Best DVC for Premiere 10?

I have a Canon digital video camcorder which has no firewire connection socket - only a socket for a USB connection, which means that Premiere 10 doesn't recognise my camcorder when I want to transfer videos from camcorder to computer.
Does anyone have any opinions about the best camcorder for use with Premiere 10? Price range up to 500 dollars.

In reply to both Steve G and John T, my camcorder is a Canon Legria FS20 with its own hard drive (flash memory) and an SD card as well. I can't find out whether it has high definition or not in the manual - it seems to be geared towards displaying videos straight from the camera to the TV and for burning direct onto DVDs.
I believe it to be "a lower end, standard definition hard drive camcorder" as Steve says.
I did have a tape based camcorder before which is now broken and I don't see many of these for sale now - hard disk drive models seem to be taking over, and I don't see many film cassettes around either.
Ideally I'd go for inbuilt hard drive, high definition, a powerful optical zoom, 4:3 & 16:9 image proportion and easy transference into Premiere 10.
There are so many makes and models on the market it's difficult choosing. I'm hoping Adobe Premiere 10 users will have some ideas.

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    Laptops are never best for video editing, since they're usually built for portability rather than power. They also cost about 50% more than desktops for the same amount of power.
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    If you are editign tape-based video, a dual-core processor and 4 gigs of RAM with a 500 gig hard drive should be adequate.
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    Here are high quality resources for troubleshooting and tutorials related to Premiere Pro CS6.
    Premiere Pro CS6 troubleshooting articles
    Issue: I'm having trouble downloading and installing Premiere Pro CS6. What do I do?Answer: See troubleshooting documents, post in the appropriate forum, or contact support.
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    Issue: Is there a trial available for Premiere Pro CS6?Answer: Yes, subscribe to the free version of Creative Cloud, then download the trial.
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    Hi
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    HI Bill
    THank you for the quick reply..
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    Warning:
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    cc_merchant wrote:
    1. You don't need a separate audio card, audio is included on the motherboard.
    2. Do you need wifi on the motherboard? Then look at the P9X79 DeLuxe.
    Re: #1) Done! No idea about that.
    Re: #2) Again, no idea. You tell me, do I need wifi on the motherboard or not? And I don't see that DeLuxe option. I'm just picking things that sound nice outside of what you had for your "Low-End Warrior Setup". I'd honestly rather you tell me what works and what doesn't because again, I have almost no idea here.
    Like I said before, I totally guessed on the type of RAM (brand? 1600 vs 1866? etc), the Case (all I knew was to get a Full Tower), the OS (8 vs 8.1 vs. 32bit vs 64bit), and the monitor (comparible to iMac's 27" monitor?) and other things like sound cards and wireless network adapters (of which I may not need apparently). Also, I switched the GPU to the GTX 770 because it's listed on Adobe's supported cards list. Not that the 760 wouldn't work but maybe this one "future proofs" it a bit more and plus most of the footage we handle is 60fps edited and exported at 24fps so according to that Tweaker's link above, a great GPU help. It does have 4GB VRAM instead of 2gb so I don't know what difference that makes but I figure its better. As for "brand" I took a wild guess and went with Gigabyte, not sure if that's good or not.  FYI: By comparison the iMac I'm debating has a GTX 780M GPU with 4GB VRAM. You tell me if this was smart. Still under budget.
    So many questions remain. cc_merchant, feel free to lay out your wisdom and help me shape my purchase based on what you know. I like hearing things like "don't need that" or switch it out for "this one" instead. If it goes over $3300 by a touch (not too much), that's okay as long as it's gonna be THAT much better than the spec'd out 2013 iMac listed above.
    Thx again.
    Here's where I stand...
    CPU
    Intel Core i7-4930K 3.4GHz 6-Core
    $573.98
    CPU Cooler
    Noctua NH-D14 SE2011
    $74.99
    Motherboard
    Asus P9X79-E WS SSI CEB LGA2011
    $465.99
    Memory
    Corsair Vengeance 32GB (4 x 8GB) DDR3-1866
    $325.68
    Storage
    Samsung 840 Pro Series 256GB 2.5" SSD
    $209.99
    Seagate Barracuda 1TB 3.5" 7200RPM
    $59.99
    Video Card
    Gigabyte GeForce GTX 770 4GB
    $447.99
    Wireless Network Adapter
    Asus PCE-N53 802.11a/b/g/n PCI-Express x1
    $32.99
    Case
    Rosewill BLACKHAWK-ULTRA ATX Full Tower
    $189.99
    Power Supply
    Corsair 860W ATX12V / EPS12V
    $166.49
    Optical Drive
    Asus BW-14D1XT Blu-Ray/DVD/CD Writer
    $88.98
    Operating System
    Microsoft Windows 8.1 - OEM (64-bit)
    $96.99
    Monitor
    Asus PB278Q 27.0"
    $549.9
    TOTAL: $3284.03
    Any Suggestions? Changes? ....

