Aspect ratio isn't adapted after exporting/compressing

Working with final cut express I usually export my projects (some of them 16:9, some of them 4:3, allways PAL) into an uncompressed QuickTime file; from this QT-file I then export/compress the file into whatever format I need it to be in, with target screen size set to either PAL 720x576 4:3 or PAL 720x576 16:9. After updating to QT 7.2 two days ago, the target files (i.e. the ones I get by exporting/compressing from the initial uncompressed QT file) no longer have the correct aspect ratio (wich would be 16:9 for projects in 16:9 and 4:3 for projects in 4:3 respectively) but retain the aspect ratio of the initial QT file (which is slightly less wide than true 4:3 due to the difference between pixel sizes on computer and tv screens I guess). I have re-installed QT, have tweaked around with all the settings in the pulldown menue (checking and unchecking the "retain aspect ratio" box in the "visual settings" menue for instance), all to no avail. Any suggestions?

you say... 'I used to export my sequences...' and... 'I'm now trying to export another HDV project..." Does that mean that the 'old' sequences were also HDV? or is this the first HDV export you've done for iPod?
Yes, the old sequences were HDV. This isn't the first HDV export I've done for iPod. I've done them all the same way in the past.
Also, you say that in the past the exports would maintain the correct 16:9 ratio, but iPod is 4:3 right? so was it letterboxed on the iPod?
Yes it would play letterboxed on the iPod and in iTunes.
In which case, you might want to try dropping your HDV sequence, which is 16:9 native, onto a 4:3 sequence to force it to be letterboxed, then export this for your Ipod.
I've not had to do this in the past, why should I have to do it this way now???

Similar Messages

Aspect ratio: 4:3 material being exported with black bars (on the sides!)

Hi all
I'm fairly new to using FinalCut Express: previously I've used other non-linear video editors on Windows.
I'm having a bit of a weird problem: I've got a sequence which was shot entirely in 4:3 (PAL). However, when I try to export that to a QuickTime movie it appears squashed from either side — black bars appear at the sides of the frame and everyone looks very tall and thin. The frame itself is still 4:3 but everything is being squashed to fit in the bars.
I've fiddled with as many settings as are immediately obvious to me to see if I can rectify this, but so far no banana: the sequence is about 90 minutes long and takes about 30 minutes to render each time when exporting.
Has anyone got any ideas what to do about this? I've been trying to do some research into how FCP/FCE handle different aspect ratios, and it seems to be a very complicated topic. In fact, in the same project I've got a sequence which contains almost entirely 16:9 anamorphic material. Ideally I'd like this to be output in a 16:9 frame with the few 4:3 clips appearing with bars on the side. However, it's only being output as 4:3 where the 4:3 clips appear full-frame and the 16:9 clips have bars at top and bottom...
Hope someone can help!
Mac Pro: 3GHz, 6GB RAM, X1900XT, BT, AirPort Mac OS X (10.4.8)

Tom, thanks for the reply.
Everything looks absolutely fine when played back in FCE; it's only when exporting to QuickTime that my problems start. The point is that this 4:3 sequence isn't being output into a 16:9 frame as a pillarbox: what's actually happening is that it's being put into a 4:3 frame with bars, with the result that the content is in fact being squeezed (it looks wrong).
How can you modify the aspect-ratio settings for a given sequence? I've looked through all the obvious sequence properties settings but have never found anything.
I'll just reiterate — it plays back fine within the viewer; only when output does it all go awry.
Richard

Pixel Aspect Ratio bug in Media Encoder export

Having a weird bug in media encoder exports that I can't seem to figure out. I have a 1080p sequence with a mix of 1080p footage and PAL DV assets. The PAL assets have a pixel aspect ratio of 1.0940. When I format them in my Premiere sequence, I am able to scale them correctly and they look fine. When I export them directly from premiere to broadcast standards it's also fine.
However, when I try to export these sequences in Media Encoder via File->Export->Media-> Queue using the same exact settings (I'm using a preset), Media Encoder formats the PAL assets as if they have square pixels. Thus, half of the footage in my sequences gets horizontally "squished." Note that this does not happen for footage that natively has square pixels, such as my 1080p camera footage.
Has anyone encountered this bug? It seems strange to me that Media Encoder would treat items in a sequence differently that Premiere during export, I was under the impression they were using the same rendering engine... It's really a problem as I'm going to have to crank out multiple versions of this 48-minute film and not being able to queue those exports is going to be a huge headache.
Using latest version of CC 2014.1 (8.1.0).

