Dynamic Link Bug on Multicam?

Question

I've edited some footage using multicam in the usual way, i.e. create a sequence, embed in another sequence, turn on multicam etc.
I've then copied the resulting edit in to another sequence (not embedded, just copied) to drop it in to an assembled program.  I'm now trying to stabilize a couple of shots but I've hit a problem.
The sequence goes as follows:
[ Clip 2 ] [ Clip 1 ][ Clip 2* ] [ Clip 1 ]
The clip I'm trying to stabilize is Clip 2* (the third one above).   When I right click and tell it to replace with an After Effects Comp (so I can use Warp Stabilizer) it launches After Effects but puts Clip 1 (the part of Clip 1 that was under the chosen Clip 2 in the multicam) in to after effects and not clip 2.
How can I get Clip 2 in to After Effects as a Comp?
To clarify, this would have been the multicam source tracks
[ Clip 2 ] [ Clip 2 ][ Clip 2* ] [ Clip 2 ]
[ Clip 1 ] [ Clip 1 ][ Clip 1* ] [ Clip 1 ]
So it's [Clip 1*] that's going to after effects and not [Clip 2*].   
What am I doing wrong?
[  Mac 10.6.7,  CS5.5  ]

Answer 1

Hm-m-m... I can't actually recreate your weird AE output...
Well, lets try to move step by step...
When you right click on you clip in PrPro sequence, AE brings into two comps:
- the first one is precise representation of your replaced clip in terms of time - it starts and stops exactly where you need;
- the second one is representation of your nested Multicam sequence.
I assume, when you disabled eyeballs of unnecessary upper layers, you applied Warp Stabilizer onto your Master AE composition.
So, we should have got something like this:
Third clip in my example is replaced with stabilised AE comp.
Now select and right click previous clip.
AE brings into two comps again:
- the first one is precise representation of your next clip in terms of time;
- the second one represents your nested Multicam sequence and absolutely identical to what you might have seen when replaced your very first clip.
Although you may check of whether the playhead is in right position by just switching between appropriate Master and Nested comps tabs - they are linked in terms of time, treat nested comp just for bringing proper camera view back by disabling eyeballs of unnecessary upper layers.
Apply effects on Master comp, and here we are with two replaced clips:
If you were able to upload your PrPro project or a sample, which caused such a mess in AE comp, I would try to play around.
UPD: looks it's impossible to properly attach images after certain layer in the thread...