Deploying the whole J2ME Project created in EclipseMe...??

Hi,
I have a full mobile application which I developed in EclipseMe.. now someone else is buying the project... is there an easy way I can transfer the whole project to his pc so that he doesn't have to re-setup all the IDE properties, plugins, refactoring tools... etc and then import the source files, etc...
because the buyer isn't a j2me developer.. his only job will be to update the resource files and create the newer packages for download..
please reply..
thanks!

Dayson wrote:
his only job will be to update the resource files and create the newer packages for download..In that case you don't need eclipse, just let him install the newest WTK and give him the sources and resources. Setting up the project takes 1 minute, then you simply copy your files to the src and res directories and you can create packages. It's good to install an obfuscator such as Proguard (wtk will tell you what to do if you try to create an obfuscated package).

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720p EDITORIAL WORKFLOW USING JVC-GYHD100 AND FCP5.0
By Jon Farhat
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j. Project name: ONLINE 720p24
k. Go to ONLINE 720p24 tab in the browser. Double click on the sequence. (Note: the is currently an issue in LHD’s XML function in that it will not transfer the REEL NAME to the clip. You will have to select all your clips to add the reel name, otherwise the the clips will not be made “Offline”. You can always right-click on the clip an select the MAKE OFFLINE function. )
l. Save project name: ONLINE 720p24
m. Go to ONLINE 720p24 tab in the browser and double-click on the sequence. (clips should be offline if the reel name is added in the brower.)
n. Select all the clips in the browser in the ONLINE 720p24 sequence and choose RECONNECT MEDIA.
o. Point to the original digital negative clips that you demuxed in LHD. (ignore mismatch warning and all your clips should reconnect.
IMPORTANT NOTE: The above routine for going online worked will with FCP4 but now there exists a BUG in FCP5 in the Media Manager function.
BUG REPORT: When doing an offline and choosing "based on clip names" (which are NAME.MOV), Media manage will add .MOV to the source name resulting in NAME.MOV.MOV.
This is happening in FCP5. It never happened in FCP4. We've used this freature extensively before for online/offline editing workflow. The advantage of using clip name vs. file name in the browser is that you can edit a proxy and always keep track of its online version by naming the clip the same name as the online version. Now that it ads .MOV to the name, it's unusable - or you have to reconnect by hand rather than using hte "connect the clips based on relative paths" option.
CONNECTING ORIGINAL MEDIA: ONLINE OPTION #2
STICKING WITH APPLE INTERMEDIAT CODEC.
For now, it is possible to stick with the Apple Intermediate codec when going online and back through LHD to the JVC HD-100. If so, choose NONE compression when exporting a Quicktime from FCP for use in LHD. However, the best case will be to use the above option #1 when Apple gets around to fixing their bug with Media Manager.
Otherwise, you will have to reconnect all your clips to the original m2v’s manually to avoid the codec altogether.
About the Apple Intermediate Codec
The Apple Intermediate Codec is a high-quality video codec that Apple developed for use as an alternative to native MPEG-2 HDV editing in an HDV workflow. Instead of editing the MPEG-2 HDV data directly, you can capture video from the tape source and then transcode it with the Apple Intermediate Codec to optimize the video data for playback performance and quality.
Working with the Apple Intermediate Codec is less processor-intensive than working with native HDV. Unlike MPEG-2 HDV, the Apple Intermediate Codec does not use temporal compression, so every frame can be decoded and displayed immediately without first decoding other frames. The drawback of this codec is that it requires three to four times as much bandwidth and hard drive storage space as MPEG-2 HDV.
Data rates for the Apple Intermediate Codec are variable; the data rates and storage needed may vary slightly, depending on the complexity of your footage. Images with a lot of detail have a higher data rate, while images with less detail have a lower data rate.
Format and Data rate
MPEG-2 HDV 720p30……….2.5 MB/sec. (equivalent to 9 GB/hr.)
MPEG-2 HDV 1080i60/50……….3.3 MB/sec. (equivalent to 12 GB/hr.)
Apple Intermediate Codec HDV 720p30………. approximately 7 MB/sec. (equivalent to approximately 25 GB/hr.)
Apple Intermediate Codec HDV 1080i50………. approximately 12 MB/sec. (equivalent to approximately 42 GB/hr.)
Apple Intermediate Codec HDV 1080i60………. approximately 14 MB/sec. (equivalent to approximately 49 GB/hr.)
Frame Aspect and Dimensions
MPEG-2 HDV and Apple Intermediate Codec feature a 16:9 widescreen aspect ratio for all resolutions.
The 1080i format features 1080 lines (1440 pixels per line), interlaced, using non-square pixels to display a screen ratio of 16:9 (equivalent to 1920 x 1080). The 720p format features 720 lines (equivalent to 1280 x 720) with a progressive scan.
Color Recording Method
Both MPEG-2 HDV and Apple Intermediate Codec HDV record a 4:2:0 component (Y´CBCR) digital video signal. Each sample (pixel) has a resolution of 8 bits.
Note: This article was based on information from the HD and Broadcast Formats document (in Final Cut Pro 5, choose HD and Broadcast Formats from the Help menu).
EXPORTING QUICKTIME TO LUMIERE HD > JVC GY-HD100
1. Use the following settings when feeding a Quicktime file back to Lumiere HD if you plan on generating a 720p24 transport stream to the JVC GY-HD100 or BR-HD50.
2. Quicktime settings:
a. Resolution: 1280x720
b. Frame Rate: 23.976 (23.98)
c. Progressive
d. Audio on whole track.
e. Audio Settings: 48kHz, 16bit, stereo
f. Square Pixel.
3. Open LHD and select the TRANSPORT STREAM tab.
4. Select JVC 720p/24 (GY-HD100, BR-HD50) in the pulldown menu.
5. Select the HDMASTER tab and then choose your .MOV file.
6. Select the DESTINATION BUTTON under the TRANSPORT STREAM section.
7. Now return to the CAPTURE/PRINT tab in LHD and select the print to tape button. Choose your new edited TS (transport stream) file and Click OPEN and it will print to tape automatically.
Special Thanks to the following for their input to this document:
Frederic Haubrich
Neil Boone
Apple Docs: Article number 301599
Jerry

