Contrast, Saturation and Brightness settings for L...

I wanted to know how to change the contrast, saturation and brightness of the images from the built in camera app on Lumia 620. The app doesn't have the option to,change these settings... I was previously using a WP7 which,had these features, but they don't exist in the Lumia 620. So,is there a work around for these? Or is there a way to access these features, as the images come out very dull.

Can I change a Video object to to Camera object, If yes, How do??
nsOutGoing.attachCamera(video as Camera);// it does not work rightly
thanks

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Need help: Flex record webcam problem, how to setting Brightness,Contrast,Saturation and Sharpness

Hello, dear all
Please help me!
Flex record webcam problem, how to setting Brightness,Contrast,Saturation and Sharpness?
nsOutGoing=new NetStream(nc);
nsOutGoing.attachCamera(m_camera);
nsOutGoing.publish(filename, "record");
I want to control the Brightness,Contrast,Saturation and Sharpness for the recorded flv file.
At present, I only can control the videodisplay object, but I can not able to control Camera.
Thanks very much!!
kimi
MSN: [email protected]

Can I change a Video object to to Camera object, If yes, How do??
nsOutGoing.attachCamera(video as Camera);// it does not work rightly
thanks

TS4000 What is the "correct" date and time settings for icloud reminders?

What is the "correct" date and time settings for icloud reminders?

Sep. 18th. We don't know what time.

Regional and Language Settings for Window and BEX Style

Hi All,
When I change the Regional and Language Settings for Windows, Standards and Formats value to English (USA) the standard Style for BEX is active. For instance, input-ready cell is bordered with blue. But when I switch to Turkish this style is not active.
Additionally, I have to change Style for each Workbook one by one. How can we adopt a style to every workbook.
Regards,

Lars,
This is a setting on the 'Defaults' tab in the User Profile. This can be set when a new user is set-up in SU01, or it can be changed by each user according to personal preference in SU3. I'm sure there is a system table where these settings are stored that could probably be edited for all users, if that is desired, but I don't know which table that would be off the top of my head.
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Bob

With Premiere elements 11, when Publish/Share (saving) a finished video, selecting H.264 .mov file type, what are the recommended Codec and Aspect settings for a crisp video and a small file size?

With Premiere Elements 11, when Publish/Share (saving) a finished video, selecting H.264 .mov file type, what are the recommended Aspect and Codec settings , for a crisp video with a small file size?

Gary Krouse
We will customize a very detailed reply, but
(a) What are the properties of your source media?
(b) What did you or the program set as the project preset to match the properties of the source media?
(c) What specific requirements do you have for this H.264.mov export file?
File size can be a compromise between bitrate, file size, and quality.
Thanks.
ATR

TS1702 adjusting the security and permissions settings for your device.

I Updated to the ios6, then tried to save a video to the camera roll. The app asked if I would allow it to have access to my photos, and I said "no" and now I can't save any videos made with that app to my camera roll. I contacted the support at vidrythum and they said I had to contact apple and ask how to adjust the security and permissions settings for your device. Any ideas??
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WOOHOO!!
You are a diamond!!
All working now. Thanks mate.

Premiere CS4 - How can you import QuickTime (.mov) videos and which settings for the sequence?

Premiere CS4
How can you import QuickTime (.mov) videos and which settings for the sequence?
Please reply in plain English or if possible in German
Greetings from Vienna, Peter

I have not installed Quicktime.
I got a few scenes (.mov) from a Canon Eos 70d.
I want to create a short film (in Premiere CS4) with these scenes, mixed with photos and MP3 music.

When I open a video which I have altered the AV settings on in another program, the settings revert to the initial settings. Can I edit the color and brightness settings permanently in Quicktime 7?

I need to change the color and brightness for a video file for a presentation and cannot figure out how to change them permanently when I open the video file in Powerpoint. Any suggestions?

The A/V Controls window settings revert when the window is closed.
You would need the "Pro" upgrade to QuickTime Player and then use the Export dialog / Filters button to make a new version of the file.

