Continuous move in ATP

Hello All
I'd like transportation to be one continuous move in ATP. Can anyone think of a way this is possible?
The requirement involves for example, transporting through Germany and Switzerland where transportation is not allowed on public holidays, but the goods that I am shipping have limited shelf like and shouldn't sit on a truck.
I have no other requirements for carrier selection or cost based shipping therefore it would not make sense for me to implement TP/VS.
Thanks
Mike

Hi
TRy in Action Profile settings and workflow for processing dco flow and reversal
Regards
Venkat

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⎡ Virtual core pointer id=2 [master pointer (3)]
⎜ ↳ Virtual core XTEST pointer id=4 [slave pointer (2)]
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After further findings, I'll answer my own post:
This behavior is inherent of the driver. The issue has been known upstream for a little while now:
https://bugs.freedesktop.org/show_bug.cgi?id=66532
There is also a bug open on Ubuntu launchpad with quite a bit of discussion:
https://bugs.launchpad.net/ubuntu/+sour … ug/1026046
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I am running into a glitch in Premiere Elements 12. When I nudge the CTI (playhead) using the arrow keys it moves only 1 frame no matter how many times I press the over arrow. The audio continues to scrub and the time indicator continues to change for each frame, but the CTI itself is stuck and no longer represents the proper location.
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Thanks ATR for you reply, here I will try to explain my findings.
My hw. sw. setup
MACBook Pro, OS X 10.9.4, 16Gb, licensed Premiere Elements 12.1 upgraded from 12.0
Just to confirm....are you saying that if you do just a one tap on the right or left arrow key, the Timeline Indicator will move 1 frame.              YES (if slow repeat).
But, if you hold down and continue to hold down on the right of the right or left arrow key, the Timeline Indicator will not go into a continuing movement?     YES.
>> Today I have found that this problem only show up in ”Expert” edit mode and not in ”Quick” mode.
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      4. Note2   I have also verifies with my Win7 friend with a new installed PE 12.1 running just fine without this CTI problem. (MAC version only??)
If so, several things that I would like you to do if you have not already....
1. Delete the Adobe Premiere Elements Prefs file which should be found
    Users\Libraries\Application Support\Adobe\Premiere Elements\12
>> After I delete the Adobe Premiere Elements Prefs file I did restart PE12 program and created a new project ( an new PE Prefs was automatic create in the same directory as expected)
      But unfortunately my problem is still there.
2. In the opened project, go to Edit Menu/Preferences/General and experiment with the Timeline Playback Auto-Scrolling Options (No Scroll, Page Scroll, and Smooth Scroll).
ATR Premiere Elements Troubleshooting: PE12/12.1: Timeline Playback Auto-Scrolling
>> Thanks, here I found lot of good reading but your suggestion to change the Timeline Playback Auto-Scrolling Options did change scrolling behavior,
       unfortunately my problem is still there.
I am strictly an Elements Windows user, so please double check the translation of the suggested locations from Windows to Mac.
How would describe your issue - "it worked before but not now" or "it never worked before".
>> My best answer must be; I have not seen this problem before but I´m trying to learn video editing so I could have missed the CTI behavior.
Looking forward to your follow up.
Thank you.
Add On...Like the originator of this thread, are you working with a tryout of Premiere Elements 12/12.1?
No this is a licensed version 12.0 upgraded to 12.1
Summary:
My conclusion must be that this CTI behavior is a software bug (maybe only in MAC versionPE12 or in some combination).
How to fix my problem:
Will a reinstall likely fix the problem?
Or is´t a case for Adobe Support to handle?
I´m happy for any help here.
Regards.
Per

How to run vi continuously when VISA read timeout happens

Hello,
I am using LabView 2010 to read an Agilent 6000 series Oscilloscope. The Oscilloscope reads data from another experimental machine which fails occasionally due to sample failure. When the machine fails, it stops sending signal to the oscilloscope and leads to the VISA read timeout error and the whole vi is terminated. Is there a way that I can continuously run the vi when the error happens? For example, when the error happens, it stores the error in the error wire. When the vi read the error code from the wire, it sends a command to stop my experimental machine then stop the vi.
So far, it just simply stops during executing the visa read function. In this case, why do we have error in and out? The vi simply stops when the error happens.
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Lawrence
Solved!
Go to Solution.

