Emailing high res pics as attachments

I want to send a high resolution image in an email as an attachment but it keeps embedding in the email. How do I get around this?

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Higher res pics placed or dragged into a 72 dpi .psd file are blurry

I have a project in which I am designing a website in Phtoshop at 72 dpi. Everytime I bring in a photo be it an AI file, or jpeg or even tif that is much, larger than the 72 dpi .psd file I am working in, the image becomes blurry as I scale it down. Why is this and what then should I be doing to get my images crisp for a final file that will be used to slice out web assets during the build.
Help please.

lschena wrote:
what then should I be doing to get my images crisp for a final file that will be used to slice out web assets during the build.
Just some idle thoughts:
One good trick is to sharpen images a bit heavily at higher resolution, then downsample them (e.g., using Bicubic) to the final pixel dimensions, then maybe add just a touch more small radius Smart Sharpen.
Another consideration is that maybe you want to start thinking about publishing images at higher pixel dimensions and using HTML to downsize them. This has the advantage of the images holding up well when browser zoom is used. Consider what people do when they want to see something more clearly on an iPad, for example - they use a reverse pinch gesture to make it bigger temporarily. It's more impressive if when one does that the image shows more detail.
Trying to have this stuff just happen automatically by dragging and dropping simply removes your fine control over how the image looks.
-Noel

Lumia 1020 can't take any high resolution pics aft...

Hi everybody, I'm new here...
I've got this Lumia 1020, and until the latest update it used to make 2 different pictures after one shoot: a low-res and a high res.
My latestt update: (Windows Phone 8.1; (8.10.12393.890) Revisionnumber firmware: 3051.50009.1424.0001; Revisionnumber hardware: 4.4.0.2
After the latest update my 1020 only makes low-resolution pictures.
Could anybody help me to find the right settings for making high-res pics again?
At the settings page I chose the Nokia camera instead of the Microsoft camera, and pressed the camera-reset button as well.
Thanx!
Solved!
Go to Solution.

Thanks, after the update I had to retrieve my "Nokia Camera" app. The standard settings were JPEG 5MP.
I've been messing around with settings before, not being aware that I was in "Microsoft Camera" mode.
The update wiped away many standard Nokia apps, such as the Nav-system. I had to get them beack from the Nokia store.
So everything is allright now, thanks a lot!

Is it possible to maintain a high res workflow on new iPad?

I hope I'm wrong.
It does not seem possible for me to use all these amazing syncing tools such as photo stream, aperture, iPhoto and the camera roll to maintain a high res workflow.
I have an image shot on my iPhone 4 open in aperture acquired from photo stream at it's full size 1936 x 2592.
I view the same image in iPhoto on my "The New iPad" or iPhone 4 (that I shot the image on) and look at the info, it's been reduced to 1536 x 2056.
I also emailed myself the same image directly from photo stream from the new iPad and it's also showing up at the same reduced resolution.
When I email it from the phone and tell it to send the full size image it still opens up on my computer at the reduced size.
The help section of iPhoto on the iPad said that photo stream would send the images at full resolution to all my IOS devices.
Seems like the only way to acess a full res file is to pull them photo stream in aperture.
When I synced with aperture to populate my camera roll and iPhoto on the new iPad... all of my images are showing up on the iPad at the same reduced size... 1536 wide. (I already have my preferences set to not place limits on preview sizes).
Anyone have any insights?
Thank You

iCloud (Photo Stream) and iTunes both limit the resolution of images sent to iOS devices. Photo Stream does not limit the resolution of images sent to the PC or Mac.
If I load a picture in to my iPad 2 or 3 using the Camera Connection kit they come in at full resolution.
See: http://support.apple.com/kb/HT4486

What is the best way to share the High Res images ...

What is the best way to share the High Res images on my Nokia Lumia 1020? My Android friends really want to see the original ~12MB images taken with Nokia Pro Camera?
-Paul
Solved!
Go to Solution.

if you have the att device, then use your att locker.
ANYONE can sign up for the att locker here:
https://locker.att.net/app/#welcome
even if you do not have ATT service, you should sign up NOW.
There is an application that is pre-installed to allow for the 1020 to upload the full resolution files to the AT&T locker.
AND, because they are launching the 1020, they are giving a free upgrade to the account to the 50GB box instead of the 5GB.
they are doing this for a limited time only, I have created a couple of accounts.
after you create your account, it will have to be verified. after you check your email and verify the box, log back in and you will see it is only a 5gb account.
click on "my Account/upgrade" and choose the 50GB and you should see it say FREE under the cost.
then you can upload the full res pictures and share them that way.
otherwise, if you are within reach, try Bluetooth transfer.

