AVCHD Sequences and monitoring

I did a camera test and have some footage  as files ( .MTS)
I have done very little with AVCHD and I am un familiar with it largely...so I have a question.
I opened a Sequence by dragging the mts file onto the New Item Icon.
The clip is a slowish pan across some items on a table top.
I was alarmed to see that the Program Monitor was displaying what is called  "CMOS wobble"
ie. parts of the image laterally (in a pan) get misaligned then catch up then misalign again in a wobbly manner.  (NOT like interlacing issue - different because the wobble is over many lines)
When I exported a wmv and a QT .mov of the issue...it does not display the wobble!
I then used tjhe same clip in a P2 sequence.  The wobble does not display!
Now I am trying to work out WHY?
Is the AVCHD sequence in PPRO screwing up the monitoring  of the  mts footage?
Why is it ok in the P2 sequence and in the export?
I have no other way of playing the mts footage outside of Premiere...do I ?
Thoughts please.

I would have been happy to post up a small file except the issue does not export.
Not an aero issue.
Issue confined to AVCHD sequence only.
This indicates to me that it is not the source file.
The issue is not "tearing" or "interlacing".
(I could probably easily simulate it with a filter though)
Kind of like this:  Image 2 is simulated in photoshop.
I have used a ripple but actually it wobbles like a jelly

Similar Messages

  • Exporting avchd sequence

    hey all ye knowledgable folks,
                                           I need to export a 60fps non-anamorphic 1080i avchd sequence. It was shot on a canon vixia hf100. I am editing on an amd phenom II x3 720 processor 2.8 ghz, 4 gb ram, 64 bit windows 7 operating system. It seems that no matter what I try to export it tells me 100 hours and really doesn't even have a chance of completing itself. I was wondering what settings I should enable to produce a full quality HD file that could be played on any computer or hd monitor and really just any advice you could give me on exporting avchd projects. I've only been working with premiere pro for about a month so I'm still a bit of a newb.
    -erik (newb)

    How long is the sequence?
    What format and codec are you choosing for export?
    Do you have many effects applied to the clips in the sequence?
    -Jeff

  • What is the best product for network mapping and monitoring? I am an inexperienced user). Mac 10.9.2 laptop

    I have lots of questions, but the gist is that I want to know the best product, preferably from the app store, that I can use for network mapping mapping and monitoring.
    I want to get their mac address or other police trackable etc info so I can use my computer safely.
    I am also being cyberbullied.
    I try just using ethernet but still get intruded on, for instance, messages that "other devices are using my ip address". The only other device I own is an iPod that I keep sahut off plus wifi turned off then.
    (NOTE:  You can skip the rest of this message if you want. It regards hacking attempts etc,  a little out of the scope of discussion, perhaps).
    Also a home intrusion where computer was thoroughly hacked with router(s) set up "very very close to me," according to Apple.
    Also, hackers get into my Facebook and gmail and yahoo mail, really,  no matter what I try to do on my computer and how many times I change passwords it does no good.
    Also,  The ip addresses for google and the one in syste preferences and the one looking up my ip address on ip chicken always gets three different results.
    More worrisome it that hackers got into my Wells Fargo account a week after the intrusion even though I changed all account #'s and pw plus notified bank. They also broke into paypal using my new account numbers.
    Also, stuff like Facetime pops up on my computer without my clicking on it even though I'm using ethernet to connect. I've given up on Time Capsule because I'm told that's how the hackers hacked my computer so thoroughly duriung the intrusion.
    Thanks.

    Aubry,
    why don't you send your sequences straight to Compressor first, encode your movies as MPEG 2 and AC3 audio and import all assets in DVD studio PRO?
    G.

