Convert 1:66 to 1:77 for DVD

Hi there,
Here's a tricky question, and I'm wondering if anyone's had success (or any advice) as to how to convert video with a 1.66 aspect ratio to a 1.77 aspect ratio for DVD export. Here's what I'm working with...
I've cut DV non-anamorphic video in Final Cut Pro, and cropped it to its necessary 1.66 aspect ratio. However, I need to make a DVD specifically tailored to widescreen televisions, which have aspect ratios of 1.77:1. I'd like my 1.66:1 video to fill the height of the widescreen television. This means, of course, that there will be thin black bars at the sides of the video on the television, rather than on the top and bottom.
Has anyone had any success with this and/or any advice of how to go about this? Thanks very much for your help.
Dual 2.7 GHz PowerMac G5 Mac OS X (10.4.7) Final Cut Pro v. 5.1.1, DVD Studio Pro v.4.1.0, Compressor v.2.1

I explained it wrong, Silal... Sorry about that.
I want the 1.66:1 movie, when played from a DVD, to fill the width of a standard 4:3 television, and the height of a 16:9 widescreen television. This way, it utilizes the maximum space for each type of screen without distortion.
Now, I can make two versions of the MPEG-2. One version is a standard, 4:3, "letterboxed" MPEG-2, designed for 4:3 televisions (with black bars on the top and bottom). And the other is a 16:9 MPEG-2, where the footage is upsized to fill the height of the 16:9 frame, leaving black bars on the sides.
The problem is... if a 4:3 MPEG-2 that has been "letterboxed" for 1.66:1 footage is played on a widescreen TV, you get black bars not only on the sides of the image, but above and below it as well. I'm trying to avoid this.
The only problem with the method I've come up with is that... if I give people an option to choose a "standard" or "widescreen" version of the film with these two different MPEG's, I think that most people would assume that the "standard" version is "pan and scan" and the "widescreen" version is "letterboxed." They'll both TECHNICALLY be "widescreen," since they both conform to the 1.66:1 aspect ratio... They'll just be formatted for two different types of TV's. It's confusing.
If only there were an option to export a 1.66:1 MPEG-2... Because then the DVD player could do the work for me. It'd automatically fill the width of a standard TV and the height of a widescreen TV. But I don't think that's an option, but maybe I'm wrong.
Anyway, I'm sorry about the confusion, man... And again, thank you very much for taking the time to answer the question.
PowerMac G5 Mac OS X (10.4.2)

Similar Messages

Need to convert 16X9 to 4:3 letterbox for DVD

Hello
Can anyone tell me the settings I need to convert 16X9 to 4:3 letterbox for DVD. I am mixing other 4:3 letterbox content. Evertime I make an mpeg with Quicktime conversion it is squeezed. I want it to be letterbox in 4:3
Thanks in advance.
I am using Final Cut Pro 4.5 and DVD pro 3
Regards,
Dana Gonzales

In addition to using the advice above, make sure in Compressor (or other item you use to encode) that you are using the 16:9 encode ratio. If you are using QT conversion (which it sounds like from Final Cut?) also make sure that ratio is checked. Unlike a 4:3 m2v which will be 720 x 480 when you open it in QT, the 16:9 will be 720 x 404

What is the best video converter for DVD to iMovie? Either free or to purchase.

What is the best video converter for DVD to iMovie? Either free or to purchase. And one that is 'fool-proof' and very easy to use. Many thanks, anyone who can advise.

