Best Compressor Preset for FCP Import?

what is the best preset in compressor to bring in a .mp4 file into FCP? quicktime?

the DV NTSC preset is working just fine. if anyone knows any better ones, let me know. thanks

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What's the best graphic card for FCP X and a Mac Pro (early) 2008?

I have a Radeon HD 3870 in my Mac Pro, it seems that I cannot use this configuration with Final Cut Pro X. Then what's the best graphic card for FCP X usable in a Mac Pro (early) 2008?
Thx,
Phil

You can get a 5770 radeon ATI MAC card
Avoid the 5770 cards on ebay and Amazon - many are black market or manipulated cards.
Buy it from Apple online store or B&H photo or Macconection
And in my case, I was able to sell my old 2600 XT card on ebay for $65 and put that money toward a 5770 card (Which was about $230 minus the $65)
I installed the 5770 in my early Mac Pro 2 x 2.8 and it works great

What is the best compressor setting for dvds

What is the best compressor setting for dvds that is not for HD dvd players? I used "DVD Best quality 90 min" and changed the GOP setting to 7.5 and my dvd looks terrible. the text is blurry and the colors are bad.

correction the bit rate is 7.5

Best online training for FCP X

I'm looking for good online training for FCP X 10.1.2
For me it's important that you get training videos that are updated (and not show e.g. FCP 10.0).
I'd also like to have access to some exercises, but not documentary material (which is not my thing), but exercises for movies, TV, and story-oriented shorts.

My degree is educational psychology, I've been teaching FCP since version 4, been teaching all of the Final Cut Studio apps since FCS2, been teaching apps for various software companies for 3 decades. Here's my professional evaluation.
The "Apple Pro Training Series: Final Cut Pro X, Professional Post-Production" by Brendan Boykin is hands down the BEST book on the market. The eBook version has been updated to version 10.0.2, also. If you purchase the eBook version from Peachpit Press, you get the EPUB, PDF, and MOBI versions all together, and the updates for the EPUB are free.
Online, the best training will be Ripple Training, by far.

What is the best Compressor setting for best quality video playback on an iBook g4?

I know the iBook and G4's in general are very outdated today, but I need to ask anyways. I have some video projects in 720p and 1080p in which I have down converted to 480p and also exported to MPEG-2 for DVD (personal wedding videos and videos made for my clients using Final Cut Studio). Anything encoded at most resolutions using h264 won't play on my iBook. Even 480p.
I have about 20 hours of mixed video content that I need it in a format that is suitable for an iPhone 4 and an iBook 12" with a 1.2GHz G4, 1.25GB RAM and I added a 250 WD 5400 IDE hard disk (running 10.5.8 and 10.4.11 for Classic Mode). I know the iBook doesn't seem like the best tool for modern video playback, but I need to figure out which setting will play best with iPhone 4 and iBook so I don't need to make 2 local copies of each video for each device.
The iBook plays best with the original DVD output MPEG-2 file and playing back in QT Pro or VLC... but I already have 180 GB's of MPEG-2 files now and my little HD is almost full. I don't have enough room to convert all the iPhone 4 counterparts. If I use Compressor 3.5.3, what is the optimal setting for iBook and iPhone .m4v or .mp4 files that can play on both devices? So far 720x400-480 widescreen videos @ 29fps works great on my iPhone, Apple TV 2, and other computers but seems to murder my poor iBook if encoded with high profile (and still choppy on simple profiles). 640x480 (adding black matte bars to my videos) plays fine in MPEG-2 but drops frames or goes to black screen if I convert it to mp4 (and looks bad on the iPhone 4 because of the matte). But if I convert on any of the simple profiles, it looks terrible on my iPhone 4 and a blocky on the iBook.
This is the problem leading me to having 2 copies of each video and eating my hard disk space. What is the best video setting for both playback on the iBook and iPhone 4? Can the iBook playback H264 at all in decent resolutionsat all? I don't really want to have a 480p .m4v collection for the iPhone 4 and a MPEG-2 RAW collection just to play the same videos on the iBook.
Any suggestions are greatly appreciated! Thanks!