How do you change an iphoto size to 300DPI high res for exporting

How do you change an iphoto to 300 DPI high res for exporting to email?

Short answer: the dpi is set when you decide what size you're printing at.
Long Answer: Dpi means nothing in the digital world of your computer. There are no "inches" to have "dots per..." Size is measured in pixels. That's the same on your camera. It doesn't take 10 x 8 or 6 x 4 shots. It takes shots measured in megapixels. For instance 4,000 x 3,000 is a 12 megapixel camera.
Using that example, that shot from that camera has 12 million pixels. So that's how many "Dots" there are. To decide the ratio of dots per inch, you now need to decide the "inches" part. And that's printing. Print at 10 x 8 and the dpi will be 4,000/10 or about 400 dpi. At 6 x 4 then it's 4,000/6 or 660 dpi. Work the other way: Print at 300 dpi and the resulting image will be about 13 inches on the longer side.
So, your photo as a fixed number of pixels. Changing the dimensions of the print will vary the dpi, changing the dpi will vary the dimensions of the print.
For more see http://www.rideau-info.com/photos/mythdpi.html
To export: File -> Export.
Regards
TD
Regards
TD

How to Offer High Res Image for Download

On a gallery site I would like to offer two or three high-res
images for people to download as a sample. The images are pretty
good with a lot of detail and it would enable viewers to see the
texture and other detail in the artists work. Can someone give me a
nudge to work out how to do it and are there any things to look out
for - especially security issues.
Thanks
Martin

Zip the high-res images and link to them as you would to any
other file.
Murray --- ICQ 71997575
Adobe Community Expert
(If you *MUST* email me, don't LAUGH when you do so!)
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"martcol" <[email protected]> wrote in
message
news:gqah6h$d7$[email protected]..
> On a gallery site I would like to offer two or three
high-res images for
> people
> to download as a sample. The images are pretty good with
a lot of detail
> and
> it would enable viewers to see the texture and other
detail in the artists
> work. Can someone give me a nudge to work out how to do
it and are there
> any
> things to look out for - especially security issues.
>
> Thanks
>
> Martin
>

Is Motion or After Effects best for animation of High res. photographs

Hi everyone. I’m a novice when it comes to Motion, having worked more with FCP, and I am encountering some confusing differences!
I’m making an animation from a high res. Scanned ‘photograph’ of a flower, and I hope to maintain the great image quality, plus working with a short sound file (breathing) as a guide for the movement. (The final output is going to be large scale projection using a HD projector, which I understand is 1920 x 1080, with smaller versions for pre-view purposes.)
The move to Motion from FCP has phased me (co-decs, pre-sets etc.. so many options) I could re-size it to suit, DV, HD or most of the ‘sizes’ supported by Motion but I’m lost as to which settings would be best for my purposes.
I have done various tests with different pre-sets and have found that the longer and more complex the animation gets, the more jittery the playback is. I am wondering if there is a way I can work with Motion that resolves the the perforamnce thing, or if what I am doing ( length and size of animation) would be more suited to After Effects.
I love Motion, esp. the language used in the manual and would prefer to stay with it.
Thanking you all. I really want to understand this whole ‘video’ to ‘still-image’ move I’m making.