I'm editing a wedding that I shot for a family member but when I play it in the viewing window the top of it is cropped off but I can see the whole image in the project strip. will the whole image transfer when I make a dvd or will it crop the top ?

I'm editing a wedding that I shot for a family member, But when I play it the top of the image is cropped off in the veiwing window but it shows the whole image in the project strip. When I make a DVD with it transfer the whole image or will it be the chopped off image and how do I make sure it is the whole image ?

What version of iMovie are you using?
For 9.09..
If the image is not 720p, you might have to crop it to have freehand control over which bit gets cut off.
How to crop it...
In the project window hover your cursor over a section of the clip in the bottom right corner as seen below:
Click on the cog and open up Cropping,Ken Burns and Rotation.
Click on Crop and drag and set to where you want it to be cropped, then click Done. (Because mine isn't 720p, iMovie automatically makes it so I cannot include the black border. If you do not mind this click Allow Black.)
Glad if this helped! Please rate up.

Is there a way to make an audio clip not cover the whole project? I want to add audio clip or song and let it start at a certain point in the project. I'm working with iMovie on IPad!

Is there a way to make an audio clip not cover the whole project in iMovie? I want to add audio clip or song and let it start at a certain point in the project. Whenever I add audio or song it covers the whole project. I'm working with iMovie on IPad!

Thank you for your reply Karsten but unfortunately this didn't help me so far. Or maybe I'm missing something?
First the link is a tutorial for iMovie on a Mac. I'm using iMovie on iPad so the steps are inapplicable.
Second it is only possible for me to manipulate the end part of the sound clip to whichever duration I want. But I can't do the same with the 'beginning' of the sound clip.
I simply want to place some photos in the beginning of my video with no sound in the background then after like 2 secs I want to start the music clip. For some reason that is not possible! Cause every time I drop the music clip unto my project timeline it automatically place it self along with the first frame in the project! And consequently the photos and music are forced to start together.
Hope I'm making sense...

Please help, can I restore a Aperture project instead of the whole Library?

Hi,
I really need some help, ok so I use Time Machine and backup weekly on my Time Capsule so I know my work is safe. But now here comes the question I just realised I need to restore some pictures but I do not know how to go about it. Do I have to restore the whole Aperture Library which is 40GB, or can I just restore a particular project or even much better just restore a picture?
Thanks
Catherine

catchapman wrote:
Hi, the one thing I do know is that Aperture keeps everything in the Home Pictures folder, but its all within the Aperture application.
Those are two different things. It's likely all managed by the Aperture application, but the data won't be inside the app itself.
But yes, if you can tight-click click on that folder, then +Show Package Contents+ and navigate to individual pictures from the normal Finder, you're not going to be able to restore selected items.
iPhoto is similar, but has it's own special handling with Time Machine, where you can browse and/or restore individual items from the +iPhoto Library+ package.
You might find some info in the Aperture forum.
It's a bit cumbersome, but you might be able to restore the whole thing to an alternate location, then copy what you want from the restored package.

Deploying the whole J2ME Project created in EclipseMe...??

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