  • Sequence and Capture Settings Help Needed

    Hi there...
    Need some advice on setting my Sequence and Capture Settings in FCP 6.0.4.
    I have a Sony HDR-SR1 (AVCHD) and I know I how to bring the footage in through "Log and Transfer", but I'm not sure what I should be bring the footage in as.
    Should I capture with HDV, or can I bring the footage in as ProRes 422 (HQ)? Once captured, should the Sequence be set to HDV - 1080i/60, or should it be set to the ProRes setting? Or, does AIC still play a factor in this and I should choose that?
    Correct me if I'm wrong, but if I bring in as HDV, the file size will be very large. But if I bring it in at ProRes 422, the filesize will be smaller, but how much will I lose in compression?
    Also, does anyone know if I'm stuck shooting 1080i/60 or can I get 1080i/50 or 720p/24/25/30?

    The orginal footage is not DV, it is DVCPRO 25. I am capturing in the DV setting because of the length of the footage. The DVCPRO deck doesn't have a firewire output.

  • Greetings, I am working in Final Cut Pro 7. In the timeline some clips show as offline. I tried going to sequence and reconnecting to media but it does not work. I can still see the video in the timeline and work with it. It just has the red box.

    Greetings, I am working in Final Cut Pro 7. In the timeline some clips show as offline. I tried going to sequence and reconnecting to media but it does not work. I can still see the video in the timeline and work with it. It just has the red box. Thanks! Olga

    If the clips are not actually missing, you could try to refresh the timeline by using cmd-0 and then going to the timeline options tab. Then select name only where it says "thumbnail display". Press ok to accept the change, then repeat the process to add thumbnails back to your timeline.

  • What is the correct way to use Version Informatio​n from the sequence and from the deployment tool

    I seem to be missing something in how the various version numbers are supposed to be used.    My end goal is to log and possibly display in the UI the version of the sequence and which installer version was used to inspect a UUT.   I have gotten most of the way there using:
     How Can I Programmatically Query the Sequence File Version of My TestStand Sequence? 
    and logging this into the report with a function which contains:
    Parameters.UUT.AdditionalData.SetValString("Test Version",1,RunState.SequenceFile.Data.Version),
    Parameters.UUT.AdditionalData.SetFlags("",0,PropFl​ags_IncludeInReport)
    The "Deployment Version" in the TestStand Deployment Utility auto incrementing the 3rd position of a version number  while the sequence auto increment is working on the 4th.   
    My first question is are these 2 version numbers in anyway supposed to be related to each other?   As it seems to me you would want those 2 reversed, I can make several installers based on sequence version X, making changes to what supporting files are also installed.
    If they are not related as I suspect that they are not.  How do I programatically grabed the installer version and also log that into the result report?   
    is there an option to perform a custom deployment build step to log the deployment version before it builds and then reference that log at runtime of the test?

    Hi,
    The sequence file version and deployment versions are not related.
    You can build the installer with whatever version you want using the command line :
    https://decibel.ni.com/content/docs/DOC-38947
    Hope this helps,
    Ravi

