Digitizing using final cut 5 and firewire

All of a sudden I am not able to capture in final cut. when i open final cut it does not recognize a firewire device to be plugged in but when I am in final cut and open up the caputure window I have control over it and can play the tape and see the time code but I am unable to see the video. under audio video settings under video playback it says apple firewire ntsc (720x480) missing. I tried opening iMovie to see if I could see video through that and it was fine. I have tried multiple tapes and decks. any suggestions? thanks

This includes if you have upgraded FCP or OSX as well. QT as implemented in FCP seems quite delicate. The QT reinstall (linked to by David) usually fixes it.
It has been reported by more than one person to take more than one attempt to make it work. Also, be sure to follow ALL the steps.
good luck.
x

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Live capturing from Panasonic AG-HVX200 using Final Cut and MacBook Pro

Does anyone know if the MacBoko Pro using Final Cut can capture live 1080i video from a Panasonic AG-HVX200 to an external firewire hard drive?

Great info. I'll get on those other forums.
Not that it is an 'issue,' but to answer the question I was INITIALLY thinking of getting a laptop just to capture video, and edit on my desktop. But I see that the advice of getting the biggest baddest laptop would be a better idea and I've read others say that being able to edit 'on the road,' is a great potential.
I checked out the only tested and approved by Panasonic Firestore and it's the FOCUS FS-100 that comes standard with a 100GB hard drive that provides 1.5 hours of DVCPRO HD recording time with a list price of $2,195.00.
(If using PAL, you need the PAL version)
Other than the valuable other forums mentioned here, I found a good site for FAQ's for the Mac/AG-HVX-200/FCP, at: https://eww.pavc.panasonic.co.jp/pro-av/support/cs/csregistp2m/ep2main/faq/p2faq .htm
These FAQ's, above, say that "going directly into a PC is possible, but it may fail to record some frames per second. This depends on the performance of PC. So we do not recommend this method."
There is a rebate if buying the USA warrentied camera before the end of the year: a free 8GB P2 card (advertised as a $1,200 value)
I think this answers all my questions about this topic. Thanks everyone for the info and the patience.
P.S. - There is a free contest, BTW, to win the biggest badest laptop, the 17"-MacBook Pro, at http://www.pcmag.com (of all places!)

Tips&Tricks How to use Final Cut and Color !

Hello ,
Final Cut - Color - Back to Final Cut
After many days of trying to get this combination working I have found a non-Color-Final Cut way :
1)After you final cut picture edit is locked you have to clean as much as possible the timeline . That means you will have to stick all your image clips to a sigle video timeline and remove all attributes from each clip . Delete all empty video tracks and audio tracks .
Make sure you don't have any gaps in the timeline .
All clips should have the same compression type and frame rates .
2)Send it to Color , grade all the scenes and render it out .
3)Go in finder to the render folder and create an automator work flow adding as source the render folder from color.
Add the find finder option and set it up to look after .mov files .
Add a move finder option and move all the .mov files from Render Color Folder to a new empty folder .
Having done this you should have all the files from the render color folder moved to a new folder .
4)Go back in Final Cut drag&drop all the clips from that new folder on a new timeline , go ahead and check if the new timeline is identical with the old one .
Copy and paste all the attributes from the old sequence to the one from color and re-render in Final Cut . That's it you should be able now to put it back on a tape as a master movie.
In my case Color 1.02 and Final Cut 6.02 I couldn't get the material out from color using another way .
Please post your detailed work flow here and also post if you find this post useful and/or bugs you find about this workflow .
I hope Apple will fix this issue in their next update .

I use external drives as backup. But I don't trust them. And in case of fire or what ever...It is of no use...
But I agree on your comment about DropBox. It would have been the perfect solution though.
What else is there?
I have a 2TB HD but these projects are huge and still growing - so I have to move my projects to several external drives. So maybe I should just work directly from external drives and skip the partition of the computers main drive? I am thinking of the disadvantage of reducing the total storage of the disk.

