6280 stupid question about camera

Hi
I've just bought a 6280 phone and know very little about new phones. Could someone please tell me what the checkerboard indicator is on the left of the screen when I use the camera. Thanks very much, Lisa

Thanks Gun for the answer,
This transaction type shows the Organization tab in GUI environment (the settings related to org profile are correctly customized). The problem is in webclient. When I try to create this transaction type in webclient, the only sections which I can fill are:
General Data
Texts
Partners
But the others tab are missing in screen.
I created a transaction from IC web and then in GUI environment the tab Organization is correctly filled and the tab is shown. But, what if I want to change the automatic determination in web environment?
Regards
Javier Merino
Message was edited by:
Javier Merino Vivar

Similar Messages

Probably a stupid question about cropping a video..

OK, so I shot an interview with a black background and once I went to edit it, I noticed a red object in the far right corner. Is there a way I can add black over this object or crop it out? I know this is a stupid question, but I'm new to video and editing in general so I thought it wouldn't hurt to ask.

There are several ways to accomplish what you want.
KGCW has talked about the Crop Effect.
Depending on exactly where the object is, and whether the camera was locked down, it might be possible to duplicate your Clip, place it above your initial Clip, then offset it a bit (Motion>Position), with the Fixed Effect>Motion>Position, and then apply the Garbage Matte to that offset duplicate, effectively Cropping out everything, but a small "patch" from the existing background. Note: if the edges of that Garbage Matte are too hard for you, you could create a soft-edged Track Matte, and use that to hold out the rest of the offset duplicate.
Another method, and depending on where, and how large the offending item is, would be to go to the Fixed Effect>Motion, and use Motion>Scale to increase the size of the Clip (do not do too much Scale, or quality will suffer). You might also need to do a bit of Motion>Position, to get that red object behind the Video's Frame Size. This will effectively Crop the object.
Good luck,
Hunt

A very stupid question about MDic application[SOLVED]

I have tried StarDict in Arch which I think that is the best known dictionary application in Linux world. Since I had to use mouse to access StarDict, I decided to try MDic instead. My problems is that I do not know the default location of MDic dictionary files. After search topics for about two hours, I gave up.
There must be a directory where MDic searches for dictionary files. Where is it? or What MDic configuration file has the information? So, I can install dictionary files int to the directory. I looked for this information in http://mdic.gnufolks.org/ and google.com. I believe this kind of very fundamental information should be in the wiki fo MDic. But I couldn't find one. Maybe, it is because I am so idiot. Would somebody help me how to install MDic dictionary in a appropriate location or the default location? Thank you so much for your helps.
Last edited by since1992 (2010-11-06 11:28:30)

Yes, it was a stupid question. I found that I can configure the location of the dictionary file. I also installed PyGlossary to convert dictionaries for MDic. Everything works fine now. Thank you.

Probably a stupid question about upgrades...

I originally bought Adobe CS3 Web Premium and upgraded to CS5.5 Design Premium last year. I'm wondering if I upgrade, will my price be based on the CS3 license or the CS5.5 upgrade...?
I'm guessing it will be based on CS5.5, but I want to make sure.
-A. Ka

There are no stupid questions!
Regardless of whether you got to CS5.5 via upgrading to it or by originally licensing CS5.5 is irrelevant in terms of the upgrade price to CS6 as well as the media you use for the upgrade.
- Dov