Update: The iBook can play any 480p video and higher if I encode them with DivX and in AVI format. But of course this is not compatible with my iPhone 4. At least I can shrink my library now and get away from the full MPEG-2s. I don't get why I can't use Apple's h264 though. There has to be a setting I am missing. The sample Apple h264 videos from the days of Tiger worked flawlessly on my iBook when it was new so the CPU must be capable of decoding it. I really can't understand this.
Also, since I made my videos in English for my family, I had to create soft subtitles for my wife's Chinese family, and I can't get players like QT with perian or MPlayerX to sync them properly to an AVI encoded with DivX, they only sync well with the iPhone 4 m4v/mp4 formatted files I made. This is a real pickle.
So now I may need three or four copies of each video, LOL. I need to hardcode the subtitles if I want to use AVI to playback on older machines, and keep the mp4 file for the iDevices too, while keeping higher quality h264 videos for my American relatives...
If h264 is compatible with my iBook, what is the proper encoding settings? Must I dramatically lower the settings or frame rate? I can settle on 2 copies of each video that way. One iBook/G4/eMac compatible video that syncs correctly with my srt soft subs, and another version that works well with my iPhone 4 and iPad.
All in all, I will end up with more than 3 or 4 version of each video. On my late G5 dual core I have the full 720-1080p uncompressed master files. On my i5 iMac I have the h264 compressed versions for distribution, and lower versions for my iDevices. Now I need to keep either full MPEG-2 files for the iBook to play, or convert to older formats like DivX AVI for our family's legacy machines. I am running out of hard disk space quick now, LOL.
Is there an easier way?

Best Sequence Preset for Canon HG 10?

Hi guys, i have a Cannon HG10, but i am confused on which Sequence Preset to choose when starting a new project.
My settings for the Cannon are 1920x1080, 15mbps, PF25 (frame rate), 1080i
I want to choose the best settings possible for the best quality
also once my video is edited what are the best export settings for me?
i'm so confused
thanks for the the help

I you have no idea what to choose drag a file from the Project Window into the New Item Icon. That will setup the correct sequence.
On the whole it would be AVCHD 1080i50 non anamorfic.

Best Compressor Settings for Backup

Hello all,
At my place of business we capture live footage in DVCPRO HD format using Final Cut Pro. From that I edit the footage and compress it using Compressor. My question is concerning the unused footage that we capture. I'm trying to learn the best compressor settings that will offer the best balance of reduced file size with good quality.
Thanks!

The best is not to compress it at all. You don't know what the popular format will be in a couple years.
Raw drives are cheap. I have a drive dock on each of my machines plugged into the internal sata port of the Mac Pros. I backup all the footage to raw drives and then put them on the shelf. And yes, there are clones of those drives. And I've learned to do it as I go along rather than all at once. I use ChronoSync to keep the raw drive matched to the working raid in my machine. Takes a lot less time that way.

Best Compressor settings for HD720 16:9 to cell phone OTHER than iPhone?

Hey there,
Does anyone know a good set of compressor settings for exporting HD720 16:9 29.97fps to a cell phone compatible format other than iPhone? Do most cell phones use an MPEG format? I guess I should start there. New to this one.
Thank you,
ed

There are different MPEG flavours and compression for DVD, mobiles or web often means creating some flavour of MPEG file. Even H.264 is an MPEG file. One of the most advanced.
Go to Compressor settings and look for a folder named Mobile devices then do a bit of your DIY (test, test, test).
G.

Best storage solution for FCP HDV projects?

What is the best storage solution for Final Cut Pro HDV projects (i.e. internal or external drives, SCSI, external firewire drives, etc.)?

Don't forget you can also use the "Send to Tape" command to send your footage back to miniDV HDV tape. This isn't the ultimate solution, but is a good way to cheaply "backup" large projects to inexpensive tape without killing your drive storage with every project.
Here's a new feature request for Media Manager... Forget that. I'll start a new post for it.