You want to 'reverse engineer' the compressed mpeg2 DVD file back to something iMovie can use?
You need to convert the VOB files in the TS-Folder of the DVD back to DV which iMovie is designed to handle. For that you need mpegStreamclip:
http://www.squared5.com/svideo/mpeg-streamclip-mac.html
which is free, but you must also have the Apple mpeg2 plugin :
http://www.apple.com/quicktime/mpeg2/
(unless you are running Lion in which case see below))
which is a mere $20.
Another possibility is to use DVDxDV:
http://www.dvdxdv.com/NewFolderLookSite/Products/DVDxDV.overview.htm
which costs $25.
For the benefit of others who may read this thread:
Obviously the foregoing only applies to DVDs you have made yourself, or other home-made DVDs that have been given to you. It will NOT work on copy-protected commercial DVDs, which in any case would be illegal.
And from the TOU of these forums:
Keep within the Law
No material may be submitted that is intended to promote or commit an illegal act.
Do not submit software or descriptions of processes that break or otherwise ‘work around’ digital rights management software or hardware. This includes conversations about ‘ripping’ DVDs or working around FairPlay software used on the iTunes Store.
If you are running Lion:
From the MPEG Streamclip homepage
The installer of the MPEG-2 Playback Component may refuse to install the component in Lion. Apple states the component is unnecessary in Lion, however MPEG Streamclip still needs it.
To install the component in Lion, please download MPEG Streamclip 1.9.3b7 beta above; inside the disk image you will find the Utility MPEG2 Component Lion: use it to install the MPEG-2 Playback Component in Lion. The original installer's disk image (QuickTimeMPEG2.dmg) is required.
The current versions of MPEG Streamclip cannot take advantage of the built-in MPEG-2 functionality of Lion. For MPEG-2 files you still need to install the QuickTime MPEG-2 Playback Component, which is not preinstalled in Lion. You don't have to install QuickTime 7.

Problems converting screen recording for DVD

I have made a screen recording using Quicktime and also Camtasia for Mac. I am recording live currency charts and want to use this in a DVD but I can not find the proper combination of recording and exporting. I can export a good copy that when watched in Quicktime is excellent but when I try to render it for DVD quality it is blurry. I would appreciate any help here. This needs to be the highest quality possible.
Thanks

Look into Toast, Visual Hub & Video Monkey took the place of Visual Hub.
!http://i50.tinypic.com/izvwo1.gif!

How can I convert my iPhone 5 movies to a DVD to play in DVD players?

How can I convert my iPhone 5 movies to a DVD to play in DVD players?

Here's one way:
https://itunes.apple.com/us/app/video-to-dvd/id569680533?mt=8&ign-mpt=uo%3D2
Or, you look for software like this:
http://www.aimersoft.com/how-to-burn/iphone-video-to-dvd.html

Flash FLV for DVD?

I've a client who asked for a bid on a project, which piqued
my curiosity.However, from
my probing it seems they wanted the Quicktime movies turned
into FLV files
but wanted them for DVDs. They were not as yet concerned
about output for
the web.
I was curious and a bit confused and then wondered about the
aspect ratios
of Flash on a DVD. Their original QT movs would be 720x486
and FLV output
is 680x480.
The question: what happens when you have FLV aspect ratios on
DVD and then
you play the dvd on computer or tv? Do you get the clipping
or black bars
on both outputs?
Or should you (can you) render a Flash FLV in the 720x486
mode, or 720x480?
They never defined for me clearly their final output goal but
wanted a 1
week turn around on 45 hours of QT. I told them it "might" be
possible in
single pass VBR, but...
It seems they want a bank of computers, and I could only run
2 full time on
processing. Anyone know of big production houses that do this
type of
transfer full time and do it at a reasonable rate?

Thanks for recommendation. The DVD2Web Converter does look like the appropriate tool.

What formats for iPad for dvd?

I want to convert some dvds to my ipad for the kids. what format should movies be in on my ipad? AVI? MPEG? OR SVCD? Which will give good quality but not use up alot of space?

The manual lists the video formats the iPad likes
http://manuals.info.apple.com/en_US/ipad_user_guide.pdf
Presuming these are home movies or other non-copyright protected videos, Handbrake works quite well to convert formats. If it's commercial dvd's then you'll need to research elsewhere. No one here is permitted to assist you in breaking the CSS encryption on a commercial DVD.
If you're wanting to get commercial dvd's onto your iPad, an easier way may be to get teh movies from iTunes, then you'll own them and won't have to mess with conversion.

