Error in edit button

Hi
i have to panel inside the page, first one panelGroupLayout and second one are panelFormLayout and i but button edit in first panel, when i press in button edit i need to fill panelFormLayout data according to row in panelGroupLayout, note that panelFormLayout value set from object in ManageBean and the code for edit button are:
<af:commandButton text="Edit" id="editBtn" partialSubmit="true" immediate="true">
<af:setPropertyListener from="#{row}"
to="#{ManageBeanUserAdminUpdate.administrator}"
type="action"/>
</af:commandButton>
the error appear are
cannot convert object of type class oracle.adfinternal.view.faces.model.binding.FacesCtrkHierNodeBinding to class that i build in Model project

Hi,
Do you have a table in the panelGroupLayout? If yes, is the button inside the table? Does it work if you specify the attribute name with the row? (i.e instead of #{row}, use #{row.<your_attribute_that_needs_to_be_set_to_backing_bean_var>} )
-Arun

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    I am using Harm's original guide posts to see what's happening with the edit button
    How do you set up your editing machine in terms of disks for maximum performance and reliability? (SSD's are left out here.)
    This is a question that often arises and all too often one sees that initial settings are really suboptimal. These rules are intended to help you decide how to setup your disks to get the best response times. Of course the only disks in an editing machine must be 7200 RPM types or faster. No GREEN disks at all.
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    Rule 2: Avoid using USB drives, since they are the slowest on the market. Do not be tricked by the alleged bandwidth of USB 2.0 advertisements, because is just is not true and remember that the alleged bandwidth is shared by all USB devices, so if you have a USB mouse, keyboard, printer, card reader or whatever, they all share the bandwidth. Stick to SCSI or SATA disks or e-SATA. If needed, you can use Firewire-800 or even Firewire-400 disks, but they are really more suited for backups than for editing.
    Rule 3: Use at least 3 different physical disks on an editing machine, one for OS/programs, one for media and one for pagefile/scratch/renders. Even on a notebook with one internal drive it is easy to accomplish this by using a dual e-SATA to Express card connector. That gives you an additional two e-SATA connections for external disks.
    Rule 4: Spread disk access across as many disks as you have. If you have OS & programs on disk C:, set your pagefile on another disk. Also set your pagefile to a fixed size, preferably somewhere around 1.5 times your physical memory.
    Rule 5: Turn off index search and compression. Both will cause severe performance hits if you leave them on.
    Rule 6: If the fill rate on any of your SATA disks goes over 60-70% it is time to get a larger or an additional disk.
    Rule 7: Perform regular defrags on all of your disks. For instance, you can schedule this daily during your lunch break.
    Rule 8: Keep your disks cool by using adequate airflow by means of additional fans if needed. You can use SMART to monitor disk temperatures, which should be under 35 degrees C at all times and normally hover around 20-24 C, at least in a properly cooled system.
    Rule 9: If people want raid, the cheapest way is to use the on-board IHCR or Marvell chip, but it places a relatively high burden on the CPU. The best way is a hardware controller card, preferably based on the IOP348 chip. Areca ARC and ADAPTEC come to mind. 3Ware uses it's own chipset and though not bad, they are not in the same league as the other two. Promise and the like in the budget range are no good and a complete waste of money. Expect to spend around $ 800 plus for a good controller with 12 connectors internally and 4 e-SATA connectors. Important to consider in a purchasing decision is whether the on-board cache memory can be expanded from the regular 256/512 MB to 2 or even 4 GB. Be aware that 2 GB cache can be relatively cheap, but the 4 GB version extremely costly ($ 30 versus $ 300). For safety reasons it is advisable to include a battery backup module (BBM).
    Rule 10: If you can easily replace the data in case of disk failure (like rendered files), go ahead and use raid0, but if you want any protection against data loss, use raid 3/5/6/10/30/50. For further protection you can use hot spares, diminishing downtime and performance degradation.
    In general when you get a new disk, pay close attention to any rattling noise, do perform regular disk checks, and in case of doubt about reliability, exchange the disk under guarantee. Often a new disk will fail in the first three months. If they survive that period, most of the disks will survive for the next couple of years. If you use a lot of internal disks like I do (17), set staggered spin-up to around 1 second to lessen the burden on the PSU and improve stability.
