside the DCIM folder.
Every time the photos/files end up showing up on the sd card as long as it is in my computer but when ejected and inserted into my camera, all imported photos/jpeg file are gone.
Hmmmmm -
I am doing a project where a client has provided me with 400 Photo-JPEG files. (stock footage from Digital Juice). They load and playback just fine in a sequence that was created using the Make Sequence button.
I was informed by a knowledgeable person that I should not use Photo-JPEG and should have converted all the clips to a QT movie format (Prores or whatever).The only limitation I bumped into is that the clips wont accept metadata, but that is superfluous for this edit.
The time spent doing that seemed probibitive but I just wanted some technical experts from the forum to confirm or deny what I was told.The only reason you would convert this to ProRes or an intermediate filetype is if you were having performance issues, i.g. slow playback, stuttering, excessive render times, etc...
Converting to ProRes or any other intermediate filetype introduces another conversion which degrades the original files with each conversion. Since Photo-JPEG is already a lossy format, you really don't want to compress those files again, unless you really have to. Anytime you can edit with the original format throughout a project it will give you a superior quality in the end. You have less time converting files. You lose less quality due to filetype conversions and multiple compressions. And generally the original file size is going to be substantially smaller than the intermediate codec. -
Where to find Photo Jpeg compression?
Hello guys,
I am trying to convert HDV video to Photo Jpeg. I am wondering what would be the best way to do that, achieving the best results?
All I can think of is to choose:
QuickTime/Uncompressed 10-bit
and then go to inspector's Encoder:
choose video settings/Compression type-photo Jpeg
Is this correct? Or is there any other way of doing this.
Thank you so much for your advise.well working through Compressor usually give you the most control. The results are subjective and will be made different by whatever you adjust.
Just pick one of the standard video presets that matches your system: NTSC, PAL, etc. Finding a 10-bit compressor isn't relevant because you're actually choosing Photo Jpeg. Pick something similar in size to your output, adjust the video compressor, and save it as a new custom preset -
QT- Photo Jpeg compression looks jerky
Hello guys,
I have converted my HDV 1080 i 60 clip to QT Uncompressed 10 bit with these settings:
video encoder tab - Compression Type: Photo Jpeg, frame rate: 29.97, compressor quality: Best,
Frame Controls tab - controls ON, resize filter: Better, Output fields: progressive, Deinterlace: Better
It is a video of waterfall and resulting clip is kind of jerky. The water looks like played frame by frame, not in fluid motion.
Thank you for any advise.Thank you Brian so much for your response.
I am trying to find the best (most universal) format for my video stock footage. I am leaving the footage in native HDV 1080 i, but I would like to have another version for someone who doesn't have HDV codec on his computer.
I would love to try Motion Jpeg, but I can't find that codec anywhere within Compressor. -
Quality loss when trimming photo-jpeg videos?
Hi all,
I want to do some basic editing with Quicktime Pro to videos made with my digital camera. They are photo-jpeg with stereo sound. With "basic editing" I mean trimming and joining clips, no further processing like color correction etc.
I wonder whether there is any loss of quality during this process... From my understanding photo-jpeg is much like mjpeg, so in theory there would be no need to re-encode the result (I save the stuff with "Save as...", not via export).
I made some tests, and for me it looks like there is no re-encoding. Does anyone know whether this is true?
Thanks,
ThomasOnly an "Export" would re-compress.
Save As merely puts your trimmed or joined files into a .mov container. The original codecs are used again. -
QuickTime 7.1.5 photo-jpeg codec problem
After upgrading to version 7.1.5, all the movies with photo-jpeg codec play with jumps (aprox 5 frames)
If I check "play all frames" it plays smooth as always.
Any idea / solution?
Thank you.Others have reported something similar. Can you go into System Preference, then QuickTime, Advanced, Mime Settings, and let us know what items are selected in the Miscellaneous part of the list? Flash Media should not be selected, but I want to know if it currently was for you.
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Adobe CS4 Media Encoder doesn´t encode Quicktime Photo-Jpeg
hi,
i´ve seen similar entries in that forum,but none fits to my problem.. so i hope to get some help. i´m working on a suitable vista-64bit machine with premiere pro cs4.1 and quicktime 7.6 (checked for updates today again).
i´ve got a 9min project in my timeline,i want to export it as a quicktime with the photo-jpeg-codec. the media encoder is loading the project,then it does nothing,no rendering at all. i wonder why,because the default setting for qt-dvpal works pretty well and fast(,but the quality is bad).
Now i´ve opened the project in aftereffects and used it to render,but it took about 40min.... this can´t be the solution. does anybody know better?If memory serves, that option is currently broken through Premiere. AE may be the only way.
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Importing 'Apple Photo - JPEG' into FCP5
I know I drag and drop a video file that's been compressed using 'Apple Photo - JPEG' but for some reason, I can't add a simple transition to it? There isn't some issue with using video in this format, is there?
Number ONE my man...
#1 Transitions "Insufficient Content"
Shane's Stock Answer #1:
You need to make sure that your clips have enough media (called 'handles') at the beginning of the incoming clip and at the end of the outgoing clip for the transition. For example, if you have a 1 second (30 frame) dissolve, your in and out point need to be at least 15 frames from the edge of the clip.
What you are running into is that you are marking an out point at the end of a clip then adding a cross dissolve, say 20 frames in duration. Since the dissolve is centered on the cut, it will start 10 frames before the cut, and try to go 10 frames AFTER the cut...which it can't do.
What you need to do is plan how long your dissolve will be and back-time your cut so that it works.
a full 1 second crossfade reaches 15 frames into each clip. So, if you want to change a cut to a crossfade, there has to be at least 15 additional frames of each clip.
Say you're trying to crossfade from one clip into the very first frame of a second clip. FCP cannot 'create' 15 more frames of the second clip to do a crossfade. If they're not there, you're out of luck.
FCP has to extend the end of your first clip by 1/2 of your transition length, and the beginning of your second clip by 1/2 of your transition length, so those frames need to be in your system. The nature of a crossfade is mixing two clips together.
Shane -
Quicktime Photo JPEG on Premiere Pro CS5
My current version of Premiere Pro CS 5.03 does not have the Quicktime Photo JPEG export option. It should. Must this be downloaded from somewhere? Thanks for the help.
John,
Thakns for your interest. Quicktime 7.7.2.
Steve Siegel
mobile (305)343-2179
answering service 24/7 (305)865-9861 -
I want to photo jpeg codec for render vdo in cs6 to do it. thank you.
I want to photo jpeg codec for render vdo in cs6 to do it. thank you.
Do you mean Premiere Pro CS6?
If yes, I will move your message to the Premiere Pro forum
Do you mean Motion JPEG?
MJPEG http://forums.adobe.com/thread/730396
Also, More information needed for someone to help... please click below and provide the requested information
-Premiere Pro Video Editing Information FAQ http://forums.adobe.com/message/4200840 -
How do I create 8-bit, Photo-JPEG QuickTime movie clips in Compressor 4? Does not seem to be among the built-in codec options.
Make a custom setting. Choose Quick Time Movie for Format. In Video, change the QT Settings which opens up the QT dialogue. In the Compressor drop-down, choose Photo JPEG.
Russ
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