  • Graphics card HELP for premiere pro CC

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    -Andy

    Actually, I tend to agree with cc. That i7-4770 cannot be overclocked at all - not even in a limited manner (outside of the normal turbo boosting) - to start with (the maximum multiplier on the Haswell i7 CPUs is permanently locked to its nominal stock setting or its maximum stock turbo setting, depending on how the motherboard BIOS reads the settings). Second, that i7 has only four physical cores (albeit with hyperthreading). Third, no single non-RAID 7200 RPM hard disk has a sustainable maximum transfer speed above 190 MB/s even on the outer tracks (where the transfer speed is typically highest). As a matter of fact, I tested my auxiliary PC that's equipped with an i5-2400 and 16GB of RAM, and tested it with both older-generation GPUs (a GTX 560 non-Ti and a GTX 560 Ti 448-core), and while the GTX 560 Ti 448-core did perform about 50 percent faster than the plain GTX 560 (39 seconds versus 59 seconds - or put it in converse, the GTX 560 performed one-third slower than the GTX 560 Ti 448) in the MPEG-2 DVD test of the PPBM6 suite, the real-world improvement does not come anywhere close to the benchmarked difference (with either GPU, the i5 system took between an hour and an hour and a half to convert 40 minutes of HD material to MPEG-2 DVD using the VBR 2-pass method). This means that with such longer material, the CPU and memory performance comes more into play.
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  • Windows 7 - which version to buy for Premiere Pro 5.5?

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  • Best practice for importing non-"Premiere-ready" video files

    Hello!
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    Is there a best practice for preparing files for editing in Premiere?
    I've tried almost everything I can think of:  converting the file(s) to .AVIs using a variety of programs/methods.  Most recently, I tried creating a Watch Folder in Adobe Media Encoder and setting it for AVI with the proper aspect ratio.  It makes sense to me that that should work:using an Adobe product to render the file into something Premiere can work with.
    However, when I imported the resulting AVI into Premiere, it gave me the Red Line of Un-renderness (that is the technical term, right?), and had the same sync issue I experienced when I brought it in as a WMV.
    Given our environment, I'm completely fine with adding render time to the front-end of projects, but it has to work.  I want files that Premiere likes.
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    -- Dave

    I use an older conversion program (my PrPro has a much older internal AME, unlike yours), DigitalMedia Converter 2.7. It is shareware, and has been replaced by Deskshare with newer versions, but my old one works fine. I have not tried the newer versions yet. One thing that I like about this converter is that it ONLY uses System CODEC's, and does not install its own, like a few others. This DOES mean that if I get footage with an oddball CODEC, I need to go get it, and install it on the System.
    I can batch process AV files of most types/CODEC's, and convert to DV-AVI Type II w/ 48KHz 16-bit PCM/WAV Audio and at 29.97 FPS (I am in NTSC land). So far, 99% of the resultant converted files have been perfect, whether from DivX, WMV, MPEG-2, or almost any other format/CODEC. If there is any OOS, my experience has been that it will be static, so I just have to adjust the sync offset by a few frames, and that takes care of things.
    In a few instances, the PAR flag has been missed (Standard 4:3 vs Widescreen 16:9), but Interpret Footage has solved those few issues.
    Only oddity that I have observed (mostly with DivX, or WMV's) is that occasionally, PrPro cannot get the file's Duration correct. I found that if I Import those problem files into PrElements, and then just do an Export, to the same exact specs., that resulting file (seems to be 100% identical, but something has to be different - maybe in the header info?) Imports perfectly into PrPro. This happens rarely, and I have the workaround, though it is one more step for those. I have yet to figure out why one very similar file will convert with the Duration info perfect, and then a companion file will not. Nor have I figured out exactly what is different, after running through PrE. Every theory that I have developed has been shot down by my experiences. A mystery still.
    AME works well for most, as a converter, though there are just CODEC's, that Adobe programs do not like, such as DivX and Xvid. I doubt that any Adobe program will handle those suckers easily, if at all.
    Good luck,
    Hunt

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    So please share your experiences/advices on the ideal setup. I really consider to edit 2.7K and 4K later on. For know FHD and 2K, editing, slight grading, and lots of material (5-6 hours) on the timeline.
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