Screenshot of Premiere Export (fills screen):
Screenshot of Media Encoder export: (notice the pillar-boxing)

Export videos to YouTube but audio isn't there after exporting

I exported my video to YouTube via Quicktime but audio isn't there after I go to the YouTube link. I turned up my volume all the way but no sound comes out. I JUST upgraded to Mac OS X 10.6.8 TODAY ON JUNE 23RD! Has anyone else experienced this AFTER upgrading to 10.6.8? With 10.6.7 I could export videos perfectly. AND AFTER upgrading to 10.6.8, it takes FOREVER for the video to export to YouTube. It takes hours!

OK so I tried a few more videos. The first had the problem but the several more I tried a few more and they worked fine. Then I went back to the first and it started working fine again. So the problem seems to have gone away.

Aspect ratio isn't working in InDesign CC

Has anyone else had problems with the aspect ratio not working properly in InDesign CC? Ever since I download CC to my computer, it hasn't worked properly - it always stretches things out rather than keeping everything proportional. It's really frustrating, and I'm not sure how to fix it. Any help would be greatly appreciated!
I forgot to mention that it does work properly in my CC version of Illustrator, which is why I'm confused.

Try restoring your InDesign preferences. Here's how:
Trash, Replace, Reset, or Restore the application Preferences

Aspect ratio for captured frames is horizontally compressed

When I attempt to capture a frame from DVCProHD for use outside of PProCS6, the image is compressed horizontally (see example below). It appears normal in some CS6 products (Photoshop and when reimported back into PPro), but if previewed or used elsewhere it looks wrong. Even in Encore I have to reinterpret the footage to make it look like a normal frame from 16:9 aspect footage.
Any suggestions to help prevent this?
Thanks-

You cannot prevent this in Premiere with the snapshot option.
Correct this in Photoshop.
Open a 1920x1080 square pixel layer
Drop the still into this layer
Scale to fit and save.
However you can export a 1 frame work area as a png etc.
set it to 1920x1080 with square pixel.

Unwanted moderate distortion of aspect ratio when exporting video

This seems to be a new problem for me, and I don't THINK I've changed any of my parameters. But the result is now wrong... Help!
I use my VCR to record from US broadcasts (good old fashioned plain old TV, NTSC, I presume). Then I transfer snippets onto my DV camcorder (good ol' plain DV, nothing with 16:9 or anything like that). Then I import my DV footage into iMovie HD 6.0.2. It imports fine and looks like a normal aspect ratio.
But when I export using the File > Export... setting, I get a Quicktime video which appears vertically squished. The faces are too wide, bodies are too fat.
Looking at the various aspect ratios, I see that the preview window in iMovie HD is about 720 by 525 -- there are no black bars or letterboxing, and faces and bodies look normal. But the output video is 720 by 480, which is (according to a quick Google search) a normal NTSC output. No cropping has taken place, and no letterboxing, either. So that's why it's squished. But...
So why is iMovie showing me something from right off my TV screen which is the wrong aspect ratio but seems to have the correct proportions? That would seem to imply that my good ol' TV and VCR are not actually operating in NTSC proportions... which would be extremely weird because the footage I happen to have recorded is from an old game show from the 1960s. Do I have some setting wrong somewhere?? Is there something fundamental I don't understand? Help! Like I said, this is a new problem with me and I don't recall having changed any import settings.

Thanks for your help! I had no idea that so many video processes use rectangular pixels. But I'm still confused. What I see on screen in iMovie (and most QuickTime stuff) looks fine, but what I got out of this last set of conversions looks wrong.
Obviously you used the Full Quality DV option which uses rectangular pixels, right?
Uh... I have no idea. I've spent a couple of minutes looking through the menus in iMovie and I don't see anything labeled "Full Quality DV". I'm not specifically trying to export in DV format; I'm trying to compress my NTSC format so that it plays back in nearly full size on my iBook laptop, which cannot keep up with Sorensen video or the H.264 (or two-sixty-whatever) codecs. I found that Cinepak CAN be played back at this size on my iBook. But Cinepak is a compression standard, not a video frame size standard, right?
What you are seeing is normal... 720x480 NTSC rectangular pixel DV should be scaled to 656x480 square pixels.
No, it's not normal. It doesn't look normal to the eye. It's not what normally happened to me in the past. It drives me nuts. By those three definitions, it's not normal.
I am not trying to export in a format that fits some video standard or TV set. I'm trying to export a QuickTime movie which will display properly when played back by QuickTime. So I'm extremely frustrated when iMovie (or something) takes a video clip from an NTSC source and for some odd reason squishes it.
When you say that "720x480 NTSC rectangular pixel DV should be scaled to 656x480 square pixels", I assume you mean that it should be scaled to that number of square pixels in order to display on a computer monitor with square pixels (i.e., basically all computer monitors) in a way which makes faces and bodies appear of normal proportions, right? Are you implying that the problem is that rectangular pixels are NOT being converted/resampled to square pixels, but that the conversion is being done on a (no-resampling) pixel-by-pixel basis? I'm just not sure I understnand the point you are making here.
Since I had different results in the past, there must be SOMETHING different about my current setup. After reading the link you suggested, I see that there are a HUGE number of possible complications out there. The main idea, however, is that I want to produce a QuickTime movie which looks the same as the preview shown in iMovie: Same shape of faces, same shape of bodies, just as it was when I originally viewed the footage on my television.
Thanks!

