Best setting for imported audio?

Apologies in advance if this is an obvious question... I'm a 98-pound FCP weakling....
A local dub house converted some old analog video for us. They delivered the files in muxed MPEG2 format, which seems strange... but even odder, the audio track appeared invisible to Quicktime Player and FCP. I was finally able to hear the audio with MPEG Streamclip, and exported the file to DV-NTSC. Now FCP can import the file, but the audio must be rendered before it will play.
MPEG Streamclip reports the following properties for the original file:
Video Tracks:
224 MPEG-2, 720 × 480, 4:3, 29.97 fps, 7.00 Mbps, lower field first
Audio Tracks:
160 PCM stereo, 48 kHz, 1.54 Mbps
So my questions are:
1. What format should I convert the audio to, that will make FCP happy (and not require audio rendering)?
2. What would be the ideal video/audio format for future analog-to-digital transfers?
Thanks for any advice...

Okay, I'm trying to export from MPEG Streamclip, but can't find a way to export AIFF. Using the "Export to DV" dialogue, there's no option about audio other than a 48k checkbox. The "Export to Quicktime" dialog offers more controls, but only offers the following audio options:
IMA 4:1
MPEG-4 AAC
AMR Narrow
MPEG Layer 2
Pass-Thru
No Sound
Are any of these FCP-friendly? (i.e., no rendering)?

Similar Messages

  • BEST SETTING FOR IMPORTS?

    Hey all
    What do you think is the best import setting encoder for quality (without doing one that's so large that I can't import as many songs) ?
    Thanks for the help,
    e

    "Best" is subjective; what will work best for you will depend on your use of the tracks, no much storage space you have to dedicate to your music, your playback system, and your ears. Many people find that the default import setting of 128 kbps AAC is just fine, both others (particularly those with better playback systems), want better quality.
    I'd suggest you do some experimenting and determine for yourself what will be best for you. Select three or four represenative CDs and import them using various settings and then compare them to see which gives you acceptable sound quality while using the least amount of drive space. Then delete the extra copies, import the rest of your CDs, and enjoy!
    Forum Tip: Since you're new here, you've probably not discovered the Search feature available on every Discussions page, but next time, it might save you time (and everyone else from having to answer the same question multiple times) if you search a couple of ways for a topic before you post a question.
    Regards.

  • Best device for importing audio cassettes to iMac

    I have quite a few old audio cassettes that I'd like to import to my iMac Desktop (OS X 10.6.8).  I'm wondering if this device will do the trick? 
    OKEBA New Handheld Super Tape to PC USB Portable Cassette-to-MP3​ Converter Capture Player Adapter with USB Cable Headphones and Software Cd -- MAC Compatible

    Well, the answer that I really needed has been answered: Yes, you can transfer songs from a handheld cassette player to your iTunes library. I just did it, and the results were everything I had hoped for. (1) the quality was as good as I have gotten from desktop cassette players (2) The only piece of extra equiment needed is an iMic, which I already had.
    The only reason that I had been having difficulties was that I was using the wrong settings. Everything was quickly clearly up when I talked to a technician at Griffin, the manufacture of the iMic.

  • Best setting for importing stills in FCP

    Hi
    I 'd like to import stills shot with a Canon MarkII camera (each still is HD 5616x3744) with the intent of burning a BluRay
    What are the settings I should use in FCP when I import to edit and then in QT to get a QT file that I will use in Toast for BR burning.
    Thanks
    Ivan

    wikipedia
    The 5D Mark II was the first DSLR to feature 1080p video recording.[8] The Canon PowerShot SX 1 IS followed with full HD in a bridge digital camera soon after.[9] The 16:9 aspect ratio portion of the sensor used in video mode is equivalent in sensitive area to a VistaVision 8/35 frame, even larger than the Super 35 frame of the much more expensive Red One camera. This large sensor allows videos to be recorded with very shallow depth of field for a "film look".
    The 21 megapixel sensor is downsampled to HD resolution by only using every third line and 4:2:0 chroma subsampling, leading to concern about Moiré patterns in recorded video.

  • What is the best compression choice for importing audio?

    Hi
    What is the best setting for importing audio into itunes?
    thnx

    There is no "best", it depends on what is important to you.
    If you want the same fidelity as the CD use AIFF, but this will result in very large files and reduce the number of songs you can put on your iPod.
    If you want more songs on your iPod use 128 AAC. I wouldn't go any smaller for music.
    If you want a compromise try Apple Lossless. Keep in mind if you have a Shuffle that Apple Lossless files won't work on that device.