Final Cut and TOD

Hey everyone,
I've started using Final Cut, and I'm told the best codec to import for my purposes is DV. I've been using a JVC Everio HDD which creates TOD files. I started using two different programs, one to convert TOD to MP4, and then from MP4 to DV, but so much quality is lost. Is there a converter for Mac that will bridge TOD to DV without having to spend $30 on shareware?
Any ideas?

That's strange. I went to this webpage:
http://everio.jvc.com/specifications.html
and that says that the Everio records to AVCHD. You're saying it doesn't, so that leaves me confused.
You read the chapter about using Log & Transfer to bring the files into Final Cut, right? That doesn't work? It's not talking about streaming the video/audio. It's talking about a file from the camcorder's HDD that is imported via Log & Transfer, not Log & Capture.
Are on the same page of the playbook now?
If using L&T doesn't work with the Everio, that's that. But based on your reply, I'm not convinced you've tried the right method. Maybe you have, and you're just not communicating it so I get it.

I do video productions for a small local TV station. I use Final Cut Express to edit. I need a new video camera but am at a loss as to what to buy. I know I will get a digital camera but do not know the difference between just digital and digital HD.

I do video productions for a small local TV station. I use Final Cut Express to edit. I need a new video camera but am at a loss as to what to buy. I know I will get a digital camera but do not know the difference between just digital and digital HD. Also, I can not afford an expensive camera and need some advice on which of the available cameras would be best and also work well with a Mac. One last issue, I currently use a Panasonic #CCD camera that takes a tape. When I load video to Final Cut the audio and video are out of sinc. Go figure. Can anyone help with these questions. Karen

Hello Karen,
If you are using Final Cut Express, then look for camcorders that are AVCHD camcorders. Look especially for the AVCHD logo and specific mention of AVCHD in the specs. Most of the major manufacturers produce good quality camdcorders - Canon, Sony, etc.
Also, be aware that there are a lot of "not quite AVCHD" camcorders on the market (sometimes they say they record video as MPEG4-H.264/AVC) - buyer beware!
Most everything you are going to find on the market today is HD, which stands for "high-def".
Regarding your question about the Panasonic camcorder, it's best if you post that as a separate question, and please identify the specific model camcorder and the Easy Setup you are using in FCE.

I'm going to save my old Hi8 tapes on a hard disk using final cut pro x, to save it for the future. But how shall I export it, and in what will be the best quality to save it in?

I'm going to save my old Hi8 tapes on a hard disk using final cut pro x, to save it for the future. But how shall I export it, and in what will be the best quality to save it in?

Hi Carsten...good luck with your project.. I had just about as many Video8 & Hi8 tapes as
you that I digitized and eventually brought into FCPX..took me many months not weeks
to do so,BTW, as each tape was 60-90 minutes in lenght...and many hundreds of
gigab ytes of storage ( uncompressed AVI files)..it's tedious work unless you plan to farm
it out to a processing house...also regarding eventual storage format...remember
Hi8 is 400 lines or about 540X480 in todays resoultion metrics..you can't make hi-def out
of source that starts out as 400 lines...in my case I rewrapped the avi files into .mov
containers and imported the mov files into FCPX where I got rid of the hundreds of
minutes of Colorado mountain landscapes to get to that one minute shot of the kids
on horseback ( late 80's for most of my archives)..so its a job..scouring thru 30X90 min
of source to not miss those precious memories takes diligence and hard work but its worth
it; eventually I encode the uncompressed video I want to save in H.264 format Staandard
Def not HiDef

Hi I just updated from Snow Leopard to Mountain Lion. I write DVD's using Final Cut Pro, creating a DVD that plays HD and Standard Definition on one disk. My problem is when I used load the disk on my G5 it would ask if you want High Definition or Standar

Hi I just updated from Snow Leopard to Mountain Lion.
I write DVD's using Final Cut Pro, creating a DVD that plays HD and Standard Definition on one disk.
My problem is when I used load the disk on my G5 it would ask if you want High Definition or Standard Definition, now it just defaults to Standard Definition.(I'm using Apple's DVD Player)
Can I fix this problem?