First of all, you could do your video in either program and would likely get similar results (depending on your relative skill in each program). There's certainly no reason not to stay in Motion if you're happy with the interface. After Effects has just as many confusing settings as Motion when it comes to output so you're probably not going to feel any better there.
Considering your output, I would start your project with the Broadcast HD preset. That will give you the 1920x1080 frame size which should look great on your projected screen. I would tend always to work in an HD framework when working with stills since typically they'll be of high quality.
Make sure your stills are prepped properly for video (which is different from how they would be scanned for print work). Scan them in at a good size resolution 2500 px along the longest side at 72 dpi (high dpi is not necessary for video work). Also, use uncompressed pic formats like TGA, TIF, or PSD.
You didn't mention how long the sequence was, and length does make a difference at times because Motion is run primarily through the graphics card as opposed to the processor. This is a primary difference between Motion and AE.
When you are talking about jittery playback, keep in mind that it's the gfx card that is providing the "real-time" playback to begin with. So the larger the project, the less likely that the card is going to be able to play back in real-time. If timing is an issue you can change the view to draft (default is normal), or you can do a RAM preview (CMD+R). AE has NO real-time playback without a RAM preview, so keep that in mind.
One more thing. There are several ways to do the same thing in Motion. Some of them put more pressure on the card than others. Keep your project as simplified as you can while working, and turn off things like thumbnails and previews to speed up performance.
Good luck,
Andy

Are vector graphics still high res when you import into Premiere?

Someone in our company is producing a commercial and he asked me for our logo. I sent him a PDF of a logo I created in Illustrator, so it's completely vector.
He now says he needs a bigger logo that is high res. I thought vector was always high res and that you can scale it as much as you want and it won't matter.

He just asked me to scale it to fit 1280x720 aspect ratio. I have no idea what that translates to in inches or picas which is what I'm used to (sorry, my math skills are pathetic).
Do you know?

Can I demo high-res images in my digital life ?

I'm having problems in one area of integrating the iPhone into my life / process.
Even after the 2.0 release, I still cannot get high resolution images to sync to the iPhone. I heard discussion that this would be fixed, but alas it is not. I loose clients a little when then can't see the higher-res version when networking. PDF syncing would solve this.
Many other people have called for PDFs, too, for subway maps and similar. Getting them via email just doesn't cut it. They need to be save-able, at least.
Have I missed a feature? How do we get sufficient resolution when we need it?

http://helpx.adobe.com/creative-suite/kb/camera-raw-plug-supported-cameras.html
http://helpx.adobe.com/x-productkb/global/camera-raw-compatible-applications.html
Mylenium

Looking for a high-res drawing app for the iPad

I've tried a few of the available iPad drawing apps like Sketchbook Pro and Brushes. It's a little hard to tell, because documentation tends to be short on details, but it appears that most of them (with the exception of Brushes) only let you work and export images at 1024 by 768 resolution. That isn't really high enough resolution for professional work.
Brushes is the only exception I've found. You work on the iPad in Brushes at 1024 by 768, but they have this OS X app that can convert your exported images to a higher res.
To me that's crazy awkward and time-consuming, and I think Brushes is OK as a drawing app, but not necessarily what I'm looking for.
Can anyone give me some better insight into the matter?
Is there some underlying technical reason that all of these apps have a hard limit of 1024 by 768 resolution?
Is there an app other than Brushes that can produce pro-level (high resolution) image files on the iPad?
Thanks,
JS

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How to I get high res thumbnail images?

Just discovered once I've imported images into my library Aperture 3.2.2 (running under 10.7.3) doesn't render high res thumbnail images (when the Browser Thumbnail Resize slider is set to the far right/maximum), even though my "Previews" preference settings are as follows:
"Use embedded JPEG from camera when possible" is unchecked
"Don't Limit" for Photo Preview is selected
Photo Preview quality set to 10
Deleting and regenerating thumbnails doesn't solve the issue. However, if I delete the photo from the referenced library, then reimport the image, the browser thumbnail image renders sharp. The low res thumbnail is at left; high res thumbnail (after re-import) is at right. Both thumbnails images are sharp when the Browser Thumbnail Resize slider is positioned in the middle. Photos render sharp in the Viewer, regardless.
Going back through my images, it seems Aperture stopped providing a sharp thumbnail image since around July 2010. Other than updating Aperture, my workflow or supported camera hasn't changed. Couldn't find a reference to this issue in the User Manual. Am I missing something a setting somewhere?
Thanks,
Eric

Its unclear if the command Generate Thumbnails actually does anything if the thumbs already exist and as there isn;t a Delete Thumbnails command like there is a Delete preview command there are only two ways to force a new thumb to be generated.
One is to import the image again and two is to delete the Thumbnail folder in the Aperture library. I don;t know for sure if this will fix you problem but as I said it is the only way to force the generation of the thumbs.
If you try this make sure you have a good working backup of the library. Nothing here will normally cause data loss but it is always a good idea before messing with the library.
Quit Aperture, Highlight the library in the Finder and right click, Select show package contents. One fo the folders you'll see is Thumbnails, delete it. Open Aperture.
Also be aware that the regeneration of the thumbs will take some time. Depending on the size of the library it could be an all day affair. Aperture is usable while this is going on but it will be slower.