Stupid questions about keeping important calls on the FX application thread

I'm working on a project that I've been developing for about the last 6 months. I'm using JavaFX as the graphical side, but I'm taking input from a music processing program called Max/MSP, and I'm getting user input from a camera. Both of these things need to run on separate threads from my FX application thread. Up until now, things have been going smoothly. I can manipulate things on screen from my user input, and I have two way communication working between my JavaFX application and Max. Now, however, I need to start actually drawing stuff at runtime. Up until now, pretty much all FX side manipulations of been to just make translations. I now need to create, add, and remove children from Nodes. So I'm of course getting an error saying "not on FX application thread". I understand why it isn't on this thread, and why this is a problem. So I made some changes, so that calls that will make changes to the nodes on the stage, will only note the data, and then make the changes later, on the FX application thread. And then I run into problems, involving my own stupidity...
I have no idea how to get these calls onto the FX application thread. I mean, this should be really easy. I'm obviously missing something. Or maybe I'm just really tired, and have been looking at this for too long, or maybe the fact that it's been 6 months since I wrote this part of the code. But I see my Mainstage class, which extends Application. It has a start function, which sets up all my on screen do-dads (extended from Nodes and such), calls stage.show()... and then seems to end. When I've done things like call translate functions on my nodes from my user input thread, or from my communication from Max thread, things seemed to have worked. But now I'm thinking I might have been handling that wrong from the ground up. It seems likely that I should be having a "main game loop" (it isn't actually a game, but still, same principle) where I can tell the stage to update all the various nodes with the changes that have happened since the last frame, and try to get everything to update in time for the graphics to render at a reliable frame rate. And yet, I'm just not seeing how to do that. I'm sure this should be obvious, but I'm flat out blanking. And the time crunch is starting to descend... Please, if you can point out some standard way of avoiding this hopefully common newb mistake, I would greatly appreciate it!
-cullam

Checkout the documentation on "Pulse" in the JavaFX Archictecture overview which may help clarify some of your questions.
http://docs.oracle.com/javafx/2.0/architecture/jfxpub-architecture.htm
In simple terms, as I understand it, the framework will check 60 times a second if anything is dirty and needs repainting. If everything is clean, it will do nothing. If something is dirty, it will repaint it (although the repaint is kind of clever and highly optimized to support region image caching, make use of hardware rendering, etc).
So you can see that the main rendering loop is essentially hidden from you. Instead you construct a SceneGraph, the system checks regularly whether or not the SceneGraph has changed, and if it has it renders the updated SceneGraph.
In most JavaFX applications, you have a UI with controls and add event handlers which respond to control input to update the SceneGraph. In such programs, creating a main loop is unnecessary.
You can set up an animation timeline say at, for example, 30fps (half the pulse rate), then, on every other pulse, nothing will have changed so no redraw will happen. This is only necessary if you are performing an animation or capturing camera input, etc yourself (rather than using a Transition for example).
Actually, if I get my state changes working properly in a runLater call, do I need to also write a main loop? No, you don't need to write a main loop. Depending on the exact application, you may want one, but if you are already getting events generated by your camera input at 30fps, processing each 30fps from the camera in a runLater call would work fine without creating a loop.
But you do need to be careful that you don't send too many runLater calls and eventually overload the JavaFX event queue. For example it makes no sense to make more than 60 runLater calls a second to update the scene, because the system will never update the scene more than 60 times a second anyway.
If you do get a working camera app integrated with JavaFX, please post or blog about it as I am sure many people are interested in such an application.

FCP X, a question about camera settings

I live in the middle of the Pacific and need some advice as there is no one here to help me answer these kinds of questions...
My first 3 big projects were done in SD using a SONY PD 170 and FCE4.
I just bought the Panasonic HPX 170 with a 64 GB P2 card. I use a new iMac i7 (OSX 10.7.2) with all the bells and whistles and have now gone to the new FCP X for software. I know the following is more of a camera question more than a software question, but I thought someone in this forum might be able to help me.
We are about to shoot another full length feature film (roughly 90 minutes). I have read through the manual and a book about the camera but I'm just not getting enough information to make the ultimate decision as to what camera settings I should use to shoot the film.
In the end I expect the film to show at a theater here on the islands for a few weeks, and then a few film festivals and then ultimately, hopefully, sell DVDs to people who do not have sophisticated plasma TV/DVD setups, so I have to consider this also when shooting the film.
So.... I would really, really, really appreciate some opinions as to how I should go about this, i.e., 24p? 30p? 720? 1080i? If it were you, what settings on the camera would you use to shoot this film???
Thanks so much in advance.