Addendum: I read on a post here (http://forums.macrumors.com/showthread.php?t=420169) about removing some kext files in order to trick OSX into thinking that there were no FireWire ports.
I followed the instructions and removed from /System/Library/Extensions/ the following files:
IOFireWireSerialBusProtocolTransport.kext
IOFireWireAVC.kext
IOFireWireFamily.kext
IOFireWireIP.kext
IOFireWireSBP2.kext
I restarted and BAM...Snow Leopard booted crazy fast and the mouse and keyboard worked instantly.
The System Profiler says "No FireWire ports were found."
So this tells me that the FW port is probably the culprit and is messing up the installation.
So how do I hack the Mountain Lion installer and tell it to ignore the FW port, which is obviously quite dead? Or is there something I can do to the Base system that is similar?

I have been using Final Cut pro v6 without any problems but recently had to reinstall. Since then I can't open and view all my Quicktime clips. They appear white in timeline which means you can hear audio but not view picture. Any tips?

I have been using Final Cut Pro without any problems - v6 - for ages. I recently had a hardware issue and had to reinstall the software. Since then I can't open most of my QT clips in my fcp project. They appear as white clips - audio only no pictures. There are a few QT clips you can view as regular thumbnail images and they play ok. What's the issue? I have fcp v6.0.6 and QT v7. Any thoughts on what to do next?

Yes I did software updates which updated fcp to 6.0.6 and QT to version 7.7. That's as far as updates have taken me although i have requested daily updates. I forgot to say the clips don't play in QT view either. Again sound but no pictures when they are played.

Using still images with Final Cut (and the apple suite in general)

I have had a re-occuring and long term problem that has caused me many lost hours of head scratching and work arounds, and as of yet I have not been able to come up with a good solution.
Its to do with integrating still images with the Final Cut suite.
If I receive a high quality image from a client to use in their video and I then try importing it into Final Cut and animating it, it always ends up looking like a pile of ahem. Often I will get "swimming" lines appear across fine detail on the image, and parts of it will flicker as it moves across the screen. For instance, if I have a picture of some blinds or other fine detail (especially horizontal and vertical lines), when I add a grow and throw movement to it the detail will become very noisy - buzzing and flickering like mad.
I have found I can counter this by resizing the image in photoshop to a resolution closer to SD video (700w or 500h) - but I always end up losing detail, and the flickering and noise is only reduced, not eliminated. Other things that have helped are blur effects applied at a very low level, like 0.5 blur, so its not noticeable visually, but Final Cut seems to treat it differently and quieten the noise and flicker down.
However, all of these workarounds are ultimately still giving a reduced quality product.
Also, this problem is not necessarily constrained to Final Cut, I am currently fighting DVD Studio Pro because it is murdering the text quality in a stills slideshow I am creating - and in this situation there is no animation being applied. No matter what file type (psd, jpeg, tiff, png...) or size I output the text and images from Photoshop in, the moment DVD studio pro gets hold of it, it turns to cripe.
For a while I was putting it down to the fact that I usually edit in SD (PAL) formats, and there just wasn't the resolution available to reproduce fine detail. However, I do often see other people achieving pin-sharp fine detail on still images and text in SD formats (the Apple templates are a good example)
So, my question to you, oh great and high boffins, if you are dealing with still images and text, how do you do it? How do you work around any noise problems you have, and how do you produce those pin-sharp images (both moving and still) I see in other professional productions?
Quad G5 Mac OS X (10.4.8)

still images with too high a resolution will always cause problems. this is due to the detail of the image being finer than the scanline of the tv can display ... obviously this will caise the image to flicker as these details alternately appear and disappear as and when the scanline can display them. as you have discovered, the answer is to apply a very small blur, the effect being that the detail is spread by the blur such that the scanline can dislay it correctly.
text issues are often rooted in the same problem ... unless the text is placed very carefully (whole even number on the y axis) then the quality may be impaired due to the resulting interlacing/scanline issues

I have an Intel iMac running OSX 10.6.8. I would like to use Final Cut Pro 10.1. I know I need OSX 10.9 for this. Can I run both 10.6.8 and 10.9 on the iMac ? I do not want to convert completely to 10.9 because of my existing software. Thanks for any help