Best rgb and gamma settings for external monitor with mountain lion

Hi,
I'm using an LG LED 22 inch monitor with my MBP mid 2010 via minidisplay to hdmi. on OS X side the settings have been default. On the LED side the settings , if set to preset RGB it tends to fade the whites a lot. when i set to user definied and let the preset rgb be at it is, the colors are quote decent. currently they are on R 50, G 58 and B 59 and Gamma 1. Which is the best RGB and Gamma value for OS X Mountain Lion?

Welcome to the forum.
First off, you need to go and buy a hardware monitor calibrator, such as an OptixXR or similar. This will build a custom monitor profile for your specific screen. Without this starting point you can forget ANY attempt at accurate colour matching.
Never (and I mean never) use a working space such as sRGB or Adobe98 as your monitor profile, that's not what they are designed for. Working spaces control what colours are possible in the image, monitor profiles control how those colours are shown on screen. Aperture uses it's own working space so you don't have to worry about that too much.
To answer the rest far too briefly, I'd suggest setting the proofing profile to sRGB and of course use sRGB for the export preset. The gamma setting you will have to adjust depending on how dark the Lightjet prints look compared to your screen. You will have to do test-strips to start with.
Your images looking crap on flickr on Windows machines is partly because Windows web browsers generally do NO colour correction, and only partly to do with the different gamma.
Ian

What are the correct setup and system settings for importing HDV video from tape?

I keep trying different "easy setups" and system settings/preferences in order to import both the audio and video from HDV recordings on miniDV tape to no avail in either FCE4 or FCP5. I import via firewire from the camera. My computer "sees" the camera and controls playback (I can hear the audio) but no video displays for capture (just color bars).
My camera is a Canon Vixia HV40 and my computer is a MacBook Pro running Snow Leopard 10.6.8.
I've tried the HDV easy setup...no video...
I've tried HDV 1080i/60 as I saw recommended somewhere else...no video...
Captures standard video just fine but I'd like to try editing some higher def footage.
Any suggestions?
Many thanks.

The combination of all these helpful ideas solved the problem.
I set AV settings to HD and Apple Intermediate Codec HDV 1080i/60 AND set the cameras output to "locked" HDV. Funny, it had been on "A" (Auto) before and should have simply sensed the need for HD output. I then tried to capture using "A" again and this time it detected the difference between SD footage and HDV footage (I had clips of both kinds on the same tape).
I ran similar capture tests on FCP 5.1, FCE 4, and FCPX and all three programs captured HDV video and audio.
Thanks again everyone. Be sure the camera is set to output HDV or "A".

Publish and Share Settings for Storing on Amazon S3 and linking on blog, in autoresponder, etc

I want to publish/share my Premiere Elements 11 video such that I can store it on Amazon S3 and then link to it in my blog, facebook, autoresponder. I know I DON"T want the Online settings because I am not directly uploading to YouTube, etc.
There are so many possible choices my head is spinning.
Are the settings for playing on a computer - what I want? And if so, exactly WHICH settings do I want? I tried the FLA settings, having read that flash is the way to go. But the final video looked really horrible. Please HELP! Thanks!

posturally
What computer operating system is your Premiere Elements 11 running on?
First, if you have not already, you will need to do some homework regarding Amazon S3 and its requirements for uploads to it for sharing purposes...requirements to include duration, file size, and formats (video and audio compressions as well as file extension), etc..
And, how is your Premiere Elements 11 project set up....
a. What is the project preset, and does the project preset match the properties of the source media?
b. What are the properties of the source media? (See Edit Menu/Project Settings/General and its readings for Editing Mode, Timebase, Frame
Size, Pixel Aspect Ration (even if they look grayed out).
Based on the above, now your choices for the export setting...assuming that 1080p30 (1920 x 1080 @ 30 progressive frames per second) is OK
with Amazon S3, then look at
Publish+Share
Computer
AVCHD
with Presets = MP4 - H.264 1920 x 1080p30
That will give you an AVCHD.mp4 (1920 x 1080 @ 29.97 progressive frames per second).
So, more details and a look at the AVCHD.mp4 export if applicable to your project settings.
We will be watching for your follow up and results. Please do not hesitate to ask questions or to ask for clarification.
Thanks.
ATR

Windows 7 and Brightness Settings

Hey,
I am having problems with my brightness settings while running bootcamp Windows 7. Every time i change the settings via the keyboard brightness settings, within seconds the setting will automatically revert back to full brightness. The same is true when i adjust it in bootcamp control panel menu.
I have updated my video driver to the newest and still nothing. Can anyone offer some help? Thanks