1080i/60 is your best choice.
(This is assuming there's not a great deal of fast action, or slow motion in the movie. If there is, you may want to consider 720p 60).
You really need to research frame rates and the difference between interlaced and progressive footage before you commit yourself. To be honest, the difference between 720 and 1080 is so tiny, I doubt many people could tell it apart if they didn't already know which was which.
Andy

Probably a stupid question about Date

Hi.
I am struggeling with something that should be an easy task, but I can't seem to get it right.
I want to extract a date from a view object, add a number of days to the date, and compare it with todays date.
This is what I try to do:
Date today = (Date)oracle.jbo.domain.Date.getCurrentDate();
Date published = null;
int days = currThing.getExpirenumber().intValue();
expires = currThing.getPublishdate();
expires.addJulianDays(days,0);
switch (expires.compareTo(today)){
case -1: return true;
case 0: return true;
case 1: return false;
his code compiles, but when I run it I get an java.sql.SQLException: Unimplemented method called
What am I doing wrong here ??
Is there another way to do this ?
Morten
null

There are several ways to accomplish what you want.
KGCW has talked about the Crop Effect.
Depending on exactly where the object is, and whether the camera was locked down, it might be possible to duplicate your Clip, place it above your initial Clip, then offset it a bit (Motion>Position), with the Fixed Effect>Motion>Position, and then apply the Garbage Matte to that offset duplicate, effectively Cropping out everything, but a small "patch" from the existing background. Note: if the edges of that Garbage Matte are too hard for you, you could create a soft-edged Track Matte, and use that to hold out the rest of the offset duplicate.
Another method, and depending on where, and how large the offending item is, would be to go to the Fixed Effect>Motion, and use Motion>Scale to increase the size of the Clip (do not do too much Scale, or quality will suffer). You might also need to do a bit of Motion>Position, to get that red object behind the Video's Frame Size. This will effectively Crop the object.
Good luck,
Hunt

Question about camera file generator

Dear all,
I was trying to set up my camera with the frame grabber using camera file generator. My camera is a linescan camera, which is 1024x1 pixels.
My question is, in the camera file generator, I can choose to display maximum number of rows which could be any number I key in, for example, I can choose to display 1024x256 or 1024x800.So since my camera has only one line of pixels, where are all the other rows come from?How does it work?
Thanks a lot!

Hi
When you create your icd file, the height value, will be the maximum number of lines you can accumulate.
So when you will use your camera with MAX or LabVIEW, you can specify an image height within 1 and this value.
I suggest to set this value pretty high (10000 lines for instance) so that you are free to request a big image in your application.
Regards

Question about camera compatability

Hi,
I bought a DVD Panasonic VDR-D200 camcorder only to find that it doesn't work well with iMovie 6 because it doesn't use Firewire, only USB. I've been hearing the term miniDV in the discussion forums and now I'm confused...how many typs of camcorders are there and what type is supportd by iMovie 6? Is miniDV a tape camcorder, I'm assuming? Any specific models that would work well with iMovie would be greatly appreciated. Please only give advicec if you're sure you know what you're talking about...this will be the second camera I'm returning for compatability issues amounting to $160 in re-shelving fees! What an idiot I am! Thanks for your time and help...By the way, I use a Powerbook G4 if that makes a difference.

miniDV is a specific kind of tape format, have a look at any camera store or do some wiki… I estimate, 70% of consumer camcorders do use this format.
(pic by wikipedia)
any camcorder with miniDV plus firewire (Sony calls it iLink) should work with iM.... (and socalled Digital8 too, but that is an older standard... actual cameras are miniDV); I did own a Canon, now for years using a simple but excellent SonyTRV14…
no, iApps don't support DVDcorders, mpeg4, flashmem, harddrive, solid state, whatsoever cameras...
Please only give advicec if you're sure you know what you're talking about..
me sure? ... mostly ... failed often, but still self-confident...