Export Self-Contained / Sequence / Aspect Ratio Question

Hello all,
I have source clips, that look like this, with a command+I in quicktime:
Format: 24-bit Integer (Little Endian), Stereo (L R), 48.000 kHz
DVCPRO HD 1080i60, 1280 x 1080 (1888 x 1062), Millions
FPS: 23.98
Normal Size: 1888 x 1062 pixels
Current Size: 1888 x 1062 pixels (Actual)
Now, in FCP, I have to chop this source up into smaller clips, so as I set in and out points, I drag to my sequence, and let FCP adjust the sequence settings to match the clip. It auto-adjusts to:
Frame Size: 1280x1080
Aspect Ratio: HD (1280x1080) (16:9)
Pixel Aspect Ratio: HD (1280x1080)
Compressor: DVCPRO HD 1080i60
Audio: 48khz, 24-bit, Channel Grouped
When I export my clip, I want little/no processing of the source file, and want the aspect ratio to be locked at the highest quality possible, with no funky pixel aspects ratios, etc. So, I export a Quicktime Movie (no Quicktime conversion) with "Current Settings", and I make the clip self contained.
The output ends up as follows:
Format: DVCPRO HD 1080i60, 1280 x 1080 (1888 x 1062), Millions
24-bit Integer (Little Endian), Stereo, 48.000 kHz
FPS: 23.98
Normal Size: 1920 x 1080 pixels
Current Size: 1920 x 1080 pixels (Actual)
So, obviously the pixel aspect ratio has done something in the export, as the original size was 1888 x 1062 and is now 1920 x 1080.
Is there a way to process these clips on export from FCP, where the pixel is a normal 1:1 conversion, be it at 1280x1080, 1888x1062 or 1920x1080 with DVCPRO HD 1080i60, in FCP? Or is this something I have to achieve in Compressor? I'm looking for the Quicktime info on the resulting clip to return the same size for: Format, Normal Size, Current Size.
Any help is appreciated! Thanks!

I have read this post over and over and there are some strange things going on with analyzing media now. I am absolutely sure that my HD footage (from a Z1U) used to be read by QT at 1440x1080 (1920x1080). Actual pixels were 1440x1080, a 4x3 aspect ratio, but displayed at 1920x1080. Used to be, like I said. I recently upgraded to OS 10.6.4, and QT 10 is quite a bit different. (In fact, other that the new skin, I haven't found any new features I like. Beside the point.) Now I get a QT readout like yours: 1440x1080 (1888x1062). A 4x3 capture aspect ratio and a 16x9 display aspect ratio, but not the same numbers. This can't be right--by law one of them has to be incorrect. I suspect the new version of QT. The same clip in FCP is read as as 1440x1080 with the HDV pixel aspect ratio (Edit --> Item Properties --> Format.) Furthermore, the readout from MediInfo Mac (endorsed by Apple) is even stranger: 1416x1062, a 4x3 aspect ratio, betraying yet another suspect data output. May be MediaInfo is correct, maybe not. I suspect no--my gut says FCP is correct, since it was once matched by QT. So, three analyzations and three results. The only conclusion is one or more of the analyzers is incorrect.
I suspect that the data readout in QT 10 is questionable. According to the Z1U manual, the camera records at 1440x1080, QT and FCP have this correct, but MediaInfo Mac does not. But the display raster information, as read by QT 10, has changed from 1920x1080 to 1888x1062.
So, I did a test. I followed the same procedure you did, including letting FCP set the Sequence Settings (it was correct). The QT 10 data readout from the exported movie was, like yours, 1440 x 1080 (1888 x 1062). Same results when I forced the Sequence Settings to HDV 1060i first. [FCP 6.0.6, QT 10.0 (114) ]. This was consistent with the QT 10 readout for the original, raw media.
My conclusion? Your movie is fine, there was no Pixel Aspect Ratio manipulation. The data readout in QT 10 is wrong. Sounds like a bug to me. I'd say MediaInfo Mac also has a problem--maybe they are both "drinking from the same poisoned well" somewhere deep inside the code.
Last resort: if you have access to an older version of QT, try getting the readout from that. I'm going to. If you'd like to know the results, let me know.
One thing you must do: check the Pixel Aspect Ratio in your edited sequence:
[Sequence --> Settings --> General --> Pixel Aspect Ratio]
Make sure yours is set to HD (1280x1080). Actually, check your camera manual to determine what it should be and make sure FCP is matching it. If not, force it.