  • Working with AVCHD: Log and Transfer FAQs

    Disclaimer: Apple does not necessarily endorse any suggestions, solutions, or third-party software products that may be mentioned in the topic below. Apple encourages you to first seek a solution at Apple Support. The following links are provided as is, with no guarantee of the effectiveness or reliability of the information. Apple does not guarantee that these links will be maintained or functional at any given time. Use the information below at your own discretion.
    Working with AVCHD: Log and Transfer FAQs
    Log and Transfer was introduced to the product chain in Final Cut Express 4, and is the program's process for ingesting files in the AVCHD format utilizing MPEG-4 AVC/H.264 video coding and either Dolby AC-3 or uncompressed linear PCM audio coding. The most frequently observed problems relating to the Log and Transfer process are generally quite easily addressed.
    What should I know before attempting to ingest my footage?
    The following facts regarding the Log and Transfer process were adapted from the [Apple Knowledge Base article|http://support.apple.com/kb/TA24840?viewlocale=en_US] on transferring AVCHD in Final Cut Pro 6.0.1 but still hold true for the current version of FCE:
    AVCHD support is available only on Intel-based Macintosh computers.
    AVCHD camcorders typically connect to computers via USB 2.0, not FireWire.
    DVD-based AVCHD camcorders are not supported in Mac OS X 10.4 or earlier.
    Standard definition video recorded with AVCHD camcorders cannot be accessed in the Log and Transfer window. SD and HD clips should not be mixed on the same HDD.
    Preview of AVCHD video in the Log and Transfer window is limited to 1x forward playback. Scrubbing the playhead does not update the video in the Preview area until you stop scrubbing.
    When you choose to transfer AVCHD audio in the Logging area, audio is automatically mixed down to stereo.
    AVCHD footage is not ingested natively but is transcoded to the Apple Intermediate Codec.
    Apple Intermediate Codec files are significantly larger than the original AVCHD files. FCE does not estimate the size of a transcoded AVCHD file before ingesting, so it is possible to exceed the available space on your capture disk during transfer. Before ingesting, keep in mind that the disk space required is about ten times greater than the size of the native AVCHD file.
    Which specific formats can be ingested by Log and Transfer?
    Only AVCHD footage can be ingested through the Log and Transfer process. Other formats and variants such as AVCHD Lite are not supported. All video should be recorded in a frame size of either 1440x1080 or 1920x1080 and a frame rate of 25 or 29.97 frames per second. Audio recorded on AVCHD camcorders is generally at a rate of 48kHz. If your camera shoots in a format that does not comply with one of these setups then it is most likely not supported by the application and is not guaranteed to work correctly.
    Which Easy Setup preset should I select before ingesting my footage?
    It is extremely important to select the preset that matches your media before you attempt to ingest via Log and Transfer. There is only one Easy Setup preset that matches the frame size and rate of your footage. If you intend to ingest AVCHD clips through Log and Transfer you will first need to select one of the following presets:
    AVCHD-Apple Intermediate Codec 1440x1080i50
    AVCHD-Apple Intermediate Codec 1440x1080i60
    AVCHD-Apple Intermediate Codec 1920x1080i50
    AVCHD-Apple Intermediate Codec 1920x1080i60
    If these four options do not appear under your Easy Setup list then you probably need to run Software Update and update to FCE 4.0.1. DO NOT cycle through the available presets until you find one that works - there is only one preset that matches your media and it should be evident which one to choose by the way it is named. Select the AVCHD preset that mentions your frame size and frame rate (i50 presets support both 50i and 25p frame rates; similarly, i60 presets support both 60i and 29.97p frame rates). If you do cycle through many options in the hope of selecting the correct one through guess-and-check you will probably have corrupted your preference file and need to [trash your preferences|http://support.apple.com/kb/TS2611] before continuing.