I have Windows 7 running on my MacBook Pro and from my experience, Windows 7 is set up to automatically turn on the keyboard backlight whenever the lighting changes, so every time a shadow moves over the webcam or the light changes just a little bit, Windows will activate the keyboard backlight. Combine this with the fact that Bootcamp's drivers can't effectively communicate with Windows to shut off this feature and you get a very annoying keyboard.
If you can, try to work in a well-lit area so that Windows never has the urge to turn on the keyboard backlight. If you're stuck in a low light condition, and you have no way to keep a (somewhat) bright light aimed at the webcam, you may be stuck with the annoying backlight until Bootcamp gets a better driver to override the Windows backlight driver.

Wpcredit and wpcrset settings for kt400 chipset discovered!

for those not familiar with the use of these, it's to enable the cpu halt function when running cpu at anything under 100%. please make sure you use wpcredit first to test the settings as if it locks for some reason, you can simply reboot and the changed registries will kick out! then if it's working fine, temp is going down, no locks, you can then engage it so it starts every bootup with the wpcrset program!
i got these from someone at the via forum, as i do not have a kt400 chipset myself, and have not seen the registry settings and values myself. for anyone who has used the wpcredit software, you know what to do with these and enable both just like with the kt266a, etc. just different registries, same values result
KT400
rD2,b7=STPGNT (mine on A7V8X ends up as E9)
rD5,b1=HALT (ends up being 1E)

by the way, no..i don't have the asus board described..that came from the guy who posted this originally at via..sorry:) also, for any newbies..yes, this does apply to any make of board..as long as it uses the via kt400 chipset.

Color and output settings for .mov files?

My GH3 shoots either AVCHD, Mp4, or its own variant of the .mov files, up to 60fps and 'all-intra'. Fine and dandy. The .mov files are the easiest to use as they are always just one file, no 'related' files to copy over etc. I'm trying to figure out how to do my grading in Sg, then render for final output so that I can then take that file and port for various possible uses such as dvd, standard computer use, web use ... typical modern stuff.
I've tried setting the timeline to various settings including gamma 1.8 and essentially "none", tried various setting in the render-output panels, using PhotoJpeg or H.264 as the "base" and then trying either no calibration or various choices there ... and still having troubles finding how to match the Sg monitor to the final output.
Any general or preferably specific ideas? I've searched a number of places, and ... this is something that is just mentioned in walk-throughs everywhere I've looked, if it even gets that much. Neither the Adobe movies nor Lynda-dot-com cover this ... and I've spent a couple days doing nothing but this. So ... ideas?
Neil

Same here, I find it unbelievable this occurs and there doesn't seem te be a solution. Is it something developpers know about but can't solve so ignore all the discussions about it?
It seems so simple to me: whether the monitor is calibrated or not, whatever monitor it is, when I place the exported movie window in Quicktime, and one in VLC, next to the Speedgrade window, all on the same monitor, it all should look the same right?! Ok, so I hear Quicktime does its own calibration while playing.
I'm working on a project now which are product films, the end result is a room where everything is white (not overexposed, all details are in there), the product black and blue, plus a model (brown skin).
I'm including a few screenshots of the same shot in different players. Speedgrade, VLC, Quicktime, MPEG Streamclip. MPEG Streamclip comes closest to the Speedgrade monitor. How can I possibly sell this to my client? This is shown on laptops at presentations, beamers via laptops (probably all Windows), big screens with a built-in mediaplayer etc, and most important: online! on youtube/ vimeo.. Not operated by experts, no control over which player is used.
The films will probably almost always be shown by someone doubleclicking on the file, so it opens in the systems standard movieplayer, Quicktime or Windows Media Player. It just has to look good in this! How do I do this?
When I place the exported clip on top of my Speedgrade timeline, it does change (the whole histogram range shifts brighter).
edit: I now exported with Automatic Color Calibration ON, the results has better contrast/ resembles contrast I see in Speedgrade. Placing this clip on top of my Speedgrade timeline shows almost exactly the same. Export to ProRes4444 AutCC: Histogram expands tiny tiny bit, can't see a change in the monitor it's so small.
Export to ProRes422 AutCC: Histogram expands a bit, you can see a slight change in the monitor (whites bit brighter, black bit darker). But acceptable.
No change in the color differences though! Skin colour varies huge in different viewers, highlights have more green/ more magenta.
speedgrade
quicktime
vlc
mpeg streamclip
These screenshots look exactly the same as how the colors are in the viewer the screenshots comes from, even when I place this browser window next to it on the same (calibrated) monitor.
Thanks for any tips..
Peter
edit 2: The frustration gets worse. Playing the clip (prores 422 with Automatic Color calibration) in Preview (Mac, by hitting spacebar when on the file in Finder) shows EXACTLY what I see in Speedgrade monitor! It feels like the solution is out there somewhere but I can't reach it (cause no one will actually play the video in Preview).
Message was edited by: pvd81