I have an Intel iMac running OSX 10.6.8. I would like to use Final Cut Pro 10.1. I know I need OSX 10.9 for this. Can I run both 10.6.8 and 10.9 on the iMac ? I do not want to convert completely to 10.9 because of my existing software. Thanks for any help

It would depend on how old your IMac is, how mush memory you have, it it can be upgraded by OWC, etc. I have a 2006 Macbook Pro and would NOT put Mavericks on it or espeacially FCP 10.1.1 on it because the most memory it can have is 4 GB. You need at least 8 GB to work with Final Cut Pro 10.1.1. IMHO.
I would try to find a copy of Final Cut Express perhaps.
Does this answer your question?

My current os x is 10.9.5, using final cut express vers. 4.0.1. I have imported .mov clips created with a older mac os x (lion) and converted them to import into fce. after doing this as well as putting clips on the fce timeline when playing back t.h

My current os x is 10.9.5, using final cut express vers. 4.0.1. I have imported .mov clips created on a older mac os x (lion) and when I wanted to import them into fce, a quicktime conversion window opened up and converted them (I haven't experienced this in the past). I then imported the converted quicktime clips into my fce project. After doing this I took selected clips and put those edited clips on the fce timeline. When playing the video back in the fce timeline,I noticed
1) the video wasn't playing back smoothly like the original content
2) when looking at the timecode reading of the timeline, the timecode was sputtering as well as the video and audio. I exported to quicktime just to see if that was consistent, it was.
When I play the converted quicktime content independently of fce, it plays normally (no sputtering of timecode, video and audio. Need help to resolve the sputtering playback of converted video content in the fce timeline. I've never experienced this before. Any suggestions?

When you say you converted the clips before importing them into FCE, did you convert to AIC or DV and do the converted clips match your FCE Sequence settings exactly? If not, go back and convert the original files again, using the intended Sequence settings as a guide.
-DH

I'm thinking of using Final Cut Pro to straighten slightly crooked footage and then re-import back to iMovie to complete the video. Does this have any impact on image quality?

I'm thinking of using Final Cut Pro to straighten slightly crooked footage and then re-import back to iMovie to complete the video. Does this have any impact on image quality?

As your rotate the image, you will begin to see black edges. So, as Tom implies, the image must be scaled up to hide those voids. If you shot 4k ad are editing in a HD timeline, no problem, lots of room to spare. If you shot 1080 and are editing in a 1080 timeline, you will run into issues at a certain point. However, if your 1080 project is going to be transcoded to 720 or ye olde DVD you won't notice any deterioration at all.

HT5148 i am using final cut pro x. i have imported some images and video in my timeline. when i play back my video it looks fuzzy. but, when i pause it, it looks clear. how do i get my video to play clear.

i am using final cut pro x. i have imported some images and video in my timeline. when i play back my video it looks fuzzy. but, when i pause it, it looks clear again. how do i get my video to play clear and not fuzzy?

Same reply.

I am making a graduation video for my cousin using Final Cut Pro. I have photos layered over videos, and I was wanted to find out how you can add a border around the photos so they stand off of the video. Anyone know what I could do?

I am making a graduation video for my cousin using Final Cut Pro. I have photos layered over videos, and I was wanted to find out how you can add a border around the photos so they stand off of the video. Anyone know what I could do?

You would need an image editor to edit the images and add a border to the image first before importing them into Final Cut.
Cheapest and very good image editor?
PIxelmator.
Located in the Mac App Store. $14.99 USD.
Here is the Pixelmator website to give you an overview of the app.
http://www.pixelmator.com/
Good Luck!

I edit movies onMac OS X using Final Cut Express and down load to desk top in .mov format. How do I load finished movie to i pad 2? i tunes will not transfer it.

I edit movies onMac OS X using Final Cut Express and down load to desk top in .mov format. How do I load finished movie to i pad 2? i tunes will not transfer it. Thanks, stevefromnorthfreo

Try outputting it as a MP4 or M4V
If Final Cut won't output it, Mpegstreamclip will convert it. So will Quicktime if you have the pro version.

Digitizing using final cut 5 and firewire

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