    Why don't my clips appear when I open the Log and Transfer window?
    Make sure your camcorder records AVCHD in a format supported by FCE4. It should be connected to one of your computer's USB ports (never connect it to an external hard drive or other external device such as your keyboard or a USB hub), powered on, and set to video playback mode.
    If the camcorder +does not+ mount on your Desktop your USB port or cable may be malfunctioning. Try plugging it in to another port or using a different USB cable to see if it makes a difference.
    If the camcorder does mount on your Desktop but the clips do not appear in the Log and Transfer window you will need to point the program to the directory that contains your media.
    First, click the Add Folder button in the upper left of the Log and Transfer window. The button looks like this:
    Then, you will need to navigate to the root directory in which your media is stored. Most camcorders call this folder "PRIVATE" or "AVCHD" and it should be located at the very top level of the camcorder when mounted. If your camcorder records to a valid AVCHD directory structure then your clips should load after the Add Folder process is completed.
    I would like to keep a working backup of my original clips so that I can delete them off the camcorder's internal memory. How should I do this?
    There are two main ways to keep a backup of your clips. The first is to ingest every clip on your camcorder through the Log and Transfer process, and store the Apple Intermediate Codec files the application creates in an easily accessible place such as an external FireWire drive. The advantage of this method is that you have the ability to open back up old editing projects, reconnect the media as necessary, and keep going as if you'd never left. However, due to the large amount of space AIC takes up (usually somewhere in the vicinity of 41-50GB an hour when transcoded from AVCHD), this is not always feasible.
    Another often preferable approach is to copy over the root directory in which your clips are stored (usually named "PRIVATE" or "AVCHD") from the camcorder to your computer or an external drive. As long as you maintain the original file structure, you will be able to ingest your clips again at a later date using the "Add Folder" process detailed above to navigate to their new location.
    My clips appear, but when I attempt to ingest a red exclamation point appears and the window displays the message "Error: No Data"
    This is one of the most common problems that users experience when trying to ingest their media through the Log and Transfer process. Luckily, it also has one of the easiest solutions.
    In the Log and Transfer window, click on the gear icon in the top right and select "Preferences" in the contextual menu that appears.
    Make sure the video is set to transcode to the Apple Intermediate Codec and the audio is set to Plain Stereo.
    After doing so, hit OK and try to ingest again.
    I am experiencing a problem that is not covered in this tip or the solutions here do not work.
    The best thing to do at this point would be to trash your preferences and start a new topic in the [FCE Forum|http://discussions.apple.com/forum.jspa?forumID=936&start=0] with a detailed description of your problem. Check out the user tip on [Basic Troubleshooting in Final Cut Express|http://discussions.apple.com/thread.jspa?threadID=2662419] for more information.
    This is the 1st version of this tip. It was submitted on December 03, 2010 by skalicki`.
    Do you want to provide feedback on this User Contributed Tip or contribute your own? If you have achieved Level 2 status, visit the User Tips Library Contributions forum for more information.