    Hope this helps to answer some basic questions. If not, let me know. Further enhancements and suggestions are welcome
    ==============================================================================
    For AMD setups, disregard the mentions of sockets and the like but the general recommendations still hold.
    When you need a new PC for editing purposes, you basically have three choices:
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    2. Buy a custom built PC from a specialist company, like http://www.guygraphics.com/
    3. Build it yourself.
    Solution 1 can offer good prices if you stick to their standard configurations and it is easy. But remember that these companies make their profit not on the base system, but on all the options they offer. If you follow their recommendations and upgrade memory, hard disks, or choose a better video card or a faster processor, they steal you blind.
    I have nothing against HP or Dell, I have bought systems from them, but usually that was because of a great offer with all the features I needed at the time and applied to notebooks, desktops and servers.
    Solution 2 is usually costly, but you get what you pay for. You get the expertise of the seller/builder in selecting the right components, he builds it, installs the software and tests it before delivery. The downside is that often these specialists have their own favorite hardware, like Matrox or Canopus and try to get that into the deal, which increases the price.
    Solution 3 is usually the most cost effective and the most flexible, but the largest drawback is that you need to choose all the right components, to be aware of potential incompatibilities and build it yourself. Many see that as a major stumbling block, but really it is not difficult. Another drawback is support. You have to do it yourself.
    The first steps to take are twofold:
    1. What material do you want to edit and how do you want to deliver the results?
    To put it bluntly, if you want to edit material, recorded with a mobile phone, a digital still camera, recorded off the internet from YouTube or similar, recorded from TV, grabbed from the screen, encoded with any unsuitable codec like DivX, XVid, or the like, or ripped from DVD, and that is your major purpose, no need to read this further, just use a consumer application like Windows Movie Maker or Magix for your editing.
    This guide is for people who use a VIDEO camera and want to edit that.
    So for people with video cameras, what is the main format you use? DV, HDV, DVCPROHD, AVCHD, XDCAMHD, other?
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    2. What is your budget?
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    http://www.tomshardware.com and http://anandtech.com
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    2. For AVCHD: i7 with HT or dual Xeon's 55xx
    3. For other HD formats: Core 2 Quad
    It generally does not pay to get the fastest CPU, unless you have an unlimited budget. Their price/performance is usually not the best and you will find a step down gives you nearly the same performance at a much lower price. And there is always overclocking, but I'll come back to that later. To give an example, the Core 2 Extreme QX6850 is currently more than 4 times as expensive as the Core 2 Quad Q9550, but does not deliver any noteworthy performance improvement. And both are quad cores.
    To help you narrow down your choices, it is worthwhile to have a look at these charts:
    http://www.tomshardware.com/charts/desptop-cpu-charts-q3-2008/Cinema-4D-Release- 10,835.html
    Likely a new version for Q1-2009 will come out shortly.
    In deciding on your shortlist, keep in mind that for video editing FSB speed and cache size are very important. First look at FSB speed (the higher the better, so if you have the choice between 1066 or 1333 FSB, always choose the higher one if it fits your budget). Next narrow down your choices by selecting the CPU with the largest cache. 6 MB L3 cache is better than 3 MB.
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    Now, we're finally getting somewhere. Only cooling is left, then all the hardware components have been chosen.
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    When I recently built a new system, my first PassMark (a common benchmark testing program) score was around 3600. After finetuning the system, optimizing Windows and overclocking, I got a PassMark score of 4733.8, which even after a month is still number two in the worldwide ranking.
    For my system specs, look below, maybe you can derive some ideas from it for your next configuration:
    http://www.millcon.nl/Harm/PCResults.jpg
    I hope this has been informative and that you can profit from my remarks.
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    Further suggestions and enhancements are welcome.
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