Is it possible to create a script to produce a high res and low res pdf and jpeg from Indesign at the same time

Hi, I'm just wondering if there is a way to automate a long process I have to do to create assets for my job.
I have a single page InDesign 6 file which I have to output three ways:
A low res pdf without bleed or trims
A high res pdf with bleed and trims
A low res jpeg downsized to 2% of original size.
If anyone knows if this is possible I'd love to hear from you.
Thanks in advance

Automation requires creating your own IDML script for output. Scroll down on this page to the section on Scripting resources. The text is a bit confusing. It says InDesign CS5 Scripting resources, but then the paragraph for that section says the PDF files are for CS6. I haven't read through these, I just found them by searching for "indesign automation". It does say in part that is can be used for preparing files for printing, so once you figure it out, it should be a single click option to do all three steps.
You can do them now with the menus you have, assuming you also have Acrobat Pro installed. With any document open, choose File > Adobe PDF Presets, and choose either from the prebuilt defaults, or create your own in the Distiller. However, I don't see a way in the Distiller settings to choose whether or not to include bleed and marks, so I'm not really sure how you'd have them on for one and not the other. As far as JPEG output, that can be chosen under Export. You get a choice to set a resolution and JPEG quality level, but not a size, so the output will be the dimensions of the document.

How can I create a high res image gallery, need to have print res photos for a pressroom section.

How can I create a high res image gallery, need to have print res photos for a pressroom section.

If you want Muse to "pass through" your images and not adjust, compress, crop etc - you need to place your images in the lightbox EXACTLY at the right size, pre-cropped and prepped in Photoshop.
So if your light box is 800x600 the image you're dropping into that must be 800x600 exactly with no effects, rotation etc added to the lightbox frame. This stop Muse fiddling with your images, if they are perfect when inserted and you're not asking Muse to crop, expand, add effects etc. If it's perfect when inserted, Muse SHOULD also leave the resolution alone too, but I have not tried that one, but in theory, it should work.

Is there a way to publish a high-res .ipa from Flash CS5.5 with AIR for iOS?

Hello,
I've developed an app for iOS in Flash specifically for iPad 3's. My client uses SOTI MobiControl as it's mobile device management solution. If I publish out of Flash using AIR SDK 3.1 or newer the app is created and looks high-res on the iPad3. When they try to add the app to SOTI for in-house distribution it errors with the error claiming that "CFBundleDisplayName" has been left blank.
After having looked into it I've been able to find out that when publishing with versions of the AIR SDK older than 3.0, the info.plist file within the app package includes a CFBundleDisplayName. In versions newer than 3.0 there is no CFBundleDisplayName in the info.plist.
Is there a way to publish for iOS from Flash utilizing an older version of the AIR SDK and having true high-res graphics that will look proper on an iPad3?
Thanks in advance for any help.
Phil

It's not AIR that's lacking the key in the plist, it must be Flash Pro, although it's just running adt itself. I use AIR 3.4 and I compile via adt command line (because Flash Builder 4.6 still has not been updated to handle warnings from ANEs during compile, grr). I have CFBundleDisplayName in my plist file. Have you tried compiling on the command line?
Here's an Adobe page with a bunch of examples compiling with ADT on the command line:
http://help.adobe.com/en_US/air/build/WS901d38e593cd1bac1e63e3d128cdca935b-8000.html
Being unaware of what in-house distribution system that actually is, I have noted that some people had previous issues submitting apps Flash compiles. Their solution was to rename the AppName.ipa to AppName.zip, extract the Payload folder, copy the AppName.app inside there out, then rename that AppName.app to AppName.ipa. Then it was accepted. Not sure if that old issue still exists.

Emailing high res pics as attachments

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