    Disclaimer: Apple does not necessarily endorse any suggestions, solutions, or third-party software products that may be mentioned in the topic below. Apple encourages you to first seek a solution at Apple Support. The following links are provided as is, with no guarantee of the effectiveness or reliability of the information. Apple does not guarantee that these links will be maintained or functional at any given time. Use the information below at your own discretion.
    Working with AVCHD: Log and Transfer FAQs
    Log and Transfer was introduced to the product chain in Final Cut Express 4, and is the program's process for ingesting files in the AVCHD format utilizing MPEG-4 AVC/H.264 video coding and either Dolby AC-3 or uncompressed linear PCM audio coding. The most frequently observed problems relating to the Log and Transfer process are generally quite easily addressed.
    What should I know before attempting to ingest my footage?
    The following facts regarding the Log and Transfer process were adapted from the [Apple Knowledge Base article|http://support.apple.com/kb/TA24840?viewlocale=en_US] on transferring AVCHD in Final Cut Pro 6.0.1 but still hold true for the current version of FCE:
    AVCHD support is available only on Intel-based Macintosh computers.
    AVCHD camcorders typically connect to computers via USB 2.0, not FireWire.
    DVD-based AVCHD camcorders are not supported in Mac OS X 10.4 or earlier.
    Standard definition video recorded with AVCHD camcorders cannot be accessed in the Log and Transfer window. SD and HD clips should not be mixed on the same HDD.
    Preview of AVCHD video in the Log and Transfer window is limited to 1x forward playback. Scrubbing the playhead does not update the video in the Preview area until you stop scrubbing.
    When you choose to transfer AVCHD audio in the Logging area, audio is automatically mixed down to stereo.
    AVCHD footage is not ingested natively but is transcoded to the Apple Intermediate Codec.
    Apple Intermediate Codec files are significantly larger than the original AVCHD files. FCE does not estimate the size of a transcoded AVCHD file before ingesting, so it is possible to exceed the available space on your capture disk during transfer. Before ingesting, keep in mind that the disk space required is about ten times greater than the size of the native AVCHD file.
    Which specific formats can be ingested by Log and Transfer?
    Only AVCHD footage can be ingested through the Log and Transfer process. Other formats and variants such as AVCHD Lite are not supported. All video should be recorded in a frame size of either 1440x1080 or 1920x1080 and a frame rate of 25 or 29.97 frames per second. Audio recorded on AVCHD camcorders is generally at a rate of 48kHz. If your camera shoots in a format that does not comply with one of these setups then it is most likely not supported by the application and is not guaranteed to work correctly.
    Which Easy Setup preset should I select before ingesting my footage?
    It is extremely important to select the preset that matches your media before you attempt to ingest via Log and Transfer. There is only one Easy Setup preset that matches the frame size and rate of your footage. If you intend to ingest AVCHD clips through Log and Transfer you will first need to select one of the following presets:
    AVCHD-Apple Intermediate Codec 1440x1080i50
    AVCHD-Apple Intermediate Codec 1440x1080i60
    AVCHD-Apple Intermediate Codec 1920x1080i50
    AVCHD-Apple Intermediate Codec 1920x1080i60
    If these four options do not appear under your Easy Setup list then you probably need to run Software Update and update to FCE 4.0.1. DO NOT cycle through the available presets until you find one that works - there is only one preset that matches your media and it should be evident which one to choose by the way it is named. Select the AVCHD preset that mentions your frame size and frame rate (i50 presets support both 50i and 25p frame rates; similarly, i60 presets support both 60i and 29.97p frame rates). If you do cycle through many options in the hope of selecting the correct one through guess-and-check you will probably have corrupted your preference file and need to [trash your preferences|http://support.apple.com/kb/TS2611] before continuing.
    Why don't my clips appear when I open the Log and Transfer window?
    Make sure your camcorder records AVCHD in a format supported by FCE4. It should be connected to one of your computer's USB ports (never connect it to an external hard drive or other external device such as your keyboard or a USB hub), powered on, and set to video playback mode.
    If the camcorder +does not+ mount on your Desktop your USB port or cable may be malfunctioning. Try plugging it in to another port or using a different USB cable to see if it makes a difference.
    If the camcorder does mount on your Desktop but the clips do not appear in the Log and Transfer window you will need to point the program to the directory that contains your media.
    First, click the Add Folder button in the upper left of the Log and Transfer window. The button looks like this:
    Then, you will need to navigate to the root directory in which your media is stored. Most camcorders call this folder "PRIVATE" or "AVCHD" and it should be located at the very top level of the camcorder when mounted. If your camcorder records to a valid AVCHD directory structure then your clips should load after the Add Folder process is completed.
    I would like to keep a working backup of my original clips so that I can delete them off the camcorder's internal memory. How should I do this?
    There are two main ways to keep a backup of your clips. The first is to ingest every clip on your camcorder through the Log and Transfer process, and store the Apple Intermediate Codec files the application creates in an easily accessible place such as an external FireWire drive. The advantage of this method is that you have the ability to open back up old editing projects, reconnect the media as necessary, and keep going as if you'd never left. However, due to the large amount of space AIC takes up (usually somewhere in the vicinity of 41-50GB an hour when transcoded from AVCHD), this is not always feasible.
    Another often preferable approach is to copy over the root directory in which your clips are stored (usually named "PRIVATE" or "AVCHD") from the camcorder to your computer or an external drive. As long as you maintain the original file structure, you will be able to ingest your clips again at a later date using the "Add Folder" process detailed above to navigate to their new location.
    My clips appear, but when I attempt to ingest a red exclamation point appears and the window displays the message "Error: No Data"
    This is one of the most common problems that users experience when trying to ingest their media through the Log and Transfer process. Luckily, it also has one of the easiest solutions.
    In the Log and Transfer window, click on the gear icon in the top right and select "Preferences" in the contextual menu that appears.
    Make sure the video is set to transcode to the Apple Intermediate Codec and the audio is set to Plain Stereo.
    After doing so, hit OK and try to ingest again.
    I am experiencing a problem that is not covered in this tip or the solutions here do not work.
    The best thing to do at this point would be to trash your preferences and start a new topic in the [FCE Forum|http://discussions.apple.com/forum.jspa?forumID=936&start=0] with a detailed description of your problem. Check out the user tip on [Basic Troubleshooting in Final Cut Express|http://discussions.apple.com/thread.jspa?threadID=2662419] for more information.
    This is the 1st version of this tip. It was submitted on December 03, 2010 by skalicki`.
    Do you want to provide feedback on this User Contributed Tip or contribute your own? If you have achieved Level 2 status, visit the User Tips Library Contributions forum for more information.