Is is possible to convert the movies purchased on itunes to DVD?

Is is possible to convert the movies purchased on itunes to DVD? (In other words you would be burning the movie or tv shows to a blank DVD).

You can store just what you want on the external. Just set up folders for what you want. I have a music folder, movies and TV shows, and pictures folders. I also have mine partitioned for OSX and Windows. I have a few files I need if I am running on windows so I keep them on the windows side. I always keep a back up of my documents and a few other files it is a pain to download on the external.
You can also copy every folder and file on your machine to the external if it is big enough. This is a true copy not a back up file generated by a back up program. I like to do this if I get adventuresome and plan to do some major experimenting with my software. Saves having to reload everything if it crashes.
TTFN
Doc

Emergency questions exporting for dvd studio pro (ntsc and pal)

Hi,
I'm under a tight timeline and would appreciate any help possible. I'm experimenting with outputs/burning today so the real thing can happen tomorrow.
I have an hour long project that was shot on two different kinds of cams -- a sony hdv V1U and pan dvx100b. The first shot mostly in 16:9, the second squeeze 24p. We imported all footage as non-hd though, because the V1u has had problems syncing properly with hd settings with final cut. The issue/question now is this-
I don't know what file format (I'm assuming mpeg-4 for DVD studio pro, but using compressor or no?) or settings to use -- I'm used to mpeg-4, but for some reason it is coming out all grainy/pixelated and I'm not sure if I need to adjust the settings. Also, once exported into a usable/high quality format, I need to burn a ntsc dvd but also a pal dvd -- I've burned pal dvds on dvd studio pro before and know adjusting the settings is just in preferences, but I'm assuming the video will need to be converted into a different kind of file. Or no?
My sequence settings are 1440x1080 (16:9), quicktime video settings compressor hdv 1080i60. When I export as a quicktime file the conversion is great and no problems, but that isn't workable in dvd studio pro.
I would appreciate any advice you could offer,
Thank you,
Tenzin

Thank you, I'm trying that -- someone else just mentioned it needing to be an mpeg 2 file as well. The trouble I'm having now in compressor is it isn't converting when I press submit -- nothing is showing up in the batch monitor. I've tried this directly exporting from fcp using compressor, as well exporting quicktime from fcp and then using the quicktime file in compressor.
I'm not used to using compressor so I'm thinking I am not doing something properly in this process? Thank you for the suggestions, they are reassuring. Do you know if the same file produced by compressor can be used for the pal dvd?

Exporting for DVD

Hi,
Ridiculous question I know but here goes.
I have a 2 1/2 hour show that I videoed on MiniDV and have edited in Final Cut. The image quality is as good as I want it, not perfect but fine, but when I export to use in DVD Studio I loose quality. I'v used Compressor and converted it to MPEG-2, but is there any way I can just export straight from Final Cut Pro without loosing image quality, keeping all the settings and so on I used in Final Cut Pro?
Im burning on to Dual Layer DVDs so space isn't really an issue.
Does it have to be MPEG-2? Is there a different, higher quality format I can use? Or is the only thing I can do to try keep the quality raising the bitrate?
Anyone with an insight to share with me can treat me like a luddite and use baby speak
Cheers

Heya,
All DVD's are authored to MPEG-2 format. You must compress the file to MPEG-2 in order to play on a standard DVD player. SD MiniDV is roughly 13gigs per hour. So for 2 1/2 hours of footage you're looking at around 30 gigs that needs to be compressed to fit onto a DVD.
You should also take into consideration the bitrate of MPEG-2 compression. Considering that the audio is compressed to AC3 a safe bitrate compression for DVD video is around 7.5 mbp/s. A bitrate higher than that may cause errors during playback on some DVD players.
single layer vs. dual layer makes no difference on the total bitrate compression it only means you can fit longer duration of the compressed bitrate. Sending to Compressor and using a customized setting of MPEG-2 compression with 7.5 bitrate for video and AC3 for audio is the best quality you'll get on a standard DVD.
Welcome to the forum.