I'll start of with automatic error handling. By default, LabVIEW enables the automatic error handling. So consider the case like the one below,
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http://www.ni.com/gettingstarted/labviewbasics/handlingerrors.htm
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http://zone.ni.com/reference/en-XX/help/371361K-01/lvinstio/visa_close/
See that button on the left side of this post...
If you feel my post is helpful, all you need is just (at most) 2 seconds to click that button, to show your appreciation. Thank you~~

Continuous forest line speeds and zooms out or view NOT, but should?

Here is my simple problem which I can not resolve.
I will try to make as a detailed description as possible as I can not figure out which step needs to be corrected.
I would like to create a landscape view as seen by someone on a sleigh ride down the hill.
It starts with a winter forest extreme close up then trees start to move to the left ever so slightly, then speed up down hill and then decelerate and zoom out into a thin line on the horizon while slowing down but still moving to the left of the screen.
The way I decided to create this scene:
I created a nice multi layered file in Illustrator with all the trees overlapping each other. The file is to the maximum artboard width allowed by Illustrator.
I imported this multi layered Illustrator file into After Effects as a Comp with separate layers.
I assigned slight movement in the layers from right to left at various speeds. It gives a dimension to the view as you see one line of trees passing behind another at slightly different speed. This step does not seem to create any problems.
I kept on building the continuous line of trees extending to the right by duplicating imported Illustrator layers until I reached the limit of After Effects Comp canvas size. I believe it was at either 30000 or 60000 pxls. The reason why I need trees so large is because at the beginning of the animation we see them at an extreme close up with all the leaves and branches visible. Then the forest line starts to move to the left and speeds up.
Eventually it speeds up and zooms out at the same time enough to reach its end on the right. By this time the trees are at 50% of the screen size. So I import my tree layers again and match them perfectly at the seam and assign speed and scale so it continues to move past the viewer to the left and zooms out into perspective.
And now everything goes wrong. I perfectly match the points of original tree line and the additional tree line. I see they nicely touch each other in the beginning of the movement and at the end.
However unexpectedly in the middle they start to overlap each other and move slightly faster. For example: Left end of second forest line touches the right end of first forest line at the beginning at 10 sec and touches it the same at the end at 20 sec. However at 15 sec it speeds up and jumps ahead the right end of the first forest line. I tried to fix it by making a key frame at 15 sec and aligning them again. It resulted it two smaller jumps at 12.5sec and 17.5sec. If I keep on keying between the frames the left end of the second forest line continues to make little jumps in between. If I try to adjust the zoom out part it again messes everything up. I did set up my anchor point to the left side of layer.
I thought the problem is with Scale, so I made layer 3D and started to reduce a Z dimension but got the same result. The layers jump on each other and it does not seem as one continuous movement.
POTENTIAL PROBLEM: I did assign Easy Ease, Ease In an Ease Out, so my acceleration and deceleration have nice and smooth motion. However I tried to match the speed and velocity in Key Frame options window (double click Alt on PC opens this dialog window) between the original and the additional forest lines.
I can not make this forest line long enough in a static window as I reached the width limitation of After Efffects canvas size. I need it very large as it starts at extreme close up and then zooms out to a and extreme horizon.
I can not make it a moving line and keep on patching it up as movement does not match and lines start to speed up between the key frames and overlap each other.
I though the problem was the combination of side ways right to left movement and zooming out motion (which I tried both ways: Scale in 2D layer and Z Dimension in 3D Layer) but I can not match even the linear speed of the forest lines from right to left. Perhaps there is a problem with how I am trying to match it.
I will even rebuild the entire project if someone can list steps how to make one continuous line of patched up elements in sync, so they seem as one continuous image line.