  • Can anyone help me with getting the best setting for me system

    can anyone help me with getting the best setting for me system on cpufan it says my temp is 38c but on corecentre it says 42c can anyone help get my system overclocked any more but keeping it stable as well thanx in advance for the help  

    my corecenter temp sometimes says im at 60 cel at idle....and i have the most recent update...i would rely on speedfan for temp control...core center seems to always read 3 degrees higher than speedfan on my pc....
    i wouldnt be too concerned...those temps are pretty low to begin with.

  • What's the best setting for a best shades quality?

    Hi!
    I would like to know what are the best codec and the best setting for a video with 1920x1080 of resolution.
    I've tried them all but nothing because the shades...are not shades.
    I want a video that is like a uncompressed video but lighter. Same quality, same shades.
    I've tried with Canopus Lossless but the video is darker and huge (7 min for >17 gb),
    then with Canopus HQ, same quality but a little bit lighter (6 gb),
    I've tried with all of codecs and settings but I haven't found what I want.
    Who can help me for the best settings for the best shades?
    Thanks so much.
    P.S: Sorry for my english!

    I used the PNG codec but the video is too big.
    New Question:  I've tried to encode the video with Canopus HQ but to 720p and now the video is more lighter, I wanted to upload it on YouTube but is not compatible with the standards.
    If I encode this video by changeing the codec to Microsoft Avi uncompressed, can I have the same quality and the same weight?

  • What is the best setting for export movie in widescreen format?

    Please tell me what is the best setting for exporting movie in Widescreen format?

    Like in After effect we use "NTSC D1 Widescreen Square Pixel".,
    Carefully examine the codec and pixel dimensions of that output file. That's certainly easy for an experienced VFX person like yourself.
    Then carefully look over the presets in FCP to find the same attibutes. You can also use the online help system for FCP and search for "D1"
    However, your question remains unanswerable because we don't know how you're getting to the monitor. What are you playing back you AE sequences on that displays them on your LCD? You're assuming we know what you're doing and, I assure you, we do not.
    bogiesan

  • Best Setting for Best Battery Life!

    Please post for me your best setting for the best battery life on your IPhone 4.
    Thanks.
    Stan

    http://www.apple.com/batteries/iphone.html

  • Best Method For Importing Clips Between FCP Projects

    What is the best method for importing clips between FCP 7.0.3 projects?  I am wondering whether or not pulling the clips from the Capture Scratch folder is the way to go or will using Import from the new FCP project create a new folder in Capture Scratch with the imported clips?  I have a new HD camcorder with different clips for different projects and Log and Transfer makes it so easy to bring them all in at once but now wondering how best to separate them into separate Capture Scratch folders for each project. 

    well, I simply either drag them in to the new/different project from the finder, or drag or copy and paste between open fcp projects.  Never had any problems working this way.  Just remember that if you delete a specific project scratch disk folder, you may be deleting media used in another project.

  • Best method for importing mini DV tape movies directly to an external seagate hard drive for later import to iMovies ??

    Best method for importing mini DV tape movies directly to an Seagate external hard drive,for later import to imovie event???

    The simplest and cheapest option is LifeFlix.  They have more info at www.lifeflix.com or on the Mac app store at https://itunes.apple.com/us/app/lifeflix/id630212114?ls=1&mt=12

  • Best methods for importing artwork via Illustrator with tranparency?

    I'm new to Final Cut Pro and am tryin to figure out the best methods for importing artwork via Illustrator. So far, I've been saving the artwork as a transparent PNG, but I feel like there should be a better way. Any help would be greatly appreciated.
    Thanks,
    Mike
    MacBook Pro   Mac OS X (10.4.8)  

    Hi:
    Ussually I have to rebuild in AI the company logo (I use to work for industries) to include in FCP edit.
    - If you have CS2, open Photoshop and create a new file using the right preset (i.e. DV PAL) using transparent background. That creates a PSD empty file with all attributes you need (pixels dimensions and aspect ratio) to use later in FCP.
    - Select your work (i.e. the final logo) in the AI canvas and copy it.
    - Paste it in the empty PSD file as "vextor information" (I don't remember right now the exact words!). That way you can resize it in the PSD file without loosing quality.
    - The better ir deciding the size NOW in Photoshop, or create sveral version in different sizes. Yuo'll get better quality id you make the resizings in Photoshop rather that doing a scale in FCP timeline.
    - Once your logo is in the right dimension into the PSD file, save a copy and flatten all layers keeping the transparent background. If you don't need the layers during editing in FCP, you better have all layers flattened.
    - Import that file in FCP.
    That's my workflow, but probably you'll find different flavors here!
      Alberto

  • Best documentation for import/export

    Can some one please point me towards the best documentation for import/export.
    Thank you very much.