Exort Slideshow for DVD project

Hi, I have made several slideshows in Aperture 3.1.1 which I now want to burn on a DVD.
I'm having problems figuring out which export option to use.
HD wouldn't work as DVDs are SD by definition, so would probably loose a lot of quality in compression through DVD Studio Pro.
Ideally, I would like a lossless option, so I can convert it in MPEG-2 my self and then burn it.
But Aperture only uses H.264(which is not great) AND MPEG-4, which I'm not very familiar with
Any suggestions on what is the best option for DVD?

Hi lindy4
Does it play well on Apple's DVD Player App on your mac computer?
That's the recommended approach on this forum.....namely to make a disc image first from the File menu within iDVD which is created on the Hard Drive. From there you may wish to use apple's Disc Utilities (or Roxio Toast) and burn the image to Verbatim /Maxell DVD-R media at 4 x or slower (slower is better).
Side note: Use Apple's DVD Player app (and not iDVD's Preview function) to actually test playback prior to burning to DVD-R.
Hope this Helps
http://www.apple.com/ilife/tutorials/idvd/id2-4.html
http://docs.info.apple.com/article.html?path=iDVD/6.0/en/17.html
http://docs.info.apple.com/article.html?artnum=93006
http://lqgraphics.com/phototomovie.php

How to convert vob files back in to single dvd file

I was ripping a dvd to my macbook and originally, it came up as just a single file for DVD Player. I then decided that i would set the default media player to VLC. When I did this, the file broke down in to several VOB files by itself. Is there anyway i can convert them back in to a single file even if it is only playable on the DVD player? Thanks for any help.

Put them all back in a TS-Folder and burn that.

Any free way to encode 5.1 audio track for DVD?

Besides the limited 3-use SurCode for Dolby Digital that comes with Premiere, is there any free way to encode or convert a 5.1 PCM WAV file to a surround format for DVD?
Thanks!