Best compressor settings for HDV downconvert -- attention hanumang

Reposting this bit because it differs significantly from topic of thread where it appeared.
goal: the best possible HDV-DV downconvert using final cut studio (hitch: I have added problem of converting resulting film from PAL to NTSC)
previous method: the best luck I've had is Quicktime converting from HDV to 10-bit PAL SD and compressor converting that to NTSC DVDPRO50
Hanumang recommended using compressor for first conversion. My response:
What settings?
By coincidence I decided to try the initial conversion (HDV to 10-bit) this morning on compressor (but I didn't change the frame rate; i didn't know they were relavant for HD downconvert; I only change them for the PAL-NTSC conversion).
At first glance, the compressor 10-bit conversion doesn't seem any better than the quicktime conversion (due to the frame rate settings?). I don't know for sure because I haven't sent it back to compressor for PAL-NTSC conversion and on to DVD SP.
One issue I'm worried about is the dimensions. quicktime's 768 x 576 (preserve aspect ratio checked; letterbox selected) was the only dimension setting that produced a film that looked right (on the dvd; it's squished in final cut). I don't see that option in compressor. I suppose I could type it in the frame size boxes.
I would be most grateful for help in this matter. I've spent a few weeks on this. I just plod along, zombie-like, trying a few different things every day, hoping to hit the jackpot eventually. I've been planning on trying to downconvert using my HDV/DV deck (print to tape in HDV; then change settings to downconvert and capture as DV). Would that help?
how do pro studios handle downconverting? What kind of hardware do they use? I'm an independent filmmaker, working on a small budget, but eventually, once the film is finished and (hopefully) I have more money, I''d happily pay for a good pro conversion. Do you know what that costs? The film will be 80 minutes long.
thanks again for your help.
What compressor settings do you recommend?
The best workflow I've come up with is qucktime conversion from HDV PAL to SD 10-bit PAL, then compressor conversion from 10-bit Pal to DVDPR0 50 NTSC.
By coincidence I decided to try the initial conversion (HDV to 10-bit) this morning on compressor (but I didn't change the frame rate; i didn't know they were relavant for HD downconvert; I only been change them for the PAL-NTSC conversion).
At first glance, the compressor 10-bit conversion doesn't look better than the quicktime conversion (due to the frame rate settings?). I don't know for sure because I haven't sent it back to compressor for PAL-NTSC conversion and on to DVD SP.
One issue I'm worried about is the dimensions. quicktime's 768 x 576 (preserve aspect ratio checked; letterbox selected) was the only dimension setting that produced a film that looked right (on the dvd; it's squished in final cut). I don't see that option in compressor. I suppose I could type it in the frame size boxes.
Anyway, I would be most grateful for answers to these questions. I've spent a few weeks on this and am past the point of frustration. I just plod along, zombie-like, trying a few different things every day, dimly hoping to hit the jackpot eventually. Actually, I've been planning on trying to downconvert using my HDV/DV deck (print to tape in HDV; then change settings to downconvert and capture as DV). Would that help?
how do pro studios handle downconverting? What kind of hardware do they use? I'm an independent filmmaker, working on a small budget for the time being, but eventually, once the film is over and (hopefully) I have more money, I'll be willing to pay for a good pro conversion. Do you know what that costs? The film will be 80 minutes long.
thanks again for your help.

My bad, I was out in the afternoon and didn't get a chance to pick up on your reply to the last thread. Sorry to hear that your first attempt with Compressor was so disappointing.
Just so we're clear, you're using what exact versions of the software? FCP 5.1? Compressor 2? (For Compressor, in particular, 2.0 vs 2.1 vs 2.3 is important.) And, what are your sequence settings in FCP? Finally, we're to understand that you're actually working in PAL HDV? Or are you working in AIC?

720 x 480 preset for FCP?

What preset do I use to work on a movie captured at 720 x 480? When I import into FCP with DV NTSC preset, the aspect ratio is wrong. The movie appears squished into 4:3 format. The movie is for computer display, not TV. I captured the movie from a Google Earth tour, with Snapz Pro, using animation codec, with no audio.

Export works fine. I have a 720x480 movie. So it was just a display problem. No it was a pixel aspect-ratio problem. I must study how that affects my work. I've noticed this type of aspect ratio display problem with several movies on YouTube, for example. Another problem I've now noticed with the Snapz Pro movie is that it captured at 10 fps, which FCP multiplies to 28.78 fps. But that's another topic. Thanks everyone for your instant help!