A stupid question about the new mac pro

I know the mac pro has dual ethernet ports, but does it also have wifi built in? Or do I actually have to plug it tonto my router? Sorry for the perhaps obvious question.
PS. As a point of interest, I received mine yesterday. There was NOTHING inside of the box except for the cpu. I know the docs will be already installed on the cpu along with my purchase of Final Effex Pro X. It just took me by surprise is all. Now my next problem is trying to take my time and relish the exciting setup today. Unfortunately, I have compression fractures in my lower back from this last snow storm, so my enjoyment will be bitter sweet.
Thanks for you help.
---jerry

From the product page (http://www.apple.com/mac-pro/specs/):
Wireless: 802.11ac Wi-Fi wireless networking;3 IEEE 802.11a/b/g/n compatible
and
In the box: Mac Pro, power cord
So, yes, it does have Wi-Fi. However, you are likely to get better local network performance with a gigabit ethernet cable and a gigabit ethernet switch (assuming you have other local gigabit devices similarly connected).
For many years, Apple has been cutting down on the amount of hardcopy documentation shipped with products. Two years ago, my MacBook Pro came with a tiny booklet that was little more than how to plug it in and turn it on, an equally tiny warranty booklet, and some logo stickers. I'm only a little surprised to hear they are now down to zero paper shipped.

Two questions about Camera Raw and Lightroom

I am now shooting in RAW image format only and cataloging those images into Lightroom.
My first question is: How do I open an image in Camera Raw from Lightroom? When I right click on an image in Lightroom it gives me a choice to edit in > Photoshop, but does not offer the choice of editing in Camera Raw. In fact, when I go outside of Lightroom and just double-click on one of those RAW images, it opens in Photoshop. What is going on? Before I installed Lightroom, double-clicking on a RAW file would cause it to open in Camera RAW.
My second question is: Lightroom seems to have all of the same controls over processing a RAW image as the Camera Raw plug-in does. Does that mean I no longer need to open images in Camera Raw? Should I just do all of my adjustments inside of Lightroom? I take it that the sidecar xmp file is the same whether modified in Lightroom or in Camera Raw.
Pleas set me straight on this.
Thank You,
Ken

Your second question:
My second question is: Lightroom seems to have all of the same controls over processing a RAW image as the Camera Raw plug-in does.
Answers your first. Lightroom and ACR share code, so the rendering you get from Lightroom with the same settings is exactly the same as in ACR. What happens is that when you say "edit in Photoshop", ACR gets called by Lightroom and the Develop settings get passed along. ACR then renders the RAW with those settings and opens it in Photoshop. So, because you already have a working interface to the settings, there is no point in showing them to you again.
Does that mean I no longer need to open images in Camera Raw? Should I just do all of my adjustments inside of Lightroom?
That depends on your workflow. I no longer open any images in ACR directly as Lightroom provides a more effective interface in my opinion. Other people I'm sure prefer the Bridge/ACR approach.
I take it that the sidecar xmp file is the same whether modified in Lightroom or in Camera Raw.
Lightroom does not modify the sidecars by default. All edits are stored in the database. This allows you to have virtual copies with different Develop settings and more tricks like that. You can have Lightroom write out xmp sidecars by choosing "save metadata to file" from the metadata menu in Library or by turning on automatic xmp file generation in preferences. There is usually no real point to doing that however as the "edit in Photoshop" route works just fine. It's only really useful when you have a mixed workflow that still uses Bridge. If you share images with others, you're better off exporting dngs, or exporting subsets of images as catalogs with the images included.

Stupid question about "What's in the box?"