I can't find the post, but I saved it...Here it is:
Like most of you, I was annoyed to find out I couldn't create AC3 surround sound files with my CS4 software, and also that we got downgraded from Audition to Soundbooth. We all paid a lot for it! I know many people have ranted about that already, so enough said.
Here is a workflow that gets around that problem without ponying up for the SurCode Plug-in, and/or buying Audition!
To convert your mixed 5.1 audio, or stereo audio, to the DVD standard AC3 file that Encore wants, download the latest version of Audacity here:http://audacity.sourceforge.net/ It is available for Mac OS X, Microsoft Windows, GNU/Linux, and other operating systems. If you don't know already, it's free!
Now, before I start getting flamed, about Audacity, it works great! The UI is not the most modern, but the quality is top-notch. I've used it for years and most complaints about it are unjustified.
You'll need to download the latest version: "Beta: 1.3x - for advanced users." There will soon, I hope, be an Audacity 2.0 stable release. Until then, use the Beta release for this workflow.
Note: I'll focus on Premiere Pro CS4, because that is where I originally troubleshooted this, but something similar will work for the other Adobe products that use sound.
Workflow:
Create your mixed 5.1 surround sound audio in Premiere, and output the audio only by going to File > Export > Media, and selecting "Windows Waveform" as the output. You should only have "Export Audio" checked. Verify the format in the Summary section. You should see something like: 48000 Hz, 5.1 Surround, 16 bit. Now under Audio codec, make sure "Uncompressed" is selected. Click Okay, and Adobe Media Encoder should launch. Click "Start Queue" and your audio file will be created. You'll get an interleaved 6 channel wave file. Not all applications will open it, but Audacity will.
Note: When you mix your surround sound in the Audio Mixer, you'll place your little "Puck" where you want the sound to come from. Picture yourself in the middle of the "dish," if it's a puck, isn't it in a rink, as in hockey rink...ah, but I digress. Anyway, you'll notice that volume meters in the 5.1 (6 channel) Master section are laid out in the following order: L,R,LS,RS,C,LFE. Also, if you open a 5.1 audio file in the Source panel, you'll see the same order from top to bottom: L,R,LS,RS,C,LFE.   Soundbooth also does it that way. Ahh....Adobe...nice try.
The actual channel order should be L,R,C,LFE,LS,RS. That's the order that you'll probably have to assign in the "Audio Output Mapping" section in the properties menu to get your channels to play correctly with your surround sound hardware. L,R,C,LFE,LS,RS is also the order that interleaved files use. So after you create your 5.1 file, and open it in another audio program that displays them in the "proper" order, like Audacity, you'll see your tracks laid out from top to bottom in that order. I'm not sure why Adobe does it that way, but oh well.
Surround sound primer:
The LFE channel is not, despite popular misconception, a subwoofer channel. Bass from all the channels in a surround sound Amplifier is summed and sent out to the Subwoofer. The LFE channel is supposed to be used only for very low frequencies, to create extra ...oomph. I think that is the technical term. It is not supposed to be used for bass frequencies from the other tracks. It is for explosions, dinosaur footsteps, ...etc.
Audacity will open DVD ".vob" files, and even let you select which stream (usually Language) to open. As an example, open up a movie with some action in it like Ironman (The movie starts at "VTS_03_1.vob") and look at the LFE channel. It's the 4th track from the top in Audacity. You'll see it's silent except at parts where there is thumping AC/DC music at the Intro, or explosions. It's not used as a subwoofer channel!
With that in mind, you may have noticed, unless I'm missing something, that there is no way in the Premiere Mixer to assign an audio track only to the LFE channel. Sure, you can dial up the "Bass Clef" knob to 0.00 db, and send a mono channel's audio to the LFE channel, but there is no place to put the "Puck" that only outputs to LFE. There is one for the center channel, but without someplace to put it, your 40 Hz dinosaur footprint "Thump" is going to also be assigned to some of the other channels. Which channels depends on your "Puck" placement. This is not correct. Again, unless I'm missing something, Adobe needs to correct this oversight. We'll get back to this problem with a solution later, but first let's continue with the AC3 issue.
At this point you should have your wave file. If you want to apply any global changes to all 6 channels, you can open it in Adobe Soundbooth and trim the beginning or end, and apply effects to the entire file. You cannot, however, make changes to individual channels. Audacity will! We'll get to that later.
Encode with Audacity:
Install the software and go to Edit > Preferences > Libraries, and click on "Download" for the "FFmpeg Library." This is the library that Audacity will use to create the .AC3 file. Once installed, the library version should show up next to "FFmpeg Library Version" While the "Audacity Preferences" window is still open, select "Import/Export" and select "Use Custom Mix", this is used to export a 5.1 channel file. Now you're ready to open your .wave file from Premiere. Drag and drop it in the Audacity workspace and you should see 6 mono tracks laid out from top to bottom in the following order: L,R,C,LFE,LS,RS. Audacity will let you edit the individual tracks, unlike Soundbooth, thanks Adobe. But for now, we'll keep it simple. Set your "Project Rate" in audacity in the lower-left corner to what you want the AC3 file to be. For DVD, chose 48000 (Hz). If you leave it at 44100 (Hz) Encore won't import it.
Your almost done. Now let's export the file. Go to Files > Export... > and select "AC3 Files (FFmpeg)" in the "Save as type:" drop-down. Click the "Options..." button and set the "Bit Rate:" for your file. For 5.1 AC3 audio, probably 448. Now enter a file name and click "Save." This will open the "Advanced Mixing Options" window. This allows you to re-map the tracks to a different channel order. It should be correct, and it should show "Output Channels:" set to 6. Press "OK" and you're done.
Presto, you have a 5.1 channel AC3 file. Use that in Encore, or whatever DVD creation program you use, and when you play your DVD you'll have full 5.1 audio coming out your surround sound Amplifier. That is if you have one.
Test your file:
If you want to test your file, you can do a couple of things. Since Soundbooth and Adobe Bridge won't even open AC3 files, and Encore will open but only play the Left and Right channels in the preview, you'll have to either import the file into Premiere, or use another media player.
If you got Premiere to play your surround properly, then you can drag and drop the file into the "Project" panel and preview it from there. You will hear all 6 channels in the correct speakers, but I did notice that the quality is not very good. Maybe Premiere doesn't decode AC3 all that well. I heard some crackle that isn't in the file. How do I know it isn't just a bad encoding job by Audacity? Because I played the file with the VLC media player, and Cyberlink PowerDVD on the same computer, and also on a DVD in my home theater system with no artifacts. Maybe Premiere doesn't decode AC3 files well.
The VLC player, will play almost any file in the known universe, and at least on my computer, it automatically played the AC3 surround file, created by Audacity, with all the channels mapped correctly. That's right, full surround out my speakers with only default settings. It's a great player. Get it for free here: http://www.videolan.org/
Test with Encore:
So far so good. Now open Encore, drop the AC3 file in an empty project, throw it on a Timeline and build the project without Video, It will autoplay without a menu this way. If you set the End-Action to the same AC3 file it will repeat continuously. Either burn this to DVD-RW and test it in your DVD player, or better yet, Build the project to a DVD Image instead, and mount it in a virtual DVD   Drive with a program like "Virtual CloneDrive."
If you don't know what that is, or how to do it, it is very simple. Go to:http://www.slysoft.com/en/ and download "Virtual Clonedrive." It is free. It tricks your operating system into thinking you have another physical DVD drive. In fact, it can create up to 8 virtual drives. Now you don't have to waste time burning, and erasing DVD's every time you make a change to a project. You can build your project as a DVD Image from Encore, save the .iso file to your Desktop and "mount" it (load it) in Virtual Clonedrive. You're computer will now think you loaded a DVD into a physical drive, and launch whatever DVD player you have installed. Mine launches "Cyberlink PowerDVD" which plays the AC3 audio-only DVD in full surround sound on my computer.
Building and testing projects this way will save you endless hours. If you need to make a quick change, just "Unmount" the .iso in Virtual Clonedrive, rebuild your project to the same filename, and "Mount" it again. Instant testing!
Now, as promised, back to that LFE Channel problem with Premiere that I mentioned:
Audacity will let you modify the individual channels in your interleaved 6-Channel file. So don't put anything in that channel in your Premiere mixer. Leave the "Bass Clef" knobs at full CCW position ( -00 db ). The bass from the other channels will go to your subwoofer automatically in your Amplifier.
Now if you have some low frequency effects files, open them in Audacity. You can open multiple instances of Audacity at the same time by going to "File > New." Then, copy and paste them into the LFE Track at the correct point.
Audacity newbie Hint: Audacity doesn't yet have a "Mix-Paste" function, so to avoid altering the track length as you paste in your clips, do the following: Select the LFE track by clicking on it's info area. The info area should say something like "Mono, 48000Hz" Then press "Delete," That will remove everything from the track. Now copy and paste your clips into the track by clicking once with the "Selection Tool" where you want the clip to start, and selecting "Edit > Paste." If you need to fine tune the position of the pasted clip, use the "Time Shift Tool" to move it left or right. If you work from left to right, then you won't push clips over when you paste new ones in.
There is another way to do this by opening up new tracks, using the "Mix and Render" function, and re-ordering the tracks to maintain the L,R,C,LFE,LS,RS channel order. But that's for advanced users.