    The "Document not found" error is a nice touch on the
    above link.The 9.0.2.2 and 9.0.2.6 Portal Export/Import FAQs have moved to the following locations:
    Portal 9.0.2.2/9.0.2.3 FAQ for Portal Export/Import:
    http://portalstudio.oracle.com/pls/ops/docs/FOLDER/COMMUNITY/OTN_CONTENT/MAINPAGE/DEPLOY_PERFORM/9023_EXPORT_IMPORT_FAQ_0308.HTM
    Portal 9.0.2.6 FAQ for Portal Export/Import:
    http://portalstudio.oracle.com/pls/ops/docs/FOLDER/COMMUNITY/OTN_CONTENT/MAINPAGE/DEPLOY_PERFORM/9026_EXPORT_IMPORT_FAQ_0308.HTM
    Also, be sure to review the Chapter on Portal Export/Import in the Portal Configuration Guide (for 9.0.2.6/9.0.4/10g) here:
    Portal Export/Import for the 10g (Portal 9.0.4) release is documented in detail in chapter 10 - The Portal Export/Import chapter in the Portal Configuration Guide.
    The Portal Configuration guide can be downloaded/accessed at the following links on the Oracle Technology Network:
    Acrobat PDF version (6MB): http://download-west.oracle.com/docs/cd/B10464_03/portal.904/b13675.pdf
    Link to Chapter 10 (HTML version): http://download-west.oracle.com/docs/cd/B10464_03/portal.904/b13675/cg_imex.htm#i1030999
    Best Regards,
    Harry

  • Best practice for importing non-"Premiere-ready" video files

    Hello!
    I work with internal clients that provide me with a variety of differnet video types (could be almost ANYTHYING, WMV, MP4, FLV).  I of course ask for AVIs when possible, but unfortunately, I have no control over the type of file I'm given.
    And, naturally, Premiere (just upgraded to CS5) has a hard time dealing with these files.  Unpredictable, ranging from working fine to not working at all, and everything in between.  Naturally, it's become a huge issue for turnaround time.
    Is there a best practice for preparing files for editing in Premiere?
    I've tried almost everything I can think of:  converting the file(s) to .AVIs using a variety of programs/methods.  Most recently, I tried creating a Watch Folder in Adobe Media Encoder and setting it for AVI with the proper aspect ratio.  It makes sense to me that that should work:using an Adobe product to render the file into something Premiere can work with.
    However, when I imported the resulting AVI into Premiere, it gave me the Red Line of Un-renderness (that is the technical term, right?), and had the same sync issue I experienced when I brought it in as a WMV.
    Given our environment, I'm completely fine with adding render time to the front-end of projects, but it has to work.  I want files that Premiere likes.
    THANK YOU in advance for any advice you can give!
    -- Dave

    I use an older conversion program (my PrPro has a much older internal AME, unlike yours), DigitalMedia Converter 2.7. It is shareware, and has been replaced by Deskshare with newer versions, but my old one works fine. I have not tried the newer versions yet. One thing that I like about this converter is that it ONLY uses System CODEC's, and does not install its own, like a few others. This DOES mean that if I get footage with an oddball CODEC, I need to go get it, and install it on the System.
    I can batch process AV files of most types/CODEC's, and convert to DV-AVI Type II w/ 48KHz 16-bit PCM/WAV Audio and at 29.97 FPS (I am in NTSC land). So far, 99% of the resultant converted files have been perfect, whether from DivX, WMV, MPEG-2, or almost any other format/CODEC. If there is any OOS, my experience has been that it will be static, so I just have to adjust the sync offset by a few frames, and that takes care of things.
    In a few instances, the PAR flag has been missed (Standard 4:3 vs Widescreen 16:9), but Interpret Footage has solved those few issues.
    Only oddity that I have observed (mostly with DivX, or WMV's) is that occasionally, PrPro cannot get the file's Duration correct. I found that if I Import those problem files into PrElements, and then just do an Export, to the same exact specs., that resulting file (seems to be 100% identical, but something has to be different - maybe in the header info?) Imports perfectly into PrPro. This happens rarely, and I have the workaround, though it is one more step for those. I have yet to figure out why one very similar file will convert with the Duration info perfect, and then a companion file will not. Nor have I figured out exactly what is different, after running through PrE. Every theory that I have developed has been shot down by my experiences. A mystery still.
    AME works well for most, as a converter, though there are just CODEC's, that Adobe programs do not like, such as DivX and Xvid. I doubt that any Adobe program will handle those suckers easily, if at all.
    Good luck,
    Hunt