  • Project renames sequence and all clips in the sequence when a clip is added

    My project is renaming my sequences and the clips in those sequences whenever I add a clip. For example, I have a sequence called "dance section 2", which contains 20 some-odd clips with various names. When I add a clip named "drop from above", the name of the sequence is changed to "drop from above", and the name of every other clip in the sequence is also changed to "drop from above" (video, audio, stills, everything). When I add a clip named "spins", all the names are changed to "spins".
    The name of the sequence is changed in both the timeline and the browser, but the names of the other clips are changed only in the timeline. In the browser, they keep their old names. The exception to this is the last clip added before the name changer. For example, if I add "drop from above" to the sequence, and then add "spins", the clip named "drop from above" is renamed "spins" in the browser as well as in the timeline, but the other clips are renamed only in the timeline.
    The clips in the sequence also keep their original content - so the sequence looks the same as it did before, but all the names of the clips are changed.
    This is only happening in one project. All of my other projects are working fine.
    I've tried restarting and deleting preferences. I've also looked at the autosave vault for the project. The backup projects saved after a certain time all behave the same way, and the projects before that time all behave normally. I can't imagine what would have caused this, though, since I've been working on this project all day and nothing's happened to my computer or hard drive or anything.
    Also, there are no freeze frames at the beginnings of my sequences (I read another thread with a somewhat similar issue and getting rid of freeze frames seemed to help that person).
    I'm in FCP 7.0 on a Macbook Pro.
    Thanks in advance for your help!

    Welcome to the discussions...
    I've had this happen. My guess is that it's related to round-tripping to/from Color, but I can't be sure. IMHO, the sequence is corrupted. I just dealt with it for a while, then rebuilt it by making changes from an earlier version.
    Sorry I don't have a better solution, but at least you know you're not alone.
    Patrick

  • Create Remote Control and Monitor VI

    Hi all,
    I have 2 VIs. One is PC Host VI and other is cFP2200  real-time running VI.
     Now I can use PC host and cFP shared variable to control and monitor in the same network.
    But I have a problem that I need 2 or more cFP in the same network.How can I seprate to control themone by one?
    They are using the same program but set with different IP.
    Does shared variables are using fix IP and can I type the cFP2000 network IP in PC Host VI to select different cFP?
    How to do ?
    Thanks.
    Robert

    Hello Robert,
    You will need to use a separate shared variable for each cFP. You can create a Case Structure in your Host VI to select which shared variable to use based on which cFP you select. I think that's the simplest option for you.
    There is also a way to programmatically change the data binding for a shared variable, but this requires the DSC Module. Take a look at this article if you want to check out this option: http://digital.ni.com/public.nsf/allkb/2E8BAD0EA218A7558625712E0003F044?OpenDocument
    Product Support Engineer
    National Instruments

  • HT201210 My iPad is not recognized by Finder or iTunes when it is plugged into the computer.  i ran the Restore sequence and got an error message stating "The iPad could not be restored.  An unknown error occurred (1611).  Can this be fixed?

    My iPad is not recognized by Finder or iTunes when it is plugged into the computer.  i ran the Restore sequence and got an error message stating "The iPad could not be restored.  An unknown error occurred (1611).  Can this be fixed?

    iTunes: Specific update-and-restore error messages and advanced troubleshooting - http://support.apple.com/kb/TS3694 - relating to iPad, iPhone, iPod touch, iTunes
    Security software issues covered in: iTunes: Troubleshooting security software issues - http://support.apple.com/kb/TS3125

  • Creation of sequence and trigger for each table!!!!!!!1

    Hi
    I am new to trigger and Sequence field. In one of my database we have many tables with fields for specifing ID numbers. Iam planning to insert the ID field with help of a Sequence and trigger...that trigger fires by adding the sequence value from the dual table. Now the point is here we r having around *60* table with ID field. And i am planning use the above process for each table by creating sequences and trigger for each table.
    Will this affects the performance of database.
    Is there any other option other than the above process, I mean other than creating sequences and trigger for each table.
    PLzz help to resolve this issuee......
    Shiyas
    Edited by: user13170361 on Jun 7, 2010 12:37 AM