Workflow for DVD from HD+SD source...

Based on the lengthy so-called "single-field conversion" issues with iM09, I'm looking for some inputs on the best workflow to retain high quality for DVD distribution for mixed media - video shot with HD & SD camcorders..
Here's what I did:
A> Converted all the SD (720x480) MPEG clips to progressive using QT
B> Imported 480p MPEG clips into iMovie 9
C> Edited 1080i + 480p material in iM and exported using the HD preset. Previous tests I did confirmed no diff between the HD export preset (newly added in the latest update), and the QT custom export for 720p.
D> Imported the 720p file into iDVD and re-rendered to DVD format.
Resulting DVD video was good (not bad, and obviously nowhere near HD quality). Wondering if anybody else has a diff workflow they would like to share that minimizes the rendering steps for HD+SD material to retain good quality?
Thanks!
P.S. Unfortunately, I sold off my copy of FCE when I upgraded to iM9, otherwise iM9 XML --> FCE --> iDVD might have been an option.

function(){return A.apply(null,[this].concat($A(arguments)))}
shooternz wrote:
I dont get why one would need to scale down an HD sequence to an SD Sequence (in PPRO) first?
That must invoke "processing" for the scale and PAR and add the complication of letterbox or otherwise.
A Dynamic Link of the HD Sequence to Encore does the scaling automatically (and well) and the image retains 16:9 aspect.
A MPEG2 - DVD export file also does the scaling automatically and you import that into an Encore Project where no further transcoding is required.
Well try it and let me know how it compares for you, I would be curious what your results are. I have recently had to do a a slew of HDV to WS DVD with timecode window burns. It was taking so long when i was linking the hdv project to encore that i tried nesting the hdv footage in the WS NTSC project and it rendered faster for me so i stuck with it.
I assumed it had something to do with the GPU doing the scaling and with premiere rendering the video in SD rez faster then it can render in HD rez then scale it down for encoding in encore.

Video Encoding for DVD

I've been struggling to get more videos on a DVD. Since I'm not an expert on this. Most of my vides are about an hour long and are mostly PowerPoint slides and screen capture of programming demonstrations.
I just keep wondering why DVDs I get to watch TV shows can have 4-6 hours of media when I can barely get two.
Any help would be appreciated.
David

Hi David,
Now we're making some progress, thank you for sharing more info. As a CC user, you are able to download and use Encore CS6. Adobe has stopped further development of Encore so there is no CC version, but you are welcome to use CS6. Here's some instructions - http://www.streamingmedia.com/Producer/Articles/Editorial/Featured-Articles/RIP-Adobe-Enco re%3B-and-How-to-Install-and-Use-Encore-CS6-with-Adobe-Premiere-Pro-CC-93119.aspx
There are some issues with your encoding settings. To begin, the Source resolution is not a standard video resolution, which would be for instance 1920x1080, 1280x720, or 720x480. Nor is it even a computer screen resolution. How did you determine the Sequence setting in Premiere to start the project? Is that the resolution of your stills or screen-recordings? I went through this myself some years ago when tasked with creating a training video, so I understand how confusing it can get! This will affect the final quality if the downscale proportions come out weird. Note that DVD is SD and what looked nice and crisp on the high-resolution computer display will look muddy on DVD, but quality loss can be minimized with good workflow practices.
Next issue, you are encoding to .mp4, when in fact DVD requires MPEG-2 for DVD. So any other format you encode to will just need to be transcoded (re-encoded) in your DVD software again. More quality loss. Also, source is 30fps but Output is 24fps.
In AME, for FORMAT, please choose "MPEG-2 DVD", and then preset "NTSC Widescreen Progressive". That should be the best bet, and using 29.97 frame rate. Looks like the program is 58 minutes, so you ought to be fine with CBR encoding at 7 or 8 setting. Touch nothing else in the encoder besides bitrate. The export should result in an .m2v video clip, and on PC the audio would be .wav, for Mac might be .aac, not sure what they use there. In any case, Encore would convert audio to Dolby. I don't know how iDVD works, sorry.
Looking at the filenames you are using, I would avoid putting periods in the name, as the file extension typically follows the period, such as .jpg, .mov, .m4p etc, this can confuse the software sometimes. Use underscores or spaces instead, such as _.
Good luck with all this
Jeff

Convert 1:66 to 1:77 for DVD

Similar Messages

Maybe you are looking for