FCP export to "QuickTime Movie" distorts aspect ratio of all text, displays video correctly.

Hi you all,
My name is Alexander, I'm from Belgium.
I'm working on Final Cut Pro 6.0.6, on a MacBook Pro with a 2.53 GHz Intel Core 2 Duo Processor, running version 10.7.2 of Mac OS X (Lion).
I'm editing a 'making of' of a Flemish feature film. I shot this 35 minute documentary short with my own Canon HDV-camcorder (XH-A1). The Final Cut Pro-project is stored on an external hard drive (1 TB LaCie Minimus).
I've been doing exports to "QuickTime Movie" for years now, without any problems, but since a week or two, FCP started messing up the titles over the video - and the titles only. Their aspect ratio is messed up once exported, but they look just fine in the FCP Timeline (in Viewer, I can verify that the aspect ratio of the titles is always "0"). I'm trying to export this to "HDV - 720p25".
Here's a comparison between the two:
As you can see: the MOV has the titles' aspect ratio all weird, the upper one partly covering the lower one. All titles and text in the docu come out like this, but the video (and audio) is exported correctly.
Any ideas on how to solve this very annoying problem?
Many thanks!!
Alexander

Hi Studio X,
Thank you for your quick reply.
The producers of the film want to upload this making of-documentary on YouTube. Therefore, I need to give them a high-quality-mov with the least possible Megabites. My film has a 35 minute running time.
So I figured: Let's start with the 'smallest' high-quality FCP-export to begin with (HDV-720p25), and throw that one in Compressor, in order to end up with a 'small' but good looking H.264-MOV for YouTube.
But for some reason, those "HDV-720p25"-exports mess up the titles. And I can't figure out why.
Alexander

Exporting Custom Resolution Quicktime Movie with Custom Pixel Aspect Ratio

I want to export some 16x9 sequences (and others) at different resolutions with different pixel aspect ratios.
I have tried exporting as a Quicktime movie, but I get a codec error (with my required H.264 & AAC audio).
I have tried exporting using Quicktime conversion, but there is nowhere to enter a custom pixel aspect ratio (if they added that as an option in “preserve aspect ratio”, that would be nice).
I have tried exporting using Compressor, but it doesn't seem to accept my setting of pixel aspect ratio (HDV 1080i 16:9)—at least when I play back the video it is not using wide pixels.
Thanks for any suggestions.
G5

I would like to have arbitrary control of the pixel frame size on export as well as arbitrary control of the pixel aspect ratio. However, in this case I specificially want to export some video in a 4:3 pixel arrangement (such as 360x270) but have its display be 16:9 via non-square (i.e. 4:3) pixel aspect ratio.
In that sense, yes, I want to have something play back at 16:9, but at least some of my attempts to export video are squished at 4:3.
While it may be possible to adjust the display in the Quicktime Player, the AVC video syntax as specified by ISO and MPEG standards bodies allow the specification of the pixel aspect ratio (actually sample aspect ratio in the standard) within the bitstream, and when it is there, the latest versions of Quicktime will (from my experience) render the video with the correct aspect ratio.

Won't preserve aspect ratio letterbox?

Hey,
I have a cannon hd camera that films in 1920x1080 which is a 16:9 aspect ratio if I understand correctly. I'm trying to export this video size to a 640x480 using the quicktime conversion. From what I've read online and in the manual if I check "preserve aspect ratio", "letterbox" it should put two black bars on the top and bottom so that the video itself isn't stretched to fit into the 640x480. However, though I've tried many times, the exported video always comes out stretched. Is something turned off that I don't know about? Is there a problem in the software?
Thanks for the help if you can solve this puzzle.