    Tiger, I didn't mind about your comment, but the point is try to use
    select NVL(max(a) + 1,1) into i from p1_temp;This line in your trigger code and see what is happening. The problem is with your trigger. You are using group by function and you will not get no_data_found !
    For more help, this is some modification of your code.
    SQL> create table p1_temp (a number(10) primary key, b number(10));
    Table created.
    SQL> create or replace trigger trg_p1_temp
      2  before insert on p1_temp for each row
      3  declare
      4  i number(10);
      5  begin
      6  begin
      7  select NVL(max(a) + 1,1) into i from p1_temp;
      8  exception
      9  when no_data_found then
    10  i := 1;
    11  end;
    12  :new.a := i;
    13  end;
    14  /
    Trigger created.
    SQL> insert into p1_temp(b) values (1);
    1 row created.
    SQL> insert into p1_temp(b) values (2);
    1 row created.
    SQL> commit;
    Commit complete.
    SQL> select * from p1_temp;
             A          B
             1          1
             2          2
    SQL> Edited by: Saubhik on Jun 7, 2010 2:30 AM

  • I have Final cut Pro HD sequence and I need to burn this on a DVD

    I have Final cut Pro HD sequence and I need to burn this on a DVD, my sequence lasts 1 hr and 33 minutes. What are my options? Is it better to export as a Quick Time movie or using the compressor? I'm new to the compressor just learning, please help.

    Select your sequence in the browser window, go to the File menu and choose Export Using Compressor.
    When compressor opens, choose the DVD best quality settings, 120 minutes.
    For audio and video both, choose both the m2v video and the AC3 audio. (Dolby Professional)
    Choose a destination for your files, and hit submit.
    When it's finished, import these files into your DVD SP project, and make your DVD.
    Be sure to choose the 16:9 anamorphic settings.

  • How to connect an external hard drive and monitor a single port thuderbolt

    how to connect an external hard drive and monitor a single port thuderbolt

    Yu connect the HDD to your Mac and then the monitor to the HDD.
    The HDD  should have TWO T-Bird ports on the enclosure.
    Its called daisy chaining and up to five devices can be connected in this fashion.

  • Help on Sequence and Procedure

    Hi all,
    I have a situation like this
    I have 10 different tables like a,b,c,d,e,f
    But i have same columns in all tables
    like
    id
    Created_date,
    Current_user,
    updated_by,
    updated_date
    I created a sequence and triggers on a table like below
    CREATE SEQUENCE x_SEQUENCE START WITH
    150001 INCREMENT BY 1 MAXVALUE 999999
    CYCLE;
    CREATE TRIGGER xi_trigger
    BEFORE INSERT ON x_table FOR EACH ROW
    BEGIN
    SELECT x_SEQUENCE.NextVal,USER,SYSDATE INTO :NEW.CTUT_ID,
    :NEW.CURRT_USER_ID,:NEW.CREATED_DATE FROM DUAL;
    :NEW.CREATED_BY := :NEW.CTUT_ID;
    END;
    CREATE TRIGGER xU_trigger
    BEFORE UPDATE ON x_table FOR EACH ROW
    BEGIN
    SELECT USER,SYSDATE INTO :NEW.CURRT_USER_ID,:NEW.UPDATED_DATE FROM DUAL;
    :NEW.UPDATED_BY := :NEW.CTUT_ID;
    END;
    everything is working fine for one table
    1) Can anybody help me how to create a procedure with Trigger code
    so that i can call that procedure in all tables
    like
    CREATE TRIGGER xi_trigger
    BEFORE INSERT ON x_table FOR EACH ROW
    BEGIN
    x_procedure;
    end;
    2) When sequence is completed i mean when it reach max value how to display message
    Thanks for your help