Help with computer setup and PP settings for faster/better previews

I have been using Cyberlink PowerDirector software for video editing. It is very easy to use and can do quite a bit. It was also accelerated by Intel HD graphics built into my system, so I could see a lot of my work at a pretty high resolution in real time.
However, I wanted to see what PP was capable of, specifically the Warp Stabilizer.
So I downloaded PP and have been trying to use it, but it was just slow as heck to preview anything (chop stop chop stop...), with render times being insanely long (12 hours for five minutes of footage vs. about 30 minutes with PowerDirector).
Thinking it was a problem with my system and I needed to get a real graphics card, I got an EVGA GTX 670 (FTW) for $400, and popped it in. I modified the text file so PP would see it as a compatible card, opened up PP and changed the engine to the new card.
Things are faster, but I was expecting a lot more. Here's what I'm doing:
1. Shooting Canon 5D mark II (now III) clips 20-60 seconds long, 1080p.
2. Import to PP and sequence them.
3. Adding effects:
     A. Top adjustment layer for fast color correction (white balance)
     B. Next adjustment layer: 3-way color, shadow/highlight, unsharp mask, fast blur
     C. Video 1 layer has the clips with warp stabilizer applied to each, and dissolves.
My final output will be 720p. ( I shoot 1080p so the Warp Stabilizer will have more to work with, and I can crop without feeling like I'm degrading quality).
My system: i7 2600k, 16GB RAM, GTX 670 graphics, 120GB SSD "Max IOPS", 2TB 7200rpm internal, 2TB 7200rpm external (USB 2.0, backup drive).
I can currently preview at 1/4 res in realtime. I would really like to be able to get to 1/2 res (of course full would be great). One thing that worries me is that GPU-Z indicates that my GPU is only running at about 2% while previewing, while CPU usage is at around 50%. I was under the impression that the Mercury thing would use GPU/CUDA to process previews and effects that are supported (that includes Warp Stabilizer).
I've looked at Sequence Settings and fiddled with Preview File Format and size, but that doesn't seem to do anything. I'm currently looking around at codecs (Cineform, DNxHD), but don't know if those can help.
What settings should I alter to get better previews?

Well I'm still pretty clueless about this, but for anyone who is looking at this and wondering, here's what I've gleaned:
1. After Effects, especially CS6, makes much more and better use of graphics cards than does Premiere Pro. I'm guessing that PP will, in future versions, make better use of them. For now, no need to spend more than a couple hundred bucks on one.
2. Update the software. PP and AE both performed substantially better after installing the .01 update from adobe. After you install the update, be sure to re-do the CUDA hack, if necessary.
3. As it stands, money for a PP system is best spent on a processor, as in the newest Intel (currently Ivy Bridge), and overclocked. This is where performance happens. I'd say on a 2012 system, 16 GB RAM should be considered a minimum for video editing, and 24 or 32 if you can afford it. More than that probably won't be utilized. Hard disks can affect performance, but I don't think it's a bottleneck unless you're doing something that requires VERY fast/large reads and writes (4k source?). Most people who have high-end editing stations also have a bunch of drives in RAID, but if you look at the performance chart, the SECOND highest scoring tester did not use RAID (though did use a presumably fast and large SSD).
Keep in mind that all of this has to do with RENDER speeds. I still don't know what the bottleneck is for PREVIEWS, but I'm just going to assume it's the same.

Contrast, Saturation and Brightness settings for L...

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