Best compressor settings for DVCPRO50 footage for DVD

Hello,
I recently purchased a Firestore fs-100 and shot a football game in DVCPRO50. When I made a DVD after compressing it, using compressor, I didnt seem as clear and crisp as I thought it would be. When I import it into Compressor, what settings should I pick ect, in order to get the best quality DVD I can produce. Should I open up inspector and make alot of setting adjustments? If yes which ones? Any advice would be greatly appreciated......Thank you in advance for your assistance!!!! Also, I purchased Final Cut Studio in 2005 and my version of Compressor(version 2.0.1) isn't as updated as the current versions out there. Thanks!
NJShooter

Just to let you know, I shot the footage in the football footage in the sun. I took your advice and used mpeg 2 and used one pass best option. I also used better deinterlace in frame control, and used 16:9 which it was shot in and my panasonic HVX200 video camera has 16:9 ccd's in it. Around the helmet and and some other body part during movement have what looks like heat on a side walk during a hot day. waves that are around even the unmpires arms and head as well. I shot the footage on a firestore fs-100 and had my camera and the tapeless capture device ( the firestore ) set on DVCPRO50 SD format 480X720 which is regular format not HD. It should look great compared to DV which I get shooting on tape. I have been reading all about compressor and perhaps its not compressor? I am using the quicktime setting in the firestore, which makes it easy to import into Final Cut Pro and am only putting a title in the timeline and then exporting to compressor. I pick the MPEG2 option in compresor for a DVD and am bummed at the end when I play the DVD on my 720 16:9 set. Any more advice would be greatly appreciated. Can you explain the ramping thing to me? Really appreciate your help by the way!!!!
HJShooter

The best external HD for FCP use?

Just looking for some advice on the best ( reliability & value ) external hardrive for using with FCP 6?
I have a more Pro tools background and have used Lacie USB drives in the past, but should I be looking at Ext. Firewire drives for editing video?
All feedback welcomed....

Look at quad interface drives...USB, FW400, FW800, eSATA. Cover your bases.
www.maxxdigital.com has the EditVault that I like. And www.caldigit.com has the Caldigit VR that I like. Good solid, great tech support.
Shane

Exporting to Quicktime for FCP Import

I just finished a project (digital pictures) using Still Life software from Granted (www.grantedsw.com). I want to export my project to a Quicktime movie for import into Final Cut Pro 4.5, to add transitions, music, etc.
When I go to export to Quicktime it asks me under "Motion" for how many frames per second (it is by default at 12 fps) and key frame (which is by default at 24 frames.
I want the best quality for importing into Final Cut. How many fps should I use and what is the best key frame?
I am also given the option for the size:
160x120
320x240
640x480
720x480
720x576
Not too sure what size is best, as well. Any help would be great. Thanks!

I'd be matching the export settings to the sequence settings you intend to edit this movie into... so for say DV NTSC: 720X480 at 29.97 fps...
Jerry

AVCHD - Best conversion format for FCP 7?

Guys, what would be the best format to convert an AVCHD file to to use on FCP 7?
I need to edit approx 15 hours of footage, which shot on AVCHD.
Also, would it be better to convert an MTS file instead? If so, what format would be best to convert to?
Thanks

h264 is NOT an editing format. Really, don't go that way.
ProRes is what you need.
[Neoscene|http://www.cineform.com/neoscene/features.php] can do that, but I have no experience with that, so I'd check with others if this really works. And it's 160$
Also if your client copies all Cards to one drive. (Make a new folder, call it card 01, drop EVERYTHING from the camera card into that folder. Just as it is on the card. Make another new folder, call it card 02, etc). Then when he gives you the disk, you can open them all in Log and Transfer. Name the clips and reels as desired. Start converting. Leave the computer running and go out, do your groceries shooping, go to the movies, have a good night sleep, take a run in the park and return to the office. And everything is there in ProRes!
Well, you don't have to charge your client to many for that? right?
Rienk

Best Compressor Preset for FCP Import?

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