    Here's one way of doing it:
    CREATE PROCEDURE audit_action
      ( pn_id OUT NUMBER
        , pv_by OUT VARCHAR2
        , pd_on OUT DATE )
    IS
       ln_seq NUMBER;
       ld_on DATE;
       lv_by VARCHAR2(30);
       x_seq exception;
       pragma exception_init(x_seq, -8004);
    BEGIN
       SELECT my_seq.NEXTVAL, USER, SYSDATE
       INTO   ln_seq, lv_by, ld_on
       FROM   dual;
       pn_id := ln_seq;
       pv_by := lv_by;
       pd_on := ld_on;
    EXCEPTION
       WHEN x_seq
       THEN
          RAISE_APPLICATION_ERROR(-8004, 'MY_SEQ has run out of numbers!');
    END audit_action;
    /and here's how you call it:
    CREATE TRIGGER xi_trigger
    BEFORE INSERT ON x_table FOR EACH ROW
    BEGIN
        audit_action (:NEW.ctut_id, :NEW.currt_user, :NEW.created_date);
    END xi_trigger; Warning: I have not run this code (can't be bothered with the set-up) but it is logically correct, so it should work with (at worst) minor syntactical tweaking.
    Cheers, APC
    P.S. CURRENT_USER is a misleading column name, it ought to be called CREATED_BY.
    P.P.S. It is very bad practice to have sequences run out at all. Unless you have a very good reason I strongly urge you not to set MAXVALUE when you create your sequences.

  • Hello, I have a Mac computer with NVIDIA 750M dedicated graphics card and monitor EIZO but the problem was there when I was working with Windows and Acer monitor. When I open a file from Camera Raw in PS this is smaller than the screen so I double-click w

    Hello, I have a Mac computer with NVIDIA 750M dedicated graphics card and monitor EIZO but the problem was there when I was working with Windows and Acer monitor. When I open a file from Camera Raw in PS this is smaller than the screen so I double-click with the tool "hand" to fit on the screen, but the picture loses sharpness and becomes blurry. If you magnify the image even only slightly with the tool "zoom" the picture comes back clear. In Camera Raw instead is always sharp. I solve the problem by turning off the graphics card in PS but often use plugin that need the graphics card otherwise the processing time is much longer. I ask for help.
    Thanks.

    Hello, I have a Mac computer with NVIDIA 750M dedicated graphics card and monitor EIZO but the problem was there when I was working with Windows and Acer monitor. When I open a file from Camera Raw in PS this is smaller than the screen so I double-click with the tool "hand" to fit on the screen, but the picture loses sharpness and becomes blurry. If you magnify the image even only slightly with the tool "zoom" the picture comes back clear. In Camera Raw instead is always sharp. I solve the problem by turning off the graphics card in PS but often use plugin that need the graphics card otherwise the processing time is much longer. I ask for help.
    Thanks.

Maybe you are looking for

  • Packet Filter (PF) Status in 10.9

    Howdy Developers, I have couple of questions regarding the pf status in 10.9. For some reason Apple does not seem to clearly state what they are going to do with PF? I understand that this is the direction apple plans to move, so are they going to re

  • I can't see pdf files. Have Adobe reader loaded

    sometimes I can and then I can't. as far as I know I am doing nothing differently. Very frustrating. Am new to mac and on a very steep learning curve. Help witl be appreciated.

  • Flash CD loading external content (in the CD) adress problem

    Hi I have a CD and have all my files in it and I want to load them into my flash file, how can I do it?

  • Where/How can I update to Indesign CS6 8.01 or 8.02 ?

    Due to problems within Interactive PDF's exported from Indesign I need to update my CS6 to a newer version - 8.01 or 8.02.  From looking through other threads it seems the interactive PDF problem was a bug which is now fixed in newer versions - (got

  • Can you use a Windows-only printer over a print server?

    I recently found a large format printer from Ricoh that has great reviews and prints postscript with laser speed/economy with some new inkjet technology only they have - perfect for a home design office and a LOT cheaper than a typical tabloid laser.