Ok, i just got my new iPod Touch 32GB. I'm really confused about one of the items that came in the box.
This one thing that looks like an insert for the dock - the shape of it is too wide for the skinny little iTouch - and it's only a dock insert, it's not the dock itself.
So i'm confused - how do i make use of this? I tried clipping it on my iPhone dock, & my 4th. Generation iPod dock, as well as my iHome alarm clock dock - and it doesn't fit anywhere.
It does not lay flat, it doesn't fit anything, and i am really confused. Does anybody know what i am to do with this? Thank you.
Jason

It's a dock adapter for docks that use the Apple system, such as Apple's own. You'd put it in the dock so your iPod would fit properly. iHome uses it's own adapater system. Honestly, I hardly ever find a use for them as I don't use docks much. I think I have a box of them somewhere from all the iPods I've purchased...

Basic (probably stupid) question about APExp

Hi, Just one quick question. The Wi-Fi connection provided by the built in airport in my iMac covers my whole living room, but since I have many apple devices using that same NetWork, sometimes it fails. So before I buy an aiport extreme, I would like to try the airport express, and my question is: The airport express connects (and amplifies) to the wi-fi network of the iMac, so how do I know on which airport am I connecting with my other apple devices? I don't know if I was able to be clear. Thanks a lot!

Just one more question. If the APExp creates a new wifi network how do I have internet in all The devices?
Is it possible the following network configuration?:
iMac - cable - modem ( existing already) - existing AirPort - AirPort express - wifi (with internet) for all the other devices ( iPhone, apple tv, MacBook, ps3 )?
My idea is to have all this devices in network ( sharing files, playlists) with internet access ( which is phisically connected to The iMac)
Is it possible? Or do I have to buy an AirPort extreme AND an AirPort express ( since I have to have a cable To my ps3...And my wife is bugging me about The LAN cable across The living room?) . Thanks

First-time mac user needs (probably easy) answer to question about camera

so i got my first mac yesterday, an i-mac with the built in camera. could someone please tell me how to take pics like i took of myself when i first did the set-up? sorry if i'm a bone head and the answer is something really simple. thanks in advance!

Welcome to Apple Discussions, grumpysmurf011
If all you want to do is make aquick snapshot, you can use your Photo Booth application and its "Normal" effect.
Many other applications can make also snapshots, but Photo Booth is about as simple a way as there is.
If you are specifically asking how to change your account (set-up) picture,
you can also do that from within  > System Preferences... > Accounts.
Please post back and explain in different words if I have missed what you want to do.
We will try to offer suggestions based on the details in your response.
EZ Jim
PowerBook 1.67 GHz w/Mac OS X (10.4.11) G5 DP 1.8 w/Mac OS X (10.5.2) External iSight

K1 Question about Camera Quality since 3.2.1

Can anyone confirm if the image quality of video (as opposed to stills) shot using the front-facing camera has diminished under 3.2.1? I'm noticing a much more over-exposed ('solarized') effect on video this past week. For example, I have noticed a cartoonish blotch (of sunglight) on my forehead with 3.2.1, whereas in 3.1, it just looked like more natural sunlight.
I know that Lenovo updated the video software with 3.2.1, as the Youtube quality on both the front-facing, and rear-facing is no longer 16:9, but rather 4:3-ish.
I suspect they did something to the exposure, too. Any confirmations that video shot with 3.2.1 appears 'worse' would be appreciated.

I did a 3.2.1 install just a few days ago.
On page 56 of the OVM 3.2.1 install guide is this:
+"When Oracle VM Manager is upgraded, you must upgrade all the Oracle VM Servers managed by that instance of Oracle VM Manager before you can return the Oracle VM environment to normal operation. Rolling upgrades of the Oracle VM Servers is supported, but Oracle VM Manager and all Oracle VM Servers must be at the same software revision level during normal operation of the Oracle VM environment, for example, Oracle VM Manager and all Oracle VM Servers should be running Oracle VM Release 3.2.1 Beta."+
So I think that means an OVMM running 3.2.1 can only manage OVM 3.2.1?
I did upgrade a lab 3.1 to 3.2.1 the other day, however post the upgrade there were issues, the version of the servers that had been upgrade still showed as 3.1.
Do I decided to re-install and the problems went - however a whole new bunch showed up!
Jeff

6280 stupid question about camera

Similar Messages

Maybe you are looking for