  • Best setting for my set of devices

    I would like to know what would be the best settings to get the maximum throughput for my set of devices.
    Last night both Airport Extreme and Airport Express were updated with firmware to 7.5.2
    1) Upstairs I have an Airport Extreme. Newer version with 2.4gz and 5ghz bands. This is connected to my AT&T Uverse router/modem. My iMac is ethernet connected to the Airport. Running speed tests I get almost the expected speeds of 12mbs download and 1.5mbs upload.
    I had setup a 2.4ghz network and a 5ghz network but may not have used the best settings for my environment.
    2) Downstairs is an Airport Express. I is a "n" version
    3) Connected to the Airport Express via ethernet is a small ethernet hub and connected to that are 2 Dishnetwork 722 DVRs. Each 722 has a Sling Adapter to allow viewing the contents over the internet via iPhone, iPad or web browser. This was the goal for the Express, to supply that info.
    Getting max speed out of this Express is important to get the DVRs output out of my house and to my iPad or iPhone.
    4) These are the following devices that are connecting at the house via wifi:
    a) iPhone 4
    b) iPhone 3g
    c) Apple TV newest model and is downstairs next to the Airport Express
    d) iPad
    e) Macbook Air first generation and this is used downstairs in the same room as the Airport Express
    Using Airport Utility it appears that all devices show 80211.n and 5ghz except the iphone 3G, which shows 802.11 b/g AND shows it attached to the Airport Express even when I'm next to the Extreme.
    From the Airport Utility, I've seen the values fluctuate but here is what shows Signal, Rate and Noise for each device as a snapshot on the Airport Extreme
    iPhone 4 -44, -96, 65
    Airport Express -59, -96, 144
    Apple TV -70, -96, 52
    iPad -50, -96, 65
    Macbook Air -24, -96, 216
    Using the Airport Utility, the Airport express show these values
    iPhone 3G -66, -85, 54
    Airport Extreme -54, -86 104
    Let me know if you need any other details.

    Any advice on the best Airport Utility settings for the Extreme and the Express?
    The default settings work very well, so unless you have a specific reason to change them, I would stay with those settings
    Should the Express extend a network or join a network?
    "Extend" provides more wireless coverage in the area where the Express is located. "Join" provides better bandwidth if you are using only for iTunes, etc. Most users want more wireless coverage.
    If I were to extend at network, should the Express extend to the 5ghz or the 2.4ghz
    If you have good signal strength at the location of the Express, 5 GHz will support up to 270 Mbps bandwidth. 2.4 GHz will support up to 130 Mbps. You want as much bandwidth as you can get for high definition video performance if you are using wireless. If you have an option to connect the DVRs using ethernet, that will provide the best performance.
    The iPhone would have to connect back to your main router if you set the Express up for 5 GHz. It is not easy to extend 5 GHz. You literally have to have very close to a line of sight situation between the main router and the Express for this to work.
    If I were to get another Extreme, should it join or extend the network on the Extreme upstairs.
    The Extreme does not really do anything if you set it up to "join". The ethernet ports are not active. All you would be able to do with the device in this setting is attach a printer or hard drive to the USB port.
    Any documents that would explain the best choices for linking 2 Extremes together?
    Apple AirPort Networks is a very good guide.
    If you are linking two routers together, an ethernet connection is always the "best" way to do this because it provides maximum bandwidth performance. Up to 1000Mbps with ethernet. "Extending" using wireless only can work well if the "extending" AirPort receives a very strong wireless signal. Ideally, there would be a line-of-sight situation between the devices or close to that ideal.
    Message was edited by: Bob Timmons

Maybe you are looking for

  • Return in finally block hides exception in catch block

    Hi, if the line marked with "!!!" is commented out, the re-thrown exception is not seen by the caller (because of the return in the finally block). If the line is commented in, it works as I would expect. Is this is bug or a feature? I assume the ret

  • Creating a Better Search Form

    Hi, I'm trying to figure out how to create a dynamic search form using Coldfusion 8. Right now if I enter multiple words in my search field the results omit certain records. For example, if I put "toy blue" in the search field it will return results

  • Create a rule to delete older messages in a folder

    I'm finding housekeeping in my Mac Mail time consuming and wanted to create a rule for a particular folder to delete messages older than say 2 weeks. I've tried googling and looking around for help but I can't find much. I also have another issues I

  • Can't upgrade core device softward on BB Storm

    Hello, I'm actually trying to somehow get the icon on my BB Storm 1 for the new Verizon contact backup assistant, but not quite sure how to go about it.  I'm thinking it may appear if I do the core software upgrade that the Desktop Manager software s

  • InDesign CS3 crashes when importing

    I'm using Windows, and this is a new problem that's recently arisen. When I try to import content (pdf, primarily), I get a pop-up window that says "A problem caused the program to stop working correctly. Windows will close the program and notify you