I'm having the same problem and it's driving me nuts. I have HD footage and I'm trying to save a small sample as a demo. I want to email either a 16:9 clip or a 4:3 letterboxed clip. No matter what dimension I export to, it ends up as 4:3, even when "letterbox" is checked. For example, if I export to 720x480 (4:3), it's squashed. But if I export to 720x480 (16:9), it's squashed AND I have black bars ON THE SIDES! So I'm telling FCE to go from 16:9 to 16:9 and it converts it to 4:3 and then puts black borders on the side? How does this make any sense??
When you say "Place your edited widescreen sequence in a 4:3 sequence" what do you mean? I don't see sequence properties that control the aspect ratio.
Also, what should the compression type be? Like I said, I'm just trying to export a small 30-second demo clip. All of my exports are turning out 40+ MB. If I do a straight Export->Quicktime movie (no conversion) then my 30 second clip is more like 400MB.

Maintaining aspect ratio

Hey there. So, after exporting my first movie, I had to do a bit of fiddling with the Options to make sure that the movie exported in its true 16:9 aspect ratio. It did, after many tries (though YouTube still doesn't notice this, and has put the video in 4:3, even though its new player size is 16:9). However, when I am exporting frames (using quicktime conversion), they all come out square-ish, though the size still shows 720x576. This is something to do with square or non-square pixels, isn't it? It says the video clips are anamorphic. When I un-check the anamorphic column on a clip, it goes all 4:3. How do I make sure the clips are all fully 16:9, no matter how I export them??

Hi,
when you export using QuickTime conversion (use this option for the web, not to make a DVD), choose a video size of 1024x576, that will make your movie to keep the widescreen aspect. You can also use a different size if you want to save in space, like 640x360 or any values that gives you the same ratio.
When exporting for DVD, use the export to QuickTime movie; in that case, if you have QuickTime pro, you can go and edit the exported file to change its size to be again 1024x576.
In all cases you will keep using the anamorphic flags in FCE, since your source material is anamorphic.
For additional info you can also check here: http://www.fcpbook.com/Video8.html
Regards,
Armando.

Aspect Ratio issues getting 16:9 to look right, what is the best workflow?

Hi all,
I am having trouble getting my 16:9 footage to look right when I export, especially when playing on DVD. I shot the footage with a Sony HDR-HC1 which apparently shoots in 16:9 anamorphic. Originally when I imported the footage it appeared it the FCP viewer and canvas in 4:3 letterboxed form, the image did not look squeezed or stretched but appeared with black stripes on top and bottom.
I have tried several experiments with exporting this footage to dvd with the following results:
Using Compressor with 4:3 setting in export:
DVD Studio Pro track settings to 16:9 looks extra squashed vertically
DVDSP track settings to 4:3 image looks in proper aspect ratio but displays with black stripes on all 4 sides.
Using Compressor with 16:9 settings in export gives the same results.
In conclusion, if it appears in 4:3 letterbox in FCP viewer and canvas there is no way to get it to export and display in DVD with proper 16:9 aspect ratio.
I have also done some experimenting with re-capturing some of the footage from the tape.
For one sequence I recaptured the footage and it displayed in 4:3 without the letterboxed effect (filling the whole screen) but appeared squeezed, I am guessing that this is because of the anamorphic nature in which my camera captures the footage. No pixels were missing. In the FCP viewer and canvas it looked squeezed and did not display in the correct aspect ratio, however when it was exported via Compressor in 4:3 and then in DVDSP Track Settings put to 16:9 Letterboxed, it is displayed perfectly (letterboxed vertically, the image filling the width of the screen without the extra stripes on the sides).
So I thought that I had my solution here, although that did involve re-digitizing and batch capturing all 18 tapes used in the project, so its not exactly a quick fix.
This is where it gets a bit confusing. In order to understand where I had originally gone wrong in my workflow I did some more experiments, this time with the settings on the camera (which I use for a deck in batch capturing). I found the function on the camera where you can set the "TV Type" to either 16:9 or 4:3. I switched the TV Type to 4:3 and when batching it went back to the original letterboxed look (in the batch preview screen that you see while capturing), however when put into the viewer and canvas it was too letterboxed and looked squashed vertically. So then I switched back to TV Type 16:9, now it looks 4:3 squeezed in the batch preview screen (no letterboxing, no missing pixels), however when it goes into the viewer and canvas it becomes letterboxed like the original footage that I had described earlier.
So now even though I have switched the camera back to its original settings it will not display in that 4:3 squeezed look in FCP viewer and canvas.
So after all that my main questions are, in 16:9 can I view it in the FCP viewer and canvas in its correct (anamorphically converted) aspect ratio and still export it without the black bars on all sides?
(The FCP canvas seems to only display in 4:3)
If not, what setting do I need to capture in FCP in the 4:3 squeezed look I have described earlier?
(This is the only setting that I have found that displays properly when anamorphically stretched via DVDSP)
I know that this is a long essay so thanks for making it this far. I have spent weeks experimenting trying to find the best solution so please help me if you know how! I will be very appreciative.
Thanks
Liam