Hard to really grasp the situation without a few screen grabs, but some general thoughts:
If all your elements are vector art from Illustrator, scale shouldn't be a factor. Set your Illustrator layers to Continuously Rasterize, and you can move as close as you like to the layers with the camera and they will still be sharp. Thus, you can work at an overall smaller scale, and not go beyond AE's 30000 pixel limitation. Which also means you won't need to frame-match two environments.
It sounds to me like you are overcomplicating the job. Personally, I wouldn't combine camera movements and zooms - the potential that varied focal lengths will upset something is too great. I'd just do everything with camera movement, using the X axis for left-right movement, and the Z axis to move closer or further toward your subjects. After Effects cameras mimic the way real world cameras work, so it's best to approach the job like a real world situation. Build the world, then animate the camera moving within that world.
Remember that you can use Precomposed/Nested compositions to greatly streamline your work. Make a clump of 10 or so trees in one comp, then use that pre comp nested multiple times within your main comp. Don't forget to collapse transformations of the pre comps.

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• My iMovie is one continuous movie (i.e. no chapters, but I may reconsider this). Do I drag the movie into the menu area and type in "Play" where it says the name of the movie?
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Thanks.

Hi, Welcome KeenEddie.
Have you been working on this opus since '02?
Your answers:
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2) You can type 'Play Me NOW!' if you like, or anything or nothing. Just an indication of what a viewer needs to do in order to play the video on your dvd.
3) Unless you created chapters in iMovie you won't see Scene Selection as an option. Extras is just a suggestion. The menu will only have what you put in them.
Personally, I would put some chapter markers into your video in iMovie before importing into iDVD. It will only take a few minutes to do and depending on the length, it makes it easier to be able to skip through the video rather than just fast forwarding or rewinding.
Also, even if you choose not to include scene selections as an option, your chaptered movie will still be able to be skipped through using the chapter stops. Again this is not the law, just my personal preference.

I have 13 3-10 minutes movies, does dual layer split it up?

Hi, this will be my first dual layer dvd.
I have several short movies with transitions and titles with 4 different menus. (Using iMovie HD and iDVD5). I've searched to find out how many minutes a dual layer will take and I'm thinking the answers are for straight movies. Does anyone know how many minutes will fit if it's like mine? (Many short movies)
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Hi mish,
Thanks and sorry, I haven't checked this post lately. I have a main page that leads to a screen with a menu with 4 sub menus, (each just have a background photo) then when you click on the sub menu it takes you to another menu each. The reason I did this is to divide a "town dvd" into categories, ie. "people", "community", "school" and "business". One has one movie, one has 4 movies, one has 3 and one has 6. Each movie has chapters. I don't even have music in the menu screens. I'm using the "reveal" theme.
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Importing iMovie-created movies back into iMovie

Hi - new here to to the forums; I have had a Mac for less than a year.
I have created many projects in iMovie and exported the files using "share...export movie" creating m4v files. I now want to string several of those exported movies together into one continuous movie. The first way I could easily think of to do that was just to import my final created movies back into an event and piece them together in a project how I want (there may be a better way - I'm open to suggestions).
The problem is that not all of my iMovie-created movies are being recognized for importing by iMovie. I think I have determined the problem, but I don't know how to fix it: the codec for the ones that will import says "H.264, AAC" but the ones that won't import says "H.264, AAC, Text". I have no idea what I did differently to have the codec include "Text" in some but not others, and no idea what to do to fix it.
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Welcome to the  Discussion Forums.
If you simply wish to join your movies together, you might be better doing this in Quicktime. However if you want to edit further such as applying transitions/titles etc between the movies you would need to use imovie.
If you have the original projects in imovie, it would be better if you re-exported them as full quality AIC video and used this to assemble a new movie in imovie. If this is not possible you can remove the text tracks that are causing you the import problem using the properties window in Quicktime pro.

Continuous move in ATP

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