Hi there,
I am not sure if it is necessarily a bug, but its a matter of understanding all of the settings needed. I had the same problems for a while but after a fair bit of trial and error have found some workable settings.
It probably has more to do with the export settings rather than what viewer options have selected (I don't think that viewer settings affect your export).
What program are you using to export?
I am using compressor to export with aspect ration set to automatic 16:9. Then use DVDSP with the track set to 16:9 letterbox, it seems to export to DVD with the correct aspect ratio that way.
I am having trouble with the image strobing, looks like some kind of interlacing problem, but at least I have got it in the right aspect ratio.
Its typical video, solve one problem and it just creates another.
I am yet to find the absolute best workflow.
In response to Andy above, the original letterboxed footage probably did have something to do with the downconverting settings on the camera, as when I import without downconverting it does not letterbox. In the HDR-HC1 there is an option in the menu called "TV Type" with options of 4:3 or 16:9. I was reviewing my footage on a 4:3 television so I most likely had it set to 4:3 which created the letterboxing in the viewer when I then imported the footage.
Importing the footage in HDV solves the issue of aspect ratio, but creates a new problem with the image strobing.
I hope this was some kind of help to you.
Liam

Need aspect ratio to match still images

I create slideshows from still images using CS6 that are then put on DVD and uploaded to vimeo. The problem I'm having is that I wind up with letterboxing on the sides (not top/bottom) since the aspect ratio isn't correct
I've looked on google and I can't figure out how to create a custom project that has an aspect ratio that matches the still images instead of trying to force them into video aspect ratios.
Is this possible?
Thanks.

The settings of the project don't matter as much as you might think. The settings of the sequence do. It is easy enough to create a sequence from a photograph and the settings will be perfect. Read this: http://forums.adobe.com/message/3804341#3804341
However...
If you are shooting pictures like I do, they are 3:2. That ratio does not exactly work on a DVD. You can make it work by editing in a 3:2 sequence and then when you are finished you can do any number of things. You can nest your sequence into a 4:3 or 16:9 sequence and you will have choices to make. Do you scale the images down until you see everything but you have black bars, or do you scale them down to fit the sides but that means cutting off the top and bottom.
The problem is that there is no way to publish a video on a DVD with a custom shape that I know of. Someone like Jeff Bellune might show up and provide an answer. He is an expert DVD guy.
I don't know how you could get a DVD to play a 3:2 ratio video, but for YouTube it is a simple matter of using the pictures to create the sequence.
Then all you need to do is export using a 3:2 ratio, like 1620X1080, meaning you might have to unlink height and width. I have to tell you that you can upload a 3:2 video to YouTube but YouTube will play it back in a 16:9 frame amd leave black borders on the sides. I just checked.
You see, video is 16:9 or 4:3. Photos are 3:2 or so. Now, my new camera can shoot 16:9 photos, and some people shoot that way to avoid the problem you have right now.

Render changes aspect ratio

Hey,
I am cutting a film about the history of cinema where I am using clips from all kinds of movies taking from dvd. Of course they all have different aspect ratios and most of them come in wrong so I change them with the aspect ratio slider. Now here comes the problem...once you change them they obviously need rendering and sometimes some of the clips which I corrected to the right aspect ratio then change back AFTER THE RENDER and are stretched or squachted again.
Anyone came across this?
Thanks

If it is to be shown on a high def screen 720x480 wont look any good unless its a dvd and you are able to upscale.
If its a high def projector the projector will still project it as 720x480.
If you want i to look good you need high def footage exported to high def.

Aspect ratio isn't adapted after exporting/compressing

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